Upright and grand piano tuning:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Danish |
| Veröffentlicht: |
Bergkirchen
PPVMedien
2010
|
| Schriftenreihe: | Edition Bochinsky
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturangaben |
| Beschreibung: | 487 S. Ill., graph. Darst. 25 cm |
| ISBN: | 9783937841786 |
Internformat
MARC
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|---|---|---|---|
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| 003 | DE-604 | ||
| 005 | 20100906 | ||
| 007 | t | ||
| 008 | 100607s2010 ad|| |||| 00||| eng d | ||
| 016 | 7 | |a 1001820630 |2 DE-101 | |
| 020 | |a 9783937841786 |c Pp. : EUR 86.00 |9 978-3-937841-78-6 | ||
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| 100 | 1 | |a Forss, Carl-Johan |e Verfasser |0 (DE-588)12448963X |4 aut | |
| 240 | 1 | 0 | |a Piano- og flygelstemming |
| 245 | 1 | 0 | |a Upright and grand piano tuning |c Carl-Johan Forss |
| 264 | 1 | |a Bergkirchen |b PPVMedien |c 2010 | |
| 300 | |a 487 S. |b Ill., graph. Darst. |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
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Datensatz im Suchindex
| _version_ | 1804143045706252288 |
|---|---|
| adam_text | CONTENTS 1. HISTORICAL OVERVIEW OF PIANO TUNING 15 INTRODUCTION 16
REFLECTIONS ON TUNING 20 REFERENCE PITCHES 22 CONCERT AND CHOIR PITCH 24
FLUCTUATION IN CONCERT PITCH DURING THE LAST HUNDRED YEARS COMPARED TO
STANDARD PITCH TODAY OF A4 26 THE HISTORY OF TONE SYSTEMS 27 RESOUNDING
NUMBERS AND PYTHAGORAS 28 THE PYTHAGOREAN TONE SYSTEM 31 MERSENNE AND
TEMPERED TUNING 33 EXERCISES 34 THE DEVELOPMENT OF TEMPERED TUNING 35
EQUAL TEMPERAMENTS AND RIVALRY 37 PORTRAITS OF SIGNIFICANT THEORETICIANS
40 AUGUST WILHELM AMBROS 40 PIETRO A(A)RON 41 ARISTOKSENOS 41 J. MURRAY
BARBOUR 41 ABRAHAM MANKELL 42 JOHANN PHILIPP KIRNBERGER 42 FRIEDRICH
WILHELM MARPURG 43 JOHANN MATTHESON 43 MARIN MERSENNE 44 JEAN PHILIPPE
RAMEAU 45 BARTOLOME RAMIS DE PAREJA 46 ARAOLT SCHLICK 46 ANDREAS AND
GOTTFRIED SILBERMANN 46 HANS ERIK SVENSSON 47 SVEN ERIK EMANUEL SVENSSON
47 MICHAEL PRAETORIUS 48 PYTHAGORAS 48 FRANSESCO ANTONIO VALLOTTI 49
ANDREAS WERCKMEISTER 49 GIOSEFFO ZARLINO 49 EXERCISES 50 MUSICAL TERMS
IN BRIEF 51 KEYBOARD AND KEYS 51 OCTAVE 52 NAMES OF THE OCTAVES 53
CHORDS 55 TEMPO 55 TONIC 56 MAJOR 56 MINOR 57 DYNAMICS 57 TOUC
BIBLIOGRAFISCHE INFORMATIONEN HTTP://D-NB.INFO/1001820630 DIGITALISIERT
DURCH CONTENTS ARRANGEMENT 58 CENT 59 TABLE OF CENT VALUES FOR EQUAL
TEMPERAMENT 60 ENHARMONIC CHANGE 62 ENHARMONIC 63 FERMATA 63 KEY AND
TIME SIGNATURES 63 CIRCLE OF FIFTHS 64 WHOLE-TONE SCALE 65 QUARTER-TONE,
50 CENTS 66 LEGATO 66 EQUAL 67 PENTATONIC 67 STACCATO 68 SCALE 68
TEMPERAMENT 68 PITCH AND TONE STEPS 68 INTERFERENCE * DISSONANCE *
CONSONANCE 69 INTERFERENCE 69 LIMMA 70 APOTOME 71 THE PYTHAGOREAN SCALE
71 PYTHAGOREAN COMMA 71 SYNTONIC COMMA 72 CHROMATIC 72 TEMPERED TONE
SYSTEMS 73 MERIDE 73 MICRO INTERVALS 74 EXERCISES 75 INTERVAL THEORY 76
BACKGROUND 76 IMPORTANT INTERVALS FOR PIANO TUNERS 77 CALCULATING
INTERVALS SCALES AND PARTIALS 78 HOW DID MUSICAL SCALES ORIGINATE? 78
WHAT IS AN INTERVAL, A COMPLEX TONE, AN OVERTONE OR PARTIAL? 85 PARTIAL
TONE SCALE 88 CALCULATING A PURE-TUNED DIATONIC SCALE 91 EXERCISES 93
INTERVALS 94 THE PRIME 94 THE SECOND 94 THE THIRD 95 THE FOURTH 98 THE
FIFTH 100 THE SIXTH 102 THE OCTAVE 103 EXERCISES 105 TABLE OF INTERVALS
106 TEMPERAMENT VALUES 113 CONFLICT BETWEEN EQUAL TEMPERAMENT AND PURE
TUNING 114 PITC CONTENTS SECOND STEP: CALCULATING THE FREQUENCIES OF THE
PARTIAIS 134 THE LOUDNESS OF THE PARTIAIS * THE TIMBRE OF THE INSTRUMENT
135 EXERCISES 136 THE INTERVALS BETWEEN THE PARTIAIS HAVE NAMES 138 STEP
3: HOW CAN WE EMPLOY OUR KNOWLEDGE REGARDING PARTIAL FREQUENCIES? 139
THE TERM: FLAT 140 ZERO POINT 141 THE TERM: SHARP 142 FINAL COMMENTS ON
FIFTH INTERVALS 143 FINAL COMMENTS ON FOURTH INTERVALS ... 143 FOURTH
STEP: CALCULATING THE BEAT RATES .... 144 BEAT RATES OF THE MINOR THIRDS
144 HOW TO MAKE USE OF THE MINOR THIRD ... 146 EXERCISE 147 THE BEAT
RATES OF THE MAJOR THIRD 147 EXERCISES 149 THE BEAT RATES OF THE FOURTH
INTERVAL 151 EXERCISES 153 THE SECOND BEAT FREQUENCY OF THE FOURTH
INTERVAL 153 EXERCISE 154 THE BEAT FREQUENCY OF THE FIFTH INTERVAL ...
154 EXERCISES 156 THE SECOND BEAT FREQUENCY OF THE FIFTH INTERVAL 156
EXERCISE 157 BEAT FREQUENCY OF THE MAJOR SIXTH 157 EXERCISES 159 THE
BEAT FREQUENCY OF THE OCTAVE INTERVAL 159 DUPLICATING OCTAVES *
STRETCHING OCTAVES 161 EXAMPLES OF OCTAVE STRETCHING 162 BEAT
FREQUENCIES OF THE TENTH INTERVALS .... 162 EXERCISES 164 BEAT
FREQUENCIES OF THE INTERVALS 165 3. PRACTICAL PIANO TUNING 171 PIANO
TUNING EXERCISES 172 TOOL CONTENTS TOOLS: 193 LEFT HAND 196 RIGHTHAND
198 EXERCISES 200 EXERCISE 5: TUNING THE TEMPERAMENT 202 TOOLS: 202
PREPARATION BEFORE TUNING 203 UPRIGHT PIANO 204 GRAND PIANO 206 CAN ONE
NOTE BE A FIFTH AND A FOURTH AT THE SAME TIME? 210 TEMPERAMENT 1A
BETWEEN E-FLAT 3 ANDE4 211 TEMPERAMENT 1A 213 1A, STEP 1: TUNING FORK
TONE A4 = 440 HZ TO A3 AND REFERENCE TONE F3 FROM TENTH AND THIRD
INTERVAL .. 213 1 A, STEP 2: THE FOURTH A3 - D4 215 1A, STEP3:
FIFTHD4-G3 217 1A, STEP 4: FOURTH G3 * C4 218 1A, STEP5: FIFTHC4-F3 219
1 A, STEP 6: FIFTH F3 - B-FLAT 3 220 1 A, STEP 7: FIFTH BB3 - EB3 221
1A, STEP 8: FIFTH EB3 - AB3 OR D#3 - G#3 223 1A STEP 9: FIFTH AB3 - DB4
OR G#3-C#4 224 1 A, STEP 10: FIFTH DB4 - GB3 226 1 A, STEP 11 : FOURTH
F#3(GB3) * B3 227 1 A, STEP TWELVE: FIFTH B3 - E3 228 1A, STEP 13:
OCTAVE E3 - E4 229 1 A, STEP 14: OCTAVE EB3 - EB4 = D#3 - D#4 230 1A,
STEP 15: CHECKING THE TEMPERAMENT 230 TEMPERAMENT IB IN TWELVE STEPS 231
IB, STEP 1: TUNING FORK TONE A4 = 440 HZ DOWN TO A3 AND REFERENCE NOTE
F3 231 IB, STEP 2: FIFTH A3 -E4 233 IB, STEP3: FOURTHE4-B3 234 IB, STEP
4: FOURTH A3 * D4 234 IB, STEP5: FIFTHD4-G3 236 IB, STEP 6: FIFTH G3 -
C4 237 IB CONTENTS 2, STEP 11: THE FIFTH BB3 -F4 256 2 STEP 12: THE
FOURTH F4 - C4 257 2. STEP 13: THE FIFTH C4 - G4 258 CHECKING THE
TEMPERAMENT 259 3. TEMPERAMENT BETWEEN A4 - A3 IN 13 STEPS 260 3. STEP
1: PRIME INTERVAL - TRANS- FERRING THE TUNING FORK PITCH A4 = 440 HZ TO
THE PIANO S A4 USING REFERENCE NOTE F3 260 3.2: FIFTH A4-D4 260 3.3:
FOURTH D4 - G4 TEST INTERVALS: ... 261 3.4: FIFTH G4-C4 261 3.5: FOURTH
C4-F4 261 3.6: FIFTH F4-BB3 262 3.7: FOURTHBB3 -EB4 262 3.8: FOURTH
DM-GM 262 3.9 FIFTH GM-CM 263 3.10: FOURTH CM-FM 263 3.11: FIFTHF#4-B3
264 3.12 FOURTH B3 - E4 264 3.13: FIFTH E4 *A3 264 CHECKING THE
TEMPERAMENT 265 4. TEMPERAMENT IN 13 STEPS 265 4.1 PRIME - TUNING FORK
A4 TO INSTRUMENT A4 265 4.2 OCTAVE A4-A3 266 4.3 OCTAVE F3 - F4 266 4.4
THIRD A3-CM 267 4.5 FIFTH CM -F#3 267 4.6: FIFTH F4-BB3 268 4.7 THIRD
BB3 - D4 268 4.8FIFTHD4-G3 269 4.9 THIRD G3-B3 269 4.10THIRDB3-D#4 269
4.11FIFTHD^-G#3 270 4.12THIRDAB3-C4 270 4.13THIRDC4-E4 270 CHECKING THE
TEMPERAMENT 271 5. TEMPERAMENT EB3 - A4 IN 19 STEPS .... 271 5.1 PRIME
INTERVAL - TRANSFERRING THE TUNING FOR CONTENTS 6.10 FIFTH G#3 -D#4 281
6.11 FOURTHB3-F#3 281 6.12 FOURTH DM - A#3 282 CHECKING THE TEMPERAMENT
282 7. TEMPERAMENT A3 - A4 IN 13 STEPS 282 7.1 STEP 1: TRANSFERRING THE
TUNING FORK S A4 TO THE PIANO S A4-REFERENCE TONE F3 282 7.2 OCTAVE
A4-A3 283 7.3 FOURTH A3 -D4 283 7.4 FOURTH D4 - G4 283 7.5 FIFTH A3-E4
283 7.6 FOURTH E4 - B3 284 7.7FIFTHB3-F#4 284 7.8 FOURTH F#4-C#4 284
7.9FIFTH CM-GM 285 7.10 FOURTH GM - DM 285 7. 11 FOURTHD#*-BB3 285 7.12
FIFTH BB3 - F4 286 7.13 FOURTH F4-C4 286 CHECKING THE TEMPERAMENT 286
TEMPERAMENT X (10) IN 20 STEPS 287 10.1 TUNING FORK A4 TO PIANO S A4 287
10.2 OCTAVE A4-A3 287 10.3 FIFTH A3 -E4 287 10.4FIFTHE4-B4 288 10.5
FIFTH B4-F#5 288 10.6 OCTAVE F#5-F#4 288 10.7 FIFTHF#L-C#5 288
10.8FIFTHC#5-G#5 288 10.9 OCTAVE G#5 - GM 288 10.10 FIFTH AB4-EB5 289
10.11 OCTAVE EB5 -EB4 289 10.12FIFTHEB4-BB4 289 10.13 FIFTH BB4-F5 289
10.14 OCTAVE F5 - F4 289 10. 15 FIFTH F4-C5 289 10.16 FIFTH C5-G5 290
10.17 OCTAVE G5 - G4 290 10.18 FIFTH G4-D5 290 10.19 OCTAVE D5-D4 290
10.20FIFT CONTENTS SETTING TEMPERAMENT 1A FROM EB3 - E4 .. 306 SETTING
TEMPERAMENT IB FROM EB3 - E4 .. 308 SETTING TEMPERAMENT 2 A3 - A4 IN 13
STEPS 310 COPY THIS PAGE AND USE IT TO CREATE YOUR OWN TEMPERAMENT 312
4. GOOD TO KNOW 315 GENERAL AND CONCERT TUNING 316 CHOOSING AN
INSTRUMENT 319 HYBRID PIANO 319 SOUND EFFECT IN A GRAND 319 PLAYING A
MUSICAL INSTRUMENT MAKES ONE INTELLIGENT! 320 TO SUMMARIZE IT CAN BE
SAID THAT: 322 ROOM CLIMATE 323 MEASURES REQUIRED FOR CLIMATE CONTROL
326 PIANOS AND UNDERFLOOR HEATING 328 CLIMATE CONTROL SYSTEM 328 AN
ADDITIONAL MEASURE 328 HOW OFTEN SHOULD AN INSTRUMENT BE TUNED? 329 WHEN
IS THE BEST TIME OF YEAR? 329 WHAT IS THE BEST PLACE FOR A PIANO? 329
SERVICE PLAN 331 SERVICE PLAN FOR GRAND/UPRIGHT MAKE/MODEL: 332 5. THE
EAR AND HEARING 333 THE EAR 334 HEARING AS THE PIANO TUNER S MOST
IMPORTANT INSTRUMENT 335 THE ANATOMY OF THE EAR AND ITS STRUCTURE 335
THE MIDDLE EAR 337 THE INNER EAR 339 LOCALIZING SOUND 341 THE
SENSITIVITY OF THE EAR 342 SUMMARY OF A SOUND S MOVEMENT FROM EAR TO
BRAIN 343 EXERCISES 343 TINNITUS 344 THE DANGERS OF NOISE 345 THE
DECISIVE FACTORS RELATED TO NOISE ... 345 HOW CAN WE PROTECT OUR
HEARING? 346 EXERCISE CONTENTS EQUIVALENT SOUND LEVEL * MAXIMUM SOUND
LEVEL 371 SOUND LEVEL AND HEARING LEVEL 371 AUDITORY MASKING 373 SOUND
AND OBSTACLES 374 DECIBELS, DB (A-C) 375 ADDITION OF DECIBEL VALUES,
LOUDNESS .... 376 EXERCISES 377 INFRASOUND 1.8-22 HZ 378 ULTRASOUND
18,000-200,000 HZ 378 THE FREQUENCY RANGE OF SOME MUSICAL INSTRUMENTS
379 INTERFERENCE, NODES AND ANTI-NODES 380 ABSORPTION AND REFLECTION 381
RESONANCE IN ROOMS 381 DOPPLER EFFECT 383 EXERCISES 385 7. ROOM
ACOUSTICS 387 ABSORPTION, REFLECTION, ECHO 390 EXERCISES 393 MORE ON
ABSORPTION, REFLECTION AND ECHO 393 ABSORBER 394 REVERBERATION 395
ANCIENT GREECE 399 A MODERN COMPLEX FOR DRAMA AND SINGING 400 EXERCISES
401 8. THE ACOUSTICS OF MUSICAL INSTRUMENTS 403 ORGAN PIPES 404
CALCULATING PIPE LENGTHS 405 HOW SOUND IS PRODUCED IN OTHER WIND
INSTRUMENTS 409 COMBINATION TONES 410 EXERCISES 412 STRING CALCULATIONS
412 WITH THREE GIVEN VALUES WE OBTAIN A FOURTH 414 CALCULATING THE
DENSITY OF THE STRING WIRE 415 EXAMPLES 417 HOW THE STRINGS STRETCH 419
INHARMONIDTY 420 EXAMPLE OF THE EFFECT OF INHARMONICITY 422 EXAMPLES OF
STRETCHED OCTAVES 422 GENERA CONTENTS CAUSING A STRING TO VIBRATE BY
OTHER MEANS 447 DISTRIBUTION OF THE SOUND ENERGY OF A STRING PLUCKED AT
DIFFERENT POINTS .... 447 UPRIGHT AND GRAND TIMBRE 448 ONE HAMMER HEAD *
MANY KINDS OF TIMBRE 448 THE TIME OF CONTACT OF THE HAMMER WITH THE
STRING 449 HAMMER HEAD SHAPE 449 EXAMPLES OF HAMMER FORMS 450 VOICING
FOR TIMBRE 451 WHAT HAPPENS AS THE STRING IS STRUCK? .. 451 EXAMPLES OF
STRINGS WITH VARIOUS STRIKING POINTS 453 EXPLANATION OF THE DIAGRAMS 453
WHAT HAPPENS WHEN THE STRIKING POINT IS ALTERED? 455 EXERCISES 456
TABLE: ROESLAU STEEL STRING WIRE 484 LITERATURE 485 13
|
| any_adam_object | 1 |
| author | Forss, Carl-Johan |
| author_GND | (DE-588)12448963X |
| author_facet | Forss, Carl-Johan |
| author_role | aut |
| author_sort | Forss, Carl-Johan |
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| bvnumber | BV036486185 |
| ctrlnum | (OCoLC)646131873 (DE-599)DNB1001820630 |
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| id | DE-604.BV036486185 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:41:25Z |
| institution | BVB |
| isbn | 9783937841786 |
| language | English Danish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020408873 |
| oclc_num | 646131873 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-210 |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-210 |
| physical | 487 S. Ill., graph. Darst. 25 cm |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | PPVMedien |
| record_format | marc |
| series2 | Edition Bochinsky |
| spelling | Forss, Carl-Johan Verfasser (DE-588)12448963X aut Piano- og flygelstemming Upright and grand piano tuning Carl-Johan Forss Bergkirchen PPVMedien 2010 487 S. Ill., graph. Darst. 25 cm txt rdacontent n rdamedia nc rdacarrier Edition Bochinsky Literaturangaben Stimmung Musik (DE-588)4122368-8 gnd rswk-swf Klavier (DE-588)4030982-4 gnd rswk-swf Klavier (DE-588)4030982-4 s Stimmung Musik (DE-588)4122368-8 s DE-604 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020408873&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Forss, Carl-Johan Upright and grand piano tuning Stimmung Musik (DE-588)4122368-8 gnd Klavier (DE-588)4030982-4 gnd |
| subject_GND | (DE-588)4122368-8 (DE-588)4030982-4 |
| title | Upright and grand piano tuning |
| title_alt | Piano- og flygelstemming |
| title_auth | Upright and grand piano tuning |
| title_exact_search | Upright and grand piano tuning |
| title_full | Upright and grand piano tuning Carl-Johan Forss |
| title_fullStr | Upright and grand piano tuning Carl-Johan Forss |
| title_full_unstemmed | Upright and grand piano tuning Carl-Johan Forss |
| title_short | Upright and grand piano tuning |
| title_sort | upright and grand piano tuning |
| topic | Stimmung Musik (DE-588)4122368-8 gnd Klavier (DE-588)4030982-4 gnd |
| topic_facet | Stimmung Musik Klavier |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020408873&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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