Gardner's guide to audio post production:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Washington, DC
GGC Publ.
2008
|
| Subjects: | |
| Online Access: | Contributor biographical information Publisher description Inhaltsverzeichnis |
| Physical Description: | X, 310 S. Ill. |
| ISBN: | 158965028X 9781589650282 |
Staff View
MARC
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| 100 | 1 | |a Scetta, Mark |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Gardner's guide to audio post production |c Mark Scetta |
| 246 | 1 | 3 | |a Audio post production |
| 264 | 1 | |a Washington, DC |b GGC Publ. |c 2008 | |
| 300 | |a X, 310 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Film | |
| 650 | 4 | |a Sound motion pictures | |
| 650 | 4 | |a Sound |x Recording and reproducing | |
| 650 | 4 | |a Video tapes |x Editing | |
| 650 | 4 | |a Motion pictures |x Editing | |
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| 856 | 4 | |u http://www.loc.gov/catdir/enhancements/fy0711/2007014484-d.html |3 Publisher description | |
| 856 | 4 | 2 | |m Digitalisierung UB Bayreuth |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017701625&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Record in the Search Index
| _version_ | 1804139330721021952 |
|---|---|
| adam_text | Table
of Contents
Acknowledgments
ix
Chapter
1________________________________________________
Pre
Post: Establishing Shot
1
Why you need this book
2
Plan of attack
3
What exactly is a soundtrack?
4
There are at least two ways to use this book
7
Chapter
2________________________________________________
Pre
Post: The Enchanting Illusion of Sight and Sound
9
The vision: your favorite films
10
Behold the magic: when sound and picture come together
10
Listening to the world
11
Watching the picture-and only the picture
14
Chapter
3________________________________________________
Pre
Post: Visualizing Sound
19
Pure imagination
20
Dialogue first
22
Sound design: Foley and sound effects
24
Making your bed: ambient environments
27
Music: sweet emotion
30
In the mix: bringing it to life
33
Chapter
4____________________________________________
Setup: The Audio Studio: Wiring and the Workstation
37
Can t I just mix the sound in my non-linear video editor (NLE)?
38
Video versus audio editing platforms
40
Platform choices
41
Sound cards, audio interfaces, and mixers
43
Signals
44
Things to know about digital gear
47
Cables
49
Specifying the right cables for your needs
50
The power and the buzz
52
Your monitors, your friends
56
Plug-ins
58
DAW tips
59
Comfort and ergonomics
61
Chapter
5
Setup: The Accurate Listening Environment
63
Workflow: Getting set for mixing
64
Tips for creating a more accurate listening environment
64
Proper positioning
65
Acoustical treatment
-
overlooked and underestimated
69
Sound smear
71
DIY:
other options for a great sounding room
74
Calibrating the monitoring environment
76
Chapter
6
Setup: Prepare to Make the Jump to Light Speed
83
First, lock picture
84
Everything you ever wanted to know about sync
but were afraid to ask
87
Application translation: OMF and AAF
89
What to do if you can t OMF/AAF
94
Rendering the video file
95
Chapter
7
Setup: The Audio Session
99
The sequencer environment
101
Check out the view.
.
.and the pool!
102
The track
104
Insert effects
106
Offline processing
107
Auxiliary channels
108
Group channels
109
The Master Bus
110
Stereo or surround?
111
Rudiments
of
digital
audio
112
Looking ahead:Templates
121
Looking ahead: Key commands
124
Chapter
8
Elements: Dialogue, Most Importantly
127
Dialogue editing workflow
128
Setting up
129
Emergency ward: Noise
132
Removing crackle
137
Removing hums and buzzes
139
Noise we like, noise we don t
141
Airplanes and air conditioners: removing broadband noise
143
Rumble: EQ to the rescue
149
Level control
149
Chapter
9
Elements: Replacement Dialogue (ADR) and Narration
153
ADR: Do I have to?
153
Recording techniques for ADR
154
Syncing dialogue
161
Mic
choice and recording techniques for narration
162
Narration editing
165
Edit and clean up the narration
166
Getting the best take
167
Chapter
10
Elements: Sound Effects and Foley
169
Where to find Foley and SFX libraries
172
Getting organized
175
Foley:The pits, the props, and the pain
177
Footsteps first
178
Beyond footsteps
181
Off-camera sound effects: interpreting emotion, creating tension
186
Can t find it? Make it Recording SFX and Foley
187
Bodyfalls
and fireballs: Creative SFX
191
^ІМЦДСІ І І
_________________________________________—
Elements:
Ambience and Room Tone
193
What s in an ambience?
194
Pouring the foundation
196
More ideas for ambience and tone
200
Room tone: Good noise
200
Where to find room tone
203
How to lay in ambiences and RT
204
Excess ambience
211
Looking ahead: some extra thought in production saves
headaches in post
214
Chapter
12
Elements: Music
215
Temp tracks
216
Licensing pre-existing music
219
Budgeting and fees
222
Finding music for your film
225
Custom scores and working with composers
233
Music editing
237
Music-editing basics
238
Looping and extending musical passages
239
More ideas for using music
242
Chapter
13
________________________________
Home Stretch: Special Effects
243
Tiny speakers: put it through a telephone
244
Massive ambience: put it in a huge room
245
The muffle: put it in the room next door
246
Dream weaving
248
An approach to narration
249
Creative panning
250
Doubling
251
More sound design, please
252
Working methods for special processing
253
Chapter
14
Home Stretch: The Mix
255
Ready to mix
256
Loudness, dynamics, and compression
257
Crash course in equalization
260
Mastering music
264
The soundstage: Creating an effective sonic panorama
266
Everything in its right place: Reverb
274
The master channel
276
Metering
277
Mixing and levels
279
Checking the mix
286
Chapter
15
Home Stretch: Output, Layback, and Archiving
291
Exporting the final mix
292
Laying the sound back into the video
295
Backing up, going forward
295
Chapter
16
Post Mortem: Looking Ahead
297
Tips for location recording
297
Make time for sound
299
Glossary
301
Index
307
|
| any_adam_object | 1 |
| author | Scetta, Mark |
| author_facet | Scetta, Mark |
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| bvnumber | BV035646954 |
| callnumber-first | T - Technology |
| callnumber-label | TR897 |
| callnumber-raw | TR897 |
| callnumber-search | TR897 |
| callnumber-sort | TR 3897 |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 56600 |
| ctrlnum | (OCoLC)122715415 (DE-599)BVBBV035646954 |
| dewey-full | 778.5/344 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 778 - Specific fields & kinds of photography |
| dewey-raw | 778.5/344 |
| dewey-search | 778.5/344 |
| dewey-sort | 3778.5 3344 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| format | Book |
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| id | DE-604.BV035646954 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:42:22Z |
| institution | BVB |
| isbn | 158965028X 9781589650282 |
| language | English |
| lccn | 2007014484 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017701625 |
| oclc_num | 122715415 |
| open_access_boolean | |
| owner | DE-703 |
| owner_facet | DE-703 |
| physical | X, 310 S. Ill. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | GGC Publ. |
| record_format | marc |
| spelling | Scetta, Mark Verfasser aut Gardner's guide to audio post production Mark Scetta Audio post production Washington, DC GGC Publ. 2008 X, 310 S. Ill. txt rdacontent n rdamedia nc rdacarrier Film Sound motion pictures Sound Recording and reproducing Video tapes Editing Motion pictures Editing Filmvertonung (DE-588)4017148-6 gnd rswk-swf Videovertonung (DE-588)4367601-7 gnd rswk-swf Filmvertonung (DE-588)4017148-6 s DE-604 Videovertonung (DE-588)4367601-7 s http://www.loc.gov/catdir/enhancements/fy0711/2007014484-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0711/2007014484-d.html Publisher description Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017701625&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Scetta, Mark Gardner's guide to audio post production Film Sound motion pictures Sound Recording and reproducing Video tapes Editing Motion pictures Editing Filmvertonung (DE-588)4017148-6 gnd Videovertonung (DE-588)4367601-7 gnd |
| subject_GND | (DE-588)4017148-6 (DE-588)4367601-7 |
| title | Gardner's guide to audio post production |
| title_alt | Audio post production |
| title_auth | Gardner's guide to audio post production |
| title_exact_search | Gardner's guide to audio post production |
| title_full | Gardner's guide to audio post production Mark Scetta |
| title_fullStr | Gardner's guide to audio post production Mark Scetta |
| title_full_unstemmed | Gardner's guide to audio post production Mark Scetta |
| title_short | Gardner's guide to audio post production |
| title_sort | gardner s guide to audio post production |
| topic | Film Sound motion pictures Sound Recording and reproducing Video tapes Editing Motion pictures Editing Filmvertonung (DE-588)4017148-6 gnd Videovertonung (DE-588)4367601-7 gnd |
| topic_facet | Film Sound motion pictures Sound Recording and reproducing Video tapes Editing Motion pictures Editing Filmvertonung Videovertonung |
| url | http://www.loc.gov/catdir/enhancements/fy0711/2007014484-b.html http://www.loc.gov/catdir/enhancements/fy0711/2007014484-d.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017701625&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT scettamark gardnersguidetoaudiopostproduction AT scettamark audiopostproduction |