Holdings: Ergonomic guitar technique

Ergonomic guitar technique: psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7]

Saved in:

Bibliographic Details
Main Author:	Zelmerlööw, Joakim 1974- (Author)
Format:	Book
Language:	English
Published:	[Solna] Joakim Zelmerlööw 2009
Edition:	2. ed.
Subjects:	Ergonomie Haltung Psychologie Gitarrenspiel Einführung
Online Access:	Inhaltsverzeichnis
Physical Description:	215 S. Ill., Notenbeisp.
ISBN:	9789163307096

Staff View

MARC


LEADER	00000nam a2200000 c 4500
001	BV035692035
003	DE-604
005	20091023
007	t
008	090825s2009 agl\| \|\|\|\| 00\|\|\| eng d
020			\|a 9789163307096 \|9 978-91-633-0709-6
035			\|a (OCoLC)643074984
035			\|a (DE-599)BVBBV035692035
040			\|a DE-604 \|b ger \|e rakwb
041	0		\|a eng
049			\|a DE-12
084			\|a 9,2 \|2 ssgn
100	1		\|a Zelmerlööw, Joakim \|d 1974- \|e Verfasser \|0 (DE-588)139025456 \|4 aut
240	1	0	\|a Ergonomisk gitarrteknik
245	1	0	\|a Ergonomic guitar technique \|b psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7] \|c Joakim Zelmerlööw ; [illustrations and photography: Katarina Boye]
250			\|a 2. ed.
264		1	\|a [Solna] \|b Joakim Zelmerlööw \|c 2009
300			\|a 215 S. \|b Ill., Notenbeisp.
336			\|b txt \|2 rdacontent
337			\|b n \|2 rdamedia
338			\|b nc \|2 rdacarrier
650	0	7	\|a Ergonomie \|0 (DE-588)4015249-2 \|2 gnd \|9 rswk-swf
650	0	7	\|a Haltung \|0 (DE-588)4133195-3 \|2 gnd \|9 rswk-swf
650	0	7	\|a Psychologie \|0 (DE-588)4047704-6 \|2 gnd \|9 rswk-swf
650	0	7	\|a Gitarrenspiel \|0 (DE-588)4021101-0 \|2 gnd \|9 rswk-swf
655		7	\|0 (DE-588)4151278-9 \|a Einführung \|2 gnd-content
689	0	0	\|a Gitarrenspiel \|0 (DE-588)4021101-0 \|D s
689	0	1	\|a Haltung \|0 (DE-588)4133195-3 \|D s
689	0	2	\|a Ergonomie \|0 (DE-588)4015249-2 \|D s
689	0		\|5 DE-604
689	1	0	\|a Gitarrenspiel \|0 (DE-588)4021101-0 \|D s
689	1	1	\|a Psychologie \|0 (DE-588)4047704-6 \|D s
689	1		\|5 DE-604
856	4	2	\|m Digitalisierung BSBMuenchen \|q application/pdf \|u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017746102&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA \|3 Inhaltsverzeichnis
999			\|a oai:aleph.bib-bvb.de:BVB01-017746102
942	1	1	\|c 780.7 \|e 22/bsb

Record in the Search Index

_version_	1804139404007047168
adam_text	Contents Introduction ...........................................................................................................7 Why ergonomie guitar technique? .........................................................................5 PSYCHOLOGY ...........................................................................................................9 Chapter 1 : Learning .............................................................................................10 Knowledge and dexterity -what is the difference? .............................................10 Objective and subjective studying ........................................................................10 Horizontal and vertical development ...................................................................11 Motivation, concentration, association andmemory ...........................................12 Good and bad habits ............................................................................................13 Musical notation ..................................................................................................14 Triggered music reading ......................................................................................15 Deliberate and automated movements .................................................................75 Methodical practicing ..........................................................................................16 How many hours per day? ...................................................................................17 Dynamic self-criticism .........................................................................................20 The education climate ..........................................................................................22 Fear of learning — do not correct me if lam wrong ............................................23 Chapter 2: nervousness & performance ...........................................................25 Nervousness - a fight for life ...............................................................................25 Terror — a shortcut in the brain ...........................................................................26 Negative nervousness — a vicious circle ..............................................................26 Valuable and valueless ........................................................................................27 The peril of music .................................................................................................28 Positive nervousness — a question of autosuggestion ..........................................30 The presentation ...................................................................................................31 During the concert-the internal reasoning. .......................................................31 Poker face - an ace up the sleeve ........................................................................33 Body movements during performance .................................................................34 Criticism - to face the music ................................................................................37 ERGONOMICS .........................................................................................................39 Chapters: About the backbone .........................................................................40 Chapter 4: about the neck ...................................................................................43 Chapter 5: Playing position ................................................................................45 Origins of bad ergonomics among musicians ......................................................45 Stress and tensions ...............................................................................................46 The back ...............................................................................................................46 The chair ..............................................................................................................47 The footstool or the leg support ...........................................................................47 The neck and shoulders ........................................................................................50 Upper arm and forearm .......................................................................................50 Guitar placement and instrument contact. ...........................................................57 Relaxation during study .......................................................................................57 Simulation - motor learning ................................................................................52 Chapter 6: Taking care of our muscles ............................................................54 Stretching exercises for the back/thighs ..............................................................54 Stretching exercise for the shoulders ...................................................................55 Stretching exercise for the neck ...........................................................................55 Stretching exercises for the forearm ....................................................................55 Stretching exercise for the chest muscles .............................................................56 Strength exercise for hands and forearms ...........................................................57 Grip exercise for the hand ...................................................................................57 Grip exercise for the fingers ................................................................................57 Barré exercise ......................................................................................................55 TECHNIQUE .............................................................................................................59 Chapter 7: Introduction то technique ..............................................................60 Technical behaviour and technical awareness ....................................................61 Technical contamination ......................................................................................63 The technical cycle ...............................................................................................63 Chapter 8: The right hand ...................................................................................65 The right hand - a means of expression ..............................................................65 The position of the right hand ..............................................................................65 The plucking techniques .......................................................................................66 Tone production ...................................................................................................67 String tension .......................................................................................................68 Preparation ..........................................................................................................69 Coordination ........................................................................................................70 The nails ...............................................................................................................72 Point of contact and timbre ..................................................................................74 Freqventato - a dynamic centre ..........................................................................75 The acoustics and the audience ...........................................................................77 How does your guitar sound? ..............................................................................78 Right hand arpeggio ............................................................................................78 Introduction to Giuliani s 120 right hand exercises ............................................79 The 120 right-hand exercises by Giuliani ............................................................82 Arpeggios with accents ........................................................................................94 Three-finger technique .........................................................................................95 Three-finger technique and speed. .......................................................................96 Three-finger technique -practical exercises .......................................................96 Tremolo ..............................................................................................................100 Chords ....................................................... ZZZZZZZZZZZZZ. ...................... I01 Chapter 9: The left hand ...................................................................................103 The left hand - a question of articulation .......................................................... ЮЗ Placement ...........................................................................................................103 A rule of thumb ...................................................................................................105 Precision ............................................................................................................105 Preparation ........................................................................................................107 Introduction to Giuliani s 16 left hand exercises .............................................. Ю7 The 16 left-hand exercises by Giuliani ..............................................................109 Coordination ......................................................................................................125 Legato ..........................................................................................................131 Barré ...................................................... .............................. ...............134 Chords andposition shifts .................................................................................135 Chapter 10: Synchronization .................. ZZZZZZZZZZZZZZZZZZZZZZZZ.. ....................... 137 Synchronization exercises ............... ............138 Scales .................................................................................................................143 Introduction to modal scales ..............................................................................143 Playing scales in sequences ...............................................................................146 Speed ..................................................................................................................148 Left hand arpeggio .............................................................................................149 Chapter 11 : Warm-up exercises ........................................................................151 Chapter 12: Instructive lessons by F. Horetzky ...........................................157 A word from Horetzky himself ...........................................................................157 Instructive lessons for the Spanish guitar F. Horetzky op 33............................159 Chapter 13: Atonal technique .........................................................................170 Combination matrices ........................................................................................170 Left hand matrices using arpeggio ....................................................................171 Right hand matrices using arpeggio ..................................................................174 Left hand matrices along the strings ..................................................................176 Chapter 14: Interpretation & guitar technique ...........................................179 Tempo rubato andagogic alterations ................................................................179 Ornamentation ...................................................................................................180 Table of ornaments ............................................................................................182 Vibrato ...............................................................................................................183 Over-legato ........................................................................................................184 The tone length during the baroque era ............................................................185 Muting technique ...............................................................................................186 Exercises for muting technique ..........................................................................757 Improvisation .....................................................................................................190 A practical example of improvisational supplements ........................................191 Chapter 15: Capriccios by the author .............................................................194 The Capriccios in technical detail ......................................................................194 Capricci Dinamarca, op. 7 by Joakim Zelmerlööw........................................... 797 List of references ...............................................................................................215
any_adam_object	1
author	Zelmerlööw, Joakim 1974-
author_GND	(DE-588)139025456
author_facet	Zelmerlööw, Joakim 1974-
author_role	aut
author_sort	Zelmerlööw, Joakim 1974-
author_variant	j z jz
building	Verbundindex
bvnumber	BV035692035
ctrlnum	(OCoLC)643074984 (DE-599)BVBBV035692035
edition	2. ed.
format	Book
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01866nam a2200457 c 4500</leader><controlfield tag="001">BV035692035</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20091023 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">090825s2009 agl\| \|\|\|\| 00\|\|\| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789163307096</subfield><subfield code="9">978-91-633-0709-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)643074984</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV035692035</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Zelmerlööw, Joakim</subfield><subfield code="d">1974-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)139025456</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Ergonomisk gitarrteknik</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Ergonomic guitar technique</subfield><subfield code="b">psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7]</subfield><subfield code="c">Joakim Zelmerlööw ; [illustrations and photography: Katarina Boye]</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">2. ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[Solna]</subfield><subfield code="b">Joakim Zelmerlööw</subfield><subfield code="c">2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">215 S.</subfield><subfield code="b">Ill., Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ergonomie</subfield><subfield code="0">(DE-588)4015249-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Haltung</subfield><subfield code="0">(DE-588)4133195-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Psychologie</subfield><subfield code="0">(DE-588)4047704-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gitarrenspiel</subfield><subfield code="0">(DE-588)4021101-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4151278-9</subfield><subfield code="a">Einführung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Gitarrenspiel</subfield><subfield code="0">(DE-588)4021101-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Haltung</subfield><subfield code="0">(DE-588)4133195-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ergonomie</subfield><subfield code="0">(DE-588)4015249-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Gitarrenspiel</subfield><subfield code="0">(DE-588)4021101-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Psychologie</subfield><subfield code="0">(DE-588)4047704-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSBMuenchen</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017746102&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-017746102</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.7</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection>
genre	(DE-588)4151278-9 Einführung gnd-content
genre_facet	Einführung
id	DE-604.BV035692035
illustrated	Illustrated
indexdate	2024-07-09T21:43:32Z
institution	BVB
isbn	9789163307096
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-017746102
oclc_num	643074984
open_access_boolean
owner	DE-12
owner_facet	DE-12
physical	215 S. Ill., Notenbeisp.
publishDate	2009
publishDateSearch	2009
publishDateSort	2009
publisher	Joakim Zelmerlööw
record_format	marc
spelling	Zelmerlööw, Joakim 1974- Verfasser (DE-588)139025456 aut Ergonomisk gitarrteknik Ergonomic guitar technique psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7] Joakim Zelmerlööw ; [illustrations and photography: Katarina Boye] 2. ed. [Solna] Joakim Zelmerlööw 2009 215 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Ergonomie (DE-588)4015249-2 gnd rswk-swf Haltung (DE-588)4133195-3 gnd rswk-swf Psychologie (DE-588)4047704-6 gnd rswk-swf Gitarrenspiel (DE-588)4021101-0 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Gitarrenspiel (DE-588)4021101-0 s Haltung (DE-588)4133195-3 s Ergonomie (DE-588)4015249-2 s DE-604 Psychologie (DE-588)4047704-6 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017746102&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Zelmerlööw, Joakim 1974- Ergonomic guitar technique psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7] Ergonomie (DE-588)4015249-2 gnd Haltung (DE-588)4133195-3 gnd Psychologie (DE-588)4047704-6 gnd Gitarrenspiel (DE-588)4021101-0 gnd
subject_GND	(DE-588)4015249-2 (DE-588)4133195-3 (DE-588)4047704-6 (DE-588)4021101-0 (DE-588)4151278-9
title	Ergonomic guitar technique psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7]
title_alt	Ergonomisk gitarrteknik
title_auth	Ergonomic guitar technique psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7]
title_exact_search	Ergonomic guitar technique psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7]
title_full	Ergonomic guitar technique psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7] Joakim Zelmerlööw ; [illustrations and photography: Katarina Boye]
title_fullStr	Ergonomic guitar technique psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7] Joakim Zelmerlööw ; [illustrations and photography: Katarina Boye]
title_full_unstemmed	Ergonomic guitar technique psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7] Joakim Zelmerlööw ; [illustrations and photography: Katarina Boye]
title_short	Ergonomic guitar technique
title_sort	ergonomic guitar technique psychology ergonomics technique revised and with added sheets music capricci dinamarca op 7
title_sub	psychology, ergonomics & technique ; [revised and with added sheets music: Capricci Dinamarca, op. 7]
topic	Ergonomie (DE-588)4015249-2 gnd Haltung (DE-588)4133195-3 gnd Psychologie (DE-588)4047704-6 gnd Gitarrenspiel (DE-588)4021101-0 gnd
topic_facet	Ergonomie Haltung Psychologie Gitarrenspiel Einführung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017746102&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT zelmerloowjoakim ergonomiskgitarrteknik AT zelmerloowjoakim ergonomicguitartechniquepsychologyergonomicstechniquerevisedandwithaddedsheetsmusiccapriccidinamarcaop7

Holdings

There is no print copy available.

Interlibrary loan Place Request Caution: Not in THWS collection! Indexes

MARC

Record in the Search Index

There is no print copy available.

Similar Items