What's that sound?: an introduction to rock and its history
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York [u.a.]
Norton
2009
|
| Edition: | 2. ed |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | XXI, 566, [36] S. zahlr. Ill. |
| ISBN: | 9780393932294 |
Staff View
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| 100 | 1 | |a Covach, John Rudolph |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a What's that sound? |b an introduction to rock and its history |c John Covach |
| 250 | |a 2. ed | ||
| 264 | 1 | |a New York [u.a.] |b Norton |c 2009 | |
| 300 | |a XXI, 566, [36] S. |b zahlr. Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | |a Rock music / History and criticism | |
| 650 | 4 | |a Rock music |x History and criticism | |
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Record in the Search Index
| _version_ | 1804140852782563328 |
|---|---|
| adam_text | Contents
Preface
xix
Introduction: Studying Rock
2
Elements to Consider
5
Rock History in the Media
· 1
Know What I Like: The Fan Mentality
·
The
Ups
and
Downs of Chart Positions
·
The Four Themes
·
Tracking the Popularity Arc
Elements of Music: An Introduction
9
Form, Rhythm, and Meter: Rocket
88 ·
Simple Verse Form
·
Instrumental Listening
The
1
920s, 30s, 40s
14
Chapter
1 :
The UJorld Before Rock
ond
Roll
(ßoots-1955)
іб
Part i. The World of Mainstream Pop in the Years Leading up to
1955 18
Building a National Audience for Music and Entertainment
18
National versus Regional
·
The Rise of the Radio Networks in the
1920s
How Did They Work?)
·
The Migration of Big Corporate Money Away
from Radio to Television
·
Backstage Pass: The Invention of
Bing
Crosby by Gary
Giddins
Tin Pan Alley
25
Sheet Music Publishers and Professional Songwriters
The Singer Steps Forward
28
The Singers and the Big Bands
·
Frank Sinatra
·
The Sound of Pop in the Early 1950s
Part
2.
The Growth of Country and Western Music
36
Regional Styles
36
Country Music in the Southeast in the
îgşos
·
Western Music in the
vj
Southwest
and California in the
1930s ·
Jimmie Rodgers, the First Star of
Country Music
Recordings and Radio Further a National Sound for
Country and Western Music
38
Superstation
Radio Broadcasts in
Príme
Time
·
Country Music
duríng
World War II
(War Buddies)
·
Nashville Becomes Country and Western Headquarters
Hank Williams, Country Music Singer-Songwriter in the
Big Business of Country and Western
41
A Short Career that Cast a Long Shadow
Bluegrass, the New, Old-Time Country Music
41
Bill Monroe and His Blue Grass Boys
Part
3.
Rhythm and Blues in the 1940s and 1950s
44
Rural (Delta) and Urban Blues
44
Migration Patterns from the Rural South to the Urban North
·
Regional Radio
and the Black Experience in
1950s
America
·
Independent Labels Target Regional
Audiences
Rhythm and Blues as a Marketing Category That
Includes a Broad Range of Musical Styles
48
The Influence of Gospel Music (Rural Southern Church Traditions)
·
Chess Records and
Chicago Electric Blues
·
Atlantic and Black Pop
·
Doo-wop (Urban Vocal Music)
Rhythm and Blues as a Dangerous Influence on
American (White) Youth
52
Stagger Lee and the Black Male Swagger
·
Hokum Blues and Fun with
Double Meanings
The
1950s
sa
Chapter
2:
The
ßirth
ond
First Flourishing
oř
Rock
ond
Roll
(1955-1960) 62
The Rise of Youth Culture in the
1950s 64
The First Wave of War Babies Reaches Adolescence (This Is Not Your Father s Pop Music)
Radio and Records
67
The Rise of the Disc Jockey in Regional Radio
·
Aggressive Marketing by
Independent Labels
Crossovers and Covers
70
Hit Records and the Charts
The First Rock and Rollers Cross Over
71
Fats Domino
-
Chuck Berry: Blending Rhythm and Blues and Country and Western
while Targeting a White Youth Audience
.
Berry s Musical Influence
·
Little Richard
·
S
Bayerisch*
t
Staatsbibliothek
<Л
Bill Haley, Pat
Boeme,
and the Whitening of Rhythm and Blues
·
The Controversy over
vii
Cover Versions
The Rise of Elvis Presley: In Steps Corporate America
81
Elvis at Sun
·
Backstage Pass: Elvis Presley s Visual Appeal by
Albin
Zak
·
о
The Big RCA Deal
·
Covers
in Elvis s Early Career
·
Elvis s Move to RCA for
2
Broader Appeal
„
Rockabilly in the Wake of Elvis
88
Carl Perkins, Johnny Cash, and Jerry Lee Lewis at Sun
·
Gene Vincent and Eddie
Cochran
·
Rockabilly Ladies
·
Buddy Holly
·
Holly the Songwriter
The Day the Music Died
93
The Misfortunes of Many in Rock and Roll s First Wave
·
The Payola Investigations
Interlude
1 :
The Rigger Picture: Typical Formal
Tupes
in
flmerican Popular Music
98
The 12-Bar Blues and the Doo-Wop Progression
98
Verse and Verse-Chorus Forms
101
Simple Verse-Chorus
·
Simple Verse Form
·
Contrasting Verse-Chorus
AABA Form
205
Chapter
3:
The Demise of Rock and the Promise of Soul
(1959-1963)
ios
Splitting up the Market: Teenyboppers and Their Older Siblings
110
The Adults in the Room: Brill Building and
Aldon
Publishing
·
Teen Idols for Idle
Teens
·
The Dance Craze, American Bandstand, and The Twist
·
Backstage Pass: The
Rise and Fall of American Bandstand by John Jackson
·
Folk Music and the Putting
Away of Childish Things
Ambitious Pop: The Rise of the Producer
122
Leiber
and Stoller with the Coasters
·
The Important Collaboration between
Songwriter/Producers and Performers
·
Taking on Social Issues
·
Producers in the Brill
Building: The Rise of the Girl Groups
·
Phil Spector and the Wall of Sound
Sweet Soul on the Rise
132
Sam Cooke Turns to Pop
·
The Drifters and Ben E. King
Rockabilly Popsters
щ
The Everly Brothers
·
Roy Orbison
·
Ricky Nelson
Surfin USA:
It s Just Good, Clean, White-Suburban Fun
ці
The Beach Boys, Jan and Dean, and Vocal Surf Music
·
Dick Dale, King of the Surf
Guitar
·
Duane Eddy and the Ventures
Baby, Baby, Baby: A Case Study in Record Production
144
There Goes My Baby
·
Be My Baby
·
Don t Worry Baby
Narrative Lyrics Run Amok: The Splatter Platter
148
Teenage Romanticization of Death
The
1960s
T52
Chapter
4:
The Beatles and the British Invasion
(1964-1966) 157
British Pop in the Late
1950s
and Early
1960s
i¡8
The Music Business in the UK
The Beatles as Students of American Pop, 1960-1963
160
Formation and First Gigs
·
Hamburg and Liverpool
(ідбо-ідбг)
BeaÜe
Influences
163
BeaÜemania, 1963-1966
164
Success in England
·
The American Experience
·
Backstage Pass: The Beatles on
Sullivan by Tim Riley
·
The Beatles Music Develops: From Craftsmen to Artists
·
The
Growing Importance ofLyrics Developing Greater Stylistic Range
The British Invade
172
Haircuts, Accents, and Guitars
·
Gerry and the Pacemakers, the Dave Clark Five, and
Other Beatles-type Bands
·
Herman s Hermits, Freddy and the Dreamers, and the Hollies
The Rolling Stones and the British Blues Revival
174
Bad Boys, Blues, and Rhythm and Blues
♦
Blues Enthusiasts
·
The Rolling Stones
·
The
Stones and the Blues Tradition
·
The
Yardbirâs,
the Animals, and the Spencer Davis
Group
·
The Kinks and the Who: Raw Power and Ambitious Lyrics
The Mop Tops Threaten the Big Wigs
187
Chapter
5:
flmerican Responses
(1964-1966) 190
Folk Rock
192
Dylan Plugs In
·
The Byrds and the Jingle-Jangle of the Electric Twelve-String
Guitar
·
The Byrds, Dylan, the Beach Boys, and the Music Business
·
Simon and
Garfunkel Go Electric
·
California Dreamin : Barry McGuire, the Turtles, and the Mamas
and the Papas
American Pop on Both Coasts
201
LA.: Spector and His Legacy
.
The Beach Boys: Brian Stays Home
·
Ride the Ambitious
Surf: Brian Wilson as Producer
-
Sonny and Cher: Dylan Meets the Wall of Sound
·
Gary Lewis and the Playboys, and Johnny Rivers
·
Meanwhile Back in New York: The
Lovin
Spoonful and the Rascals
.
The Old Guard Hangs On: New York
·
Backstage
Pass: Top
40:
More Hits More Often by Ben Fong-Totres
Garage Bands: No Professional Experience Necessary
212
From the Northwest: Garage Bands, The Kingsmen, and Louie, Louie
TV Rock: The Industry Tries to Take Control Once More
215
One If by Land, Two If by Sea: Paul Revere and the Raiders
.
A Collision of the Old and
New. The Monkees Tale
.
Monkee Complexitee
Interlude
2:
UJho s Playing UUhot?: Instrumentation in Rock
222
¡x
The Rhythm Section
222
Beat It: Drums and Percussion
·
The Low Down: Electric Bass
·
Harmony in Motion: n
Rhythm Guitar and Keyboards
О
Singers and Solos
225
In the Spotlight: Lead Singers and Backup Vocals
·
Steppin Up: Instrumental
Solos
·
Horns and Strings: Sweetening the Sound
How It All Fits Together
226
Smoke on the Water
·
Bye Bye Love
Chapter
6:
Motown Pop and Southern Soul
(1960-1970)
230
Berry Gordy Jr. and Blade Music for White Audiences
232
Go Where the Money Is: White Kids and Disposable Income
·
Adapting the Brill
Building Production Model
·
The Studio, the Band, and Quality Control
·
Artist
Development and Professional Choreography
The Motown Artists
23y
The Temptations
·
The
Suprêmes
·
The
Suprêmes
and Holland-Dozier-Holland
·
The
Four Tops
·
Martha and the Vandellas
·
Marvin
Gaye
and Stevie Wonder
·
Assimilation,
Motown, and the Civil Rights Movement
Atlantic, Stax, and Southern Soul
243
Atlantic in the Early ig6os
·
Soulsville, USA: The Memphis Connection
·
Otis Redding
and Stax
·
Wilson Pickett and the Muscle Shoals Sound
·
Sam and Dave, Porter and
Hayes
·
The Stax Sound
·
Aretha Franklin
·
Motown, Atlantic, Stax, and Issues of
Blackness
· 1968:
A Pivotal Year for Black Popular Music
James Brown: On the Way to Funk
253
From Doo-wop to Soul
·
Backstage Pass: Hot Pants Make You Sure of Yourself by
Guthrie Ramsey
·
Black Pride and the Birth of Funk
Chapter
7:
Psychedelia
(1966-1969) 200
Drugs and the Quest for Higher Consciousness
262
The Doors of Perception: Ken Kesey, Timothy Leary, and LSD
·
A Journey to the
East: The Beatles and the Maharishi
·
Two Psychedelic Approaches to Music
Psychedelic Ambition: The Beach Boys and the Beatles
264
Two Bands, One Label
·
Good Vibrations
·
Sgt. Pepper s Lonely Hearts Club
Band
·
Collapse and Retreat: SMiLE and Smiley Smile
·
And in the End: The Beatles
after Sgt. Pepper
The San Francisco Scene and Haight-Ashbury
273
The Red Dog, the Family Dog, and Kesey s Acid Tests
·
it Takes a Village to Raise a
Ruckus: Concerts, News, the Psychedelic Shop,
FM
Radio
·
The Grateful Dead
·
The Jefferson Airplane
·
Big Brother
ană
the Holding Company,
Janis
Joplin
·
Country
Joe and the Fish
·
Other Important San Frandsco Bands
The London Scene
281
The Rise of the British Underground
·
Underground Clubs in Swinging London
·
Musical Notes fiom the Underground: Pink Floyd, Soft Machine, and Tomorrow
·
The Public Face of British Psychedelia: The Major Acts
·
The Rolling Stones: Psychedelic
Rhythm and Blues?
·
Cream: British Blues on Acid with Pop on the Side
·
Cream s Blues
Adaptations
·
The
Jimi Hendrix
Experience: Psychedelic Blues Meets the Avant-
garde
·
Traffic and Van Morrison
·
Donovan and Psychedelic Folk
Los Angeles and Elsewhere
294
The Byrds and the Buffalo Springfield
·
The Doors and Jim Morrison, Turning to the
Dark Side
·
Love, Iron Butterfly, and Vanilla Fudge
·
Upstate Americana: Dylan and the
Band
A Woodstock Nation: Festivals, Audiences, and Radio
237
Do You Know the Way to Monterey?
·
Good Trip, Bad Trip: Woodstock and
Altamont
·
Festivals in the. UK and Europe
·
Backstage Pass: live from
...
Woodstock
by Graeme Boone
·
The Fracturing of the American Radio Audience: AM vs
FM
The
1
970s
304
Chapter
8:
The Grouping Rock Monster
(1970-1975)
зов
The Hippie Aesthetic
330
Psychedelic Legacies
Blues-Based British Rock
311
Roots in the Rolling Stones, the Yardbirds, and Cream
·
Led Zeppelin: Blues, Folk, and
Psychedelia Take the Next Step
·
Deep Purple: Blues, Classical, and Psychedelia
·
Black
Sabbath: British Rock, Meets Boris Karloffand the Gothic Beginnings of Metal
·
Go Your
Own Way The Faces and Humble Pie
·
Hippie Blues Rock
American Blues Rock and Southern Rock
317
The
Allmän
Brothers Band and Southern Rock
·
Lynyrd Skynyrd
·
More Sounds of the
South
·
Texas and South of the Border.
Santana
and ZZ Top
·
What Were Once Vices:
Steppenwolf,
Three Dog Night, Grand Funk Railroad, Edgar Winter, and the Doobie
Brothers
·
Aerosmith and thej. Geils Band
Progressive Rock: Big Ideas and High Ambition
327
Philosophical Lyrics and Concept Albums
♦
Backstage Pass: Led Zeppelin in concert,
1970-79
by Susan Fast
.
The Use of Classical Music with Rock
·
The Who: Townshend s
Big Projects
.
In the Beginning: King Crimson and Emerson, Lake
ą
Palmer
·
Hippie
Spirituality. Jethro
Tull
and Yes
·
Symphonic Expansion
·
Bizarre Tales and Progressive-
rock Theater: Genesis and Pink Floyd
Jazz-Rock Fusion and Jazz-Influenced Rock
338
Jazz and the Studio Musician Jazz-Rock Fusion: Miles and Beyond
.
Frank Zappa:
Satire
and Complexity
·
Low Sparks and Pretzel Logic: Traffic and Steely Dan
·
Horn
xi
Bands: Blood, Sweat, S[ Tears and Chicago
Glam Rock
and Rock Theater: Shocking Characters
343
Dressing Up and Acting Out
·
Alice Cooper: Welcome to My Nightmare
·
Kiss and Make
η
Up
·
Ziggy Played Guitar: David Bowk
2
The Singer-Songwriters
34y
5
The Importance of Being Earnest
· 1960s
Connections: James Taylor, Cardie King, and Paul
Simon
·
American Poets Society
·
British Singer-Songwriters: Van Morrison, Cat Stevens,
and Elton John
.
Canadian Voices: Joni Mitchell, Neil Young, and Gordon Lightfoot
Country
Rock 3J2
The
Giß
to Be Simple
·
Poor Boys Make Good: Creedence Clearwater Revival
·
The Avocado Mafia
·
The Eagles Take It Easy
Interlude
3:
In the Studio: The Role of Recording Techniques
ІП
Rock Music
358
Ambience
358
Is It Live or Is It Memorex?
·
Reverb and Echo
EQ, Stereo, and Mixing
360
River Deep, Mountain High: EQ
·
Every Breadth You Take: Stereo Placement
Mono and Stereo
363
Chapter
9:
Block Pop
ond
the Rise of Disco
(1970-1980)
308
Black Pop Roots in the
1960s 369
Sly and the Family Stone: Sly Crosses Over
·
In Sly s Wake: Ohio Players and
Kool
and
the Gang
·
The Rock Connection: Tower of Power and War
·
Later in the
70s.·
Earth,
Wind, and Fire and the Commodores
·
Motown Marches On: Norman Whitfield, the
Temptations, and Marvin
Gaye
·
Stevie Wonder Comes of Age
·
The Last Train for the
Coast: Diana Ross, Marvin
Gaye,
the Jackson
5,
and Rare Earth
·
The Philadelphia
Sound: Gamble and Huff Thorn Bell, the Spinners, Stylistics
·
Blaxploitation : Isaac
Hayes and Curtis Mayfield
·
Backstage Pass:
Wattstax:
Black Woodstock and the
Legendary Film It Inspired by Rob Bowman
James Brown, George Clinton and Parliament/Funkadelic
386
Soul Brother Number
1 ·
The Mothership Connections: George Clinton and Company
•
Average White Band, the Band That Did Get Airplay on White Rock Radio
Reggae Comes Ashore
38g
New Orleans and New York
The Rise of Disco
395
I Should Be Dancin ; a New Dance Craze
·
The Return of the Producers
Disco and the Hippies
Disco Sucks?
xii
Chapter
10:
Mainstream
Rock, Punk, and Neui UJove
(1975-1980) 402
Building the
Business: Frampton Comes Alive
404
FM
Radio
Goes from
Late
60s
Free Form to AOR
·
Show Me
the Way: The Advent
of the Big Album
·
Life s Been Good to Me So Far. More Big Albums
Mainstream
Rock, 1975-1980
408
It s Still Rock and Roll to Me
·
Keeping the Faith: Stones, Wings, Walls, Starships,
and Airliners
·
Gaining Ground: Aerosmith, Bad Company, Kiss, and the Doobie
Brothers
·
Rethinking Previous Approaches: Boston, Foreigner, and Journey
·
Old Wine, New Bottles: Cheap Trick, Blue. Oyster Cult, and Van Halm
·
Progressive
Rock Revamped
·
Revamped Prog from the North: Rush
·
Alan Parsons,
ELO,
and
Queen
·
Singers, Songwriters, and Bands: Bob Dylan, Elton John, and Paul Simon
·
Billy Joel, Jackson Browne, Bob
Seger,
and Bruce Springsteen
·
Form or Formula?
The Roots of Punk in the United States, 1967-1975
423
Safety Pins and Leather
·
Punk Roots: The Velvet Underground, the Stooges, and the
MC5
·
The Beginnings of the New York Scene
·
The
Ramones
and Blondie
The Rise of Punk in the UK, 1974-1977
427
No Hope: Malcolm McLaren, British Punk, and the Sex Pistols
·
The Clash, the
Buzzcocks, the Jam, and Siouxsie and the Banshees
·
Punk Poetics
—
Organization or
Anarchy?
The Rise of New Wave, 1977-1980
432
The Next Big Thing
·
Blondie and the Talking Heads
·
Backstage Pass: Elvis
Costello
on
Saturday Night live by Mark Spicer
·
New Wave, American-style: the Cars, Tom Petty,
Devo, B-ps,
and the Knack
·
British New Wavers in America: Elvis
Costello,
the Police,
and Joe Jackson
·
Pangs of Rock History?
The Rejection of Hippie Values and the Rise of Historical
Self-Consciousness
43g
New Wave and the Hippie Aesthetic
·
Gary Wright and Gary Numan
·
Heart and Blondie
The
1
980s
444
Chapter
11:
I Ulont
Ми
MTV
(1980-1990) 448
MTV Is on the Air
44g
The Roots of MTV in Promotional Video
·
On the Air, but Who s Watching?
·
Can Video
Really Kill trie Radio Star?
.
Music Video s New Elite: Michael Jackson and
Madonna
.
Backstage Pass: Motown
25:
Celebration, Nostalgia, and Actuality by
Andrew
ñory
.
Dirty Minded? Prince and Janet Jackson
.
Let s Get Physical: Olivia
Newton-John
.
Brit Pop Hits MTV:
Duran Duran
and Culture Club
·
Thinking Person s
MTV:
Eurythmies
and Tears for Fears
.
The Hippie Aesthetic Returns Transformed
The Wave Continues
466 xiii
Keepers of the Wave: The Police and Uz
♦
The Sun Never Sets on New Wave: Split
Enz,
Crowded House, Men at Work,
XTC,
and Squeeze
·
College Rock Underground: R.E.M.
and the Smiths
·
Girls Just Wanna Have Fun: The Go-Go s, Cyndi Lauper, and the
Bangles
О
The New Traditionalists
473
No Irony, Just a Healthy Love for Earlier Styles
·
I Won t Back Down: Tom Petty,
5
with and without the Heart-breakers
·
New Jersey Nostalgia: Bruce Springsteen and
the
Е
-Street Band
·
Americana on Both Sides of the Pond: John Mellencamp and Dire
Straits
·
Rockabillies in Exile: The Stray Cats
·
Blue-eyed Soul,
80s
Style: Hall and
Oates, George Michael, and Michael
Bolton
The Revenge of the Prog Nerds and Mainstream Rock
480
The Dinosaurs Adapt
·
From Genesis to Corporation
·
Going for the One: Yes and
Asia
·
I Will Survive:
1960s
and
70s
Rock Bands Continue, to Thrive
·
Old School
Newcomers: AC/DC and Huey Lewis and the News
Chapter
12:
Heavy Metal, Rap, and the Rise of Rlternative Rock
(1982-1992) 486
Heavy! Duty! Heavy Metal in the
1980s 487
Heavy Metal Thunder
·
Blue-Collar Man: Image and Class
·
The New Wave
ofBrìtish
Heavy Metal
·
Early Los Angeles Bands and the American Heavy Metal
Underground
·
The Rise of the Metal Mega-Stars and Hair Bands
·
Metal
Ambition
·
The Role of Virtuosity and the Hippie Aesthetic
The Emergence of Rap
497
Rap Music and Hip-Hop Culture
·
From the Park to the Radio: The First Rap
Records
·
Backstage Pass:
DJ Kool
Herc:
The Man with the Master Plan by Jeff
Chang
·
Russell Simmons, Rick Rubin: Crossing Over to White Audiences
·
Challenging the Status Quo
·
Fear of a Black Planet? The Flap over Rap
Into the
1990s:
Alternative Rock jio
America s Punk?
·
Seattle s Grunge Scene: Nirvana and Hole
·
Pearl Jam
·
Other Seattle Bands:
Soundgarden,
Alice in Chains, and
Eoo
Fighters
·
California
Bands
·
Revisiting the ig6os and
1970s
The
1
990s
ond
Beyond 51g
Chapter
13:
Conclusion
(1990s
and Beyond: The More Things Change
... )
ѕгз
The Rise of Classic Rock
523
The Age of the CD Re-Issue: Selling the Same Music Again
·
Radio Killed the Video Star
x¡v
The Classic-Rock Radio Format
·
Behind the Music: The Rise ofVH-i and
Rockumentaiy
·
You re Never Too Old to Rock and Roll
New Traditionalism Continues
527
Roots Rockers and Generation X· Sheryl Crow and Hootie and the Blowfish
·
Counting Crows and the Wallflowers
·
The Return of Jamming: Phish, Widespread
Panic, Blues Traveler, Spin Doctors, and the Dave Matthews Band
·
Matchbox
20
and
Third Eye Blind
Rhythm and Blues and Black Pop
532
The Return of Classic Motown: Boyz II Men
·
Babyface, LA. Reid, and
LaFace
·
Crossover Divas: Whitney Houston and Mariah Carey
Teen Idols
527
If You Build It, They Will Come: Backstreet Boys and *NSYNC
·
Backstage Pass:
American Idol by
Norma Coates
·
Girl Power: The Spice Girls
·
Teen Divas: Britney
Spears and Christina
Aguilera
Female Singer-Songwriters
543
Both Sides Now: Another Take on Girl Power
·
Tori Amos, the Indigo Girls, Liz Phair,
and
Ani DiFranco
·
Canadian Contrasts: Sarah McLachlan and Alanis
Morissette
·
Projecting Feminine Identities: Teen Idols and Singer-Songwriters
Electronic Dance Music
547
Dance, Dance, Dance
·
New York, Larry
Levan,
and the Paradise Garage
·
Chicago
anà
Detroit
·
Rise of UK Rave Scene and Its Return to the United States
·
Breakthrough of
Electronic Dance Music into the U.S. Pop Mainstream
·
Listening to Dance Music and
the Live Problem
Rap Rolls On
551
Gangsta Rap and a Proliferation of Styles
·
West Coast: Death Row,
Dre,
Snoop, and
Tupac
·
East Coast: P. Diddy and Notorious B.I.G.
·
The Great
DJ
Spin-off: Wu Tang
Clan
♦
Naughty and Nice: Will Smith and Eminem
Metal Extensions and Indie Rock
557
Rap and Rock: Rage Against the Machine
·
Getting Heavy:
Korn,
Limp Bizkit,
System of a Down, and Kid Rock
·
The Menacing Sounds of Industry: Nine Inch
Nails and Marilyn
Manson
·
Indie Rock Continues: Yo
La Tengo,
Pavement, and
Guided by Voices
·
Indie Music in the Mainstream: Beck
·
Country Meets Rock,
Again: Uncle Tupelo, Son Volt, and Wilco
Conclusion
¡65
A New Generation and a Fracturing of the Audience
·
Technology and the Audience for
Popular Music in the Digital Age
Glossary G-1
Credits
С
-i
Index
1-і
Listening Guides
XV
Introduction n
Jackie Brenston and His Delta Cats, Rocket
88
и
Chapter
ι
Judy Garland with Victor Young and His Orchestra, Over the Rainbow
26
Les
Paul and Mary Ford, I m Sittin on Top of the World
34
Hank Williams, Hey Good Lookin
42
Howlin Wolf, Evil
50
Big Joe Turner, Shake, Rattle, and Roll
54
Chapter
2
Fats Domino, Blueberry Hill J3
Chuck Berry, Johnny B.
Goode j6
Elvis Presley, That s All Right (Mama)
83
Interlude
1
Little Richard,
Tutti Frutti
100
The Carter Family, Can the Circle Be Unbroken
101
Elvis Presley, Heartbreak Hotel
102
Chuck Berry, Rock and Roll Music
103
The Crickets, That ll Be the Day
104
Jerry Lee Lewis, Great Balls of Fire
ìoj
The Everly Brothers, All I Have to Do Is Dream
106
Chapter
3
The Kingston Trio, Tom Dooley
120
The Coasters, Down in Mexico
126
Roy Orbison, Only me Lonely (Know How I Feel)
138
The Beach Boys,
Surfin
U.S.
A.
142
The Drifiers, There Goes My Baby
145
The Ronettes, Be My Baby
14y
Chapter
4
The Beatles, I Want to Hold Your Hand
168
The Beatles, Tomorrow Never Knows
170
The Rolling Stones, The Last Time
178
The Yardbirds, Heart Full of Soul
183
The Kinks, You Really Got Me
186
Chapter
5
Bob Dylan, Positively 4th Street
196
The Byrds, Mr. Tambourine Man
ígg
The Beach Boys, California Girls
204
The Kingsmen, Louie, Louie
214
The Monkees, Last Train to Clarksville
217
xvi
Interlude
2
Deep Purple, Smoke on the Water
227
The Everly Brothers, Bye Bye Love
228
Chapter
6
The Temptations, The Way You Do the Things You Do
236
О
The
Suprêmes,
Baby Love
238
Wilson Pickett, In the Midnight Hour
246
1
1
Aretha Franklin,
Respeď
251
James Brown, Papa s Got a Brand New Bag, Pt.
Chapter
7
The Beach Boys, Good Vibrations
266
The Beatles, A Day in the Life
270
The Jefferson Airplane, White
Rabbíť
278
Cream, Sunshine of Your Love
28η
The
Jimi Hendríx
Experience, Purple Haze
290
Chapter
8
Led Zeppelin, Whole
Lotta Love
316
The
Allman
Brothers Band, Whipping Post
320
Santana,
Evil Ways
324
Yes, Roundabout
33Ą
Carole King, You ve Got a Friend
348
The Eagles, Take It Easy
355
Interlude
3
Steely Dan, Josie
364
The Crystals, Da
Doo
Ron Ron
366
Chapter
9
Sly and the Family Stone, Thank You (Falettinme Be Mice Elf Agin)
370
The Temptations, Papa Was a Rolling Stone
376
Stevie Wonder, Living for the City
37g
Parliament, Tear the Roof Off the Sucker (Give Up the Funk)
390
Bob Money and the Wailers, Get Up, Stand Up
392
Donna Summer, Bad Girls
398
Chapter
10
Peter Frampton, Show Me the
Waf
(Live)
406
Boston, More Than a Feeling
418
Foreigner, Feels Like the First Time
420
The Sex Pistols, Anarchy in the UK
430
The Cars, My Best Friend s Girl
438
Chapter
11
Michael Jackson,
Billie
Jean
454
Madonna, Like a Virgin
458
Punce,
іддд
462
The
Pólice,
Don t Stand So Close to Me
468
ч
t/l
U2,
Prìde (In
the Name of Love)
470
Bruce Springsteen, Bom in the U.S.A.
476
Peter Gabriel, Sledgehammer
482
Chapter
12
g
Motley
Crue,
Shout at the Devil
490
z
Metallica,
One
494
™
Run-DMC, Rock Box
¡02
Queen Latifah, Ladies First
¡06
Public Enemy, Don t Believe the Hype
508
Nirvana, Smells like Teen Spirit
512
Chapter
13
Sheryl Crow, All I Wanna Do
530
Boyz II Men, End of the Road
¡34
Tori Amos, Crucify
¡44
Dr.
Dre,
featuring Snoop Doggy Dogg, Nuthin but a G Thang
554
Uncle Tupelo, Screen Door
564
|
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| id | DE-604.BV035875873 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:06:34Z |
| institution | BVB |
| isbn | 9780393932294 |
| language | English |
| lccn | 2009004327 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-018733557 |
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| physical | XXI, 566, [36] S. zahlr. Ill. |
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| spelling | Covach, John Rudolph Verfasser aut What's that sound? an introduction to rock and its history John Covach 2. ed New York [u.a.] Norton 2009 XXI, 566, [36] S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte gnd rswk-swf Rock music / History and criticism Rock music History and criticism Rockmusik (DE-588)4115774-6 gnd rswk-swf Rockmusik (DE-588)4115774-6 s Geschichte z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018733557&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Covach, John Rudolph What's that sound? an introduction to rock and its history Rock music / History and criticism Rock music History and criticism Rockmusik (DE-588)4115774-6 gnd |
| subject_GND | (DE-588)4115774-6 |
| title | What's that sound? an introduction to rock and its history |
| title_auth | What's that sound? an introduction to rock and its history |
| title_exact_search | What's that sound? an introduction to rock and its history |
| title_full | What's that sound? an introduction to rock and its history John Covach |
| title_fullStr | What's that sound? an introduction to rock and its history John Covach |
| title_full_unstemmed | What's that sound? an introduction to rock and its history John Covach |
| title_short | What's that sound? |
| title_sort | what s that sound an introduction to rock and its history |
| title_sub | an introduction to rock and its history |
| topic | Rock music / History and criticism Rock music History and criticism Rockmusik (DE-588)4115774-6 gnd |
| topic_facet | Rock music / History and criticism Rock music History and criticism Rockmusik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018733557&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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