Holdings: Music :: THWS Bibkatalog

Music: the art of listening

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Bibliographic Details
Main Author:	Ferris, Jean (Author)
Format:	Book
Language:	English
Published:	New York [u.a.] McGraw-Hill Higher Education 2009
Edition:	8. ed.
Subjects:	Geschichte Gesellschaft Musik Music appreciation Music > Social aspects Musikhören Musiklehre Einführung
Online Access:	Inhaltsverzeichnis
Item Description:	Previous ed.: published as by Jean Ferris. London: McGraw-Hill, 2008. -- Includes index.
Physical Description:	xxxii, 422 S. Ill. 26 cm
ISBN:	9780073401423 0073401420

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Record in the Search Index

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adam_text	Content, Listening Examples xxv Preface xxvii Overture xxx PART ONE Basic Concepts 2 X pound 5 Pitch 5 Naming Pitches 5 Notating Pitches 6 Intervals 7 Dynamics 7 Listening Example 1 Richard Strauss: Introduction : to Also sprach Zarathustra 9 Summary 9 Critical Thinking 9 Terms to Review 10 Encore 10 2 Rłiytłim 11 Tempo 11 Meter 12 Conducting Patterns 13 Listening Example 2 Piotr Ilyich Tchaikovsky: Russian Dance (Trepak) from ТІге Nutcracker 14 Summary 15 Critical Thinking 1 5 Terms to Review 15 Encore 15 Connection: Rhythm in the Music of Africa and India 1 б 3 Melody 17 Melodic Types Scales 19 Major and Minor Scales 20 Tonic Note 20 Chromatic Scale 21 Whole-Tone Scale 21 Pentatonic Scale 21 Listening Example 3 Anonymous: Amazing Grace 22 Summary 23 Critical Thinking 23 Terms to Review 23 Encore 24 Connection: Melody in China and in India 24 4 Harmony 25 Chords 25 Tonality 26 Consonance and Dissonance 27 Texture 27 Listening Example 4 Charles Ives: London Bridge is Fallen Down/ arr. Jonathan Elkus 29 Summary 30 Critical Thinking 31 Terms to Review 31 Encore 32 5 Timbre 33 Vocal Timbres 34 Instruments of the Orchestra 34 String Instruments 35 Woodwinds 35 Brass Instruments 38 Percussion Instruments 39 Listening Example 5 Benjamin Britten: The Young Person s Guide to the Orchestra 40 Keyboard Instruments 42 Harpsichord 42 Piano 43 Pipe Organ 43 Electronic Instruments 44 Electronic Synthesizer 44 MIDI 45 Summary 46 Critical Thinking 46 Terms to Review 46 Encore 47 Connection: Music Timbres around the World 48 Ό Attending Performances 49 Performance Procedures 50 Orchestral Performances 50 Orchestral Forms 51 The Printed Program 52 Band Performances 53 Other Performances 54 Chamber Music 54 Choral Music 54 Dance 55 Musical Theater 56 Jazz 56 How to Write about Music 57 Different Kinds of Performance 58 Subjective Reactions 58 Summary 59 Critical Thinking 59 Terms to Review 59 Encore 60 PART TWO Ancient Greece, the Middle Ages, the Renaissance (c. 500 BCE- 1600 CE) 62 1 Tne Music of Ancient Greece 65 Historical Perspective 65 Music in Creek Life 66 The Greeks Lasting Influence 67 Music and Words 68 Stories and Myths 69 The Philosophy of Music 69 Scientific Theories of Music 70 Classicism versus Romanticism in Art 70 An Interrupted Legacy 71 Summary 71 Critical Thinking 71 Terms to Review 72 Connection: Extramusical Perceptions in Several Cultures 72 8 Medieval Music 73 Historical Perspective 73 Artistic Style 74 Early Christian Music 75 Modes 76 Further Characteristics of Medieval Music 77 Gregorian Chant 77 Listening Example б Anonymous: Kyrie from the Mass Cum jubilo 78 Hildegard of Bingen (1098-11 79) 79 Rise of Polyphony 80 Listening Example 7 Hildegard of Bingen: Nunc aperuit nobis 81 The Fourteenth Century 81 Artistic Style 82 Music 82 Secular Music 82 The English Sound 82 Instrumental Music 83 Listening Example 8 Anonymous: Sumer is icumen in 84 Sacred Music 85 Guillaume de Machaut (с. 1300-1 377) 85 Listening Example 9 Guillaume de Machaut: Gloria from the Messe de Nostre Dame 86 Summary 87 Critical Thinking 88 Terms to Review 88 Key Figures 88 Encore 89 Connection: Islamic Chant 89 V Tne Renaissance: General Characters$tic$ 91 Historical Perspective 91 The Reformation 92 The Counter-Reformation 92 Artistic Style 93 Painting 93 Architecture 96 Sculpture 96 Music 96 Timbre 97 Texture 97 Renaissance Modes 97 Summary 98 Critical Thinking 98 Terms to Review 98 Key Figures 98 1 U Sacred Music of tne Renaissance 99 Renaissance Motet 99 Josquin Desprez (с. 1445-1521) 100 Renaissance Mass 1 00 Giovanni Pierluigi da Palestrina (c. 1 524-1 594) 101 Listening Example 10 Giovanni Pierluigi da Palestrina: Agnus Dei I from the Missa Papae Marcelii ¡ (Mass for Pope Marcellus) 102 Protestant Worship Music 102 Chorale 103 Listening Example 11 Martin Luther: Ein feste Burg і ( A Mighty Fortress ) 104 Psalm Tunes 105 ; Listening Example 12 Louis Bourgeois: Old Hundred 106 Summary 106 Critical Thinking 107 Terms to Review 107 Key Figures 108 Encore 108 X J. Secular Music in tne Renaissance 109 Madrigal 109 Listening Example 1 3 Thomas Weelkes: As Vesta Was from !■ Latmos Hill Descending 110 Instrumental Music 112 String Instruments 112 Keyboard Instruments 113 Listening Example 1 4 John Dowland: Queen Elizabeth s : Galliard 114 Wind Instruments 115 Ensembles 115 Women Instrumentalists 115 Summary 116 Critical Thinking 11 б Terms to Review 11 7 Key Figures 11 7 PART THREE The Baroque )l2ą Towar α tne Baroque 121 Artistic Style 121 Music 121 Venetian Polychoral Music 122 Giovanni Gabrieli (1557-1612) 126 Summary 126 Listening Example 1 5 Giovanni Gabrieli: Sonata pian e forte 127 Critical Thinking 128 Terms to Review 128 Key Figures 128 Λ.Ο Tne Baroque: General Characteristics 129 Historical Perspective 129 Religion 129 Science and Philosophy 130 Artistic Style 1 30 Literature 130 Painting 131 Sculpture 133 Music 133 Contrasts 134 Texture 134 Rise of Tonality 135 Summary 135 Critical Thinking 136 Terms to Review 1 36 Key Figures 136 14 Dramatic Music oí tlie Baroque 137 Claudio Monteverdi (1567-1643) 137 First and Second Practice 137 Early Opera 139 Recitative 139 Listening Example 16 Claudio Monteverdi: Tu se morta from L Orfeo 140 Aria 141 Henry Purceii (с. 1659-1 695) 142 Late Baroque Opera 143 Bel Canto 143 Listening Example I 7 Henry Purcell: Thy hand, Belinda (recitative) and When I am laid in earth (aria) from Dido and Aeneas 144 George Frideric Handel (1685-1 759) 145 Oratorio 146 Messiah 146 Listening Example 1 8 George Frideric Handel: Hallelujah і Chorus from Messiah 147 Johann Sebastian Bach (1685-1 750) 148 Cantata 149 Summary 149 Listening Example 1 9 Johann Sebastian Bach: Cantata no. 140, Wachet auf ( Sleepers Awake ), first movement 150 Critical Thinking 151 Terms to Review 1 51 Key Figures 1 52 Encore 152 15 Baroque Instrumental Music 153 Music for Keyboards 153 Prelude 153 Fugue 155 Listening Example 20 Johann Sebastian Bach: Fugue in : G minor ( Little Fugue ) 156 Toccata 157 Suite 157 Basso Continuo 1 57 Chamber Music 158 Sonata 158 Orchestral Music 158 Concerto 158 Antonio Vivaldi (1678-1 741 ) 159 Concerto Grosso 159 Listening Example 21 Antonio Vivaldi: Spring Concerto from The Four Seasons, first movement 160 Listening Example 22 Johann Sebastian Bach: Brandenburg Concerto no. 2 in F major 161 Summary 162 Critical Thinking 162 Terms to Review 163 Key Figures 163 Encore 163 PART FOUR lhe Classical Jrerio (1750-1820) 1Ó4 1 0 Toward Classicism 167 The Rococo 167 Visual Arts 168 Music 170 Listening Example 23 François Couperin: Le tic-toc-choc ; from Ordre 18 171 The German Sensitive Style 171 Summary 172 Critical Thinking 172 Terms to Review 1 73 Key Figures 1 73 Encore 173 X I Tne Classical Perioa: General Characteristics 175 Historical Perspective 1 75 The Enlightenment 175 Artistic Style 1 76 Painting 176 Sculpture and Architecture 178 Literature 180 Music 180 General Characteristics 181 Viennese Style 182 Summary 1 S3 Critical Thinking 183 Terms to Review 1 83 Key Figures 184 1 ö Formal Desigfn in the Classical Period 185 The Classical Orchestra 185 Symphony 186 Sonata-Allegro 187 Listening Example 24 Wolfgang Amadeus Mozart: Symphony ■■ no. 40 in G minor, K. 550, I first movement 188 Wolfgang Amadeus Mozart (1 756-1 791 ) 189 Solo Concerto 190 Rondo 191 Chamber Music 191 Listening Example 25 Wolfgang Amadeus Mozart: Concerto ¡ for Hute and Orchestra in D major, ; K. 314, third movement 192 ! Listening Example 26 Franz Joseph Haydn: String Quartet no. 66 in G major, op. 77, third movement 193 Minuet and Trio 193 Franz Joseph Haydn (1 732-1809) 194 Summary 195 Critical Thinking 195 Terms to Review 195 Key Figures 1 96 Encore 196 1 9 Vocal Music in tne Classical Periocl 197 Opera 197 Comic Opera 198 Mozart s Operas 198 Listening Example 27 Wolfgang Amadeus Mozart: Selections from T/ze Marriage of Figaro 199 Sacred Music 201 Listening Example 28 Wolfgang Amadeus Mozart: Diesirae ; from the Requiem 203 Summary 204 Critical Thinking 204 Terms to Review 204 Key Figures 205 Encore 205 PART FIVE The Age of Romanticism (1820-1910) 206 2( 0 Toward Romanticism 209 The Arts 209 Literature 209 Painting 210 Music 210 Ludwig van Beethoven (1 770-1827) 212 Beethoven s Approach to Form 213 The Symphonies 214 Listening Example 29 Ludwig van Beethoven: Piano Sonata no. 8, op. 13 {Pathétique), first movement 215 Listening Example 30 Ludwig van Beethoven: Symphony no. 5 in С minor, first movement 216 Franz Schubert (1797-1 828) 217 Schuberťs Instrumental Music 218 Art Song 218 Listening Example 31 Franz Schubert: Erlkönig ( The Erlking ) 219 Summary 221 Critical Thinking 221 Terms to Review 222 Key Figures 222 Encore 222 2ą X Tne Romantic Style: General Characteristics 223 Characteristics of Romanticism 223 Fascination with the Unknown 223 Love of Nature 224 Art for Arťs Sake 224 History versus Science 224 The Romantic Psyche 224 Artistic Style 225 Literature 225 Painting 225 Romantic Music — An overview 227 Melodic Techniques 228 Harmony 228 Nationalism and Internationalism 228 Personal Expression 229 Summary 229 Critical Thinking 229 Terms to Review 230 Key Figures 230 Ją Ją Tne Romantic Style: Orchestral Music 231 Program Music 231 Concert Overture 231 Piotr Ilyich Tchaikovsky (1840-1893) 232 Program Symphony 232 Hector Berlioz (1803-1869) 233 ; Listening Example 32 Hector Berlioz: Symphonie fantastique, fifth movement, Dream of a j Witches Sabbath 235 Symphonic Poem 236 Absolute Music 236 Solo Concerto 237 Felix Mendelssohn (1809-1847) 237 Fanny Mendelssohn Hensel (1805-1847) 238 Symphony 239 Johannes Brahms (1833-1897) 239 Summary 240 Critical Thinking 240 Terms to Review 241 Key Figures 241 Encore 242 A Ô Tne Romantic Style: Music for Solo Instrument ana for Voice 243 Niccolò Paganini (1782-1840) 243 Piano Music 243 ; Listening Example 33 Niccolò Paganini: Caprice no. 1 from Twenty-Four Caprices for Solo Violin, op. 1 245 Franz Liszt (1811-1886) 245 Frédéric Chopin (1810-1849) 246 ; Listening Example 34 Franz Liszt: Concert Etude no. 3, \| Un sospiro 247 German Art Songs 249 Listening Exa m p I e 3 5 Frederic Chopin: Nocturne in E-flat major, op. 9, no. 2 250 Robert Schumann (1810-1856) 250 Listening Example 36 Robert Schumann: Im wunderschönen Monat Mai from Dichterliebe 252 Summary 252 Critical Thinking 253 Terms to Review 253 Key Figures 253 Encore 253 Connection: Song in Native American Life 254 Dramatic Music of tne Romantic Period 255 Opera in France 255 Italian Romantic Opera 255 Listening Example 37 Gaetano Donizetti: Mad Scene from Act Ш of Lucia ài Lammermoor 256 Giuseppe Verdi (1813-1901) 257 Giacomo Puccini (1858-1924) 258 Music Drama 258 Listening Example 38 Giacomo Puccini: Nessun dorma from Turandot 259 Richard Wagner (1813-1883) 260 Listening Example 39 Richard Wagner: Ride of the Valkyries from Die Walküre 263 Operetta 264 Gilbert and Sullivan 264 Choral Music 265 Listening Example 40 William S. Gilbert and Arthur Sullivan: I Am the Very Model of a Modern Major General from The Pirates ofPenzance 266 Listening Example 41 Johannes Brahms: How Lovely Is Thy Dwelling Place from Ein Deutsches Requiem 268 Summary 269 Critical Thinking 269 Terms to Review 270 Key Figures 270 Encore 270 Connection: Sacred Music in Other Cultures 271 PART SIX Revolution and Evolution: »? τ* в · Λ ιγι ι í in the 1 wentìeth Century and три í? o ■r /Τι Beyond 272 25 Toward a New Music 275 Richard Strauss (1864-1949) 275 Listening Example 42 Richard Strauss: Till Eulenspiegels lustige Steiche (Till Eulenspiegel s Merry Pranks) 276 Gustav Mahler (1860-1911) 277 Impressionism 278 Literature 278 Painting 279 Music 281 Claude Debussy (1862-1 91 8) 281 The Gamelan 282 Listening Example 43 Anonymous: Kebjar: Hudjan Mas (Golden Rain) 283 Debussy s Stylistic Techniques 283 Other Impressionists 284 Listening Example 44 Claude Debussy: La cathédrale engloutie (The Sunken Cathedral) from Preludes, Book I 285 Primitivism 285 Painting 286 Music 287 Listening Example 45 Igor Stravinsky: Excerpts from Le sacre du printemps (The Rite of Spring) 288 Igor Stravinsky (1882-1 971) 289 Expressionism 289 Painting 290 Literature 290 Music 291 Arnold Schoenberg (1874-1951) 292 Listening Example 46 Arnold Schoenberg: Mondestrunken from Pierrot lunaire 293 Summary 294 Critical Thinking 295 Terms to Review 295 Key Figures 295 Encore 296 2(0 The Twentieth Century and Beyond: General Characteristics 29? Visual Arts 297 Pablo Picasso (1881-1973) 298 Music: An Overview 299 Melody 301 Harmony 302 Rhythm and Meter 303 Timbre 303 Texture 304 Form 304 The Impact of Jazz 304 Summary 305 Critical Thinking 306 Terms to Review 306 Key Figures 306 2ą Jl Musical Revolutionaries 307 Twelve-Tone Technique 307 Anton Webern (1883-1945) 309 Experimentalism 309 Listening Example 47 Anton Webern: Five Pieces for Orchestra 310 Charles Ives (1874-1954) 311 Henry Cowell (1897-1965) 313 Listening Example 48 Charles Ives: General Putnam s Camp from Three Places in New England 314 Electronic Music 315 Listening Example 49 Henry Cowell: The Banshee 316 Milton Babbitt (b. 1916) 317 Listening Example 50 Milton Babbitt: Excerpt from Ensembles for Synthesizer 318 Indeterminate Music 318 John Cage (1912-І 992) 321 Prepared Piano 321 Listening Example 5 ] John Cage: The Perilous Night, no. 1 323 Pauline Oliveros (b. 1 932) 324 Listening Example 52 Pauline Oliveros: Sound Patterns 325 Karlheinz Stockhausen (1928-2007) 325 Krzysztof Penderecki (b. 1933) 326 Listening Example 53 Krzysztof Penderecki: Threnody for the Victims of Hiroshima 327 Summary 328 Critical Thinking 329 Terms to Review 329 Key Figures 330 Encore 330 Musical Evolutionaries 331 Les Six 331 Twentieth-Century European Nationalism 332 Béla Bartók (1881-1945) 332 Neoclassicism 334 Listening Example 54 Béla Bartók: Concerto for Orchestra, fourth movement 335 Sergei Prokofiev (1891-1953) 336 Listening Example 55 Sergei Prokofiev: Symphony no. 1 ( Classical ), first movement 338 Paul Hindemith (1895-1963) 338 Listening Example 56 Paul Hindemith: Kleine Kammermusik, op. 24, no. 2, first movement 340 American Nationalism 341 Aaron Copland (1900-1990) 341 George Gershwin (1898-1937) 343 Listening Example 57 Aaron Copland: Variations on a Shaker Hymn from Appalachian Spring Suite 344 The Harlem Renaissance 344 William Grant Still (1895-1978) 346 Neoromanticism 346 Samuel Barber (1910-1981) 346 Listening Example 58 William Grant Still: Afro-American Symphony, third movement 347 Listening Example 59 Samuel Barber: Adagio for Strings 348 Minimalism 348 Indian and African Influences 349 Religious Concert Music Revived 349 Women in Music 350 Listening Example 60 Ellen Taaffe Zwilich: Concerto Grosso 1985, first movement 351 Summary 352 Critical Thinking 352 Terms to Review 352 Key Figures 353 Encore 353 2i 9 Music for Stage and Films 355 Opera in America 355 Philip Glass (b. 1937) 356 Listening Ехатріебі George Gershwin: Bess, You Is My Woman Now from Porgy and Bess 357 Listening Example 62 Phillip Glass: Einstein on the Beach, Act IV, Scene 3, Spaceship 358 Evolution of Musicals 358 Golden Age of Broadway Musicals 358 Listening Example 63 Leonard Bernstein: Tonight, Act I ensemble finale from West Side Story 360 Search for New Directions 361 Music for Films 364 Functions of Music in Films 364 The Hollywood Sound 364 Many Kinds of Movie Music 365 Electronic Music in Film Scores 366 Movie Musicals 366 The Composer s Perspective 367 Film Score Performances and Recordings 367 Summary 368 Critical Thinking 368 Terms to Review 368 Key Figures 369 Encore 369 Connection: Dramatic Music in China and Japan 370 30 Ja^ 321 Ragtime 372 Scott Joplin (1868-1917) 372 Listening Example 64 Scott Joplin: Maple Leaf Rag 373 Blues 374 Instrumental Jazz 375 Listening Example 65 Bessie Smith: Lost Your Head Blues 376 New Orleans Jazz 377 Jazz Moves North 377 Concert Jazz 378 Listening Example 66 Charlie Parker: Bloomdido 379 Edward Kennedy Duke Ellington (1899-1974) 380 Recent Developments 380 Listening Example 67 Duke Ellington: Mood Indigo 382 Summary 383 Critical Thinking 384 Terms to Review 384 Key Figures 385 Encore 385 Connection: Improvisation in Classical Indian Music 386 Postluae Tke New Internationalism 387 Popular Music 387 Classical Music and Musical Theater 388 The Chinese Influence 389 Listening Example 68 Tan Dun: Excerpt from Heaven from Symphony 1997 390 Critical Thinking 391 The Charge 392 Appendix: Chronology of Western Events 394 Glossary 402 Credits 412 Index 414
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genre_facet	Einführung
id	DE-604.BV035791938
illustrated	Illustrated
indexdate	2024-07-09T22:04:40Z
institution	BVB
isbn	9780073401423 0073401420
language	English
lccn	2009502048
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-018651260
oclc_num	502325347
open_access_boolean
owner	DE-12
owner_facet	DE-12
physical	xxxii, 422 S. Ill. 26 cm
publishDate	2009
publishDateSearch	2009
publishDateSort	2009
publisher	McGraw-Hill Higher Education
record_format	marc
spelling	Ferris, Jean Verfasser (DE-588)115561633 aut Music the art of listening Jean Ferris, with Larry Worster 8. ed. New York [u.a.] McGraw-Hill Higher Education 2009 xxxii, 422 S. Ill. 26 cm txt rdacontent n rdamedia nc rdacarrier Previous ed.: published as by Jean Ferris. London: McGraw-Hill, 2008. -- Includes index. Geschichte gnd rswk-swf Gesellschaft Musik Music appreciation Music Social aspects Musik (DE-588)4040802-4 gnd rswk-swf Musikhören (DE-588)4075127-2 gnd rswk-swf Musiklehre (DE-588)4123808-4 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Musiklehre (DE-588)4123808-4 s DE-604 Musik (DE-588)4040802-4 s Geschichte z Musikhören (DE-588)4075127-2 s 1\p DE-604 Worster, Larry Sonstige oth Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018651260&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Ferris, Jean Music the art of listening Gesellschaft Musik Music appreciation Music Social aspects Musik (DE-588)4040802-4 gnd Musikhören (DE-588)4075127-2 gnd Musiklehre (DE-588)4123808-4 gnd
subject_GND	(DE-588)4040802-4 (DE-588)4075127-2 (DE-588)4123808-4 (DE-588)4151278-9
title	Music the art of listening
title_auth	Music the art of listening
title_exact_search	Music the art of listening
title_full	Music the art of listening Jean Ferris, with Larry Worster
title_fullStr	Music the art of listening Jean Ferris, with Larry Worster
title_full_unstemmed	Music the art of listening Jean Ferris, with Larry Worster
title_short	Music
title_sort	music the art of listening
title_sub	the art of listening
topic	Gesellschaft Musik Music appreciation Music Social aspects Musik (DE-588)4040802-4 gnd Musikhören (DE-588)4075127-2 gnd Musiklehre (DE-588)4123808-4 gnd
topic_facet	Gesellschaft Musik Music appreciation Music Social aspects Musikhören Musiklehre Einführung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018651260&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT ferrisjean musictheartoflistening AT worsterlarry musictheartoflistening

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