How to make your band sound great:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Hal Leonard
2009
|
| Schriftenreihe: | Music pro guides
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes index. |
| Beschreibung: | XVI, 252 S. Ill. 28 cm DVD-Video (12 cm) |
| ISBN: | 9781423441908 |
Internformat
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| 245 | 1 | 0 | |a How to make your band sound great |c Bobby Owsinski |
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Datensatz im Suchindex
| _version_ | 1804140892404056064 |
|---|---|
| adam_text | CONTENTS
Foreword
...........................................................xi
Introduction
........................................................xiii
Part One Your Instrument and Playing
...................................
ι
Chapter
1
How Do I Make Myself Sound Great?
.............................. 3
Influence vs. Imitation
.................................................. 3
Know Your Limitations
—
Play What You Play Well
................................ 6
Use Great-Sounding Gear That Fits
.......................................... 7
Play in Tune
.........................................................10
Play in Time
.........................................................12
Chapter
2
The Guitar Player
.............................................15
Two Defining Moments for a Guitar Player
.....................................15
That s What Tone Controls Are For
..........................................18
Clash of the Guitar Players
...............................................19
Laying In with the Rhythm Section
..........................................21
What Your Audience Hears
...............................................22
The Recording Guitar Player
..............................................23
The Guitar Player s Utility Kit
...............................................25
Chapter
3
Bass
.......................................................27
The Defining Moment of a Bass Player
........................................27
What You Hear Onstage
.................................................29
Your Sound—That s What Tone Controls Are For
.................................29
The Recording Bass Player
................................................30
The Bass Player s Utility Kit
...............................................33
Chapter
4
Drums
.....................................................35
Simple Is Best
........................................................35
The Concepts of Feel and Internal Time
.......................................36
Rushed or Lazy Fills
....................................................38
Are You Playing Too Loud?
...............................................38
What Makes a Drum Kit Sound Great?
.......................................39
Drum Construction
....................................................39
Tuning the Drums
.....................................................41
The Recording Drummer
................................................47
The Drummer s Utility Kit
................................................49
Chapter
5
Keyboards
.................................................. 51
Defining Moments for a Keyboard Player
...................................... 51
The Classic Patches
.................................................... 52
The Keyboard Player Onstage
.............................................. 54
The Recording Keyboard Player
............................................ 56
The Keyboard Player s Utility Kit
........................................... 59
Chapter
6
Vocals
......................................................61
The Three Ps—Pitch, Pocket, Passion
.........................................61
Change the Key
.......................................................64
Take Care of Yourself
................................................... 64
Take Some Voice Lessons
................................................66
Mic
Technique
.......................................................67
Harmony Vocals Take More Time
...........................................68
Phrasing Is Everything
..................................................68
The Recording Vocalist
..................................................70
Chapter
7
Percussion, Horns,
DJs,
and Others
................................73
For Percussionists
.....................................................73
For Horn Players
......................................................75
The Horn Player s Utility Kit
..............................................76
For
DJs..................................
.. . . . .У. . . . .
..............
ηΊ
For Other Instruments
...... .....
V
vi
Contents
Part Two How Do I Make My Band Sound Great?
..........................79
Chapter
8
The Keys to Greatness
..........................................81
Dynamics
...........................................................81
Play Together—Listen to Each Other
.........................................84
Timing Is Everything
...................................................86
Turnarounds
.........................................................89
Tempo
.............................................................90
Play Big, Not Loud
.....................................................92
You Don t Have to Sound Just Like the Record
...................................93
Play In Tune
.........................................................93
Chapter9 It s All in the Song
.............................................95
The Arrangement Is the Key
...............................................95
Cover Song Arrangements
................................................97
Original Song Arrangements
..............................................97
Rules for Arrangements
................................................101
Let s Discuss Your Songs
................................................102
Dynamics on Records
..................................................105
They re Not Originals
.................................................107
Chapter
10
Rehearse Wisely—Plan Ahead
.................................. 109
Have an Agenda
..................................................... 109
You Gotta Hear Yourself
................................................
Ill
A Few Rehearsal Tips
.................................................. 112
Production Rehearsals
................................................. 114
The Dress Rehearsal
................................................... 114
Chapter
11
You Need the Stage Time
....................................... 115
All Gigs Are Welcome
.................................................. 115
How Not to Get Gigs
.................................................. 116
How Loud Should We Play?
.............................................. 131
Volume Wars
....................................................... 133
Chapter
12
Record Yourself
............................................. 135
Recording Rehearsals
.................................................. 135
Recording Your Gigs
................................................... 137
Now for Some Serious Recording
.......................................... 143
There s No Such Thing as a Demo
.......................................... 144
The Way to Make Your Recordings Sound Great
................................. 145
Pros Are Pros for a Reason
.............................................. 146
Contents
vii
Iťs a
Different Mindset
.................................................147
Different Gear for Different Jobs
...........................................
I49
Tips for a Great Recording
...............................................149
Chapter
13
The PA
....................................................153
Voices Come First
....................................................153
The Graphic EQ Is Not a Tone Control
.......................................154
Let s Hear Those Vocals
.................................................157
Monitors
..........................................................157
What s in Your Mix?
...................................................164
Chapter
14
Be a Professional
............................................165
What Is a Professional?
.................................................165
The Importance of Diplomacy
............................................168
Steps in Resolving a Conflict
.............................................169
Howto Keep a Band Together
............................................170
There s Always Somebody Else
............................................171
Who s the Leader?
....................................................172
Chapter
15
Your Show
.................................................175
It s More Than a Collection of Songs
........................................175
The Big Ending
......................................................177
Playing with Backing Tracks
.............................................178
Sound
............................................................179
Stage Lighting
.......................................................179
The Stage Plot
.......................................................186
Chapter
16
The Importance of Video
......................................
189
Video as a Learning Tool
................................................ 189
Making a Great Live Video
..............................................
19°
If You re Making a Music Video
...........................................
192
Some Special DVDs to Check Out
..........................................
194
The EPK
..........................................................196
Chapter
17
To Summarize
..............................................
197
Partlhree The Interviews
............................................
ш
Chapter
18
The Interviews
..............................................
203
Chris
Boardman
.....................................................
203
Frank Fitzpatrick
............................ ...................
209
viii
Contents
Paul 111
............................................................213
Brian MacLeod
......................................................221
Pete Thorn
.........................................................232
Brian Ray
..........................................................236
Glossary
...........................................................243
Index
.............................................................249
Contents
ix
|
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| isbn | 9781423441908 |
| language | English |
| lccn | 2009537644 |
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| publishDateSort | 2009 |
| publisher | Hal Leonard |
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| series2 | Music pro guides |
| spelling | Owsinski, Bobby Verfasser (DE-588)13320698X aut How to make your band sound great Bobby Owsinski Make your band sound great New York, NY Hal Leonard 2009 XVI, 252 S. Ill. 28 cm DVD-Video (12 cm) txt rdacontent n rdamedia nc rdacarrier Music pro guides Includes index. Rock music Vocational guidance Rock groups Vocational guidance Soundverarbeitung (DE-588)4485311-7 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Rockmusik (DE-588)4115774-6 s Soundverarbeitung (DE-588)4485311-7 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018766221&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Owsinski, Bobby How to make your band sound great Rock music Vocational guidance Rock groups Vocational guidance Soundverarbeitung (DE-588)4485311-7 gnd Rockmusik (DE-588)4115774-6 gnd |
| subject_GND | (DE-588)4485311-7 (DE-588)4115774-6 (DE-588)4151278-9 |
| title | How to make your band sound great |
| title_alt | Make your band sound great |
| title_auth | How to make your band sound great |
| title_exact_search | How to make your band sound great |
| title_full | How to make your band sound great Bobby Owsinski |
| title_fullStr | How to make your band sound great Bobby Owsinski |
| title_full_unstemmed | How to make your band sound great Bobby Owsinski |
| title_short | How to make your band sound great |
| title_sort | how to make your band sound great |
| topic | Rock music Vocational guidance Rock groups Vocational guidance Soundverarbeitung (DE-588)4485311-7 gnd Rockmusik (DE-588)4115774-6 gnd |
| topic_facet | Rock music Vocational guidance Rock groups Vocational guidance Soundverarbeitung Rockmusik Einführung |
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