The media student's book:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York
Routledge
2010
|
| Edition: | 5. ed. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Literaturverz. S. 402 - 404 |
| Physical Description: | XXV, 457 S. zahlr. Ill. |
| ISBN: | 9780415558419 9780415558426 9780203850640 |
Staff View
MARC
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Record in the Search Index
| _version_ | 1804142948032446464 |
|---|---|
| adam_text | THE MEDIA STUDENT S 8001 FIFTH EDITION GILL BRANS1UN WITH ROY STAFFORD
I~ ~~O~:~:~~UP LONDON AND NEW YORK CONTENTS LIST OF I1LUSTRATIONS
ACKNOWLEDGEMENTS XV XXV INTRODUCTION I PART I: KEYCONCEPTS 7
APPROACHING MEDIA TEXTS 9 SEMIOTIC APPROACHES 11 STRUCTURALISM,
DIFFERENCE(S) AND OPPOSITIONS 18 DENOTATION AND CONNOTATION 21 THE
SOCIAL NATURE OF SIGNS 23 DEBATES 25 CONTENT ANALYSIS 26 CONCLUSION 30
REFERENCES AND FURTHER READING 31 CASE STUDY: VISUAL AND AURAL SIGNS 32
ANALYSING APOSTER, AND NOTES ON TWO PHOTOS 32 VOICES AND SOUND
SIGNIFIERS 36 AUDIO-VISUOL MOVING IMAGES 38 CONTENT ANALYSIS 39
REFERENCES AND FURTHER READING 41 2 NARRATIVES 42 GENERAL THEORIES OF
NARRATIVE 42 NARRATION, STORY AND PLOT 51 NARRATIVES IN DIFFERENT MEDIA
57 LONG-RUNNING OPEN NARRATIVES 60 CONCLUSION 63 REFERENCES AND
FURTHER READING 64 CASE STUDY: CSI: MIAMI AND CRIME FICTION 66 THE
CLASSIFICATION CRIME FICTION 66 PLOT/STORY 68 CONTENTS APPLYING
TODOROV 69 APPLYING PROPP 70 APPLYING BARTHES 70 APPLYING LEVI-STRAUSS
70 NARRATIVES, INSTITUTIONS, IDEOLOGIES 71 REFERENCES AND FURTHER
READING 73 3 GENRES AND OTHER C1ASSIFICATIONS 74 CLASSIFYING FILMS:
THE/MA AND LOUISE (US 1991) 76 REPETITION AND DIFFERENCE 77 CASE STUDY:
FORMATS AND GENRES 80 REPERTOIRES OF ELEMENTS 83 STATUS AND GENRES I:
ESCAPISM , GENDER AND VERISIMILITUDE 86 STATUS AND GENRES 2: THE
CULTURAL CONTEXT 88 FORMAL CLASSIFICATIONS 93 CONCLUSION 95 REFERENCES
AND FURTHER READING 96 CASE STUDY: HORROR AS POPULAR ART 98 THE CHILD IN
THE HORROR FILM 98 GLOBAL AND LOEAL AUDIENCES 99 STYLE AND THE GOTHIC:
DIFFERENT REPERTOIRES 101 AUTHORSHIP AND PROMOTION 103 DISTRIBUTION
STRATEGIES 104 CONCLUSION 105 REFERENCES AND FURTHER READING 105 4
REPRESENTATIONS 106 REPRESENTATION NOW 106 STEREOTYPING AND SCRIPTS
108 CASE STUDY I: US PLANTATION STEREOTYPING 110 SCRIPTS AND
PERFORMANCES 114 CASE STUDY 2: REPRESENTATIONS AND GENDER 115 STAGES OF
CHANGE, AND POSITIVE/NEGATIVE DEBATES 119 COMEDY, FANTASY AND
QUESTIONS OF REPRESENTATION 123 HISTORICAL AND INSTITUTIONAL PROCESSES
125 CONCLUSION 126 REFERENCES AND FURTHER READING 127 CASE STUDY: IMAGES
OF MIGRATION 129 DISCOURSES AND STEREOTYPES OF MIGRATION AND OTHER
KINDS OF TRAVEL 130 NEWS MEDIA 132 X CONTENTS THE GRAIN OFTRUTH IN
STEREOTYPES? 133 VARIETIES OF MEDIA REPRESENTATIONS 134 CONCLUSION 137
REFERENCES AND FURTHER READING 137 5 GLOBALISATION 138 YOUR EXPERIENCES
OF GLOBALISATION 139 GLOBAL HISTORIES 139 APPROACHES TO GLOBALISED MEDIA
144 GLOBAL-IOCAL FLOWS 149 GLOBAL FUTURES? 151 CONCLUSION 160 REFERENCES
AND FURTHER READING 161 CASE STUDY: SIUMDOG MILLIONAIRE: GLOBAL FILM?
163 THE BACKGROUND TO A GLOBAL HIT 163 THE PRODUCTION OF THE FILM 165
DISTRIBUTION 166 THE BOLLYWOOD CONNECTION 167 CONTROVERSIES IN RECEPTION
167 AFTER THE OSCAR CEREMONIES ... 170 CONCLUSION 171 REFERENCES AND
FURTHER READING 171 6 IDEOLOGIES AND DISCOURSES 172 IDEOLOGY AND ITS
HISTORIES: MARXIST APPROACHES 172 POST-MARXISM 180 IDENTITY POLITICS AND
CRITICAL PLURALISM 182 DISCOURSES 185 LIVED CULTURES 189 CONCLUSION 191
REFERENCES AND FURTHER READING 192 CASE STUDY: THE AGE OF STUPID AND
CLIMATE CHANGE POLITICS 194 CONTEXT: IMAGES AND DISCOURSES 194 THE TERM
PROPAGANDA 197 TEXTUAL APPROACH ES TO THE FILM 198 CINEMA AND ITS
EVERYDAY PRACTICES 202 CONCLUSION 203 REFERENCES AND FURTHER READING
203 XI CONTENTS 7 MEDIA AS BUSINESS STUDYING BUSINESS ORGANISATIONS
OWNERSHIP AND CONTROL THE EXPERIENCE OF CONGLOMERATES NEW PLAYERS IN
INDIA AND CHINA PUBLIC OR PRIVATE FUNDING PUBLIC AND PRIVATE IN FILMED
ENTERTAINMENT THE NEW DIGITAL ENVIRONMENT BUSINESS MODELS CONCLUSION
REFERENCES AND FURTHER READING 204 205 206 208 212 215 218 219 223 226
227 (ASE STUDY: MUSIC AND MOVIES - DIGITAL AND AVAILABLE THE CHAL/ENGE
OF COPYING PIRACY (HANGING BUSINESS MODELS IN THE FILM INDUSTRY
REFERENCES AND FURTHER READING 228 229 231 233 236 RART11: DEIATE, 237 I
8 NEW MEDIA IN A NEW WORLD ? NEWNESS AND HISTORIES ACADEMIC
APPROACHES OPENNESS, COLLABORATION AND USERS THE LONG TAIL DIGITAL
COPIES AND THE ENCLOSURE OF INFORMATION NEW MEDIA, OLD METAPHORS NEW
MEDIA , VANISHING RESOURCES CONCLUSION REFERENCES AND FURTHER READING
239 240 242 247 251 254 255 256 258 259 9 THE FUTURE OF TELEVISION?
OWNERSHIP AND CONTROL IN THE TELEVISION INDUSTRY PAYING FOR TELEVISION
BUSINESS MODELS FOR TELEVISION BROADCASTING (ASE STUDY: HBO (ASE STUDY:
(HANNEL 4 CONCLUSION REFERENCES AND FURTHER READING 261 263 265 271 279
281 283 284 CONTENTS 10 REGULATION NOW 285 POLITICS AND MEDIA ECONOMICS
288 REGULATION AND FREEDOM 289 HISTORICAL BACKGROUND 291 CHANGES IN
THE ORTHODOXY OF ECONOMIC POLICIES AND NEW MODELS 293 DEREGULATION,
LIBERALISATION AND MEDIA INSTITUTIONS 296 THE CONTEMPORARY REGULATORY
ENVIRONMENT 298 A FREE MARKET FOR C1ASSIFICATION, CENSORSHIP AND SEX
AND VIOLEN CE? 302 THE PUBLIC GETS THE MEDIA IT DESERVES? 303 FREE
CHOICES AND FREE SPEECH ? 304 CONCLUSION 307 REFERENCES AND FURTHER
READING 308 11 DEBATING ADVERTISING, BRANDING AND CELEBRITY 309
ADVERTISING, MARKETING AND BRANDING 311 DEBATES 313 HISTORIES 315
HOLLYWOOD AND BRANDING 320 HOLLYWOOD: THE BRAND(S) 322 CASE STUDY:
BRANGELINA 324 CITIZENSHIP AND CONSUMPTION 328 A NOTE ON SPIN 329
CONCLUSION 331 REFERENCES AND FURTHER READING 332 12 NEWS AND ITS
FUTURES 334 THE IMPORTANCE OF NEWS, AND VIEWS OF THE PUBLIC 335 THE
CONSTRUCTION OF NEWS 337 IMPARTIALITY AND ACCURACY 337 NEWS VALUES
342 DEBATES ON THE INFLUENCE OF NEWS 350 FUTURES: NEW NEWS? 352
CONCLUSION 355 REFERENCES AND FURTHER READING 356 13 DOCUMENTARY AND
REALITY DEBATES 358 RECENT ISSUES IN DOCUMENTARY 358 DOCUMENTARY AND
ASSUMPTIONS ABOUT REALISM AND TRUTH 359 VERISIMILITUDE AND
PERFORMANCE 362 PERFORMANCE IN DOCUMENTARIES 365 ETHICS AND
DOCUMENTARY 367 RECENT HYBRIDS I: PRANKSTERS 368 XIII CONTENTS REEENT
HYBRIDS 2: REALITY TV REEENT HYBRIDS 3: FORMS OF DRAMA DOEUMENTARY
CONCLUSION REFERENEES AND FURTHER READING 370 374 376 377 THE EFFEETS
MODEL THE USES AND GRATIFIEATIONS MODEL FROM EFFEETS TO INFLUENEE :
FAETUAL FORMS CULTURAL APPROAEHES RE-MEDIATING AUDIENEES DISEUSSION:
HYBRID FORMS AND MAMMA MIA! CONCLUSION REFERENEES AND FURTHER READING
379 382 388 389 393 394 399 401 402 14 FROM AUDIENCE TO USERS HART
111: RESEARCH MET:HODS AND REFERENCES 405 15 RESEARCH: SKILLS AND
METHODS BASIES USING THE INTERNET, AND PRINT FORMS FEAR OF THEORY
METHODS QUALITATIVE AND QUANTITATIVE T EXTUAL APPROAEHES SAMPIES FOEUS
GROUPS ETHNOGRAPHIE METHODS FOOTNOTE: WIKIPEDIA REFERENEES AND FURTHER
READING 407 408 409 410 411 414 414 416 419 420 424 427 GLOSSARY OF KEY
TERMS INDEX 429 445 XIV ILLUSTRATIONS THE IMAGES BELOW HAVE BEEN
REPRODUCED WITH KIND PERMISSION. WHILST EVERY EFFORT HAS BEEN MADE TO
TRAC(~ COPYRIGHT HOLDERS AND OBTAIN PERMISSION, THIS HAS NOT BEEN
POSSIBLC IN ALL CASES. ANY OMISSIONS BROUGHT TO OUR ATTENTION WILL BE
REMEDIED IN FUTURE EDITIONS. 0.1 0.2 PART TITLE: 1.1 1.2 1.3 1.4 1.5 1.6
1.7 1.B 1.9 1.10 1. II BRITISH LIBRARY CHAIR SITTING ON HISTORY - BILL
WOODROW, SITTING ON LLISTORY, 1995. BRONZE (100 X 107 X 300CM). THE
ARTIST. PHOTO COURTESY OF BILL WOODROW. SHARK ATTACK. A COMPOSITION OF
TWO PHOTOGRAPHS USING PHOTO MANIPULATION. SOURCE: ANONYMOUS. MEDIA SERUM
AT BARCELONA FOOTBALL CLUB JORDI COTRINA/ EI PERIODICO. COURTESY OF
JORDI COTRINA. THE DIG FOR VICTORY CAMPAIGN LAUNCHED AT THE OUTBREAK
OFTHE S(~COND WORLD WAR. IMPERIAL WAR MUSEUM. ROSE IMAG(~. COURTESY OF
GILL BRANSTON. PICTOGRAMS DESIGNED BY HOLMES WOOD. LAN TOMIINSON, G20.
LONDON ANTI-WAR RALLY, ORGANISCD BY CND, 2001. TOBY MELVILLC/PA
ARCHIVE/PRESS ASSOCIATION IMAGES. PEN{~LOPE CRUZ IN BROKCN EMHRACCS/LUS
I HRAZOS ROTOS (PEDRO ALMOD6VAR, 20(9). COURTESY OF THE KOBAL
COLLECTION/UNIVERSAL INTERNATIONAL PICTUN~S. MARILYN MONROE (1926-62) IN
HER LAST COMPLETED MOVI ~, TL1E MISFITS, DIRECTED BY JOHN LLUSTON, 1961.
PHOTO BY JOHN KOBAL FOUNDATION/GETTY IMAGES. FROM THE HULTON ARCHIVE
COLLECTION. POLICE PHOTO OF MOORS MURDERER MYRA HINDLEY, 1966. PHOTO BY
BENTLEY ARCHIVE/POPPERTOTO/GETTY IMAGES. TITRMIC (JAMES CAMERON, 1997)
PARAMOUNT PICTURES/ 20TH CENTURY FOX/THE KOBAL COLLECTION/MERIE W.
WALLACE. MUD MCN (AMC, 2009). FROM J[OW 10 LIE WITL1 STATISTICS BY
DARREIL HUFF, ILLUSTRATED BY IRVING GEIS. 1954 AND RENEWED I9B2 2 7
]() 13 14 15 16 17 17 18 20 22 XV I*..*..USTRATIONS BY DARREIL HUFF AND
IRVING GEIS. USED BY PERMISSION OF W. W. NARTON & COMPANY, INC. SENATOR
BARACK OBAMA AND ACTOR GEORGE CLOONEY, 2006. MANNIE GARCIA/ AP/PRESS
ASSOCIATION IMAGES. HOPE POSTER 20013 SHEPARD FAIREY/OBEYGIANT.COM.
BARACK OBAMA 2006 MANNIC CARCIA/ AP/PRESS ASSOCIATION IMAGES. ANDY
WARHOL, MARILYN, 1967 THE ANDY WARHOL FOUNDATION FAR THE VISUAL ARTS/
ARTISTS RIGHTS SOCICTY (ARS), NEW YORK/OACS, LONDON 2009. DAY OF THE
HEROIC CUERRILLA, OCTOBER B/OLIVIO MARTINEZ. IIAVANA: OSPAAAL, 197B.
OSI AAAL. SEAN BEAN AS RICHARD SHARPE IN S!WRPE (ITV, 1993-200(3). THE
130UME ULTIMATUM (PAUL CREENGRASS, 20(7) UNIVERSAL PICTURES. ] .19
BEYONCE PERFORMS FAR PRESIDENT BARACK OBAMA AND FIRST LADY MICHELLE
UEBAMA, 2009. ELISE AMENDOLA/ AP/ 1.] 2 1.13 1.]4 1.15 1.16 1.17 1.18 ]
.20 2.1 2.2 PRESS ASSOCIATION ]MAGES. NATIONAL DAILIES. NEW STAT ~SMAN
LTD, 2004. BBC WEATHER MAP NOORA, A SUPERHERO INSPIRED BY ISLAM, FROM
THE 99.ORG. COURTESY OFTESHKEEL MEDIA GROUP S.K.C. 2009 ALL RIGHTS
RESCRVED. PRETTY WOMAN (GARRY MARSHALI, ] 990) TOUCHSTONE PICTURES. 2.3
2.4 OM SHANTI GM (FARAH KHAN, 20(7) RED CHILLIES ENTERTAINMENT/EROS
LABS. 110W SPECIAL FORCES COULD SWOOP ON BIN LADEN. GRAPHIC BY SHARON
LEACH AND COURTESY OF LAWRENCE GOLDSMITH AND NICK COLE. MIRROR
SYNDICATION INTERNATIONAL. DESPERATE HUUSEWIVES, SEASON 6 (ABC, 2(09).
THE NARRATIVE STRUCTURE OF WUTHERING LLEIGHTS SHOWN AS A GRAPH. FINAL
SHOT FROM MICHAEL JACKSON S MUSIC VIDEO FOR THRILLER, RELCASED IN ] 984
BY EPIC RCCORDS. THE SI/ENCE URTHE LAMHS (JONATHAN OEMME, 199]) ORION
PICTURCS. POLAR BEAR CARTOON BENJAMIN I IGGOTT. THE PHUTOGRAPHY
READER, EDITED BY LIZ WELLS ROUTLEDGE, 2002. 2.5 2.6 2.7 2.B 2.9 2.10
2.11 XVI 2B 32 :12 35 37 3A 40 45 45 46 46 4A 5] 52 53 53 55 SB
ILLUSTRATIONS BOTMAN THE DARK KNIGHT RETURNS. 198FI OC COMICS. ALL
RIGHTS RESERVCD. LJSEEL WITH PERMISSION. J IOYHOY COVER FEATURING MARGE
SIMPSON. THE RETURN OJSHER/OEK HOLMES IN COLLIER S WEEKLY, 1905. 2.15 OC
DRIV(E ANEL SOUTH BEACH, MIAMI. PANORAMIE 2.12 2.13 2.14 2.1 FI 3.1
:3.2 :U :1.4 3.S IMAGES. CS!. CRIME SEENE LNVES!IGATION (CBS, 2(09).
THCLNW GMD LOUISE (RIELLEY SEOTT, 1991) MGM. BBC NCTWORK TELEVISION
HOURS OF OUTPUT HY GENRE, 200B/9. J3LG HROTHER LOGO LIEENSEEL HY CHANNCL
4. HUFFIJ THE VWNPLRE SLAYER (20TH CENTURY FOX TELEVISION). J WLLIGHT
(CATHNINE HARDWIEKE, 2(08) SUMMIT ENTERTAINMENT. 59 S9 FI7 71 N 76 80 80
82 82 3.FI THE COOD, IHE HEUL (MD THE LJGLLJ (SERGIO LCONE, 19(7)
LJNITED ARTISTS. IU 3.7 MILLS ANEL BOON, THE SHEIK S LOVE-CHILCL. COVER
ART COPYRIGHT 2009 HY I IARLCQUIN ENTERPRISCS LIMITED. COVER ART USCD
HY ARRANGEMENT WITH HARLEQUIN ENTERPRISES LIMITED. EMD ARE
TRADEMARKS OWN(ED HY HARL(EQUIN ENTERPRIS(ES LIMITED OR ITS AFFILIATED
COMPANICS, USEEL UNDER IIEENC(~. 84 :3.1 DUPLIEILLJ (TONY GILROY, 20(9)
UNIVERSAL PIETURES. BS :1.9 RHETT BUTLER IN GONE WILH THE WIND (VIETOR
FLEMING, 1940) MCM. 8S 3.10 KNOEKED UP (JUDD APATOW, 20(7) UNIVERSAL
PICTURES. 8S 3.11 JURWISIE PARK (STEVEN SPIELHERG, 1993) UNIVERSAL
STUELIOS. BFI 3.12 DIREETOR KATHRYN BIGELOW ON THE SET OF T)W ) TUR!
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/ EMRDING TO SI MATTHEWL TL VANGELO SECONDO MOTTM (PIER PAOJO PASOLINI,
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(JUAN ANTONIO BAYONA, 2(07) WARN(ER BROS. 99 3.1 S SPANISH PROMOTIONAL
POSTERS FOR EI ORJEMOTO/THE ORP)WRWGE (JUAN ANTONIO SSAYONA, 20(7) WARNER
BROS. 102 :1.16 LET THE FIGHT ONC IN (THOMAS ALFRCDSON, 2008) MAGNOLIA
PIETURES/SANDREW METRONOME/MOMENTUM PIETU RES. 1 (J:) 4.1 RCFRACTION
IMAGE. PHOTOGRAPHY PETER CAELC. FROM THC DIGITAL VISION COLLEETION.
COURTCSY OF GCTTY 1MAGES. 107 XVII ILLUSTRATIONS 4.2 MAMMY AND
SCARLETT IN GONE WITH THE WIND (VICTOR FLEMING, 1940) MGM. 110 4.3
ADVERTISEMENT FAR ELMO TICKLE HANDS BY FISHER PRICE. 113 4.4 DICK BRUNA
CARTOON. MERCIS B.V 1978. 115 4.5 MEN S FITNESS MAGAZINE. REPRODUCED
WITH PERMISSION. 117 4.6 LIZZIE MILLER, AS PICTURED IN GLAMOUR MAGAZINE
WALTER CHIN/MAREK & ASSOC./TRUNKARCHIVE.COM. 118 4.7 LEEDS POSTCARDS,
POST PATRIARCHY CHRISTINE HANKINSON/LEEDS POSTCARDS. 118 4.8
CBEEBIES PRESENTER, CERRIE BURNE11 BBC. COURTESY OF BBC PHOTO LIBRARY.
126 4.9 STEPHEN GATELY - PHOTO 2009, SHIRLAINE FORREST/ WIRE IMAGE.
COURTESY OF GETTY IMAGES. 126 4.10 CALIFORNIA CORNUCOPIA. COURTESY OF
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THICK PADDIES BOB STARRATT/LEEDS POSTCARDS. 134 4.12 PERSEPOLIS
(MARJANE SATRAPI AND VINCENT PARONNAUD, 2007) SONY PICTURES CLASSIC. 135
4.13-16 IN THIS WORLD (MICHAEL WINTERBOTTOM, 2002) SUNDANCE/ BBC. 136
5.1 VIEW OF THE EARTH FROM SPACE. NASA GODDARD SPACE FLIGHT CENTER.
IMAGE BY RETO STOECKLI. ENHANCEMENTS BY ROBERT SIMMON. 138 5.2 OBJECTS IN
ORBIT AROUND THE EARTH. AFP PHOTO/THE EUROPEAN SPACE AGENCY (ESA)/HO.
COURTESY OF GETTY IMAGES. 138 5.3 THE EASTERN TELEGRAPH CO. SYSTEM
SHOWING THE UNDERSEA TELEGRAPH CABLING. FROM ABC UNIVERSAL COMMERCIAL
ELECTRIC TELEGRAPHIE CODE, 5TH EDITION, BY WILLIAM CLAUSON THUE, 1901.
141 5.4 THE WONDER BOOK OF CHILDREN OF ALL NATIONS, POSTCARD, WARD LOCK
LTD/ ACME POSTCARDS. COVER PAINTING BY MARGARET TARRANT. 142 5.5 PRASAD
IMAX CINEMA IN HYDERABAD, INDIA, 2007. MAHESH KUMAR A/ AI PHOTO/PRESS
ASSOCIATION IMAGES. 148 5.6 BANKSY, I HATE MONDAYS. PEST CONTROL
OFFICE, 2009. 149 5.7 INTERBRAND S BEST GLOBAL BRANDS 2009 REPART.
COURTESY OF INTERBRAND. 152 5.8 OPENING CEREMONY AT THE BEIJING
OLYMPICS, 2008. PHOTO BY PHIL WALTER/GETTY IMAGES. FROM THE GETTY IMAGES
SPORT COLLECTION. 153 XVIII ILLUSTRATIONS 5.9 SOUTH AFRICA 2010 FIFA
WORLD CUPTM. 2005 FIFNM. 154 5.10 MAP SHOWING GLOBAL INTERNET
CONNECTIONS. TELEGEOGRAPHY WWW.TELEGEOGRAPHY.COM. 155 5.11 FESPACO
(PANAFRICAN FILM & TELEVISION FESTIVAL), BURKINA FASO, AFRICA, 2009.
PHOTO GEORGES GOBETL AFPIGETTY IMAGES. 156 5.12 MIGRANT SURFERS.
PHOTOGRAPH MARTINEZ DE CRIOANL EPA. 157 5.13 COLTAN MINING. IMAGE
MVEMBA DIZOLELE, PULITZER CENTER ON CRISIS REPORTING. 159 5.14 SEVERN
ROAD WELCOME SIGN. COURTESY OF GILL BRANSTON. 160 5.15 JAMAL ON THE SET
OF WHO WANTS TO BE A MILLIONAIRE; FROM SLUMDOG MILLIONAIRE (DANNY BOYLE,
2008) PATHE PICTURES/CELADOR/FILM 4. 164 5.16 PRIVATE SECURITY PERSONNEL
STAND IN FRONT OF THE POSTER OFSLUMDOG MILLIONAIRE, 2009. EPA/PLYAL
ADHIKARY. 167 5.17 POSTERS OF SLUMDOG CROREPATI, THE HINDI VERSION OF
SLUMDOG MILLIONAIRE, 2009. AP PHOTO I AJIT SOLANKI. 169 6.1 CREATION
(JOHN AMIEL, 2009) ICON FILM/NEWMARKET FILM. 173 6.2 APOSTER DEPICTING
PRESIDENT BARACK OBAMA AS HEATH LEDGER S JOKER CHARACTER FROM THE DARK
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PRAY LOVE (2009). PHOTO BY ELISABETTA A. VILLA/FILMMAGIC. COURTESY OF
GETTY IMAGES. 175 6.4 LOST . STREET CHILD, C. NINETEENTH CENTURY.
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2009. 184 6.8 HISTORY MAKES POVERTY ADVERTISEMENT. REPRODUCED WITH
PERMISSION OF PHILOSOPHY FOOTBALL. HUGH TISDALE AT
WWW.PHILOSOPHYFOOTBALL.COM. 188 6.9 KATE MOSS, ON THE COVER OFUK VOGUE,
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DAY IN LONDON, B MAY 1945. IMPERIAL WAR MUSEUM. 6.12 TOYOTA I RIUS
ADVCRT, SOLAR . SAATCHI [ 0 SAATCHI LA CREATIVE CREDITS: ECD: MIKE
MCKAY, CD: ANDREW CHRISTOU, CD: RYAN JACOBS, ART DIRECTOR: NICK LUCH~TT,
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I HOTOGRAPHERS: MARK LIOLTHUSEN, VIC II UBER, I RINT PRODUCER: CINDY
ROWE. COURTESY OF SAATCHI [ 0 SAATCHI LA AND TOYOTA. 19.5 6. I 3 APOLAR
BEAR ON A TINY IEEBERG CAST OF EDGE ISLAND. NAESVRA,
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ANIMATION STUDIOS 196 190 6. I 7 AN (~LCETRIC PLANT IN SOUTHERN SPAIN.
PHOTOGRAPH MICHAEL MELTOERD. 197 6. I B DIG ON FOR VIETORY POSTER,
SEEOND WORLD WAR. ARTIST: PETER FRASER (INF 3/96) 193B-9. 19B 6.19 AGE
OR STUPID ARTWORK TEATURING THE SYDNEY OPERA HOUSE. FROM AGE UJ STUPID
(FRANNY ARMSTRONG, 20(9) [)OG WOOF I IETURES. MARTYN PICK/SPANNER
FILMS. COURTESY OF AGEO[ )TUPID.NET 199 6.20 PETE POSTLETHWAITE IN AGC
UJ STUPID (FRANNY ARMSTRONG, 20(9) DOG WOOF PICTURES. KAREN
ROBINSON/SPANNER FILMS. COURTESY OF AGCOFSTUPID.NET. 200 7. I THE II AD.
IPAD IS A REGISTC~RED TRADEMARK OF APPLC [NE. COURTESY OF APPLE. 206 7.2
ETCRNCLI SUNSHINE URTHE SPOTLESS MIND (MICHAEL (;ONDRY, 20(4) FOEUS
FEATURES/THE KUBAL COLL(~CTION/ DAVID LEE. 207 7.3 THE LONDON FLAGSHIP
OF THE VUE EINEMA CHAIN. COURTESY OF ROY STAFFORD. 21 1 7.4 FILMED
CNTERTAINMT~NT FIGUN~S FOR 2008 AND PROJEETCD FOR 2013. SOURCE: UK FILM
CMMCIL STATISTIWL YWR!7OUK 7.5 200.9. A MT~XICAN MULTIPLEX BUILT BY
CIN{~POLIS, A MAJOR LATIN-AMERICAN CHAIN. 214 2J.5 XX ILLUSTRATIONS 7.6
THE E-PAPER EDITION OF MAIL TODAY. MAIL TODAY / THE INDIA TODAY GROUP.
215 7.7 PLAYING A CONSOLE GAME. COURTESY OLLESSICA WOOD. 221 7.8 THE
METRO NEWSPAPER. 225 7.9 AN EARLY INDUSTRY CAMPAIGN AGAINST COPYING.
REPRODUCED WITH PC,RMISSION. 229 7.10 ALBUM AND SINGLE SALES IN THE UK,
1999-2008, SHOWING THE SHIFT TO DIGITAL. BPI!OFFICIAL CHARTS COMPANY.
230 7.11 A DEMO PAGE ON THE PIRATE BAY WEBSITE. 2:)] 7.12 POP DVD
KIOSKS AT PICCADILLY STATION, MANCHESTER, UK. COURTESY OF ROY STATFORD.
233 7.1:3 LOVELEEN TANDAN, CO-DIRECTOR OF SLUMAEOG MILLIONAIRE, ARRIVING
AT THC, PREMIERE IN MUMBAI, INDIA, 2009. EI A/STR. 234 PART TITLE:
WLJRDLE IMAGE. COURTESY OFWWW.WORDLE.NET. 237 8.1 FACEBOOK LOGO IS
REFLECTED IN THE EYE OF A GIRL. PHOTO BY CHRIS -1ACKSON/GETTY IMAGES,
2009. GUARDIAN NEWS [/, MEDIA LTD 2009. 239 8.2 ARP ANET (ADVANCED
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CARROLL S ALICE S ADVENTURES IN WONDERLAND. IILUSTRATED HY SIR -LOHN
TC,NNIEL (1820- 19] 4). PHOTO HY BUYENLARGE/GETTY IMAGES. FROM THE
HULTON ARCHIVE. 243 8.4 NORTON ONLINE LIVING REPORT, 2009, SYMANTEC.
244 85 STUFFMAGAZINE HAYMARKET MAGAZINES 2009. 246 FUI GOOGLE AS DEVIL
IMAGE. DANIEL MACKIE. 246 8.7 AN UNDERSEA FIBRE OPTIC CABLE, HRINGING
HROADHAND INTERNET CONNECTIVITY TO CAST AFRICA, 2009. STRINGER/
AFP/GETTY IMAGES. 247 FL.B SAMSUNG PEBBLE MP3 FLASH PLAYER. COURTESY OF
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AMAZON.CO.UK WAREHOUSE, MILTON KEYNES. BRUNO VINCENT/GETTY IMAGES. 252
8.11 THE INTERNET AS A SUPER-DISTRIHUTION SYSTEM, TROM WWW.KK.ORG. 254
8.] 2 FALLOUF :3 2008 BETHESDA SOFTWORKS LLC, A ZENIMAX MEDIA
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10.1 10.2 10.3 10.3 A 10.3 B 10.4 11.1 11.2 11.3 11.4 11.5 11.6 11.7
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COLLECTION. ANNA PAQUIN AND RUTINA WESLEY IN TRUE HLOOD ([-[BO, 2009).
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MARKET: 4, TDEVISION, 200SS. 265 WATEHING LIVE FOOTBALL ONLINE. COURTESY
OF MATT WOOD. 270 GRUNADA REPORTS IS ONE OF ITV S N~GIONAL NEWS
PROGRAMMES. ITV GRANADA, 2009. 270 NOVEMBER 2009 SCHEDULE OF
PROGRAMMING TOER [-[130. [-[BO, 2009. 279 1 .EDRIDING 1980 (REVOLUTION
STUDIOS, 2009). 2132 ADVERTISING IN FRANC(~ IS REGULATED BY TH(~ ARPP.
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COURTESY OF GILL BRANSTON. 295 THE WEBSITES OF THE BROADCASTING
RCGULATORY AUTHORITICS IN NIGERIA (WWW.NBC.GOV.NG) AND .LAMAICA
(WWW.BROADCASTINGCOMMISSION.ORG). 299 NATIONAL BROADCASTING COMMISSION
OF NIGERIA, 2007-9. ALL RIGHTS RESCRVED 299 20013 BROADCASTING
COMMISSION OF ELAMAICA. ALL RIGHTS RESERVED. 299 BNP LEADER NICK GRIFFIN
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MILK TV ADVERT. SEPTEMBER 2007. REX FEATURES/CADBURY S. 315 INTERIOR
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CIGARETTES, 1969. 322 BRANGELINA, GRAZIA, 6 APRIL 2009. BAUER MEDIA.
REPRODUCED WITH KIND PERMISSION. 320 BRANGELINA, JIELLO, 2 .LUNE 2009.
REPRODUCED WITH KIND PERMISSION OF LLELLO MAGAZINE. 326 BRITNEY SPEARS,
2007. KEVORK DJANSEZIAN/ AL PHOTO/ PRESS ASSOCIATION IMAGES. 327
ILLUSTRATIONS 11.9 SUFLRAGETTE BOARD GAME. REPRODUCCD WITH KIND
PERMISSION OF BONHAMS, THE AUCTION HOUSE. A 16 FOOT HIGH SCULPTURE OF
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WEBSITC. WWW.ALJAZEERA.NCT/ENGLISH 2003-9 . 341 12.4 CODY HOAX,
FEBRUARY 2005. PHOTO BRADY MILLER/ ASSOCIATED PRESS/PRESS ASSOCIATION
IMAGES. 343 12.5 REUTCRS BUILDING, NEW YORK. LICENSCD UNDER THE GNU FRCE
DOCUMENTATION LICENSE. 343 12.6 FOLK DEVIL8 AND MORAL PANIE8, 3RD
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BIEICLCTTC (VITTORIO DI SICA, 1948) ENTE NAZIONALE INDUSTRIE
CINCMATOGRAFICHE/ ARTHUR MAYER AND JOSEPH BURSTYN. 360 13.2 THE ZAPRUDCR
FILM OFTHE JFK ASSASSINATION, 22 NOVEMBER 1963. 364 13.3 FORRE8T GUMP
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375 14.1 IT FCLT LIKE A KI8S, PUNCHDRUNK, ADAM CURTIS, DAMON ALBARN.
DIRECTED BY FELIX BARRETT. FILM BY ADAM CURTIS. ORIGINAL MUSIC COMPOSED
BY DAMON ALBARN. COMMISSIONED BY MANCHESTER INTERNATIONAL FESTIVAL
ILLUSTRATIONS 14.2 14.3 14.4 14.5 14.6 14.7 14.8 PART TITLE: 15.1 15.2
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INTERNATIONAL FESTIVAL AND PUNCHDRUNK. COURTESY OF PUNCHDRUNK. 384 A
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JERSEY, MADE FI.MLOUS IN ORSON W CLLES 1938 RADIO BROADCAST OF THE WAR
UI THE WURLDS. 386 SQUARE-EYED BABY, FROM THE COVER OF G2, THE GUARDIAN,
14 OCTOBER 2009. GUARDIAN NEWS & MEDIA UD 2009. 387 TWO LOVERS AT THE
PALACE THEATRE KISSING IN THE FRONT ROW AT THE CINEMA, 1944. ORIGINAL
ARTWORK: TAKEN WITH INFRARED NEGATIVE. PHOTO WEEGEE (ARTHUR FELLIG)/
INTERNATIONAL CENTRE OF PHOTOGRAPHY/GETTY IMAGES. PREMIUM ARCHIVE
COLLECTION. 388 IMAGE OF THE BORED TV CONSUMER, REDUCC~D TO THEIR
ZAPPING FINGERS. BBC. 393 CAPTURE WALES LOGO. 2002 BBC CYMRU WALES.
397 LIVERPOOL FANS MAKE THEIR FEELINGS KNOWN ... ACTION IMAGES/MICHAEL
REGAN. 39B THE CAST AND MEMBERS OF ABBA AT THE PREMIERE OF THE MOVIE
VERSION OF THE MUSICAL MAMMA MIA IN STOCKHOLM, 2008. MATS
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CARDIFF SCHOOL OF JOURNALISM, MEDIA AND CULTURAL STUDIES (JOMEC),
CARDIFF UNIVERSITY 405 INSIGHT GALLERY, COURTESY OF THE NATIONAL MEDIA
MUSEUM, BRADFORD. 409 THE READING ROOM AT THE BNF, PARIS. BIBLIOTHI~QUE
NATIONALE DE FRANCE, SALLE OVALE, SITE RICHELIEU. PHOTO MAGALI
COROUGE/BNF. 413 SEA ISLAND SURVEY DIAGRAM, ~~)TIJ,% Z~ , FIRST WRITTEN
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(220-80 CE). 1726, LIU HUI, TU SHU JI CHENG ~~)TIJ,% Z~ 413 OPINION
POLIS CARTOON. WWW.CARTOONSTOCK.COM. 416 CARTOON BENJAMIN PIGGOTT.
419 MARGARET MEAD. REPRODUCED BY PERMISSION OF THE AMERICAN
ANTHROPOLOGICAL ASSOCIATION. NOT FUER SALE OR FURTHER REPRODUCTION. 421
GLWST WORLD (TERRY ZWIGOFF, 2001) UNITED ARTISTS. 423 APPLE IPHONE.
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| discipline | Allgemeines Soziologie |
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| subject_GND | (DE-588)4169194-5 (DE-588)4112628-2 (DE-588)4151278-9 |
| title | The media student's book |
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| title_full | The media student's book Gill Branston with Roy Stafford |
| title_fullStr | The media student's book Gill Branston with Roy Stafford |
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