Chassidic ecstasy in music:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Frankfurt am Main [u.a.]
Lang
2009
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | Literaturverz. S. 227 - 230 |
Beschreibung: | 230 S. Ill., Notenbeisp. |
ISBN: | 9783631584521 |
Internformat
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Datensatz im Suchindex
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adam_text | TABLE OF CONTENTS ACKNOWLEDGMENTS 13 CHAPTER 1 - MUSIC IN JUDAISM -
GENERAL REVIEW 17 1. READING THE TORAH 21 2. PRAYER 22 CHAPTER 2 -
CHASSIDISM 27 1. CHASSIDISM - MODES AND METHODS 27 2. MUSIC IN
CHASSIDISM - THE MANIFESTATION OF JOY 31 3. THE INNOVATIVE ASPECT OF
SONG IN THE CHASSIDIC PERCEPTION OF SERVING G-D 35 4. JOY AS THE REMEDY
FOR SORROW 38 CHAPTER 3 - THE NIGGIIN (MELODY) 53 1. WHATISTHENIGGUN? 53
2. THE WORDLESS MELODY 58 3. THE NIGGUN AND FORMULATED PRAYER 66 4. THE
INSPIRATIONAL POWER OF THE NIGGUN BEFORE AND DURING VARIOUS ACTIVITIES
68 5. NIGGUNIM FOR THE BRIDAL CANOPY, MARRIAGE FESTIVITIES, AND FIRST &
SECOND YEAR CHEDDER PUPILS 70 CHAPTER 4 - DANCE 71 1. DANCE IN THE BIBLE
71 2. THE IMPORTANCE OF DANCE IN CHASSIDISM 72 3. DANCING BEFORE THE
BRIDE 76 CHAPTER 5 - THE SHABBAT AND MUSIC 81 1. THE SHABBAT AND MUSIC
81 2. WELCOMING THE SHABBAT 83 3. SHABBAT SONGS 85 4. THE SHABBAT TABLE
IN THE ADMOR S COURT 88 BIBLIOGRAFISCHE INFORMATIONEN
HTTP://D-NB.INFO/996982825 DIGITALISIERT DURCH CHAPTER 6 - MUSIC IN
MYSTICISM 93 1. MYSTICISM (KABBALAH) AND CHASSIDISM 93 2. THE IMPORTANCE
OF MUSIC IN KABBALAH 95 3. EXCERPTS FROM THE KABBALAH RELATING TO MUSIC
97 4. USE OF KABBALISTIC WRITINGS AS TEXTS FOR MELODIES 102 5.
KABBALISTIC COMPOSERS 102 6. TUNES OF MERON 103 CHAPTER 7 - MUSICAL
EXPRESSION IN CHASSIDIC COURTS 107 1. MODZITZ CHASSIDISM 107 2. CHABAD
CHASSIDISM 111 3. BRATZLAV CHASSIDISM 112 CHAPTER 8 - COMPOSERS AND
LYRICISTS 115 1. TZADDIKIM AND THE AMUD HATEFILLAH 115 2.
REBBE-COMPOSERS 117 3. COURT COMPOSERS 118 MODZITZ CHASSIDIM 118 GUR
CHASSIDIM 119 CHABAD CHASSIDIM 120 4. SINGERS AND THE CHOIR 120 5.
CHASSIDIC CHAZZANIM [CANTORS] 121 CHAPTER 9 - FAMOUS NIGGUNIM: LEGENDS
AND EXAMPLES 123 1. HA EZKERAH (NIGGUN HAYISSURIM) * RABBI ISRAEL TAUB
OF MODZITZ (1849-1921) 123 2. THE FOUR BABAS NIGGUN - THE ALTER REBBE OF
CHABAD (1745-1813) 126 3. NIGGUN HAMALACHIM (EL ADON MARCH) - KOZENICE
CHASSIDIC COURT 128 4. YAH ECHSOF- RABBI AHARON OF KARLIN (1736-1772)
129 5. ANI MA AMIN - RABBI AZRIEL DAVID FASTAG - CHASSID MODZITZ 130 6.
THE SHEPHERD S NIGGUN-THE KALEV REBBE (1744-1821) 130 7. NIGGUN
HAMALACHIM - RABBI YAAKOV YITZHAK, SEER OF LUBLIN 132 CHAPTER 10 -
ADAGES REFERENCING CHASSIDIC MUSIC 133 1. SONG 133 2. NIGGUN 134 3.
DANCE 138 4. JOY AND SADNESS 138 5. THE CHASSID AND CHASSIDISM 140 1 11
CHAPTER 11 - THE CHASSIDIC APPROACH TO NON-JEWISH MUSIC 143 CHAPTER 12 -
MUSICAL INSTRUMENTS USED IN CHASSIDIC MUSIC 149 CHAPTER 13
-NEO-CHASSIDIC MOVEMENTS 151 * RABBI SHLOMO CARLEBACH 151 CHAPTER 14 -
INTERVIEWS 157 1. RABBI AHARON CATORZA, VIENNA 157 2. RABBI CHAIM
EISENBERG, VIENNA 159 3. MR. ISRAEL KATZOVER, JERUSALEM 164 4. MR.
YAAKOV MAZOR, JERUSALEM 169 5. MR. SAUL MEIZLISH, KFAR SABA, ISRAEL 172
6. RABBI YISHAYA MESHULAM FEISH HALEVI RATTENBURG, JERUSALEM 175 7.
PROFESSOR ELIYAHU SCHLEIFER, JERUSALEM 179 8. RABBI MOSHE SHUR, NEW
YORK, USA 183 CHAPTER 15 - APPENDICES 187 1. THE FIRST MEETING BETWEEN
THE BESHT AND RABBI YAACOV YOSEF 187 2. THE BESHT S ROLE AS KINDERGARTEN
TEACHER S ASSISTANT 189 3. LEGENDS AND TALES 192 (I) THE DIAMOND - FOR
CHABAD S DAY OF REDEMPTION 192 (I) THE HOLY THIEF- A LIFE STORY 194
(III) THE FLUTE 195 (V) THE SE UDAH SHLISHIT MEAL AT THE REBBE 197 (V)
THE SOUL OF THE MUSICIAN 200 (VI) THE WORLD OF MUSIC 200 EPILOGUE 203
SHEET MUSIC AND MANUSCRIPTS 205 NOTES 209 PHOTOGRAPHS 215 GLOSSARY OF
RABBIS AND CANTORS 221 RABBIS BY DATE OF BIRTH 221 CHASSIDIC RABBIS BY
LOCATION 222 DISCIPLES OF THE BESHT 225 CANTORS 225 REFERENCES 227
Music is of paramount importance in Judaism. On the verse, Hearken unto
the song and the prayer which Your servant prays before You this day (I
Kings
8:28),
the Gemarrah states that wherever there is song, there shall
be prayer; and indeed, in the Temple, song was an inseparable element of
the sacrificial services, thereafter finding its position in the prayers and the
Torah reading, with its special melody, in the synagogue.
Chassidism employed music as one of its main avenues for serving G-d. Mu¬
sic served to bring the individual to a state of awakening and joy, nullifying
sadness which was seen as an element that could only lead to negativity.
Joy allowed one to reach ever higher levels in the service of G-d, leaving
one s sorrows behind, as explained by the founder of the Modzits Chassidic
court. Rabbi Yehezkel of Kozmir, when interpreting the verse, with joy you
shall go forth (Isaiah
55)
to mean that through joy, we shall go forth from
all our difficulties.
In this book, Shmuel Barzilai takes the reader on a brief and concise tour of
the Chassidic courts and their world of music. It explains the wordless melody
(Niggun), which is perhaps even more important than songs having words;
the importance of dance; the place of honor given to Shabbat songs; and the
role of music in Kabbalah. The book provides an overview of the activities of
Rabbis who composed and sang at every opportunity, whether in the syna¬
gogue or while conducting the traditional
Tisch
where Chassidic adherents
gathered each Shabbat and Festival to hear their
Rebbe
explain sections of
Torah, sing and interpret sayings on music. Barzilai also discusses melodies
-
niggunim -that became particularly famous, or derived from non-Jewish
sources but underwent a process that allowed them to be adopted by the
Admoric leaders and integrated into the Chassidic court s repertoire.
|
any_adam_object | 1 |
author | Barzilai, Shemuʾel 1957- |
author_GND | (DE-588)133385027 |
author_facet | Barzilai, Shemuʾel 1957- |
author_role | aut |
author_sort | Barzilai, Shemuʾel 1957- |
author_variant | s b sb |
building | Verbundindex |
bvnumber | BV036064843 |
classification_rvk | BD 5870 |
ctrlnum | (OCoLC)845609704 (DE-599)DNB996982825 |
dewey-full | 781.76 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.76 |
dewey-search | 781.76 |
dewey-sort | 3781.76 |
dewey-tens | 780 - Music |
discipline | Theologie / Religionswissenschaften Musikwissenschaft |
format | Book |
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spelling | Barzilai, Shemuʾel 1957- Verfasser (DE-588)133385027 aut Chassidic ecstasy in music Shmuel Barzilai Frankfurt am Main [u.a.] Lang 2009 230 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. 227 - 230 Chassidismus (DE-588)4009799-7 gnd rswk-swf Ekstase (DE-588)4014147-0 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Chassidismus (DE-588)4009799-7 s Ekstase (DE-588)4014147-0 s Komposition Musik (DE-588)4133320-2 s DE-604 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018956239&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018956239&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Barzilai, Shemuʾel 1957- Chassidic ecstasy in music Chassidismus (DE-588)4009799-7 gnd Ekstase (DE-588)4014147-0 gnd Komposition Musik (DE-588)4133320-2 gnd |
subject_GND | (DE-588)4009799-7 (DE-588)4014147-0 (DE-588)4133320-2 |
title | Chassidic ecstasy in music |
title_auth | Chassidic ecstasy in music |
title_exact_search | Chassidic ecstasy in music |
title_full | Chassidic ecstasy in music Shmuel Barzilai |
title_fullStr | Chassidic ecstasy in music Shmuel Barzilai |
title_full_unstemmed | Chassidic ecstasy in music Shmuel Barzilai |
title_short | Chassidic ecstasy in music |
title_sort | chassidic ecstasy in music |
topic | Chassidismus (DE-588)4009799-7 gnd Ekstase (DE-588)4014147-0 gnd Komposition Musik (DE-588)4133320-2 gnd |
topic_facet | Chassidismus Ekstase Komposition Musik |
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