Music for analysis: examples from the common practice period and the twentieth century
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| Format: | Musical Score Book |
|---|---|
| Language: | English |
| Published: |
New York, NY [u.a.]
Oxford Univ. Press
2010
|
| Edition: | 7. ed. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Examples on compact disc performed on piano, harpsichord, and organ by Rosilee Walker Russell Includes bibliographical references (p. 553) and index |
| Physical Description: | XXII, 570 S. überw. Notenbeisp. 28 cm CD (12 cm) |
| ISBN: | 9780195379839 |
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| 245 | 1 | 0 | |a Music for analysis |b examples from the common practice period and the twentieth century |c [comp. by] Thomas Benjamin, Michael Horvit, Robert Nelson |
| 250 | |a 7. ed. | ||
| 264 | 1 | |a New York, NY [u.a.] |b Oxford Univ. Press |c 2010 | |
| 300 | |a XXII, 570 S. |b überw. Notenbeisp. |c 28 cm |e CD (12 cm) | ||
| 336 | |b ntm |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Examples on compact disc performed on piano, harpsichord, and organ by Rosilee Walker Russell | ||
| 500 | |a Includes bibliographical references (p. 553) and index | ||
| 648 | 7 | |a Geschichte 1600-2000 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Musical analysis / Music collections | |
| 650 | 4 | |a Musical analysis - Music collections | |
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| 700 | 1 | |a Benjamin, Thomas |d 1940- |e Sonstige |0 (DE-588)103790551 |4 oth | |
| 700 | 1 | |a Horvit, Michael |e Sonstige |4 oth | |
| 700 | 1 | |a Nelson, Robert |d 1941- |e Sonstige |0 (DE-588)135420040 |4 oth | |
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| _version_ | 1804140793091325952 |
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| adam_text | Contents
Preface
xix
Suggestions
for Using This Book
xxii
Part I Diatonic Materials
Suggestions for Discussion
1.
Tonic Triad
Questions for Analysis
1.
Haydn, Sonatina in
G
major, Hob.
XVI: 8 3
2.
Czerny, Sonatina, op.
792,
no.
8 © 3
3.
Rimsky-Korsakov,
Le Coq
d Or:
Hymn to the Sun
3
4.
Beethoven, Leonora Overture No.
2,
op.
72 4
5.
Beethoven, Trio, op.
70,
no.
2 4
6. Chopin, Polens Grabgesang,
op.
74 5
7.
Chopin, Valse
(Posthumous)
© 6
8.
Beethoven,
Symphony No.
5,
op.
67 6
9.
Couperin,
Carnival
7
2.
Dominant
Triad in
Root Position
Questions
for Analysis
10.
Mozart, Rondo
© 8
11.
Ruhnau,
Biblical
Sonata No.
1:
Victory
Dance
and Festival
© 8
12.
Beethoven,
Für
Elise
© 9
13.
Schumann,
Album
for the Young, op.
68: Reiterstück 9
14. Weber, Euryanthe,
op. 8Í:
Overture
10
15. Beethoven,
Symphony No.
5,
op.
67 10
3. Dominant
Seventh and Ninth in Root Position
Questions for Analysis
Model Analysis
16.
Weber, German Dance
Q
12
17.
Mozart, Sonata, K.
332 © 12
18. Schubert, Wiegenlied,
op.
98,
no.
2 13
19.
Verdi, Rigoletto,
Act I, no.
2 13
20.
Haydn, Sonata in
E
major, Hob.
XVI: 13 © 14
21.
Beethoven, Symphony No.
4,
op.
60 15
22.
Weber, Oberon: Overture
15
23. Schubert, Ländler © 16
24.
Schubert, Valses
Nobles, op.
77 © 16
25.
Mozart, Valse
17
4.
Subdominant
Triad in Root Position
Questions for
Analysu
26.
Scheidt,
Bergamasca
© 18
27.
Schumann,
Faschingsschwank aus Wien,
op.
26,
no.
3:
Scherzino
© 18
28.
Chopin, Mazurka, op.
17,
no.
1
Яд
19
111
29.
Beethoven, Egmont
Overture, op.
84 19
30.
Verdi, Rigoletto,
Act I, no.
7 20
31.
Schubert, Impromptu, op.
90,
no.
4,
D.
899 © 21
32.
Kern, Look for the Silver Lining
22
33.
Beethoven, Seven Country Dances, no.
7 © 23
34.
Schubert, Landler
© 23
5.
Cadential Tonic Six-Four Chord
Questions for Analysis
35.
Schubert, Valses Sentimentales,
op.
50,
no.
18 © 24
36.
Chopin, Mazurka, op.
24,
no.
3 24
37.
Donizetti,
Lucia di
Lammermoor,
Act II, no.
6 25
38.
Beethoven, Trio, op.
97 26
6. Tonic, Subdominant,
and Dominant Triads in First Inversion
Questions for Analysis
Model Analysis
39.
Bach,
Lobt Gott, ihr
Christen,
allzugleich © 29
40.
Mozart, Bastien
und Bastienne,
К. 46В, по.
9 29
41.
Mozart, Sonata, K.
332 © 30
42.
Haydn,
Sonata in
D
major,
Hob. XVL37 © 30
43. Mozart, Abendempfindung,
K. S
23 31
44.
Beethoven,
Symphony No.
5,
op.
67 31
45.
Beethoven,
Fidelio,
Act I, no.
9 32
46.
Mozart, Sonata,
К.
570 © 32
47. Mendelssohn, Elijah,
op.
70,
по.
29 32
48.
CouPERiN, Le Petit Rien
© 33
49.
Dandrieu, Les Fifres
ЪЪ
7.
Supertonic
Triad
Questions
for Analysis
50.
Anonymous,
Dir, dir,
Jehovah,
will ich singen
Θ
35
51. Schubert,
Waltz,
op.
9,
no.
3,
D.
365 © 35
52.
Beethoven, Six Variations on
Nel
cor
più non mi sento
© 35
53.
Mozart,
Die Zauberflöte,
К.
620,
Act
H,
no.
21 36
54.
Chopin,
Zwei Leichen 36
55. Beethoven, Trio,
op. 121A
36
56.
Verdi, Rigoletto,
Act II, no.
14 38
57. Chopin, Mazurka,
op.
33,
no.
2
Q
39
58.
Haydn, Sonata
in E
minor,
Hob. XVI: 34 39
8.
Inversions of the Dominant Seventh Chord
Questions for Analysis
59.
J. C
F.Bach, Nun danket alle Gott © 40
60.
Haydn, Sonata in
С
major,
Hob. XVI: 35 © 40
61.
Paisiello, Le donne sur
balcone
40
62.
Mozart,
Quartet,
К.
464 41
63.
Beethoven, Sonata, op.
31,
no.
3 © 41
64.
Rameau, Sarabande
I, vol. I
42
65.
Haydn, Trio in
С
major,
Hob.
XV:
3 42
66. Ruhlau,
Sonatina,
op.
20,
no.
1 © 43
67.
Beethoven,
Symphony No.
2,
op.
36 44
68.
Beethoven, Minuet
in
C Q
44
iv
9.
Linear
(Embellishing) Six-Four Chords
Questions for Analysis
69.
Beethoven, Concerto No.
1
for Piano, op.
15 45
70.
Schubert,
Valses
Sentimentales,
op.
50,
no.
1,
D.
779 © 45
71.
Mozart, Rondo,
К.
485 © 46
72.
Haydn, Quartet,
op.
З, по.
5 47
73.
Schubert, Waltz,
op.
9,
no.
1,
D.
365 © 47
74. Ruhlau, Sonatina,
op.
88,
no.
3
Q
48
75.
Mozart, Symphony No.
35,
К.
385 48
76.
Beethoven,
Sonatina
in G
major
© 49
77.
Beethoven, Symphony No.
7,
op.
92 49
78.
Mozart, Symphony No.
41,
K.
551 51
79.
Haydn, Sonata in
D
major, Hob.
XVI: 37
@
51
80.
Beethoven, Contradanse ®
52
81.
Buxtehude,
Passacaglia
52
82.
Beethoven, Symphony No.
3,
op.
55 53
83.
Gounod, Faust, Act I, no.
6 53
84.
Sullivan, H.M.S. Pinafore, Tm Called Little Buttercup
55
10.
Submediant and Mediant Triads
Questions for Analysis
85.
Crû
ger,
Herzliebster Jesu, was hast du verbrochen © 56
86.
Anonymous,
Dir, dir,
Jehovah, will
ich singen © 56
87. Bach, Schmücke dich,
о
liebe Seele © 56
88. Mozart, Bastien und Bastienne,
К. 46В, по.
1 57
89. Mozart,
Sonata,
К.
545
Θ
57
90. Handel,
Sonata
in
F
for
Flute
and
Contìnuo
58
91.
Verdi, Rigoletto,
Act I, no.
1 58
92.
Brahms, Symphony No.
4,
op.
98 58
93.
CoRELLi, Sonata
for Violin
and
Continuo,
op.
5,
no.
9 59
94.
Schubert,
Quartet
in
D
major, D.
74 59
95.
Beethoven, Trio, op.
1,
no.
3 60
96.
Mozart, Sonata, K.
283 © 61
97.
J. C
F. Bach, Menuet
© 61
98.
Tessier, Au joli bois je m en vais
62
99.
Strauss,
Der Rosenkavalier,
Act III
62
100.
Brahms,
Romance,
op.
118,
no.
5 © 63
101.
Schumann,
Phantasiestücke,
op.
12,
no.
4, Grillen © 64
102. Schubert, Im Abendroth
(Posthumous)
64
103. Schubert,
Symphony
in
С
major ( The Great )
65
11.
Leading Tone Triad
Questions for Analysis
104.
Teschner,
Schatz über alle Schätze 67
105. Bach, Aus meines Herzens Grunde © 67
106. Schumann, Album
for the Young,
op.
68: Soldatenmarsch ® 67
107. Handel,
Courante
67
108.
Haydn, Sonata in E > major,
Hob. XVI: 49 © 68
109.
Haydn,
Sonatina
in
D
major,
Hob. XVI: 4 © 68
110.
Mozart, Sonata, K.
280 © 69
111.
Daquin, La Joyeuse
70
12.
Variant
Qualities of Diatonic Triads
Questions for Analysis
Scalar Variants in Minor
112.
Bach,
Herr, ich habe mißgehandelt 71
113. Pachelbel,
Chaconne
71
114. Telemann, Fantasie
No.
8 71
115. Byrd,
Pavana
The Earle of Salisbury
72
116.
A. Scarlatti,
Folia Q
72
117.
Mattheson, Minuet w
73
118.
Mozart, Sonata,
К.
310
(¿J
73
Modal Borrowing
119.
Verdi, La Traviata, ActI, no.
4 74
120.
Donizetti,
Linda di Chamounix, O luce di quest anima
75
121.
Mozart, Sonata
for Violin
and Piano,
К.
306 76
122.
Haydn,
Sonatina in
С
major,
Hob. XVI: 7
Q
77
123. Schubert, Aufenthalt 77
124. Schubert, Der Wanderer 78
125.
Brahms, Symphony No.
3,
op.
90 79
126.
Verdi, II Trovatore,
Act II,
no.
11 80
127.
Beethoven, Symphony
No.
5,
op.
67 81
128.
Brahms, Symphony No.
4,
op.
98 82
13.
Supertonic
Seventh Chord
Questions
for Analysis
129.
Anonymous,
Herr, wie du willst, so schick s mit mir Q) 83
130. Bach, Straf mich nicht in deinem Zorn 83
131.
Haydn, Sonata
in A >
major,
Hob. XVI: 46 83
132. Grieg, Voegtersang
Q
84
133. Beethoven,
Symphony No.
6,
op.
68 84
134. Schubert,
Quartet,
op.
168,
D.
112 85
135.
Mozart, Sonata,
К.
310
Θ
85
136. Schubert, Ständchen 86
137. Beethoven,
Symphony No.
2,
op.
36 87
138. Beethoven,
Sonata, op.
14,
no.
2
0ΰ
87
139.
Beethoven,
Symphony No.
6,
op.
68 88
140.
Bizet,
Carmen,
Act II: Entr acte
89
141. Rodgers,
Blue Moon
89
14.
Leading Tone Seventh Chord
Questions for Analysis
142.
Dvorak, Quartet, op.
96 91
143.
Mozart, Sonata, K.
457 © 91
144.
Schumann,
Carnaval, op.
9:
Chiarina Od
91
145.
Brahms, Ballade, op.
10,
no.
4
(¿)
92
146.
Handel, Sonata for Flute and
Continuo
92
147.
Haydn
(?),
Allegro
& 93
148.
Haydn, Trio in
G
major, Hob. XV:
25 93
149.
Mozart, Requiem, K.
626:
Offeriorium
94
150.
Haydn, Sonatina in
G
major, Hob.
XVI: 11
Q
95
151.
Handel, Judas Maccabaeus, Part HI: no.
53,
Introduction
96
152.
Wagner, Das Rheinghold, Scene
1 97
153.
Gluck, Orphée,
ActI, no.
1 99
154.
Handel,
Aria con Variazioni,
Leçon
No.
1 100
vi
155.
Telemann,
Fantasia,
Ier
Dozzina, no.
5 101
156.
Mozart, Sonata
for Violin and
Piano,
К.
306 101
15.
Other Diatonic Seventh Chords
Questions for Analysis
157.
Bach,
О
Ewigkeit, du Donnerwort © 103
158. Mozart, Rondo.
К.
494 103
159. Mendelssohn, Kinderstück,
op.
72,
по.
1 © 105
160. Pachelbel, Fantasie 104
161. Handel,
Sonata
for
Flute and
Continuo
104
162. Handel,
Leçon
No.
2,
Menuet
105
163.
Tchaikovsky, Symphony No.
4,
op.
36 105
164.
Bach, French Suite in
D
minor @
105
16.
Complete Pieces for Analysis I
Checklist for Analysis
165.
Beethoven, Minuet
© 107
166.
Schubert, Dance
© 108
167.
Schubert, German Dance, op.
33,
no.
12
Θ
108
168.
Beethoven, Scottish Dance
© 109
169.
Purcell, Rigadoon
110
170.
В
AMEAU, Minuet 111
171.
Witt,
Passacaglia
© 112
172.
Grieg, Norsk
114
Partii
Chromatic Materials
Suggestions for Discussion
17.
Secondary (Applied, Borrowed) Dominants
Questions for Analysis
Model Analysis
175.
Beethoven,
7ho,
op.
1,
no.
1 120
174.
Mozart, Sonata, K.
281 © 120
175.
Schubert, Impromptu, op.
142,
no.
3 © 121
176.
Haydn, Trio in
D
major
121
177.
Beethoven, Sonatina in
G
major
© 122
178.
Weber, Oberon: Overture
122
179.
Beethoven, Trio, op.
1,
no.
1 123
180.
Schumann, Sonata, op.
118%
Andante
© 124
181.
Beethoven, Symphony No.
1,
op.
21 124
182.
Handel, Suite XI ®
125
183.
Schumann,
Arabeske,
op.
18 125
184.
Beethoven, Symphony No.
4,
op.
60 126
185.
Schumann,
Widmung,
op.
25,
no.
1 127
186.
Schubert, Symphony No.
8
( Unfinished )
128
187.
Schumann, Sonata, op.
118% Puppenwiegenlied 128
188.
Schubert, Quintet ( Die
Forelle ),
op.
114,
D.
667 129
189.
Beethoven, Quintet, op.
29 130
190.
Beethoven,
7ho,
op.
11 131
191.
Verdi, Rigoletto,
Act II, no.
7 132
192.
Handel, Suite
XVI 134
193.
Beethoven, Sonata, op.
53
Q
134
194.
Schubert, Symphony in
С
major ( The Great )
134
vii
195.
Beethoven, Trio,
op.
1,
по. З
135
196.
Schubert, Mass in E > major: Benedictus
136
197.
Mendelssohn, Midsummer Night s Dream, op.
61:
Wedding March
137
198.
Verdi, Rigoletto,
Act II, no.
14 138
199.
Bach, Christmas Oratorio, no.
4:
Introduction
138
200.
Handel, Sonata
VII
for Flute and
Continuo
139
201.
Chopin, Mazurka, op.
67,
no.
2
w
140
202.
Chopin, Valse, op.
69,
no.
1
W
140
203.
Chopin,
Valse Brillante,
op.
34,
no.
3
W
141
204.
Gershwin, Someone to Watch Over Me
142
205.
Tchaikovsky, Morning Prayer
w
143
18.
Modulation to Closely Related Keys
Questions for Analysis
Modulation to Dominant
206.
Mozart, Symphony No.
39,
K.
543 144
207.
Mozart, Sonata, K.
331
Q
144
208.
Beethoven, Symphony No.
2,
op.
36 145
209.
Haydn, Minuet <j
145
210.
Schubert, Quartet, D.
173 146
211.
Haydn, Sonata in
CI
minor, Hob.
XVI: 36
Θ
146
212.
Mozart, Symphony No.
41,
K.
551 147
213.
Chopin, Mazurka, op.
7,
no.
2
Q)
148
214.
Haydn, Sonata in
G
major, Hob.
XVI: 39
Q
148
215.
Mozart, Sonata, K.
282,
Menuet
I dj
149
216.
Schubert, Quartet, D.
173 150
Modulation to Relative Major
217.
Haydn,
Trio in Fi
minor, Hob. XV:
26 152
218.
Haydn, Sonata in
E
minor, Hob.
XVI: 34 © 153
219.
Mozart, Sonata, K.
330 © 153
220.
Donizetti, Lucia
di
Lammermoor,
Act I,
Cavatina
154
221.
Brahms, Quintet, op.
115 155
222.
Beethoven, Symphony No.
7,
op.
92 156
223.
Haydn, Symphony No.
104,
Hob. 1:
104 156
Modulation to Other Closely Related Keys
224.
Haydn, Sonatina, Hob.
XVI: 1 © 158
225.
Bononcini,
Deh più a me non vàscondete
158
226.
Saint-Saëns, Carneval
des Animaux: Le Cygne
159
227
Brahms,
Waltz,
op.
39,
no.
15
Ci)
161
228.
Beethoven,
Quartet,
op.
18,
no.
2 161
229.
Purcell,
Dido and Aeneas, Act I,
scenei
162
230.
Bach,
French
Suite in
С
Minor
© 163
19.
Complete Pieces for Analysis II
Checklist for Analysis
231.
Bach,
Wachet auf, ruft uns die Stimme © 164
232. Bach, In
dulci
jubilo
© 165
233. Bach, Christ lag in Todesbanden 166
234. Handel,
Menuet
© 167
235. Beethoven,
Sonata,
op.
26 © 168
236.
Schumann, Sonata, op.
118 :, Abendlied 169
Vlil
237.
Brahms, Waltz, op.
39
Q
170
238. Handel,
Prelude
© 171
239.
Beethoven, Sonatina in
F
major
© 172
240.
Haydn, Sonata in
G
major, Hob.
XVI: 27 174
241.
Gershwin, I Got Rhythm
178
20.
Linear (Embellishing) Diminished
Seventh Chords
Questions for Analysis
242.
Haydn, Symphony No.
104,
Hob. 1:
104,
Menuet
180
243.
Beethoven, Symphony No.
7,
op.
92 180
244.
Liszt, Les Préludes
181
245.
Beethoven, Contradanse
© 182
246.
Tchaikovsky, Symphony No.
6,
op.
74 182
247.
Beethoven, Quartet, op.
18,
no.
3 183
248.
Schubert, Sonata, op.
53 183
249.
Gounod, Faust, Act IV, no.
18 184
250.
Schumann,
Carnaval, op.
9:
Arlequin
© 185
251.
Mozart, Waltz, R.
567 © 185
252.
Wagnek, Rienzi: Overture
186
253.
Bellini, I
Puritani,
Act II, scene
3 186
254.
Haydn, Symphony No.
104,
Hob. 1:
104 187
255.
Rodgers, The Girl Friend
188
256.
Brahms,
Liebeslieder Walzer,
op.
52,
no.
4 190
21.
Neapolitan Triad
Questions for Analysis
257.
Mozart, Concerto in A major, K.
488 © 192
258. Schubert, Der Müller und der Bach 192
259. Bach, Ach Gott, vom Himmel sieh darein © 194
260. Bach,
Invention No.
13 © 194
261.
Verdi, II Trovatore,
Act II,
no.
8 195
262.
Brahms,
Intermezzo in A
major, op.
118,
no.
2 © 196
263.
Chopin,
Prelude,
op.
28,
no.
20 © 197
264.
Beethoven, String Quartet,
op.
59,
no.
2 198
265.
Brahms,
Wie Melodien zieht es mir, op. 105 199
266. Beethoven,
Quartet,
op.
18,
по. З
199
267.
Schubert, Mass in
É >
major: Credo
200
268.
Bach, The Well-Tempered Clavier, Vol. II, Fugue
17 201
269.
Chopin, Prelude, op.
28,
no.
6 © 202
22.
Augmented Sixth Chords, Submediant
Degree as Lowest Note
Questions for Analysis
Model Analysis
Italian
270.
Bach,
Ich hab
mein
Šach
Gott heimgestellt 205
271. Beethoven, Bagatelle, op. 119,
no.
1 © 205
272. Beethoven, Coriolan
Overture, op.
62 205
273.
Tchaikovsky,
Mazurka © 206
274. Schubert,
Quartet,
op.
168,
D.
112 206
275.
Beethoven, Symphony No.
1,
op.
21 207
ix
German
276.
Mozart, Sonata,
К.
457
Q
208
277.
Beethoven, Sonata, op.
109
Θ
209
278.
Haydn, Trio,
Hob.
XV:
25 209
279.
Beethoven, Thirty-Two Variations,
Var.
30
Q)
210
280.
Sibelius, Chanson Sans Paroles,
op.
40,
no.
2 210
281.
Strai ss,
Der Rosenkavalier,
Act I
211
French
282.
Mendelssohn, Elijah, op.
70,
no.
1 212
283.
Schubert, Mass in
G
major:
Kyrie
213
284.
Bach,
Wer nur den lieben Gott läßt walten 214
285. Schubert,
Sonata,
op.
42
Q
214
286.
Verdi, La Traviata,
Act III:
Prelude
215
287.
Schubert, Symphony
in
С
major ( The Great )
215
288.
Grieg,
Alfedans,
op.
12
Q
216
289.
Herbert, Gypsy Love Song
217
Enharmonic German
290.
Schumann,
Dichterliebe,
op.
48,
no.
12:
Am
leuchtenden
Sommermorgen 218
23.
Augumented Sixth Chords, Other Scale
Degrees as Lowest Note
Questions for Analysis
291.
Mozart
(?),
Adagio
Q
220
292.
Granados, Valses Poéticos
© 220
293.
Schubert, Symphony No.
8
( Unfinished )
221
294.
Moussorgsky, Songs and Dances of Death, no.
4 222
295.
Gluck, Orphée,
Act I,
nos.
6
and
7 223
24.
Augumented Sixth Chords, Other Uses
Question for Analysis
Linear
296.
Verdi, Rigoletto,
Act I: Prelude
224
297.
Tchaikovsky, Song Without Words ®
224
298.
Tchaikovsky, Romeo and Juliet
225
299.
Schubert, Waltz
Θ
226
300.
Brahms, Intermezzo, op.
76,
no.
4 © 226
301.
Tchaikovsky, The Witch
© 227
Secondary
302.
Chopin, Prelude, op.
28,
no.
22
Θ
228
303.
Schubert, Mass in
G
major: Benedictus
228
304. Schubert, Die Allmacht,
op.
79,
no.
2 230
Altered Dominants
305.
Schubert, Quintet, op.
163 231
306.
Liszt,
Liebestraum,
no.
3 © 232
307.
Rimsky-Rorsakov, Snowmaiden, Chanson
du Bonhomme Hiver
232
308.
Grieg, Solvejg s Lied
θ
233
25.
Other Means of Modulation
Question for Analysis
Model Analysis
309.
Schubert, Mass in
G
major: Gloria
235
310.
Brahms,
Wenn du nur zuweilen lächelst,
op.
57,
no.
2 236
311.
Beethoven, Symphony No.
5,
op.
67 237
312.
Schubert, Waltz, op.
9,
no.
14,
D.
365 © 238
313.
Mozart, Die
Entführung aus dem Serail,
К.
384,
Act III, no.
18 238
314.
Schumann, Symphony No.
2,
op.
61 240
315.
Beethoven, Symphony No.
7,
op.
92 240
316.
Haydn, String Quartet, op.
76,
no.
6 241
317.
Beethoven, Sonata, op.
13 0 242
318.
Beethoven, Trio, op.
70,
no.
1 243
319.
Scriabin, Prelude, op.
13,
no.
3 © 244
320.
J.Strauss, Die
Fledermaus:
Overture
245
321.
Brahms,
Wie bist du meine Königen,
op.
32,
no.
9 245
322. Schubert,
Mass in A > major: Agnus
Dei
247
323. Beethoven,
Trio,
op.
11 249
324.
Rachmaninoff,
Melodie,
op.
3,
по. З
251
325.
Schubert, Symphony No.
8
( Unfinished )
252
26.
Ninth Chords
Questions for Analysis
Dominant Ninths
326.
J. Strauss, Artist s Life Waltzes, op.
316,
no.
3 © 253
327.
Franck,
Sonata for Violin and Piano
253
328.
Beethoven, Theme from Six Easy Variations
© 254
329.
Chopin,
Valse Brillante,
op.
34,
no.
1
Q
255
330.
Schumann,
Waldesgespräch,
op.
39,
по. З
255
331.
Chopin, Prelude,
op.
28,
no.
15 © 256
Secondary Dominant Ninths
332.
Bach, St. Matthew Passion, no.
78 258
333.
Schumann,
Genoveva,
op.
81:
Overture
258
334.
Grieg, Grandmother s Minuet, op.
68,
no.
2 © 260
335.
Schumann,
Kinderszenen,
op.
15,
no.
7: Träumerei ® 260
Nondominant
Ninths
336.
Grieg, Wedding Day at Troldhaugen, op.
65,
no.
6
®
261
337.
Mendelssohn, Midsummer Night s Dream, op.
21:
Overture
262
338.
Fauré, Après un
Réve
262
27.
Extended Linear Usages
Questions for Analysis
Model Analysis
339.
Chopin, Mazurka, op.
6,
no.
1 © 265
340.
Brahms,
Der Tod, das ist
die
kühle Nacht,
op.
96,
no.
1 266
341.
Weber, Euryanthe: Overture
267
342.
Brahms, Variations on a Theme by Handel,
var.
20 © 267
343.
Franck,
Symphony in
D
minor
268
344.
Wagner, Lohengrin, Act I, scene
2 269
345.
Wagner, Wotan s Farewell, Die
Walküre,
Act III
270
346.
Chopin, Prelude, op.
28,
no.
9 © 272
347.
Beethoven, Quariet, op.
18,
no.
6 273
xi
28.
Complete
Pieces for Analysis III
Checklist for Analysis
348.
Bach,
Ein feste Burg ist unser Gott 276
349. Bach, Es ist genug, so nimm, Herr 277
350. Mozart,
Minuet,
К.
355 278
351. Schumann, Myrthen,
op.
25,
no.
24 281
352. Mendelssohn, Lieder ohne Worte, op. 30,
по. З
© 282
353. Chopin, Mazurka, Op. posth. 67,
no.
2 284
354. Schumann, Phantasiestücke, op. 12,
по. З:
Warum? 286
355. Grieg, Erotikon 0 288
356.
Liszt,
II pensieroso,
from
Années de Pèlerinage
© 290
357.
R. Strauss,
Morgen,
op.
27,
no.
4 292
358.
Wagner,
Der Engel 295
359.
Beethoven,
Sieben Variationen über das Volkslied:
God Save the King
299
360.
Mozart, Symphony No.
40,
К.
550 305
361.
Beach, Phantoms
310
362.
Joplin, A Breeze from Alabama: March and Two-Step
315
363.
Wagner, Prelude Act I Tristan
und
Isolde
317
364.
Mozart, Sonata, K.
309 324
I. Allegro
con spirito
324
II. Andante,
un poco
Adagio
329
III. Allegretto
grazioso
333
365.
Beethoven, Sonata, op.
2,
no.
3 343
I. Allegro con brio
343
II. Adagio
355
III. Scherzo, Allegro
360
IV. Allegro
assai
364
29.
Examples of Counterpoint
Questions for Analysis
366.
Bach, Cantata No.
4:
Sinfonia
375
367.
Bach, Chorale Prelude on In
Dulci
Jubilo
376
368.
Bach, Chorale Prelude on Christ lag in
Todesbanden 379
369.
Brahms, Chorale Prelude on O
Wie selig seid ihr doch, ihr Frommen 380
370. Purcell,
Thy hand Belinda , from Dido and Aeneas
382
371.
Bach, Invention No.
4,
BWV
775 386
372.
Bach, Invention No.
13,
BWV
775 388
375.
Bach,
Sinfonia
3,
BWV
789 389
374.
Bach, The Well-Tempered Clavier, Vol. I, Fugue
2 391
375.
Bach, The Well-Tempered Clavier, Vol. II, Fugue
9 394
376.
Mendelssohn, Fugue No.
2,
op.
35 397
Additional Examples for the Study
of Contrapuntual Techniques
Part III Contemporary Materials
Suggestions for Discussion
Model Analysis
30.
Extended and Altered Tertian Harmony
Questions for Analysis
377.
Hanson, Symphony No.
2,
op.
30 405
378.
Rabalevsky, Sonatina, op.
13 405
Xli
379.
HovHANESS, Mysterious Mountain
406
580.
Shostakovich, Prelude, op.
34,
no.
24 407
381.
Debussy, Pelléas
et Méllisande,
Act I, scene
1 407
382.
Scriabin, Poem, op.
32,
no.
2 © 408
383.
Ravel,
Valses
Nobles
et Sentimentales
409
384. Rodgers,
Slaughter on Tenth Avenue
410
385.
Ellington, Prelude to a Kiss
411
386.
Duke Jordan, Jordu
412
387.
Berg, Four Songs, op.
2,
no.
3 413
388.
Raksin, Laura
415
31.
Diatonic (Church) Modes
Questions for Analysis
Model Analysis
389.
Bartók,
Little Pieces for Children, no. Ill
421
390.
Chavez, Ten Preludes, no.
1 422
391.
Poulenc,
Valse
422
392.
Debussy, Trois Chansons, no.
1 424
393.
Rabalevsky,
Toccatina 424
394.
Britten, Ceremony of Carols, no.
8 425
395.
Debussy, Suite bergamasque, Passepied
427
396.
Floyd, Susannah, Act II, scene
3 427
397.
Stravinsky, Five Fingers: Lento
428
398.
Bartók,
Fourteen Bagatelles, op.
6,
no.
4 429
399.
Casella, Siciliana
430
400.
Adderley, Work Song
432
32.
Pandiatonicism and Additive Harmony
Questions for Analysis
401.
Ravel, Mother Goose Suite: The Magic Garden
433
402.
Milhaud, Touches Blanches
434
403.
Cowell, The Irishman Dances
434
404.
Copland, The Young Pioneers
435
405.
Barber, Excursions, III
435
406.
Stravinsky, Petroushka,
Danse Russe
436
407.
Poulenc,
Gloria, Laudamus
te
437
33.
Exotic (Artificial, Synthetic) Scales
Questions fo
r
Analysis
408.
Milhaud, Touches
Noires
438
409.
Bartók,
Mikrokosmos,
no.
78:
Five Tone Scale
438
410.
Kodály, Valsette
439
411.
Vaughan Williams, London Symphony
440
412.
Debussy, Préludes,
II: Voiles
Q
440
413.
Bartók,
Mikrokosmos,
no.
136:
Whole Tone Scale
441
414.
Debussy, Pelléas
et
Mélisande,
Act II, scene
1 441
415.
Bartók,
Fourteen Bagatelles, op.
6,
no.
10 442
416.
Lutoslawski, Bucolic, no.
3 442
417.
Bartók,
Mikrokosmos,
no.
101:
Diminished Ftfth
443
418.
Bartók,
Sketches, op.
9,
no.
6 444
419.
Bartók,
Fourteen Bagatelles, op.
6,
no.
6 446
Xlii
34. Quartal and
Secundai
Harmony
Questions for Analysis
420.
HiNDF.MiTH. Mathis
der Maler: Grablegung 447
421.
I
es.
Majority
447
422.
Krenek, Piano Piece, op.
39,
no.
5 448
425.
Ηινπεμιτη,
Luduş
Tonalis,
Fuga secunda
in
G
449
424.
B vRTÓK,
Concerto for
Orchestra
449
425.
Berg, fJozzeck, Act II
451
426.
B rtók,
Mikrokosmos,
no.
107:
Melody in the Mist
452
427.
Berg,
fľozzeck,
Act II
455
428.
CovvELL, Tiger
454
429.
Ivés,
Majority
455
430.
Brlbeck, Blue Rondo
à la
Turk
456
35.
Polyharmony and Polytonality
Questions for Analysis
431.
Honegger, Symphony No.
5 458
432.
Schuman, A
Three-Score Set, II
458
433.
Kraft, Allegro
Giocoso
459
434.
Stravinsky, The Rake s Progress: Prelude
460
435.
Stravinsky, Petroushka, Scene
2 461
436.
MiLHAüD,
Saudades
do Brazil, no
7:
Corcovado
462
437.
Bartók,
Forty-Four Violin Duets, no.
33 462
438.
Brlbeck, Strange Meadowlark
463
36.
Free Atonality
Questions for Analysis
439. Schönberg, Drei Klavierstücke,
op.
11,
no.
1 465
440. Schönberg, Riavierstücke,
op.
19,
no.
2 466
441. SciiöNBERG, Pierrot
Lunaire, op.
21,
no.
1 : Mondestrunken 467
442. Webern,
Five Movements for String Quartet, op.
5,
no.
4 470
443.
Bartók,
Mikrokosmos,
no.
144:
Minor Seconds, Major Sevenths
471
444.
Bartók,
Fourth String Quartet
472
445.
Berger,
Two Episodes, I
474
37.
Twelve-Tone Serialism
Questions for Analysis
Model Analysis
446.
Rrenek, Dancing Toys, op.
83,
no.
1 478
447. Schönberg,
Suite
für Klavier,
op.
25:
Gavotte
480
448.
D
ALLAPICCOLA,
Cinque Frammenti di Saffo
481
449. Webern, Drei Lieder,
op.
25,
no.
1 484
38.
Music Since
1945
Questions for Analysis
450. Stockhausen, Klavierstücke,
no.
2 486
451.
Lutoslawski, String Quartet
(1965) 487
452.
Penderecki, String Quartet, no.
2 488
453.
Crumb, Madrigals, Book IV
491
454.
Druckman, Valentine, for solo contrabass
492
455.
Rouse, Valentine
493
456.
Horne,
Six Short Studies, Sixteenth Notes
494
XIV
39.
Complete
Pieces for Analysis IV
Suggestion for Analysis
457.
Ravel,
Sonatine,
Mouv
t
II
496
458.
Debussy, Pour le
Piano:
Sarabande
© 499
459.
Debussy, Préludes,
X:
La Cathédrale engloutie ©
503
460.
MiLHAUD,
Saudades
do Brazil, No.
6:
Gavea
508
461.
Prokofiev, Classical Symphony, op.
25 511
462.
Prokofiev, March from The Love of Three Oranges
513
463.
Hindemith, Ludus Tonalis,
Fuga undécima
in
В
(Canon)
516
464.
Ruggles, Evocations, no.
1 518
465. Schönberg,
Suite
für Klavier,
op.
25: Menuett 519
466. Porter,
Night and Day
522
467.
Gershwin, Porgy and Bess, Summertime
527
468.
Stravinsky, Sonata for Two Pianos, II: Theme with Variations
531
469.
Hindemith, Piano Sonata, No.
2 542
470.
Macmillan, Piano Sonata, I
546
Appendix A. Checklist for Analysis and Sample Analysis
549
Appendix B. For Further Reference
553
Appendix C. Textbook Correlation Chart
554
Acknowledgments
557
Index of Composers and Their Compositions
561
Index of Complete Pieces
569
XV
|
| any_adam_object | 1 |
| author_GND | (DE-588)103790551 (DE-588)135420040 |
| building | Verbundindex |
| bvnumber | BV035830810 |
| ctrlnum | (OCoLC)643410238 (DE-599)BVBBV035830810 |
| edition | 7. ed. |
| era | Geschichte 1600-2000 gnd |
| era_facet | Geschichte 1600-2000 |
| format | Musical Score Book |
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| id | DE-604.BV035830810 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T22:05:37Z |
| institution | BVB |
| isbn | 9780195379839 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-018689346 |
| oclc_num | 643410238 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XXII, 570 S. überw. Notenbeisp. 28 cm CD (12 cm) |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Music for analysis examples from the common practice period and the twentieth century [comp. by] Thomas Benjamin, Michael Horvit, Robert Nelson 7. ed. New York, NY [u.a.] Oxford Univ. Press 2010 XXII, 570 S. überw. Notenbeisp. 28 cm CD (12 cm) ntm rdacontent n rdamedia nc rdacarrier Examples on compact disc performed on piano, harpsichord, and organ by Rosilee Walker Russell Includes bibliographical references (p. 553) and index Geschichte 1600-2000 gnd rswk-swf Musical analysis / Music collections Musical analysis - Music collections Harmonielehre (DE-588)4129028-8 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Harmonielehre (DE-588)4129028-8 s Musikalische Analyse (DE-588)4040814-0 s Geschichte 1600-2000 z DE-604 Benjamin, Thomas 1940- Sonstige (DE-588)103790551 oth Horvit, Michael Sonstige oth Nelson, Robert 1941- Sonstige (DE-588)135420040 oth Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018689346&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music for analysis examples from the common practice period and the twentieth century Musical analysis / Music collections Musical analysis - Music collections Harmonielehre (DE-588)4129028-8 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)4129028-8 (DE-588)4040814-0 |
| title | Music for analysis examples from the common practice period and the twentieth century |
| title_auth | Music for analysis examples from the common practice period and the twentieth century |
| title_exact_search | Music for analysis examples from the common practice period and the twentieth century |
| title_full | Music for analysis examples from the common practice period and the twentieth century [comp. by] Thomas Benjamin, Michael Horvit, Robert Nelson |
| title_fullStr | Music for analysis examples from the common practice period and the twentieth century [comp. by] Thomas Benjamin, Michael Horvit, Robert Nelson |
| title_full_unstemmed | Music for analysis examples from the common practice period and the twentieth century [comp. by] Thomas Benjamin, Michael Horvit, Robert Nelson |
| title_short | Music for analysis |
| title_sort | music for analysis examples from the common practice period and the twentieth century |
| title_sub | examples from the common practice period and the twentieth century |
| topic | Musical analysis / Music collections Musical analysis - Music collections Harmonielehre (DE-588)4129028-8 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Musical analysis / Music collections Musical analysis - Music collections Harmonielehre Musikalische Analyse |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018689346&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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