Painterly perspective and piety: religious uses of the vanishing point, from the 15th to the 18th century
"The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of the structure. Appearing to converge up...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jefferson, NC [u.a.]
McFarland
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point"--Provided by publisher. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VII, 312 S. Ill. |
| ISBN: | 9780786435050 |
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Datensatz im Suchindex
| _version_ | 1804139423145656320 |
|---|---|
| adam_text | CONTENTS PREFACE 1 INTRODUCTION: PICTURING PERSPECTIVE 7 1. THE
HISTORICAL EMERGENCE OF LINEAR PERSPECTIVE 15 2. INSTRUMENTAL SOURCES
FOR LEON BATTISTA ALBERTI S VELO 33 3. MASACCIO AND THE FUNCTIONS OF
RELIGIOUS IMAGERY IN HIS TIME 46 4. RECOVERING THE ORIGINAL PHYSICAL
SITUATION OF MASACCIO S TRINITY CHAPEL 65 5. THE SYMBOLIC UNITY OF
MASACCIO S TRINITY 93 6. TOWARD A MORE BALANCED INTERPRETATION OF
MASACCIO S TRINITY 107 7. SEEING THE HOST IN ART AND ARCHITECTURE 124 8.
LITURGICAL PERSPECTIVE IN THE CONTEXT OF SCENOGRAPHIC ARCHITECTURE 150
9. THE CASE FOR UTERINE PERSPECTIVE 167 10. HOST-WORSHIP AND THE SPANISH
CUSTODIAS PROCESIONALES 183 11. SCULPTING DIVINE VISION IN NARCISO
TOME S TRANSPARENTE 211 12. EPILOGUE: THE DEMISE OF PIOUS PERSPECTIVE
243 CHAPTER NOTES 271 BIBLIOGRAPHY 299 INDEX 309
|
| any_adam_object | 1 |
| author | Moffitt, John F. 1940-2008 |
| author_GND | (DE-588)133325512 |
| author_facet | Moffitt, John F. 1940-2008 |
| author_role | aut |
| author_sort | Moffitt, John F. 1940-2008 |
| author_variant | j f m jf jfm |
| building | Verbundindex |
| bvnumber | BV035705107 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N7831 |
| callnumber-raw | N7831 |
| callnumber-search | N7831 |
| callnumber-sort | N 47831 |
| callnumber-subject | N - Visual Arts |
| ctrlnum | (OCoLC)182656601 (DE-599)BSZ302218025 |
| dewey-full | 704.9/482 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.9/482 |
| dewey-search | 704.9/482 |
| dewey-sort | 3704.9 3482 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1400-1800 gnd |
| era_facet | Geschichte 1400-1800 |
| format | Book |
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| id | DE-604.BV035705107 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:43:51Z |
| institution | BVB |
| isbn | 9780786435050 |
| language | English |
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| physical | VII, 312 S. Ill. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
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| publisher | McFarland |
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| spelling | Moffitt, John F. 1940-2008 Verfasser (DE-588)133325512 aut Painterly perspective and piety religious uses of the vanishing point, from the 15th to the 18th century John F. Moffitt Jefferson, NC [u.a.] McFarland 2008 VII, 312 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point"--Provided by publisher. Masaccio 1401-1428 Dreifaltigkeit (DE-588)4252110-5 gnd rswk-swf Geschichte 1400-1800 gnd rswk-swf Christian art and symbolism Christianity and art Perspective Christliche Kunst (DE-588)4010109-5 gnd rswk-swf Symbolik (DE-588)4184194-3 gnd rswk-swf Sakralbau (DE-588)4178936-2 gnd rswk-swf Perspektive (DE-588)4045301-7 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kathedrale Toledo Transparente (DE-588)7636793-9 gnd rswk-swf Christliche Kunst (DE-588)4010109-5 s Malerei (DE-588)4037220-0 s Perspektive (DE-588)4045301-7 s Geschichte 1400-1800 z DE-604 Ästhetik (DE-588)4000626-8 s Sakralbau (DE-588)4178936-2 s Symbolik (DE-588)4184194-3 s Kathedrale Toledo Transparente (DE-588)7636793-9 g Masaccio 1401-1428 Dreifaltigkeit (DE-588)4252110-5 u SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017758962&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Moffitt, John F. 1940-2008 Painterly perspective and piety religious uses of the vanishing point, from the 15th to the 18th century Masaccio 1401-1428 Dreifaltigkeit (DE-588)4252110-5 gnd Christian art and symbolism Christianity and art Perspective Christliche Kunst (DE-588)4010109-5 gnd Symbolik (DE-588)4184194-3 gnd Sakralbau (DE-588)4178936-2 gnd Perspektive (DE-588)4045301-7 gnd Malerei (DE-588)4037220-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4252110-5 (DE-588)4010109-5 (DE-588)4184194-3 (DE-588)4178936-2 (DE-588)4045301-7 (DE-588)4037220-0 (DE-588)4000626-8 (DE-588)7636793-9 |
| title | Painterly perspective and piety religious uses of the vanishing point, from the 15th to the 18th century |
| title_auth | Painterly perspective and piety religious uses of the vanishing point, from the 15th to the 18th century |
| title_exact_search | Painterly perspective and piety religious uses of the vanishing point, from the 15th to the 18th century |
| title_full | Painterly perspective and piety religious uses of the vanishing point, from the 15th to the 18th century John F. Moffitt |
| title_fullStr | Painterly perspective and piety religious uses of the vanishing point, from the 15th to the 18th century John F. Moffitt |
| title_full_unstemmed | Painterly perspective and piety religious uses of the vanishing point, from the 15th to the 18th century John F. Moffitt |
| title_short | Painterly perspective and piety |
| title_sort | painterly perspective and piety religious uses of the vanishing point from the 15th to the 18th century |
| title_sub | religious uses of the vanishing point, from the 15th to the 18th century |
| topic | Masaccio 1401-1428 Dreifaltigkeit (DE-588)4252110-5 gnd Christian art and symbolism Christianity and art Perspective Christliche Kunst (DE-588)4010109-5 gnd Symbolik (DE-588)4184194-3 gnd Sakralbau (DE-588)4178936-2 gnd Perspektive (DE-588)4045301-7 gnd Malerei (DE-588)4037220-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Masaccio 1401-1428 Dreifaltigkeit Christian art and symbolism Christianity and art Perspective Christliche Kunst Symbolik Sakralbau Perspektive Malerei Ästhetik Kathedrale Toledo Transparente |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017758962&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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