Indian cinema in the time of celluloid: from Bollywood to the emergency
Indian Cinema in the Time of Celluloid reconstructs an era of film that saw an unprecedented public visibility attached to the moving image and to its social usage. The cinema was not invented by celluloid, nor will it die with celluloid's growing obsolescence. But 'celluloid' names a...
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Bloomington, Ind. [u.a.]
Indiana Univ. Press
2009
|
| Series: | South Asian cinemas
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | Indian Cinema in the Time of Celluloid reconstructs an era of film that saw an unprecedented public visibility attached to the moving image and to its social usage. The cinema was not invented by celluloid, nor will it die with celluloid's growing obsolescence. But 'celluloid' names a distinct era in cinema's career that coincides with a particular construct of the twentieth-century state. This is not merely a coincidence: the very raison d'etre of celluloid was derived from the use to which the modern state put it, as the authorized technology through which the state spoke and as narrative practices endorsing its authority as producer of the rational subject. The book throws new light on a phenomenon that is arguably basic to all cinema, but which India's cinematic evidence throws into sharpest relief: the narrative simulation of a symbolically sanctified rationality at the behest of a state. This evidence is explored through three key moments of serious crisis for the twentieth-century Indian state, in all of which the cinema appears to have played a central role. Bollywood saw Indian cinema herald a globalized culture industry considerably larger than its own financial worth, and a major presence in India's brief claim to financial superpower status. The debate on Fire centrally located spectatorial negotiations around the constitutional right to freedom of speech at a key moment in modern Indian history when Article 19 was under attack from pro-Hindutva forces. And the Emergency (1975-77) saw a New Indian Cinema politically united against totalitarian rule but nevertheless rent asunder by disputes over realism, throwing up new questions around the formation of an epochal moment in independent India. |
| Item Description: | Includes bibliographical references (p. [401]-427) and index |
| Physical Description: | X, 441 S. Ill. 24 cm |
| ISBN: | 9780253352682 0253352681 9780253220486 0253220483 |
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| 520 | 3 | |a Indian Cinema in the Time of Celluloid reconstructs an era of film that saw an unprecedented public visibility attached to the moving image and to its social usage. The cinema was not invented by celluloid, nor will it die with celluloid's growing obsolescence. But 'celluloid' names a distinct era in cinema's career that coincides with a particular construct of the twentieth-century state. This is not merely a coincidence: the very raison d'etre of celluloid was derived from the use to which the modern state put it, as the authorized technology through which the state spoke and as narrative practices endorsing its authority as producer of the rational subject. The book throws new light on a phenomenon that is arguably basic to all cinema, but which India's cinematic evidence throws into sharpest relief: the narrative simulation of a symbolically sanctified rationality at the behest of a state. This evidence is explored through three key moments of serious crisis for the twentieth-century Indian state, in all of which the cinema appears to have played a central role. Bollywood saw Indian cinema herald a globalized culture industry considerably larger than its own financial worth, and a major presence in India's brief claim to financial superpower status. The debate on Fire centrally located spectatorial negotiations around the constitutional right to freedom of speech at a key moment in modern Indian history when Article 19 was under attack from pro-Hindutva forces. And the Emergency (1975-77) saw a New Indian Cinema politically united against totalitarian rule but nevertheless rent asunder by disputes over realism, throwing up new questions around the formation of an epochal moment in independent India. | |
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Record in the Search Index
| _version_ | 1804141030418677760 |
|---|---|
| adam_text | CONTENTS ACKNOWLEDGEMENTS VIII THE ARGUMENT 0 A THEORY OF CINEMA THAT
CAN ACCOUNT FOR INDIAN CINEMA 3 THE EVIDENCE BOLLYWOOD AND THE
PERFORMING CITIZEN 1 BOLLYWOOD 2004: THE GLOBALIZED FREAK SHOW OF WHAT
USED TO BE CINEMA 51 2 WHEN WAS BOLLYWOOD?: TEXTUAL AND HISTORICAL
DISCREPANCIES 69 3 THE CINEMA-EFFECT 1: CULTURAL RIGHTS VERSUS THE
PRODUCTION OF AUTHENTICITY 84 4 THE CINEMA-EFFECT 2: SOCIAL LINEAGES,
SPECTATORIAL ABILITY 106 THE CINEMA-EFFECT AND THE STATE 5 ADMINISTERING
THE SYMBOLS OF AUTHENTICITY PRODUCTION, AND REVISITING A 1990S
CONTROVERSY 133 6 YOU CAN SEE WITHOUT LOOKING : THE CINEMATIC AUTHOR
AND FREEDOM OF EXPRESSION IN CINEMA 167 7 PEOPLE-NATION AND
SPECTATORIAL RIGHTS: THE POLITICAL AUTHENTICITY-EFFECT , THE SHIV SENA
AND A VERY BOMBAY HISTORY 193 1970S QUESTIONS: THE CINEMA-EFFECT , THE
NATIONAL-SYMBOLIC AND THE AVANT GARDE 8 THE DETOUR OF THE NATION:
REALIST COMPLICITIES, NATIONALIST EXCESSES 219 9 THE INDIAN EMERGENCY:
AESTHETICS OF STATE CONTROL 231 10 THE PROBLEM: A CO-PRODUCTION OF
MODERNITIES 255 11 THE MECHANISM: TAKING THE SHOT 274 THE PRACTICE:
TWO FILMS AND A PAINTING 12 BHUPEN KHAKHAR S LIST: REVISITING VIEW FROM
THE TEASHOP 295 13 MANI KAUL AND THE CINEMATIC OBJECT : USKI ROTI AND
THE RULEBOOK OF CINEMA 319 14 GAUTAM GHOSE S MAABHOOMI: TERRITORIAL
REALISM AND THE NARRATOR 352 AFTERWORD 15 THE CINEMA-EFFECT: A
CONCLUDING NOTE 395 BIBLIOGRAPHY 401 INDEX 429
|
| any_adam_object | 1 |
| author | Rajadhyaksha, Ashish 1957- |
| author_GND | (DE-588)118127519 |
| author_facet | Rajadhyaksha, Ashish 1957- |
| author_role | aut |
| author_sort | Rajadhyaksha, Ashish 1957- |
| author_variant | a r ar |
| building | Verbundindex |
| bvnumber | BV036006864 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.I8 |
| callnumber-search | PN1993.5.I8 |
| callnumber-sort | PN 41993.5 I8 |
| callnumber-subject | PN - General Literature |
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| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.23430954 |
| dewey-search | 302.23430954 |
| dewey-sort | 3302.23430954 |
| dewey-tens | 300 - Social sciences |
| discipline | Allgemeines Soziologie |
| era | Geschichte 1895-1990 gnd |
| era_facet | Geschichte 1895-1990 |
| format | Book |
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| spelling | Rajadhyaksha, Ashish 1957- Verfasser (DE-588)118127519 aut Indian cinema in the time of celluloid from Bollywood to the emergency Ashish Rajadhyaksha Bloomington, Ind. [u.a.] Indiana Univ. Press 2009 X, 441 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier South Asian cinemas Includes bibliographical references (p. [401]-427) and index Indian Cinema in the Time of Celluloid reconstructs an era of film that saw an unprecedented public visibility attached to the moving image and to its social usage. The cinema was not invented by celluloid, nor will it die with celluloid's growing obsolescence. But 'celluloid' names a distinct era in cinema's career that coincides with a particular construct of the twentieth-century state. This is not merely a coincidence: the very raison d'etre of celluloid was derived from the use to which the modern state put it, as the authorized technology through which the state spoke and as narrative practices endorsing its authority as producer of the rational subject. The book throws new light on a phenomenon that is arguably basic to all cinema, but which India's cinematic evidence throws into sharpest relief: the narrative simulation of a symbolically sanctified rationality at the behest of a state. This evidence is explored through three key moments of serious crisis for the twentieth-century Indian state, in all of which the cinema appears to have played a central role. Bollywood saw Indian cinema herald a globalized culture industry considerably larger than its own financial worth, and a major presence in India's brief claim to financial superpower status. The debate on Fire centrally located spectatorial negotiations around the constitutional right to freedom of speech at a key moment in modern Indian history when Article 19 was under attack from pro-Hindutva forces. And the Emergency (1975-77) saw a New Indian Cinema politically united against totalitarian rule but nevertheless rent asunder by disputes over realism, throwing up new questions around the formation of an epochal moment in independent India. Geschichte 1895-1990 gnd rswk-swf Film Geschichte Gesellschaft Politik Motion pictures Political aspects India Motion pictures Social aspects India Motion pictures India History Socialism and motion pictures India Gesellschaft (DE-588)4020588-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Staat (DE-588)4056618-3 gnd rswk-swf Indien Indien (DE-588)4026722-2 gnd rswk-swf Indien (DE-588)4026722-2 g Film (DE-588)4017102-4 s Gesellschaft (DE-588)4020588-5 s Staat (DE-588)4056618-3 s Geschichte 1895-1990 z DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018899484&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rajadhyaksha, Ashish 1957- Indian cinema in the time of celluloid from Bollywood to the emergency Film Geschichte Gesellschaft Politik Motion pictures Political aspects India Motion pictures Social aspects India Motion pictures India History Socialism and motion pictures India Gesellschaft (DE-588)4020588-5 gnd Film (DE-588)4017102-4 gnd Staat (DE-588)4056618-3 gnd |
| subject_GND | (DE-588)4020588-5 (DE-588)4017102-4 (DE-588)4056618-3 (DE-588)4026722-2 |
| title | Indian cinema in the time of celluloid from Bollywood to the emergency |
| title_auth | Indian cinema in the time of celluloid from Bollywood to the emergency |
| title_exact_search | Indian cinema in the time of celluloid from Bollywood to the emergency |
| title_full | Indian cinema in the time of celluloid from Bollywood to the emergency Ashish Rajadhyaksha |
| title_fullStr | Indian cinema in the time of celluloid from Bollywood to the emergency Ashish Rajadhyaksha |
| title_full_unstemmed | Indian cinema in the time of celluloid from Bollywood to the emergency Ashish Rajadhyaksha |
| title_short | Indian cinema in the time of celluloid |
| title_sort | indian cinema in the time of celluloid from bollywood to the emergency |
| title_sub | from Bollywood to the emergency |
| topic | Film Geschichte Gesellschaft Politik Motion pictures Political aspects India Motion pictures Social aspects India Motion pictures India History Socialism and motion pictures India Gesellschaft (DE-588)4020588-5 gnd Film (DE-588)4017102-4 gnd Staat (DE-588)4056618-3 gnd |
| topic_facet | Film Geschichte Gesellschaft Politik Motion pictures Political aspects India Motion pictures Social aspects India Motion pictures India History Socialism and motion pictures India Staat Indien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018899484&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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