Introduction to computer music:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Chichester
Wiley
2010
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XV, 377 S. Ill., graph. Darst. |
| ISBN: | 9780470714553 |
Staff View
MARC
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| 100 | 1 | |a Collins, Nick |d 1975- |e Verfasser |0 (DE-588)1029701180 |4 aut | |
| 245 | 1 | 0 | |a Introduction to computer music |c Nick Collins |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Chichester |b Wiley |c 2010 | |
| 300 | |a XV, 377 S. |b Ill., graph. Darst. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Computer music |x Instruction and study | |
| 650 | 0 | 7 | |a Computermusik |0 (DE-588)4113239-7 |2 gnd |9 rswk-swf |
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Record in the Search Index
| _version_ | 1804142984210415616 |
|---|---|
| adam_text | Contents
About the Author
xi
Preface
xiii
Acknowledgments
xvii
1
Introduction
1
1.1
What is Computer Music?
............................... 1
1.1.1
Some Examples of Computer Music
................... 3
1.1.2
Sociable Computer Musicians
....................... 5
1.1.3
Why Investigate Computer Music?
.................... 6
1.2
Quickstart Guide to Computer Music
........................ 7
1.2.1
Sound Waves and the Brain
......................... 8
1.2.2
The Time Domain
.............................. 8
1.2.3
Periodicity
................................... 12
1.2.4
The Frequency Domain
........................... 16
1.2.5
Digital Audio
.................................. 18
1.2.6
Filters
....................................... 21
1.2.7
Timbre
...................................... 22
1.2.8
Space
....................................... 25
1.2.9
Patching, Signal Flow and Unit Generators
.............. 26
1.2.10
Computer Music Software
......................... 28
1.2.11
Programming and Computer Music
................... 31
1.2.12
Representing Music on a Computer
................... 33
1.3
A Whirlwind History of Computer Music
..................... 36
1.4
Summary
.......................................... 38
1.5
Exercises
........................................... 38
1.6
Further Reading
...................................... 40
2
Recording
43
2.1
Recording: A History
.................................. 44
2.2
Musical Instrument Digital Interface
........................ 46
2.3
Virtual Studios
....................................... 50
2.4
File Formats and Audio Codecs
............................ 52
2.5
Spatialization
........................................ 55
2.5.1
Spatial Hearing and Room Acoustics Primer
............. 56
2.5.2
Surround Sound Configurations and Multichannel Formats
... 59
2.6
Recording Tips and Tricks
............................... 63
2.7
Sampling
........................................... 64
2.7.1
A History of Sampling
............................ 65
viii CONTENTS
2.7.2
Copyright
....................................
f
2.7.3 Sample Playback................................ bb
2.8
Summary
..........................................
2.9
Exercises...........................................
2.10
Further Reading
......................................
74
Analysis
3.1
Sound Analysis
......................................
5
3.2
Fourier Analysis and the Phase Vocoder
......................
7(з
Ъ2.
Short-time Fourier Transform
.......................
7?
3.2.2
Further Refinements to Fourier Analysis
................ 81
3.2.3
Resynthesis after Sinusoidal Modeling
.................. 85
3.2.4
Not All Sounds are Periodic: Coping with Noise
........... 87
3.3
Alternative Representations for Analyzing Sound
................ 89
3.4
Auditory Models
..................................... 91
3.4.1
Physiologically Inspired Models of the Auditory System
...... 93
3.4.2
Computational Auditory Scene Analysis
................ 95
3.4.3
Perceptual Audio Coding
.......................... 97
3.5
Feature Extraction
.................................... 99
3.5.1
Pitch Detection
................................
103
3.5.2
Onset Detection
................................
106
3.5.3
Beat Tracking
..................................
108
3.6
The Transcription Problem
..............................
Ш
3.7
Machine Listening and Causal Realtime Analysis
................
ИЗ
3.8
Summary
..........................................
П4
3.9
Exercises
........................................... 115
3.10
Further Reading
......................................
И7
Processing
119
4.1
More on Signals
...................................... 120
4.1.1
Signals and Sampling Rates
......................... 120
4.1.2
Ring and Amplitude Modulation
..................... 123
4.1.3
Mixing and Splicing
.............................. 125
4.1.4
Delays
...................................... 131
4.2
Convolution and Filters
................................. 133
4.2.1
Impulse Responses and the Convolution Operation
......... 133
4.2.2
Convolution and Multiplication
..................... 137
4.2.3
More on Filters
................................ 138
4.2.4
Examples: Comb and All-pass Filters
.................. 141
4.3
A Compendium of Marvelous Digital Audio Effects
.............. 143
4.3.1
Dynamics Processing, Distortion and Waveshaping
......... 146
4.3.2
Time Stretching and Pitch Shifting
.................... 149
4.3.3
Implementing Spatialization
........................ 151
4.4
Summary
.......................................... 155
4.5
Exercises
........................................... 156
4.6
Further Reading
...................................... 158
CONTENTS ix
Synthesis
159
5.1 The Space
of
Sound
Synthesis Algorithms
..................... 159
5.1.1
Classic Algorithms
.............................. 162
5.1.2
Waveforms and
Wavetables
......................... 162
5.1.3
Frequency Modulation
............................ 166
5.1.4
Granular Synthesis
.............................. 169
5.1.5
Feature-based Synthesis
........................... 171
5.2
Physical Modeling
..................................... 174
5.2.1
Waveguide Synthesis
............................. 176
5.2.2
Singing Voice Synthesis
........................... 180
5.3
Summary
.......................................... 185
5.4
Exercises
........................................... 185
5.5
Further Reading
...................................... 188
Interaction
191
6.1
Introduction to Interaction
............................... 191
6.1.1
Defining Interaction
............................. 193
6.1.2
Directness of Control and the Physicality of Gesture
........ 195
6.2
Interfacing
.......................................... 197
6.2.1
A Survey of Input Devices
......................... 197
6.2.2
Office Computing for Music
........................ 200
6.2.3
Audio and Video Tracking
......................... 201
6.2.4
Physical Computing
............................. 204
6.2.5
Physiological State
.............................. 207
6.3
Interaction Scenarios
................................... 209
6.3.1
Installations
................................... 210
6.3.2
Computer Games
............................... 212
6.3.3
Concert Performance
............................ 213
6.4
Live Musical Agents
................................... 214
6.4.1
Automatic Accompaniment
........................ 215
6.4.2
Robot Musicians
................................ 216
6.4.3
Programming the Brain of a Virtual Musician
............ 218
6.5
Evaluation
.......................................... 223
6.6
Summary
.......................................... 225
6.7
Exercises
........................................... 226
6.8
Further Reading
...................................... 228
Networks
231
7.1
Introduction to Networks
............................... 231
7.1.1
Network Technology
............................ 234
7.1.2
Network Music and Installations
..................... 237
7.1.3
Further Network Music Ensembles and the Laptop Orchestra
. . 240
7.1.4
Mobile Music
.................................. 243
7.1.5
Online Music Distribution
......................... 245
CONTENTS
7.2
Music
Information
Retrieval
.............................. 248
7.2.1 Content
Analysis
............................... 251
7.2.2 Annotation and Evaluation......................... 255
7.2.3 MIR
Deployments
.............................. 257
7.3
Summary
.......................................... 258
7.4
Exercises
........................................... 259
7.5
Further Reading
...................................... 261
8
Composition
263
8.1
Composers and Computers
............................... 264
8.1.1
Musical Decisions: The Act of Composition
.............. 264
8.1.2
Roles for Computers in Composition
.................. 267
8.1.3
Computer Music and Musical Style
................... 270
8.2
Organizing Sound
..................................... 273
8.2.1
Sound Objects and Parameters
....................... 274
8.2.2
Pitch
....................................... 277
8.2.3
Timbre
...................................... 281
8.2.4
Space
....................................... 284
8.2.5
Time
....................................... 288
8.2.6
Local Structures
................................ 294
8.2.7
Musical Form
................................. 296
8.3
Formalizing Music
.................................... 297
8.3.1
Algorithmic Composition
......................... 299
8.3.2
Implementing Algorithmic Composition
................ 302
8.4
Summary
.......................................... 310
8.5
Exercises
........................................... 311
8.6
Further Reading
...................................... 313
9
Modeling
315
9.1
The Act of Modeling
................................... 315
9.2
Representations
...................................... 318
9.3
Automating Musicological Analysis
......................... 321
9.4
Modeling of Musical Expression
........................... 327
9.5
Sonification
......................................... 330
9.6
The Information Characteristics of Music
..................... 333
9.7
Summary
.......................................... 337
9.8
Exercises
........................................... 337
9.9
Further Reading
...................................... 339
10
Conclusions
34
j
10.1
Exercises
......................................... 345
References
347
Index 369
|
| any_adam_object | 1 |
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| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV036483050 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:40:27Z |
| institution | BVB |
| isbn | 9780470714553 |
| language | English |
| lccn | 2009026525 |
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| physical | XV, 377 S. Ill., graph. Darst. |
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| spelling | Collins, Nick 1975- Verfasser (DE-588)1029701180 aut Introduction to computer music Nick Collins 1. publ. Chichester Wiley 2010 XV, 377 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Computer music Instruction and study Computermusik (DE-588)4113239-7 gnd rswk-swf Computermusik (DE-588)4113239-7 s DE-604 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020354524&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Collins, Nick 1975- Introduction to computer music Computer music Instruction and study Computermusik (DE-588)4113239-7 gnd |
| subject_GND | (DE-588)4113239-7 |
| title | Introduction to computer music |
| title_auth | Introduction to computer music |
| title_exact_search | Introduction to computer music |
| title_full | Introduction to computer music Nick Collins |
| title_fullStr | Introduction to computer music Nick Collins |
| title_full_unstemmed | Introduction to computer music Nick Collins |
| title_short | Introduction to computer music |
| title_sort | introduction to computer music |
| topic | Computer music Instruction and study Computermusik (DE-588)4113239-7 gnd |
| topic_facet | Computer music Instruction and study Computermusik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020354524&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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