The guitarist's guide to composing and improvising: composing & improvising: guitar ; CD included
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English No linguistic content |
| Veröffentlicht: |
Boston, MA
Berklee Press
©2001
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references (p. 152) |
| Beschreibung: | 153 Seiten Illustrationen, Notenbeispiele 31 cm CD (12 cm) |
| ISBN: | 0634016350 |
Internformat
MARC
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| 100 | 1 | |a Damian, Jon |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The guitarist's guide to composing and improvising |b composing & improvising: guitar ; CD included |c Jon Damian ; edited by Jonathan Feist |
| 264 | 1 | |a Boston, MA |b Berklee Press |c ©2001 | |
| 300 | |a 153 Seiten |b Illustrationen, Notenbeispiele |c 31 cm |e CD (12 cm) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. 152) | ||
| 650 | 4 | |a Guitar / Methods | |
| 650 | 4 | |a Composition (Music) | |
| 650 | 4 | |a Improvisation (Music) | |
| 650 | 4 | |a Composition (Music) | |
| 650 | 4 | |a Guitar -- Methods | |
| 650 | 4 | |a Improvisation (Music) | |
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Datensatz im Suchindex
| _version_ | 1804141139520913408 |
|---|---|
| adam_text | Table of Contents
Mus.
MM
26
IV
. vi
vii
viii
CD Tracks
..............................
Foreword by Bill Frisell
....................
Acknowledgements
.......................
Introduction
............................
Getting Around
...........................
x
Notation Symbols
..........................
x
About the CD
............................xii
Chapter One: The Basic Sound Dimensions
.........1
Dynamics
................................3
The Wind Guitar
........................3
Exploring Dynamic Range
.................3
Fireworks!
.............................4
Fireworks! with a Bebop Motif
...........5
A Sound Scratchboard
....................7
Rhythm
..................................8
The Guitar in DrumMode
.................10
DrumMode Exercises
.................10
A Victim of DrumMode
................12
The Metronome: Friend or Foe?
............12
The Metronome as Our
Barre
...........13
Pulse Study
.........................15
The Magical Clap Study
...............16
Direction
...............................16
Direction as a Compositional Resource
.......17
Skee-Dap-M-Be-Bap
................18
For Juliette
........................20
Direction as an Improvisational Resource
.....20
The Coronation
.....................21
Direction Study
.....................22
G
Blues Direction Study
...............23
Mime Study
........................23
Articulation
..............................25
The Jazz and Blues Lyric School
.........26
Alphabet Study
............. .......27
Coda: Chapter
1..........................29
Shamisen Sam
.........................29
Chapter Two: The Single-Note Line
..............30
The Simplest Melodic I.in
............31
Vamp No.
1... .............32
Pitch Motive Studies: ,on to the Palette Chart.
33
С
Major Scale through Diatonic Intervals
.....34
Vamp No.
2........................34
Eh-Tood-Ah in Thirds
..................35
Adding Some Spice
.....................35
Eh-Tood-Ah with Spice
.................35
Melody Is Harmony
........................
З6
Catalysts
............................
З6
More Pitch Motif Studies
....................
З6
D Minor Tune .
37
The 3-Note Motif
.......................38
The Musical Rorschach Test
...............39
The Palette Chart for Single-Note Development.
. 40
Palette Chart Seeds Orientation
........40
The Palette Chart
....................41
Palette Chart Seeds through
а С
Major Scale
. 42
Vamp No.
3........................43
Hook and Variations
....................44
Hook Etude in C
...................45
Variations on a Sunny Tune
...........46
Simple Language
.......................46
Simple Language Improv No.
1..........47
Simple Language Improv No.
2..........47
The Rebound Effect in Melodic Construction
.... 47
Poiple
.............................48
Octave Adjustment
........................49
Rondo a la Ralph
.....................49
Quodlibet...............................50
Bye Bop
............................51
Compound Lines
..........................51
What a Perfect Love
....................52
The Three Compound Lines in Simple Language
. 52
Romaine (Jim
Hall improvisation)
..........54
How and Where to Begin
.................55
The Oblique-Direction Compound Line in Action.
55
Oblique Blues
......................55
The Similar-Direction Compound Line in Action
. 56
The Contrary-Direction Compound Line in Action
. 56
Some Compound-Line Scale Patterns
.........56
Clicheicity
..........................58
Transcription
.............................59
In Closing
...............................59
Chapter Three: Counterpoint
..................60
Some Simple Canons
.......................60
Canon Variations
.......................61
A Crash Course
...........................62
Species One Counterpoint
................63
Species One Studies
..................63
Species One Samba
.................
&5
Species Two Counterpoint
................66
Species Two Studies
..................
69
For William G.
....................
71
C7 Funk Vamp with Species Two Patterns
. . 72
Just Fiends
........................
72
The Compound Line as Two-Part Counterpoint.
... 73
Two-Part Counterpoint as Single-Note Idea
.......74
Counterpoint as a Single-Note Line
..........
74
Counterpoint from Chord Symbols
.............
74
Counterpoint from Chord Symbols Formulas
... 75
Bayerisch·
Table of Contents
All The Things You Thought You Were But
Wasn t
...........................77
Double Combo Special
.....................78
All The Things You Thought You Were But
Wasn t
...........................78
The Counterpoint Diary
.....................78
Chapter Four: 3-Note Structures—The Palette Chart
. 82
Why the Chart?
...........................82
Some Benefits of 3-Note Structures
.............82
Argentina
..............................83
The Palette Chart
..........................84
Looks Too Intellectual?
...................84
How The Palette Chart Works
..............85
The Interval Families of the Palette Chart
.....86
Close- and Open-Position Structures
.........87
Getting Started
.........................88
The Traditional Triads Family
..............88
Open and Close Position Traditional Triad
Seeds
..........................89
Suspension Approach Study
............90
Stella By Flashlight
..................91
Giant Strides
......................91
One Way to Learn All Those Darn Seeds!
.....93
Templates
..........................93
Thickened Melody and Pandiatomcism
.......94
A
Quartal
Family Study
..............95
Liten Vals ........................
96
The
Quartal
Family
........................96
Diatonic Thickening
.....................97
Exchange of Inversions
................97
Parallel Thickening
...................98
Double Parallel Thickening
.............98
Just Fiends
..........................99
Another Sunny Tune
..................100
The Open-Position
Quartals..............100
An Open-Position Quartal-Seed Study
.... 100
Another Way to Learn Those Darn Seeds!
.... 101
The Cluster Family
.......................101
Clusters from Sustained Scales
............102
Clusters from Chord Symbols
.............103
Cluster Study with Rhythm Changes
........105
Cluster Study in
С
.....................105
The Other Palette Chart Families
.............106
Harmonizing Bass Lines
.................106
The Octave Family
.......................109
Argentina
..........................109
Chapter Five: Form
..........................111
Rosie
and AABA Form
...................112
Working from the Standard Progression Form
.... 115
Falling Leaves Variations
...............116
With Rhythmic Variation
..............116
Inverted
..........................117
Extraction and Retrograde
.............118
Monophonie
.......................118
Pure Shape Forms
........................119
The ll-V-ls of Life
.........................120
Blueshape
..............................120
Rows
.................................122
Interval Rows
.........................123
Monophonically
....................123
Polyphonically
.....................124
Homophonically
....................124
Interval Row with
Quodlibet
on
Row, Row, Row Your Boat
........124
The Pandiatonic Interval Row
..........125
Children s Triptych
.....................126
Story Form, Programmatic Form
..............128
Mardi Gras .........................
129
Chapter Six: Foundations
.....................130
Some Practice Points
......................1 30
The Studies
.............................131
Fingerboard Templates
..................131
A Sales Pitch First
......................133
Scales
.................................133
Cycle Scales
.........................133
Ears One
............................1 34
Long Scales
..........................135
Jaws Study
........................136
Zorro
Scales
.......................136
EarsOne.5
........................138
Scale Reference Charts
..................138
Modes of Major Cross-Reference Chart
... 138
Modes of Major
....................139
Modes of Melodic Minor and
Harmonic Minor
.................1 39
Symmetric Scales
...................140
Chord Scale Vamps
....................141
Interval Studies
..........................144
Ears Two
............................144
Interval Cross-Reference Chart
............145
Arpeggio Study
..........................145
Chord Tones Reference Chart
.............146
More Ears!
.............................147
Ears Three
..............................147
The Incredible Time Machine Study
...........148
Crossword Puzzle
........................150
Coda
...................................151
Bibliography
..............................153
III
|
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| discipline | Musikwissenschaft |
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| spelling | Damian, Jon Verfasser aut The guitarist's guide to composing and improvising composing & improvising: guitar ; CD included Jon Damian ; edited by Jonathan Feist Boston, MA Berklee Press ©2001 153 Seiten Illustrationen, Notenbeispiele 31 cm CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 152) Guitar / Methods Composition (Music) Improvisation (Music) Guitar -- Methods Improvisation (DE-588)4127993-1 gnd rswk-swf Gitarrenspiel (DE-588)4021101-0 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Gitarrenspiel (DE-588)4021101-0 s Improvisation (DE-588)4127993-1 s DE-604 Feist, Jonathan (DE-588)1025658485 edt Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018972765&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Damian, Jon The guitarist's guide to composing and improvising composing & improvising: guitar ; CD included Guitar / Methods Composition (Music) Improvisation (Music) Guitar -- Methods Improvisation (DE-588)4127993-1 gnd Gitarrenspiel (DE-588)4021101-0 gnd |
| subject_GND | (DE-588)4127993-1 (DE-588)4021101-0 (DE-588)4151278-9 |
| title | The guitarist's guide to composing and improvising composing & improvising: guitar ; CD included |
| title_auth | The guitarist's guide to composing and improvising composing & improvising: guitar ; CD included |
| title_exact_search | The guitarist's guide to composing and improvising composing & improvising: guitar ; CD included |
| title_full | The guitarist's guide to composing and improvising composing & improvising: guitar ; CD included Jon Damian ; edited by Jonathan Feist |
| title_fullStr | The guitarist's guide to composing and improvising composing & improvising: guitar ; CD included Jon Damian ; edited by Jonathan Feist |
| title_full_unstemmed | The guitarist's guide to composing and improvising composing & improvising: guitar ; CD included Jon Damian ; edited by Jonathan Feist |
| title_short | The guitarist's guide to composing and improvising |
| title_sort | the guitarist s guide to composing and improvising composing improvising guitar cd included |
| title_sub | composing & improvising: guitar ; CD included |
| topic | Guitar / Methods Composition (Music) Improvisation (Music) Guitar -- Methods Improvisation (DE-588)4127993-1 gnd Gitarrenspiel (DE-588)4021101-0 gnd |
| topic_facet | Guitar / Methods Composition (Music) Improvisation (Music) Guitar -- Methods Improvisation Gitarrenspiel Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018972765&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT damianjon theguitaristsguidetocomposingandimprovisingcomposingimprovisingguitarcdincluded AT feistjonathan theguitaristsguidetocomposingandimprovisingcomposingimprovisingguitarcdincluded |