Harmonica for dummies:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Hoboken, N.J.
Wiley
2008
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes index |
Beschreibung: | XVI, 340 S. Ill., Notenbeisp. CD (12 cm) |
ISBN: | 9780470337295 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
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020 | |a 9780470337295 |9 978-0-470-33729-5 | ||
035 | |a (OCoLC)216937254 | ||
035 | |a (DE-599)BVBBV035960402 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
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264 | 1 | |a Hoboken, N.J. |b Wiley |c 2008 | |
300 | |a XVI, 340 S. |b Ill., Notenbeisp. |e CD (12 cm) | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes index | ||
650 | 4 | |a Harmonica / Methods / Self-instruction | |
650 | 4 | |a Harmonica |v Methods |v Self-instruction | |
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Datensatz im Suchindex
_version_ | 1804140978269847552 |
---|---|
adam_text | Table
of
Contents
OOOOOOOOOOOCOOOOCOOOOOOOOO
...............................................................
ľ
About This Book
..............................................................................................1
Conventions Used in This Book
.....................................................................2
What You re Not to Read
................................................................................3
Foolish Assumptions
.......................................................................................3
How This Book Is Organized
..........................................................................4
Part I: Getting Started
............................................................................4
Part II: Starting to Make Some Music
...................................................4
Part III: Growing Beyond the Basics
....................................................5
Part IV: Developing Your Style
.............................................................5
Part V: Taking Your Music to the World
.............................................5
Part VI: The Part of Tens
.......................................................................5
Part
VII:
Appendixes
..............................................................................6
Icons Used in This Book
.................................................................................6
Where to Go from Here
...................................................................................7
Parti:
Getting Started.*..*
.......«..................................... 9
Chapter
1:
What Is This Thing Called Harp?
......................11
Considering the Harmonica s Coolness
......................................................11
Becoming the Next Harmonica Idol: What It Takes to Play
.....................13
Taking Your Talent to the Next Level
.........................................................14
Hanging Out in the Harmonica Village
........................................................15
Chapter
2:
Your First Harmonica
................................17
Shopping for Your First Harmonica
............................................................17
Understanding the construction of the ten-hole diatonic
..............18
Choosing a harp in the key of
С
.........................................................19
Pricing a harmonica
.............................................................................19
Determining where to buy a harp
......................................................20
Making Your First Sound
..............................................................................21
Holding the harp
..................................................................................21
Putting the harp in your mouth
.........................................................21
Breathing through the harp
................................................................22
Getting to Know You: Discovering How a Harmonica Works
..................23
Making a five-layer tin sandwich
........................................................23
Taking a closer look at the reeds that make the sound
..................24
Tuning in to the key of the harp
........................................................25
Harmonica
For Dummies
Locating different notes
......................................................................26
Safe and Sound: Caring for Your Harp
........................................................26
Chapter
3:
The Language of Music: Surveying a Bit of Theory
......29
Reading Harmonica Tab
...............................................................................30
Finding the Key of a Song
.............................................................................31
Exploring Rhythm Basics
..............................................................................31
Counting time with quarter, half, and whole notes
.........................32
Counting silence with rests
................................................................33
Extending notes with ties and dots
...................................................34
Dividing quarter notes
........................................................................35
Grouping beats with measures, bar lines, and time signatures
.....36
Dividing the beat unequally to get swing
..........................................38
Counting off a tune
..............................................................................39
Mapping the Universe of Notes
...................................................................40
Naming the notes
.................................................................................40
Altering notes with sharps and flats
.................................................41
Measuring the distance between notes with
semitones and whole tones
............................................................42
Writing Notes Down
......................................................................................42
Placing notes on a staff
.......................................................................42
Writing sharps and flats on the staff
.................................................44
Unlocking key signatures
....................................................................44
Finding harmonica notes on the staff
................................................45
Part
11:
Starting to Make Some Music
..........................47
Chapter
4:
Relaxation, Breathing, and Rhythm
....................49
Preparing to Play: Relax, Breathe Easy, and Hold the Harmonica
..........49
Perfecting your playing posture
........................................................50
Breathing deeply and gently
...............................................................50
Concentrating air flow in your mouth
...............................................51
Cupping the harp in your hands
........................................................52
Playing Some Big, Fat Chords
......................................................................54
Preparing your breathing
...................................................................54
Making a big sound with the smooth swimming exercise
..............55
Discovering Rhythm
......................................................................................56
Breathing in rhythmic patterns
................................
........................56
Sounding like a train
............................................................................59
Using a hand cup to intensify a rhythm
............................................60
Chapter
5:
1 Hear a Melody: Playing Single Notes
.................63
Shaping Your Mouth to Single Out a Note
..................................................64
Forming the pucker embouchure
......................................................64
Table
of
Contents
Producing a tongue block
embouchure
............................................66
The Elements of Motion: Moving from One Note to the Next
..................67
Exploring the Three Registers of the Harmonica
......................................68
Playing Familiar Tunes in the Middle Register
..........................................68
Hot Cross Buns
.................................................................................69
Good Night, Ladies
...........................................................................69
Mary Had a Little Lamb
....................................................................70
Frère
Jacques
....................................................................................70
When the Saints Go Marching In
....................................................71
Making Your First Multi-Hole Leaps
............................................................72
Twinkle, Twinkle, Little Star
............................................................72
Taps
....................................................................................................73
On Top of Old Smokey
.....................................................................73
Shifting Up From the Middle
........................................................................74
Joy to the World
...............................................................................75
Shenandoah
.......................................................................................76
Floating in the High Register
........................................................................76
She ll Be Comin Round the Mountain
..........................................77
Silent Night
........................................................................................78
Chapter
6:
Shaping Your Sound
.................................81
Developing Deep Resonance with Your Air Column
.................................81
Using Your Diaphragm
..................................................................................82
Starting and stopping notes
...............................................................83
Pulsing a note
.......................................................................................85
Putting Your Throat to Work
.......................................................................85
Starting and stopping notes
...............................................................86
Pulsing a note
.......................................................................................86
Using Abdominal and Throat Action Together
..........................................87
Coloring Your Sound with Your Tongue
....................................................87
Starting and stopping notes
...............................................................88
Pulsing a note
.......................................................................................89
Forming vowel sounds and coloring your tone
...............................89
Shaping Sound with Your Hands
.................................................................90
Tone color and vowel sounds
............................................................90
Pulsing notes
........................................................................................91
Adding Vibrato to Your Playing
...................................................................91
Chapter
7:
Enhancing Your Sound with Your Tongue on the Harp
.. .93
Using Your Tongue to Combine Chords and Melodies
............................94
Knowing the chords on your harp
.....................................................94
Accompanying melodies with chords
...............................................94
Chasing the beat with a chord
...........................................................97
Reinforcing Melody Notes with Your Tongue
............................................98
Applying the tongue slap
....................................................................98
Harmonica
For Dummies
Combining widely spaced notes with a tongue split
.....................100
Creating Chord Textures with Your Tongue
............................................101
Alternating tongue placements to produce the chord rake
.........101
Lifting and replacing your tongue to play a chord hammer
........102
Rapidly alternating widely spaced notes with the shimmer
........103
Playing Wide Leaps with Corner Switching
..............................................104
Chapter
8:
Unlocking a Hidden Treasure: Bending Notes Down
.. .107
Getting Your First Bends
............................................................................109
Starting off on the right foot with the basics
.................................109
The K-spot: Your link to activating a bend
.....................................110
If at first you don t succeed: Practicing persistence
.....................112
Tuning your mouth to different notes
.............................................113
Bending with your tongue on the harp
...........................................120
Surveying the Bendable Notes
...................................................................122
Finding the bending depth in each hole
.........................................122
The three bending ranges
.................................................................124
Exploring Bends on Your Harp
..................................................................125
Middle-range bends
...........................................................................126
Low-range bends
—
heart of the harp
............................................128
High-range bends
...............................................................................132
Bending on Different Types of Harmonicas
.............................................135
Chromatic harps
................................................................................136
Double reed harps
.............................................................................136
Partili:
Growing
Вгџопапе
Basics
.......................... 137
Chapter
9:
Positions: Playing One Harp in Many Keys
............139
Understanding How Positions Help Your Playing
...................................139
Figuring Out a Position
...............................................................................141
Relating Positions, Modes, and Avoid Notes
...........................................142
Rocking with Six Popular Positions
...........................................................143
First position (C on a C-harp)
...........................................................144
Second position (G on a C-harp)
......................................................146
Third position
(D
on a C-harp)
.........................................................149
Fourth position (A on a C-harp)
.......................................................151
Fifth position (E on a C-harp)
...........................................................153
Twelfth position (F on a C-harp)
......................................................156
Chapter
10:
Fancy Playing: Developing Flair and Speed
..........159
Mastering Melody from the Ground Up
....................................................160
Seeing the scale
..................................................................................161
Recognizing scale patterns
...............................................................162
Table
of Contents
Anchoring melodies on chord notes
...............................................167
Simplifying the scale to five notes
...................................................169
Adding Ornaments to the Melody
.............................................................172
Shakes
..................................................................................................172
Rips, boings, and fall-offs
..................................................................173
Grace notes
.........................................................................................173
Developing Your Speed
...............................................................................174
Chapter
11:
Mastering New Songs
.............................177
Understanding How Songs Work
...............................................................177
The container: Structuring time
.......................................................177
The shifting backdrop: Chord changes
...........................................178
The foreground: Melody
...................................................................179
Choosing the Right Harp
............................................................................180
What are the notes in the scale?
......................................................180
What are the notes in the chords?
..................................................181
Making It Up versus Playing It Straight
.....................................................182
Learning melodies
..........................................................................183
Jamming on a tune
.............................................................................184
Trial and Error: Playing Along with Random Music
................................185
Chapter
12:
Behind the Hidden Treasure: Bending Notes Up
......187
Considering the Coolness of Overbends
..................................................188
Playing more licks, riffs, and scales
.................................................188
Playing in more keys
..........................................................................189
Exploring the Things to Know Before You Start
......................................189
How to choose a suitable harmonica
..............................................190
Determining which notes overblow and overdraw
.......................190
Preparing your mind, body, and ears
..............................................191
Getting Your First Overblows
....................................................................193
The push-through approach
............................................................193
The springboard approach
...............................................................195
Achieving More Overblows
........................................................................196
Getting Your First Overdraw
......................................................................196
Raising the Pitch of an Overbend
..............................................................198
Playing overbends in tune
................................................................198
Bending overbends up
......................................................................198
Part IV: betfelop mq lour Style
..................................201
Chapter
13:
Blues and Rock
...................................203
The
12
Bars of Blues
....................................................................................204
Identifying the three chords of blues
..............................................204
Harmonica
For Dummies
Making a statement: Tell it, brother!
...............................................204
Fitting the notes to the chords
.........................................................206
Three Positions of the Blues
......................................................................206
Second-position blues
.......................................................................206
Exploring 12-bar blues using second position
...............................207
A stockpile of second-position licks and riffs
................................210
Third-position blues
..........................................................................213
First-position blues
............................................................................215
Chapter
14:
Headin South with Some Country Tunes
.............217
Choosing Harps for Country
......................................................................217
Visitin with Some Country Songs in First Position
.................................218
Blue Eyed Angel
..............................................................................219
Wabash Cannonball
........................................................................219
Getting Acquainted with a Few Second-Position Country Songs
..........220
Foggy Mountain Top
......................................................................221
Since I Laid My Burden Down
.......................................................222
One Frosty Morn
.............................................................................223
Lonesome Whistle Waltz
...............................................................224
Muscle Car Boogie, Part
1 ..............................................................225
Chapter
15:
Fiddlin the Night Away with
Folk and Celtic Songs and Dance Tunes
........................227
Choosing Harps for Playing Folk and Celtic Music
.................................228
The tremolo harmonica
....................................................................229
The chromatic harmonica
................................................................229
Playing Fast Fiddle Tunes
...........................................................................229
Trying Out Some First-Position Tunes
......................................................230
Careless Love
..................................................................................230
Wildwood
Flower
.................................. . ..231
April s Jig
.........................................................................................232
Mrs. MacLeod of Raasay
................................................................233
Energizing Some Tunes in Second-Position
.............................................234
John Hardy
................................................ „235
Old Joe Clark
.................................................
ΖΖ ,ΖΖΖΖ
..........236
Soaring with Third-Position Tunes
..........................
ZZZZZ Z.Z
.....237
Scarborough Fair
........................... 238
Thamisgith
..................................................
ZZ ZZZZZZZ
.....238
Exploring Fourth and Fifth Positions with a Single Tune
.......................239
Part V:
Ыщ
your Music to the Wortd
........«..„«...«««.
2Ą
1
Chapter
16:
Putting It All Together
—
Your Tunes,
Your Band, Your Listeners
.........,,,........................243
Table
of
Contents
)(Џ
Putting Your Tunes Together
....................................................................243
Selecting tunes for the harmonica
...................................................244
Make it your own: Arranging a tune
................................................247
Adding vocals to your tunes
.............................................................248
Making Music with Others
..........................................................................248
Setting some ground rules when you play with others
................249
Knowing when to layout
..................................................................250
Playing in a duo
..................................................................................250
Jamming with a band
.........................................................................251
Strutting Your Stuff on Stage
......................................................................252
Looking good, feeling good
...............................................................252
Preparing for an on-stage performance
..........................................252
Overcoming stage fright
....................................................................253
Recovering from mistakes
................................................................254
Taking center stage: Soloing
.............................................................254
Chapter
17:
Amplifying Your Sound
............................255
Getting Acquainted with Amplification Basics
........................................255
Playing through a Microphone for the First Time
...................................256
Playing into a microphone on a stand
............................................256
Playing with a microphone cupped in your hands
........................258
Hearing yourself through the chaos
................................................259
Avoiding the dreaded howl of feedback
.........................................260
Taking Amplification to the Next Level: Clean and
Distorted Amplified Sound
.....................................................................260
Getting better acquainted with microphones
................................261
Altering a harp s sound with effects
................................................262
Cranking it up with amplifiers, preamps, and speakers
...............264
Connecting Mies, Amplifiers, and Effects Units
.......................................265
Chapter
18:
Improving Your Harmonica
with Repairs and Upgrades
...................................267
Gathering the Tools You Need
...................................................................268
Following Good Repair Practices
..............................................................269
Making Three Simple Improvements
........................................................270
Disassembling and reassembling a harp
........................................270
Flexing the reeds
................................................................................270
Smoothing sharp edges and corners
...............................................271
Diagnosing and Fixing Problems
...............................................................272
Taking a harp apart and putting it back together
..........................273
Clearing obstructions from your harp
............................................275
Fixing reeds that are misaligned
......................................................276
Narrowing reed slots
.........................................................................276
Setting reed action
.............................................................................277
Tuning your harmonica
.....................................................................281
Harmonica
For Dummies
Chapter
19:
Acquiring More Harps
and Other Useful Accessories
___.............................285
Collecting Additional Diatonic Harps
........................................................285
Purchasing popular keys
..................................................................286
Expanding your range with harps in high and low keys
...............286
Adding Variety to Your Harmonica Kit
.....................................................287
Chromatic harps
................................................................................287
Tremolo and octave harmonicas
.....................................................288
Making Your Harps Portable with Carrying Cases
..................................290
Exploring Helpful Practice and Performance Tools
................................291
Part
(Л:
The Pan of Tens
...........................................293
Chapter
20:
Ten Ways to Connect in the Harmonica World
........295
Chapter
21:
Way More than Ten Harmonica CDs
You Should Hear.
............................................301
Part
(/11:
Appendixes
.................................................307
Appendix A: Tuning Layouts for All Keys
........................309
Appendix B: About the CD
....................................315
Index........
............................................................... 327
|
any_adam_object | 1 |
author | Yerxa, Winslow |
author_facet | Yerxa, Winslow |
author_role | aut |
author_sort | Yerxa, Winslow |
author_variant | w y wy |
building | Verbundindex |
bvnumber | BV035960402 |
callnumber-first | M - Music |
callnumber-label | MT682 |
callnumber-raw | MT682.8 |
callnumber-search | MT682.8 |
callnumber-sort | MT 3682.8 |
callnumber-subject | MT - Instruction and Study |
ctrlnum | (OCoLC)216937254 (DE-599)BVBBV035960402 |
dewey-full | 788.82193 |
dewey-hundreds | 700 - The arts |
dewey-ones | 788 - Wind instruments (Aerophones) |
dewey-raw | 788.82193 |
dewey-search | 788.82193 |
dewey-sort | 3788.82193 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Book |
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institution | BVB |
isbn | 9780470337295 |
language | English |
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publisher | Wiley |
record_format | marc |
spelling | Yerxa, Winslow Verfasser aut Harmonica for dummies by Winslow Yerxa Hoboken, N.J. Wiley 2008 XVI, 340 S. Ill., Notenbeisp. CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Includes index Harmonica / Methods / Self-instruction Harmonica Methods Self-instruction Mundharmonikaspiel (DE-588)4170751-5 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Mundharmonikaspiel (DE-588)4170751-5 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018854576&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Yerxa, Winslow Harmonica for dummies Harmonica / Methods / Self-instruction Harmonica Methods Self-instruction Mundharmonikaspiel (DE-588)4170751-5 gnd |
subject_GND | (DE-588)4170751-5 (DE-588)4151278-9 |
title | Harmonica for dummies |
title_auth | Harmonica for dummies |
title_exact_search | Harmonica for dummies |
title_full | Harmonica for dummies by Winslow Yerxa |
title_fullStr | Harmonica for dummies by Winslow Yerxa |
title_full_unstemmed | Harmonica for dummies by Winslow Yerxa |
title_short | Harmonica for dummies |
title_sort | harmonica for dummies |
topic | Harmonica / Methods / Self-instruction Harmonica Methods Self-instruction Mundharmonikaspiel (DE-588)4170751-5 gnd |
topic_facet | Harmonica / Methods / Self-instruction Harmonica Methods Self-instruction Mundharmonikaspiel Einführung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018854576&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT yerxawinslow harmonicafordummies |