Verfügbarkeit: The art of game design

The art of game design: a book of lenses

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Bibliographische Detailangaben
1. Verfasser:	Schell, Jesse (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Amsterdam [u.a.] Elsevier/Morgan Kaufmann 2009
Ausgabe:	Reprint
Schlagworte:	Computer games > Design Programmierung Gestaltung Computerspiel Entwurf
Online-Zugang:	Inhaltsverzeichnis Klappentext
Beschreibung:	XXX, 489 S. Ill. 24 cm
ISBN:	9780123694966 0123694965

Internformat

MARC


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Datensatz im Suchindex

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adam_text	Table of Lenses ...................................................................................................................... xvii Acknowledgments ................................................................................................................xxi Hell° .........................................................................................................................................xxiii 1 In the Beginning, There Is the Designer. ..................................................................................1 Magic Words ............................................................................................................................... л What Skills Does a Game Designer Need? .......................................................................2 The Most Important Skill ........................................................................................................ 4 The Five Kinds of Listening ....................................................................................................5 The Secret of the Gifted .......................................................................................................... 6 2 The Designer Creates an Expenence ..........9 The Game Is Not the Experience .......................................................................................10 Is This Unique to Games? .....................................................................................................1 T Three Practical Approaches to Chasing Rainbows .....................................................12 Introspection: Powers, Perils, and Practice .....................................................................14 Dissect Your Feelings .............................................................................................................17 Defeating Heisenberg........................................................................................................... 18 Essential Experience ..............................................................................................................20 All That s Real Is What You Feel ...........................................................................................21 3 The Experience Rises Out of a Game .......................................................................................23 A Rant About Definitions .....................................................................................................24 So,WhatlsaGame? ................................................................................................................26 VII TABLE OF CONTENTS No, Seriously, What Is a Game? ...........................................................................................30 Problem Solving 101.............................................................................................................. Зб The Fruits of Our Labors ....................................................................................................... 37 4 The Game Consists of Elements ..................39 What Are Little Games Made Of? ......................................................................................40 The Four Basic Elements .......................................................................................................41 Skin and Skeleton ...................................................................................................................45 5 The Elements Support a Theme ..................47 Mere Games ..............................................................................................................................48 Unifying Themes .....................................................................................................................49 Resonance .................................................................................................................................53 Back to Reality ..........................................................................................................................56 6 The Game Begins with an Idea ....................57 Inspiration ..................................................................................................................................58 State the Problem ...................................................................................................................60 How to Sleep ............................................................................................................................62 Your Silent Partner ..................................................................................................................63 Fifteen Nitty-Gritty Brainstorming Tips ...........................................................................68 Look At All These Ideas! Now What? ................................................................................74 7 The Game Improves Through Iteraüon ................................................................................75 Choosing An Idea .................................................................. 76 The Eight Filters ...................................................................... 7e The Rule of the Loop .................................................. 79 VIII TABLE OF CONTENTS A Short History of Software Engineering .......................................................................81 Risk Assessment and Prototyping..................................................................................... 83 Eight Tips for Productive Prototyping .............................................................................86 Closing the Loop .....................................................................................................................91 How Much is Enough? ...........................................................................................................94 8 The Game is Made for a Player ...................97 Einstein s Violin .........................................................................................................................98 Project Yourself ........................................................................................................................99 Demographics ..........................................................................................................................99 The Medium is the Misogynist? ......................................................................................102 Psychographics ..................................................................................................................... 108 9 The Experience is in the Player s Mind .....................................................................................113 Modeling .................................................................................................................................115 Focus .........................................................................................................................................118 Empathy ..................................................................................................................................123 Imagination ............................................................................................................................124 Motivation ..............................................................................................................................126 Judgment ................................................................................................................................127 10 Some Elements are Game Mechanics .......................................................................129 Mechanic 1 : Space ...............................................................................................................130 Mechanic 2: Objects, Attributes, and States ................................................................136 Mechanics: Actions ............................................................................................................140 Mechanic 4: Rules .................................................................................................................144 Mechanic 5: Skill ...................................................................................................................150 Mechanic 6: Chance ............................................................................................................153 ix TABLE OF CONTENTS 11 Game Mechanics Must be in Balance ..............................................................................171 The Twelve Most Common Types of Game Balance ................................................172 Game Balancing Methodologies ....................................................................................204 Balancing Game Economies ............................................................................................203 Dynamic Game Balancing ................................................................................................205 The Big Picture ......................................................................................................................205 12 Game Mechanics Support Puzzles .........207 The Puzzle of Puzzles ..........................................................................................................208 Aren t Puzzles Dead? ...........................................................................................................209 Good Puzzles .........................................................................................................................211 A Final Piece ...........................................................................................................................219 13 Players Play Games Through an Interface ............................................................................221 Breaking it Down .................................................................................................................223 The Loop of Interaction .....................................................................................................228 Channels of Information ....................................................................................................234 Other Interface Tips .............................................................................................................240 14 Experiences Can be Judged by Their Interest Curves ...........................................245 My First Lens ..........................................................................................................................246 Interest Curves ......................................................................................................................247 Patterns Inside Patterns .....................................................................................................250 What Comprises Interest? .................................................................................................253 Interest Factor Examples ...................................................................................................258 Putting It All Together ........................................................................................................ 259 TABLE OF CONTENTS 15 One Kind of Experience Is the Story.. .261 Story/Game Duality .............................................................................................................262 The Myth of Passive Entertainment ..............................................................................263 The Dream ..............................................................................................................................264 The Reality ..............................................................................................................................264 The Problems .........................................................................................................................266 The Dream Reborn ..............................................................................................................270 Story Tips for Game Designers ........................................................................................270 16 Story and Game Structures can be Artfully Merged with Indirect Control ...............................................................................283 The Feeling of Freedom .....................................................................................................284 Indirect Control Method #1 : Constraints .....................................................................285 Indirect Control Method #2: Goals .................................................................................286 Indirect Control Method #3: Interface ..........................................................................286 Indirect Control Method #4: Visual Design .................................................................287 Indirect Control Method #5: Characters .......................................................................292 Indirect Control Method #6: Music ................................................................................292 Collusion .................................................................................................................................293 17 Stories and Games Take Place in Worlds ................................................................................299 Transmedia Worlds ..............................................................................................................300 The Power of Pokémon ......................................................................................................301 Properties of Transmedia Worlds ....................................................................................303 What Successful Transmedia Worlds Have in Common .........................................305 18 Worlds Contain Characters ...........................309 The Nature of Game Characters .....................................................................................310 xi TABLE OF CONTENTS Avatars ..................................................................................................................................... 312 Creating Compelling Game Characters .......................................................................314 19 Worlds Contain Spaces .....................................329 The Purpose of Architecture ............................................................................................330 Organizing your Game Space ..........................................................................................330 Christopher Alexander is a Genius ................................................................................334 Real vs.Virtual Architecture ..............................................................................................338 Level Design ...........................................................................................................................343 20 The Look and Feel of a World Is Defined by Its Aesthetics .................................345 Monet Refuses the Operation .........................................................................................346 The Value of Aesthetics ......................................................................................................347 Learning to See .....................................................................................................................348 How to Let Aesthetics Guide your Design ..................................................................349 How Much Is Enough? ........................................................................................................350 Use Audio ................................................................................................................................351 Balancing Art and Technology ........................................................................................352 21 Some Games are Played with Other Players ...............................................................353 We Are Not Alone .................................................................................................................354 Why We Play With Others ..................................................................................................354 22 Other Players Sometimes Form Communities ...............................................................357 More than just Other Players .......................................................................... 358 Ten Tips for Strong Communities ...................................................................................359 The Challenge of Griefing ..................................................................... 368 The Future of Game Communities ...................................................................... 370 XII TABLE OF CONTENTS 23 The Designer Usually Works with a Team ..................................................................371 The Secret of Successful Teamwork ..............................................................................372 Designing Together .............................................................................................................375 Team Communication ........................................................................................................376 24 The Team Sometimes Communicates Through Documents .............................................381 The Myth of the Game Design Document ..................................................................382 The Purpose of Documents ..............................................................................................382 Types of Game Documents ..............................................................................................383 So, Where Do I Start? ...........................................................................................................387 25 Good Games Are Created Through Playtesting .....................................................................389 Playtesting ..............................................................................................................................390 My Terrible Secret ................................................................................................................391 Playtest Question the First: Why? ...................................................................................392 Playtest Question the Second: Who? ............................................................................393 Playtest Question the Third: Where? .............................................................................394 Playtest Question the Fourth: What? .............................................................................396 Playtest Question the Fifth: How? ..................................................................................396 26 The Team Builds a Game with Technology .......................................................403 Technology, At Last ..............................................................................................................404 Foundational vs. Decorational.........................................................................................405 The Hype Cycle .....................................................................................................................409 The Innovator s Dilemma ..................................................................................................410 XIII TABLE OF CONTENTS The Singularity ...................................................................................................................... 411 Look Into Your Crystal Ball ................................................................................................ 412 27 Your Game Will Probably Have a Client ...............................................................................415 Who Cares What the Client Thinks? ...............................................................................41 б Coping with Bad Suggestions .........................................................................................417 Not That Rock ........................................................................................................................418 The Three Layers of Desire ................................................................................................419 Firenza,1498 ..........................................................................................................................419 28 The Designer Gives the Client a Pitch ................................................................................423 Why Me? ..................................................................................................................................424 A Negotiation of Power .....................................................................................................424 The Hierarchy of Ideas ........................................................................................................425 Twelve Tips for a Successful Pitch ..................................................................................425 29 The Designer and Client Want the Game to Make a Profit ............................433 Love and Money ...................................................................................................................434 Know Your Business Model ...............................................................................................435 U n its Sold ................................................................................................................................436 Breakeven ............................................................................................................................... 436 Know the Top Sellers ...........................................................................................................437 Learn the Language ............................................................................................................437 30 Games Transform Their Players ...............441 How Do Games Change Us? ..............................................................................442 Can Games Be Good For You? ................................................................. 442 xiv TABLE OF CONTENTS Can Games Be Bad For You? .............................................................................................448 Experiences ............................................................................................................................451 31 Designers Have Certain Responsibilities ..........................................................453 The Danger of Obscurity ...................................................................................................454 Being Accountable ..............................................................................................................455 Your Hidden Agenda ..........................................................................................................456 The Secret Hidden in Plain Sight ....................................................................................456 The Ring ...................................................................................................................................457 32 Each Designer has a Motivation .............459 The Deepest Theming ........................................................................................................460 33 Goodbye ...........................................................................463 All Good Things ...................................................................................................................464 Endnotes.................................................................................................................................465 Bibliography ...........................................................................................................................477 Index .........................................................................................................................................481 xv Art jGame Design ♦ ·, A Book of Lenses The fundamentals of designing classic games from one of the world s top designers Anyone can master the fundamentals of game design-—no techno¬ logical expertise is necessary. The Art of Game Design: A Book of Lenses shows that the same basic principles of psychology that work for board games, card games and athletic games also are the keys to making top-quality videogames. Good game design happens when you view your game from many different perspectives, or lenses. While touring through the unusual territory that is game design, this book gives the reader one hundred of these lenses- one hundred sets of insightful questions to ask yourself that will help make your game better. These lenses are gathered from fields as diverse as psychology, architecture, music, visual design, film, software engineering, theme park design, mathematics, writing, puzzle design, and anthropology. Anyone who reads this book will be inspired to become a better game designer—and will understand how to do it. Features: Jesse Schell is a highly recognizable name within the game industry—the former chair of the International Game Developer s Association and designer of Disney s award-winning Toontown Online. Design methodology developed at Carnegie Mellon University s Entertainment Technology Center, co-founded by Dr. Randy Pausch, of Last Lecture fame. 100 lenses are scattered throughout the book. These are boxed sets of questions, each a different way of seeing a game that will inspire the creative process. 500 pages of detailed, practical instruction on creating world-class games
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title	The art of game design a book of lenses
title_auth	The art of game design a book of lenses
title_exact_search	The art of game design a book of lenses
title_full	The art of game design a book of lenses Jesse Schell
title_fullStr	The art of game design a book of lenses Jesse Schell
title_full_unstemmed	The art of game design a book of lenses Jesse Schell
title_short	The art of game design
title_sort	the art of game design a book of lenses
title_sub	a book of lenses
topic	Computer games Design Programmierung (DE-588)4076370-5 gnd Gestaltung (DE-588)4157139-3 gnd Computerspiel (DE-588)4010457-6 gnd Entwurf (DE-588)4121208-3 gnd
topic_facet	Computer games Design Programmierung Gestaltung Computerspiel Entwurf
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