Film art: an introduction
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
McGraw Hill
2010
|
| Ausgabe: | 9. ed., internat. student ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XX, 519 S. zahlr. Ill. |
| ISBN: | 9780071220576 0071220577 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV036092900 | ||
| 003 | DE-604 | ||
| 005 | 20111024 | ||
| 007 | t | ||
| 008 | 100323s2010 xxua||| |||| 00||| eng d | ||
| 020 | |a 9780071220576 |9 978-0-07-122057-6 | ||
| 020 | |a 0071220577 |9 0-07-122057-7 | ||
| 035 | |a (OCoLC)456179577 | ||
| 035 | |a (DE-599)BVBBV036092900 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c XD-US | ||
| 049 | |a DE-19 |a DE-521 |a DE-92 |a DE-703 |a DE-473 | ||
| 050 | 0 | |a PN1995 | |
| 082 | 0 | |a 791.4301 |2 22 | |
| 084 | |a AP 43450 |0 (DE-625)7501: |2 rvk | ||
| 084 | |a AP 45400 |0 (DE-625)7522: |2 rvk | ||
| 100 | 1 | |a Bordwell, David |d 1947-2024 |e Verfasser |0 (DE-588)119411091 |4 aut | |
| 245 | 1 | 0 | |a Film art |b an introduction |c David Bordwell ; Kristin Thompson |
| 250 | |a 9. ed., internat. student ed. | ||
| 264 | 1 | |a New York, NY [u.a.] |b McGraw Hill |c 2010 | |
| 300 | |a XX, 519 S. |b zahlr. Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Film | |
| 650 | 4 | |a Ästhetik | |
| 650 | 4 | |a Motion pictures |x Aesthetics | |
| 650 | 0 | 7 | |a Filmästhetik |0 (DE-588)4140881-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Filmtheorie |0 (DE-588)4071216-3 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4151278-9 |a Einführung |2 gnd-content | |
| 689 | 0 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Filmästhetik |0 (DE-588)4140881-0 |D s |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Filmtheorie |0 (DE-588)4071216-3 |D s |
| 689 | 2 | |5 DE-604 | |
| 700 | 1 | |a Thompson, Kristin |d 1950- |e Verfasser |0 (DE-588)131823833 |4 aut | |
| 856 | 4 | 2 | |m Digitalisierung UB Bamberg |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018983469&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-018983469 | ||
Datensatz im Suchindex
| _version_ | 1804141156857020416 |
|---|---|
| adam_text | Preface
xv
PART ONE
*
Film Art and Filmmaking
1
Film as Art: Creativity, Technology, and Business
2
PART TWO
·
Film Form
2
The Significance of Film Form
56
3
Narrative as a Formal System
78
PART THREE
«
Film Style
4
The Shot: Mise-en-Scene
118
5
The Shot: Cinematography
167
6
The Relation of Shot to Shot: Editing
223
7
Sound in the Cinema
269
8
Summary: Style as a Formal System
312
PART FOUR
·
Types of Films
9
Film Genres
328
10
Documentary, Experimental, and Animated Films
349
PART FIVE
·
Critical Analysis of Films
11
Film Criticism: Sample Analyses
396
Appendix
443
PART SIX
·
Film History
12
Film Art and Film History
454
Glossary
490
Credits
496
Recommended DVD Supplements
496
Index
498
vu
CONTENTS
Preface
xvii
PART ONE
·
Film Art and Filmmaking
CHAPTER
1
Film as Art: Creativity, Technology, and Business
2
Artistic Decisions in Filmmaking
3
To See into the Night: Artistic Decisions in the Making of Collateral
4
Mechanics of the Movies
8
Illusion Machines
8
Machines That Use Film
9
Machines That Use Digital Media
13
Making the Movie: Film Production
16
The Scriptwriting and Funding Phase
16
The Preparation Phase
18
The Shooting Phase
19
The Assembly Phase
22
A CLOSER LOOK: Some Terms and Roles In Film Production
24
Artistic Implications of the Production Process
27
Modes of Production
28
Large-Scale Production
28
Exploitation, Independent Production, and
DIY
29
Small-Scale Production
30
Artistic Implications of Different Modes of Production
32
Bringing the Film to the Audience: Distribution and Exhibition
34
Distribution: The Center of Power
34
Exhibition: Theatrical and Nontheatrical
38
Ancillary Markets: Taking Movies Beyond the Theater
41
BOX: Movies On Screen: A
2007
Profile Of Theatrical Exhibition
39
Artistic Implications of Distribution and Exhibition
43
SUMMARY
48
WHERE TO GO FROM HERE
48
WEBSITES
52
RECOMMENDED DVDS
52
RECOMMENDED DVD SUPPLEMENTS
52
PART TWO
·
Film Form
CHAPTER
2
The Significance of Film Form
56
The Concept of Form in Film
56
Form as System
56
Form Versus Content
58
Formal Expectations
58
Conventions and Experience
60
Form and Feeling
61
Form and Meaning
62
Evaluation
65
ix
CONTENTS
Principles of Film Form
67
Function
67
Similarity and Repetition
68
A CLOSER LOOK: Picking Out Patterns
69
Difference and Variation
70
Development
72
Unity and Disunity
74
SUMMARY
75
WHERE TO GO FROM HERE
75
WEBSITES
76
RECOMMENDED DVD SUPPLEMENTS
76
CHAPTER
3
Narrative as a Formal System
78
Principles of Narrative Construction
78
What Is Narrative?
79
Plot and Story
80
Cause and Effect
82
Time
84
Space
86
A CLOSER LOOK: Playing Games with Story Time
87
Openings, Closings, and Patterns of Development
90
Narration: The Flow of Story Information
92
Range of Story Information
93
Depth of Story Information
95
The Narrator
97
A CLOSER LOOK: When the Lights Go Down, the Narration Starts
98
Summing Up Narration
100
The Classical Hollywood Cinema
102
Narrative Form in Citizen Kane
104
Overall Narrative Expectations in Citizen Kane
104
Plot and Story in Citizen Kane
105
Citizen Kane s Causality
106
Time in Citizen Kane
107
Motivation in Citizen Kane
109
Citizen Kane s Parallelism 111
Patterns of Plot Development in Citizen Kane 111
Narration in Citizen Kane
112
SUMMARY
114
WHERE TO GO FROM HERE
115
WEBSITES
116
RECOMMENDED DVD SUPPLEMENTS
116
PART THREE
·
Film Style
C H A P T E R.
4
The Shot:
M
ise-en-Scene I1
8
What Is Mise-en-Scene?
118
Realism
118
The Power of Mise-en-Scene
119
Aspects of Mise-en-Scene
121
Setting
121
Costume and Makeup
125
CONTENTS
χι
Lighting
131
Staging: Movement and Performance
138
A CLOSER LOOK: The Film Actor s Toolkit
141
Putting It All Together: Mise-en-Scene in Space and Time
146
Space
148
Time
155
Narrative Functions of Mise-en-Scene in Our Hospitality
159
SUMMARY
163
WHERE TO GO FROM HERE
163
WEBSITES
166
RECOMMENDED DVD SUPPLEMENTS
166
CHAPTERS The Shot: Cinematography
167
The Photographic Image
167
The Range of Tonalities
767
Speed of Motion
171
Perspective
173
A CLOSER LOOK: From Monsters to the Mundane:
Computer-Generated Imagery in The Lord of the Rings
184
Framing
186
Frame Dimensions and Shape
186
Onscreen and Offscreen Space
191
Angle, Level, Height, and Distance of Framing
193
The Mobile Frame
198
Duration of the Image: The Long Take
212
Functions of the Long Take
213
The Long Take and the Mobile Frame
215
SUMMARY
218
WHERE TO GO FROM HERE
218
WEBSITES
221
RECOMMENDED DVD SUPPLEMENTS
221
C H A P T E R
6
The Relation of Shot to Shot: Editing
223
What Is Editing?
223
Dimensions of Film Editing
225
Graphic Relations Between Shot A and Shot
В
225
Rhythmic Relations Between Shot A and Shot
В
230
Spatial Relations Between Shot A and Shot
В
231
Temporal Relations Between Shot A and Shot
В
233
Continuity Editing
236
Spatial Continuity: The
180°
System
236
Continuity Editing in The Maltese Falcon
238
Continuity Editing: Some Fine Points
242
More Refinements: Crossing the Axis of Action
244
Crosscutting
246
Temporal Continuity: Order, Frequency, and Duration
248
A CLOSER LOOK: Intensified Continuity: L.A. Confidential and Contemporary Editing
250
Alternatives to Continuity Editing
256
Graphic and Rhythmic Possibilities
256
Spatial and Temporal Discontinuity
257
Functions of Discontinuity Editing: October
262
xii
CONTENTS
SUMMARY
265
WHERE TO GO FROM HERE
265
WEBSITES
267
RECOMMENDED DVD SUPPLEMENTS
267
CHAPTER? Sound in the Cinema
269
The Powers of Sound
270
Fundamentals of Film Sound
272
Perceptual Properties
272
Selection, Alteration, and Combination
274
Dimensions of Film Sound
280
Rhythm
281
Fidelity
283
Space
284
A CLOSER LOOK: Offscreen Sound and Optical Point of View:
The Money Exchange in Jackie Brown
286
Time
294
Functions of Film Sound: The Prestige
298
Transported Men
299
The Sounds of Magic
300
Echoes, Visual and Auditory
301
Two Diaries
302
Hinting at Secrets
304
The Opening
304
SUMMARY
308
WHERE TO GO FROM HERE
308
WEBSITES
310
RECOMMENDED DVD SUPPLEMENTS
310
CHAPTERS Summary: Style as a Formal System
312
The Concept of Style
312
Style and the Filmmaker
312
Style and the Viewer
313
Analyzing Film Style
314
Step
1 :
Determine the Organization Structure
314
Step
2:
Identify the Salient Techniques Used
314
Step
3:
Trace Out Patterns of Techniques
314
Step
4:
Propose Functions for the Salient Techniques and the Patterns They Form
316
A CLOSER LOOK: Film Style in Shadow of a Doubt
317
Style in Citizen Kane
318
SUMMARY
326
WHERE TO GO FROM HERE
326
RECOMMENDED DVD SUPPLEMENTS
326
CONTENTS xiii
PART FOUR
·
Types of Films
C H Ä. P T E R f
Film Genres
328
Understanding
Genre
328
Defining a Genre
328
Analyzing a Genre
330
Genre History
331
A CLOSER LOOK: A Contemporary Genre: The Crime Thriller
332
The Social Functions of Genres
336
Three Genres
338
The Western
338
The Horror Film
340
The Musical
342
SUMMARY
346
WHERE TO GO FROM HERE
346
WEBSITES
347
RECOMMENDED DVD SUPPLEMENTS
347
CHAPTER
10
Documentary, Experimental, and
Animated Films
349
Documentary
349
What Is a Documentary?
349
Types of Documentary
351
The Boundaries Between Documentary and Fiction
351
Types of Form in Documentary Films
353
Categorical Form
353
Rhetorical Form
359
Experimental Film
366
Types of Form in Experimental Films
368
The Animated Film
382
SUMMARY
390
WHERE TO GO FROM HERE
390
WEBSITES
393
RECOMMENDED DVD SUPPLEMENTS
393
PART FIVE
·
Critical Analysis of Films
C H
A PT
E R
11
Film Criticism: Critical Analyses
396
The Classical Narrative Cinema
396
His Girl Friday
396
North by Northwest
400
Do The Right Thing
404
Narrative Alternatives to Classical Filmmaking
408
Breathless
(A Bout de
Souffle)
408
Tokyo Story (Tokyo Monogatari)
413
Chungking Express (Chung
Hing
sam lam)
417
Documentary Form and Style
422
Man with a Movie Camera (Chelovek
s
kinoapparatom)
422
The Thin Blue Line
425
xiv
CONTENTS
Form,
Style,
and Ideology
431
Meet Me in St. Louis
431
Raging Bull
438
APPENDIX Writing a Critical Analysis of a Film
443
Preparing to Write
443
Step
1:
Develop a Thesis That Your Essay Will Explain and Support
443
Step
2:
Draw Up a Segmentation of the Entire Film
443
Step
3:
Note Outstanding Instances of Film Technique
444
Organizing and Writing
445
SUMMARY
446
Sample Essay: Fantasy and Reality in The King of Comedy
447
WHERE TO GO FROM HERE
450
SAMPLE-ANALYSIS FILMS ON DVD
450
PART SIX
·
Film History
CHAP
Τ
E
і
12
Film Art and Film History
454
Early Cinema
(1893-1903) 455
The Development of the Classical Hollywood Cinema
(1908-1927) 458
German Expressionism
(1919-1926) 467
French Impressionism and Surrealism
(1918-1930) 463
Impressionism
464
Surrealism
466
Soviet Montage
(1924-1930) 467
The Classical Hollywood Cinema After the Coming of Sound
470
Italian
Neorealism
(1942-1951) 473
The French New Wave
(1959-1964) 475
The New Hollywood and Independent Filmmaking
477
Hong Kong Cinema:
19808-1
990s
482
WHERE TO GO FROM HERE
486
RECOMMENDED DVDS
489
Glossary
490
Credits
496
Recommended DVD Supplements
496
Index
498
|
| any_adam_object | 1 |
| author | Bordwell, David 1947-2024 Thompson, Kristin 1950- |
| author_GND | (DE-588)119411091 (DE-588)131823833 |
| author_facet | Bordwell, David 1947-2024 Thompson, Kristin 1950- |
| author_role | aut aut |
| author_sort | Bordwell, David 1947-2024 |
| author_variant | d b db k t kt |
| building | Verbundindex |
| bvnumber | BV036092900 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995 |
| callnumber-search | PN1995 |
| callnumber-sort | PN 41995 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 43450 AP 45400 |
| ctrlnum | (OCoLC)456179577 (DE-599)BVBBV036092900 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 9. ed., internat. student ed. |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01920nam a2200517 c 4500</leader><controlfield tag="001">BV036092900</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20111024 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">100323s2010 xxua||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780071220576</subfield><subfield code="9">978-0-07-122057-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0071220577</subfield><subfield code="9">0-07-122057-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)456179577</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV036092900</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield><subfield code="a">DE-521</subfield><subfield code="a">DE-92</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1995</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4301</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 43450</subfield><subfield code="0">(DE-625)7501:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 45400</subfield><subfield code="0">(DE-625)7522:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bordwell, David</subfield><subfield code="d">1947-2024</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)119411091</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Film art</subfield><subfield code="b">an introduction</subfield><subfield code="c">David Bordwell ; Kristin Thompson</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">9. ed., internat. student ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY [u.a.]</subfield><subfield code="b">McGraw Hill</subfield><subfield code="c">2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XX, 519 S.</subfield><subfield code="b">zahlr. Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ästhetik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Aesthetics</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmästhetik</subfield><subfield code="0">(DE-588)4140881-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4151278-9</subfield><subfield code="a">Einführung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Filmästhetik</subfield><subfield code="0">(DE-588)4140881-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Thompson, Kristin</subfield><subfield code="d">1950-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)131823833</subfield><subfield code="4">aut</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Bamberg</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018983469&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-018983469</subfield></datafield></record></collection> |
| genre | (DE-588)4151278-9 Einführung gnd-content |
| genre_facet | Einführung |
| id | DE-604.BV036092900 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:11:24Z |
| institution | BVB |
| isbn | 9780071220576 0071220577 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-018983469 |
| oclc_num | 456179577 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-521 DE-92 DE-703 DE-473 DE-BY-UBG |
| owner_facet | DE-19 DE-BY-UBM DE-521 DE-92 DE-703 DE-473 DE-BY-UBG |
| physical | XX, 519 S. zahlr. Ill. |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | McGraw Hill |
| record_format | marc |
| spelling | Bordwell, David 1947-2024 Verfasser (DE-588)119411091 aut Film art an introduction David Bordwell ; Kristin Thompson 9. ed., internat. student ed. New York, NY [u.a.] McGraw Hill 2010 XX, 519 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Film Ästhetik Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Film (DE-588)4017102-4 s DE-604 Filmästhetik (DE-588)4140881-0 s Filmtheorie (DE-588)4071216-3 s Thompson, Kristin 1950- Verfasser (DE-588)131823833 aut Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018983469&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bordwell, David 1947-2024 Thompson, Kristin 1950- Film art an introduction Film Ästhetik Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd Film (DE-588)4017102-4 gnd Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4140881-0 (DE-588)4017102-4 (DE-588)4071216-3 (DE-588)4151278-9 |
| title | Film art an introduction |
| title_auth | Film art an introduction |
| title_exact_search | Film art an introduction |
| title_full | Film art an introduction David Bordwell ; Kristin Thompson |
| title_fullStr | Film art an introduction David Bordwell ; Kristin Thompson |
| title_full_unstemmed | Film art an introduction David Bordwell ; Kristin Thompson |
| title_short | Film art |
| title_sort | film art an introduction |
| title_sub | an introduction |
| topic | Film Ästhetik Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd Film (DE-588)4017102-4 gnd Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Film Ästhetik Motion pictures Aesthetics Filmästhetik Filmtheorie Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018983469&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bordwelldavid filmartanintroduction AT thompsonkristin filmartanintroduction |