Unconcealed: the international network of conceptual artists 1967 - 77 ; dealers, exhibitions and public collections
"Unconcealed describes the emergence of Conceptual art in Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. The publication is a detailed account of the decade 1967-77. The relationships, support structures and strategies of deal...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Ridinghouse [u.a.]
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Unconcealed describes the emergence of Conceptual art in Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. The publication is a detailed account of the decade 1967-77. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner, are revealed. The central section of the book brings to life many of the important figures of the art world of this period with a selection of Jacques Charlier's Vernissage des Expositions photographs from 1974-75 that were first shown at the Palais des Beaux-Arts, Brussels in 1975. Previously unpublished data recording the exhibitions and sales of Conceptual artworks to galleries, public institutions and private collections is a major feature of the book. For example, Richard has gathered data from the archives of leading European museums, charting purchases of international artists from dealers to museums, highlighting the power of these relationships. Some of the databases reveal a correlation between temporary exhibitions and museum purchases, suggesting that we need to consider the role of 'dealer-curators' as prime protagonists of this period. Richard's also conducted interviews with dealers, curators, artists and collectors of the period which further highlights the importance of the relationships brought to light in Unconcealed"--publisher's website. |
| Beschreibung: | 511 S. |
| ISBN: | 9781905464173 |
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| 520 | 3 | |a "Unconcealed describes the emergence of Conceptual art in Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. The publication is a detailed account of the decade 1967-77. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner, are revealed. The central section of the book brings to life many of the important figures of the art world of this period with a selection of Jacques Charlier's Vernissage des Expositions photographs from 1974-75 that were first shown at the Palais des Beaux-Arts, Brussels in 1975. Previously unpublished data recording the exhibitions and sales of Conceptual artworks to galleries, public institutions and private collections is a major feature of the book. For example, Richard has gathered data from the archives of leading European museums, charting purchases of international artists from dealers to museums, highlighting the power of these relationships. Some of the databases reveal a correlation between temporary exhibitions and museum purchases, suggesting that we need to consider the role of 'dealer-curators' as prime protagonists of this period. Richard's also conducted interviews with dealers, curators, artists and collectors of the period which further highlights the importance of the relationships brought to light in Unconcealed"--publisher's website. | |
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Datensatz im Suchindex
| _version_ | 1817613158577078272 |
|---|---|
| adam_text |
UNCONCEALMENT LYNDA MORRIS | 11 INTRODUCTION | 33 PARTI SUPPORT
STRUCTURE | 45 CHAPTER 1 THE BEGINNINGS OF THE NETWORK OF CONCEPTUAL
ARTISTS: 1967 AND EARLIER | 53 1.1 SEEDS OF THE NETWORK: 1967 | 53 PAUL
MAENZ'S INAUGURAL EXHIBITIONS IN GERMANY * THE FIRST COLOGNE KUNSTMARKT
* KONRAD FISCHER, DIISSELDORF * CARL ANDRE * HANNE DARBOVEN *
AMERICA-WEST GERMANY CONNECTIONS * SOL LEWITT * FISCHER'S LEADING ROLE *
HEINER FRIEDRICH, MUNICH * ARTE POVERA IN ITALY 1.2 CONCLUSION | 67
TECHNICAL IMPROVEMENTS AND SOCIAL UNREST CHAPTER 2 THE GROWTH OF THE
NETWORK AND TEMPORARY EXHIBITIONS: 1968-69 | 69 2.1 1968 I 69 MINIMAL
ART IN EUROPE * SETH SIEGELAUB AND LUCY R. LIPPARD * GIAN ENZO SPERONE,
TURIN * MAY 1968: FRANCE AND ITALY * 1968 VENICE BIENNALE * DOCUMENTA 4
* WIDE WHITE SPACE, ANTWERP * BRUCE NAUMAN * JAN DIBBETS * RICHARD LONG
* ART & PROJECT, AMSTERDAM * PROSPECT 68 * 1968 COLOGNE KUNSTMARKT *
ARTE POVERA E AZIONEPOVERE * CARL ANDRE, STADTISCHES MUSEUM,
MONCHENGLADBACH * ROBERT RYMAN * AMERICAN CONCEPTUAL ARTISTS IN AMERICA
* XEROX BOOK 2.2 1969 I 86 THE RHINELAND AREA * DANIEL BUREN * EUROPEAN
CONCEPTUAL ARTISTS IN AMERICA * ONE MONTH * WALTHER KONIG'S BOOKSHOP,
COLOGNE * OP LOSSE SCHROEVEN AN D WHEN ATTITUDES BECOME FORM *
TRAVELLING SHOWS * LAWRENCE WEINER * YVON LAMBERT, PARIS * FRANGOISE
LAMBERT, MILAN * A 379089, ANTWERP * JULY-AUGUST-SEPTEMBER IG6G AND
557,08/ * PROSPECT 69 AND THE COLOGNE KUNSTMARKT * GROWTH OF EURO- PEAN
ART FAIRS * KONZEPTIONI'CONCEPTION * JOSEPH KOSUTH * DEALERS NETWORKING
* ARTE POVERA, CONCEPTUAL, ACTUAL OR IMPOSSIBLE ART? * ART & LANGUAGE'S
TEACHING * CONCEPTUAL ART TEACHING COURSES 2.3 CONCLUSION | 103
CONCEPTUAL ART MEETING PLACES CHAPTER 3 THE INTERNATIONAL NETWORK AND
MAJOR EXHIBITIONS: 1970-72 AND LATER | 105 3.1 1970 I 105 GERMANY:
FISCHER AND FRIEDRICH; THE NETHERLANDS: ART & PROJECT * DOUGLAS HUEBLER
* ITALY: GIAN ENZO SPERONE AND FRANCOISE LAMBERT * MARIO MERZ * BELGIUM:
WIDE WHITE SPACE AND MTL * FRANCE: YVON LAMBERT AND ILEANA SONNABEND *
18 PARIS IV./O * CONCEPTUAL ART AND CONCEPTUAL ASPECTS * GILBERTS GEORGE
* 1970 VENICE BIENNALE * IDEA STRUCTURES * CONCEPTUAL ART, ARTE POVERA,
LAND ART * INFORMATION * STUDIO INTERNATIONAL: JULY-AUGUST 1970 *
RICHARD LONG, MONCHENGLADBACH * SOL LEWITT, GEMEENTEMUSEUM, THE HAGUE *
STRATEGY: GET ARTS * AVALANCHE * 1970 COLOGNE AND BASEL ART FAIRS *
KUNSTKOMPASS * HEINER FRIEDRICH, COLOGNE * NIGEL GREENWOOD INC. LTD.,
LONDON * PAUL MAENZ, COLOGNE * CONCEPTUALISM IN ART MAGAZINES 3.2 1971 I
120 FISCHER, SPERONE AND PANZA * DANIEL BUREN, MONCHENGLADBACH * 6TH
GUGGEN- HEIM INTERNATIONAL EXHIBITION AND THE NEW YORK ART SCENE * THE
ARTISTS' RESERVED RIGHTS TRANSFER AND SALE AGREEMENT * LISSON GALLERY,
LONDON * DEALERS NETWORKING * ART & LANGUAGE * SONSBEEK 71 * NEW YORK,
420 WEST BROADWAY AND JOHN WEBER * IN ANOTHER MOMENT AND AT THE MOMENT *
DATA * 1971 COLOGNE KUNSTMARKT AND IKI * PROSPECT 71 * HANNE DARBOVEN,
KUNSTVEREIN, MIINSTER * MARCEL BROODTHAERS, MONCHENGLADBACH * ACTUALITE
D'UN BILAN * GILBERT & GEORGE, TRAVELLING MUSEUM SHOW -JAN DIBBETS,
STEDELIJK VAN ABBEMUSEUM, EINDHOVEN * RICHARD LONG, MOMA, OXFORD * JACK
WENDLER, LONDON *ARTAKTUELL 3.3 1972 I 133 MTL, BRUSSELS * LONDON: JACK
WENDLER, LISSON GALLERY AND NIGEL GREENWOOD * 'KONZEPT'-KUNST * BOOKS ON
CONCEPTUAL ART * MARCEL BROODTHAERS * SOL LEWITT AND DOUGLAS HUEBLER,
OXFORD * DEEUROPA * 1972 VENICE BIENNALE * DOCUMENTA 5 * THE NEW ART *
THE BOOK AS ARTWORK 1360-1372 * COLOGNE AND DUSSELDORF KUNST- MARKTS *
JAN DIBBETS, STEDELIJK MUSEUM, AMSTERDAM * DOUGLAS HUEBLER, MIINSTER *
PARIS ART WORLD * GIAN ENZO SPERONE & KONRAD FISCHER, ROME 3.4 FROM 1973
ONWARDS | 145 BELGIAN ART WORLD * PALAIS DES BEAUX-ARTS, BRUSSELS
-DEURLE 11/7/73 ' ITALIAN ART WORLD * CONTEMPORANEA * SWISS ART WORLD *
ROLF PREISIG * FRENCH ART WORLD * 16PLACE VENDOME * MICHEL AND LILIANE
DURAND-DESSERT * GERMAN ART WORLD * COLOGNE ART FAIR AND IKI * PROSPECT
73 * PROJEKT '74 * PROSPECT/RETROSPECT * SKULPTURAUSSTELLUNG IN MIINSTER
AND DOCUMENTA 6 * BRITISH ART WORLD * RECORD AS ARTWORK AND STRATA *
CONCEPTUAL ARTISTS' MUSEUM SHOWS * THE MUSEUM OF MODERN ART, OXFORD *
STEDELIJK VAN ABBEMUSEUM, EINDHOVEN * EUROPEAN DEALERS IN AMERICA * ART
MAGAZINES, BOOKS AND PHDS * CLOSING OF PRIMARY DEALER GALLERIES 3.5
CONCLUSION | 166 PART II DEALING STRUCTURE | 169 CHAPTER 4 PURCHASES OF
CONCEPTUAL ART BY PRIVATE COLLECTORS | 175 4.1 WEST GERMANY | 175 PETER
LUDWIG * KARL STROHER * REINER SPECK * WOLFGANG HAHN * JOST HERBIG,
WOLFGANG HOCK AND OTHER COLLECTORS 4.2 BELGIUM | 180 ROGER MATTHYS *
HUBERT PEETERS * ANDRE GOEMINNE * SYLVAIN PERLSTEIN * ISI FISZMAN *
HERMAN DALED * ANNICK AND ANTON HERBERT 4.3 THE NETHERLANDS | 188 FRITS
AND AGNES BECHT * HERMAN AND HENRIETTE VAN EELEN * MARTIN AND MIA VISSER
* THE VISSER COLLECTION AT THE KROLLER-MULLER MUSEUM, OTTERLO 4.4 GREAT
BRITAIN, FRANCE, SWITZERLAND, ITALY | 193 GREAT BRITAIN * PETER PALUMBO
AND MAX GORDON * TED AND ALAN POWER * FRANCE * SWITZERLAND * URS
RAUSSMIILLER * ITALY * EGIDIO MARZONA AND ANGELO BALDASSARE * GIUSEPPE
PANZA * THE PANZA COLLECTION AT THE GUGGENHEIM MUSEUM, NEW YORK 4.5
CONCLUSION | 201 CHAPTER 5 PURCHASES OF CONCEPTUAL ART BY EUROPEAN
MUSEUMS | 203 5.1 GERMANY | 203 STADTISCHES MUSEUM, MONCHENGLADBACH *
MUSEUM LUDWIG, COLOGNE 5.2 SWITZERLAND | 210 KUNSTMUSEUM, BASEL *
KUNSTMUSEUM, LUCERNE 5.3 THE NETHERLANDS | 215 STEDELIJK MUSEUM,
AMSTERDAM * THE STEDELIJK'S CONCEPTUAL ART ACQUISITION BUDGET *
STEDELIJK VAN ABBEMUSEUM, EINDHOVEN 5.4 GREAT BRITAIN | 227 TATE
GALLERY, LONDON * THE TATE'S CONCEPTUAL ART EXHIBITION PROGRAMME * THE
TATE'S CONCEPTUAL ART ACQUISITION BUDGET 5.5 CONCLUSION | 254 PUBLIC
CONCEPTUAL ART COLLECTIONS * MUSEUM BUDGETS AND PRICES FOR CONCEPTUAL
ART PART 11 CONCLUSION | 257 CONCLUSION I 261 APPENDICES APPENDIX L
DATABASES 1.1 EXHIBITIONS IN DEALER GALLERIES, 1967-77 | 294 1.2
EXHIBITIONS IN TEMPORARY EXHIBITION SPACES AND IN MUSEUMS, 1967-77 | 298
1.3 EXHIBITIONS OF CONCEPTUAL ARTISTS IN DEALER GALLERIES AND PUBLIC
INSTITUTIONS, 1967-77 I 300 1.4 THE VISSER COLLECTION AT THE
KROLLER-MULLER MUSEUM, OTTERLO | 314 1.5 THE PANZA COLLECTION AT THE
GUGGENHEIM MUSEUM, NEW YORK | 318 1.6 PURCHASES OF CONCEPTUAL ART BY
EUROPEAN MUSEUMS, 1967-80 | 320 1.7 PRICES OF CONCEPTUAL ART PURCHASED
BY EUROPEAN MUSEUMS, 1967-80: STEDELIJK MUSEUM, AMSTERDAM AND TATE
GALLERY, LONDON | 332 APPENDIX 2 DOCUMENTS 2.1 PROSPECT 68 | 342 2.2
PROSPECT 69 I 344 2.3 KUNSTKOMPASS, 1970-77 | 346 APPENDIX 3
CHRONOLOGICAL LISTS OF EXHIBITIONS IN EUROPEAN CONCEPTUAL ART DEALER
GALLERIES, 1967-77 3.1 ART & PROJECT (AMSTERDAM) | 364 3.2 NIGEL
GREENWOOD INC. LTD. (LONDON) | 367 3.3 FRANCOISE LAMBERT (MILAN) | 368
3.4 YVON LAMBERT (PARIS) | 370 3.5 LISSON GALLERY (LONDON) | 372 3.6 MTL
(BRUSSELS); ART&PROJECT/MTL (ANTWERP) | 374 3.7 ROLF PREISIG (BASEL) |
376 3.8 ILEANA SONNABEND (PARIS) | 377 3.9 JACKWENDLER (LONDON) | 378
3.10 KONRAD FISCHER (DIISSELDORF) | 379 3.11 HEINER FRIEDRICH (MUNICH);
HEINER FRIEDRICH (COLOGNE) | 382 3.12 PAUL MAENZ (COLOGNE); PAUL MAENZ
(BRUSSELS) | 385 3.13 GIAN ENZO SPERONE (TURIN); SPERONE & FISCHER
(ROME, 1972-74); GIAN ENZO SPERONE (ROME, 1975-77) | 387 3.14 WIDE WHITE
SPACE (ANTWERP); WIDE WHITE SPACE (LE BAILLI, BRUSSELS) | 391 APPENDIX 4
CONVERSATIONS 4.1 JEAN-CHRISTOPHE AMMANN | 396 4.2 JACQUES CHARLIER |
397 4.3 ANNYDE DECKER | 404 4.4 JANDIBBETS | 413 4.5 RUDIFUCHS | 420 4.6
CHARLES HARRISON | 425 4.7 ANNICK AND ANTON HERBERT | 433 4.8 KLAUS
HONNEF | 441 4.9 NICHOLAS LOGSDAIL | 450 4.10 PAULMAENZ | 456 4.11
ROLFPREISIG | 457 4.12 NICHOLAS SEROTA | 462 4.13 SETH SIEGELAUB | 466
4.14 HARALD SZEEMANN | 474 4.15 DAVID TREMLETT | 477 4.16 HENRIETTE AND
HERMAN VAN EELEN | 483 4.17 HERMAN DALED INTERVIEWED BY CATHERINE
MOSELEY | 487 REFERENCES | 490 INDEX I 500 ACKNOWLEDGEMENTS | 510 SLUB \ |
| any_adam_object | 1 |
| author | Richard, Sophie |
| author_GND | (DE-588)13149225X |
| author_facet | Richard, Sophie |
| author_role | aut |
| author_sort | Richard, Sophie |
| author_variant | s r sr |
| building | Verbundindex |
| bvnumber | BV035630598 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6494 |
| callnumber-raw | N6494.C63 |
| callnumber-search | N6494.C63 |
| callnumber-sort | N 46494 C63 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LH 65870 |
| ctrlnum | (OCoLC)320926233 (DE-599)BVBBV035630598 |
| dewey-full | 709.04075094 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.04075094 |
| dewey-search | 709.04075094 |
| dewey-sort | 3709.04075094 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 Geschichte 1967-1977 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1967-1977 |
| format | Thesis Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4113937-9 Hochschulschrift gnd-content (DE-588)4188171-0 Verzeichnis gnd-content |
| genre_facet | Ausstellungskatalog Hochschulschrift Verzeichnis |
| geographic | Europa Europa (DE-588)4015701-5 gnd |
| geographic_facet | Europa |
| id | DE-604.BV035630598 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-05T15:03:05Z |
| institution | BVB |
| isbn | 9781905464173 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017685558 |
| oclc_num | 320926233 |
| open_access_boolean | |
| owner | DE-739 |
| owner_facet | DE-739 |
| physical | 511 S. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Ridinghouse [u.a.] |
| record_format | marc |
| spelling | Richard, Sophie Verfasser (DE-588)13149225X aut Unconcealed the international network of conceptual artists 1967 - 77 ; dealers, exhibitions and public collections Sophie Richard. Ed. by Lynda Morris London Ridinghouse [u.a.] 2009 511 S. txt rdacontent n rdamedia nc rdacarrier Zugl.: Cambridge, Norwich School of Art and Design, Diss., 2006 u.d.T.: Richard, Sophie: International network of conceptual artists "Unconcealed describes the emergence of Conceptual art in Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. The publication is a detailed account of the decade 1967-77. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner, are revealed. The central section of the book brings to life many of the important figures of the art world of this period with a selection of Jacques Charlier's Vernissage des Expositions photographs from 1974-75 that were first shown at the Palais des Beaux-Arts, Brussels in 1975. Previously unpublished data recording the exhibitions and sales of Conceptual artworks to galleries, public institutions and private collections is a major feature of the book. For example, Richard has gathered data from the archives of leading European museums, charting purchases of international artists from dealers to museums, highlighting the power of these relationships. Some of the databases reveal a correlation between temporary exhibitions and museum purchases, suggesting that we need to consider the role of 'dealer-curators' as prime protagonists of this period. Richard's also conducted interviews with dealers, curators, artists and collectors of the period which further highlights the importance of the relationships brought to light in Unconcealed"--publisher's website. Serota, Nicholas Geschichte 1900-2000 Geschichte 1967-1977 gnd rswk-swf Kunst Art galleries, Commercial Europe Art museums Europe Art Collectors and collecting Europe Art, European 20th century Conceptual art Europe Conceptual art Europe Exhibitions Soziales Netzwerk (DE-588)4055762-5 gnd rswk-swf Kunstgalerie (DE-588)4166030-4 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf Concept-art (DE-588)4032354-7 gnd rswk-swf Kunsthandel (DE-588)4033647-5 gnd rswk-swf Kunstbetrieb (DE-588)4208853-7 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Europa Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4113937-9 Hochschulschrift gnd-content (DE-588)4188171-0 Verzeichnis gnd-content Europa (DE-588)4015701-5 g Concept-art (DE-588)4032354-7 s Kunstbetrieb (DE-588)4208853-7 s Geschichte 1967-1977 z DE-604 Künstler (DE-588)4033423-5 s Soziales Netzwerk (DE-588)4055762-5 s Kunsthandel (DE-588)4033647-5 s Kunstgalerie (DE-588)4166030-4 s Ausstellung (DE-588)4129601-1 s Morris, Lynda Sonstige oth SWBplus Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017685558&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Richard, Sophie Unconcealed the international network of conceptual artists 1967 - 77 ; dealers, exhibitions and public collections Serota, Nicholas Kunst Art galleries, Commercial Europe Art museums Europe Art Collectors and collecting Europe Art, European 20th century Conceptual art Europe Conceptual art Europe Exhibitions Soziales Netzwerk (DE-588)4055762-5 gnd Kunstgalerie (DE-588)4166030-4 gnd Künstler (DE-588)4033423-5 gnd Concept-art (DE-588)4032354-7 gnd Kunsthandel (DE-588)4033647-5 gnd Kunstbetrieb (DE-588)4208853-7 gnd Ausstellung (DE-588)4129601-1 gnd |
| subject_GND | (DE-588)4055762-5 (DE-588)4166030-4 (DE-588)4033423-5 (DE-588)4032354-7 (DE-588)4033647-5 (DE-588)4208853-7 (DE-588)4129601-1 (DE-588)4015701-5 (DE-588)4135467-9 (DE-588)4113937-9 (DE-588)4188171-0 |
| title | Unconcealed the international network of conceptual artists 1967 - 77 ; dealers, exhibitions and public collections |
| title_auth | Unconcealed the international network of conceptual artists 1967 - 77 ; dealers, exhibitions and public collections |
| title_exact_search | Unconcealed the international network of conceptual artists 1967 - 77 ; dealers, exhibitions and public collections |
| title_full | Unconcealed the international network of conceptual artists 1967 - 77 ; dealers, exhibitions and public collections Sophie Richard. Ed. by Lynda Morris |
| title_fullStr | Unconcealed the international network of conceptual artists 1967 - 77 ; dealers, exhibitions and public collections Sophie Richard. Ed. by Lynda Morris |
| title_full_unstemmed | Unconcealed the international network of conceptual artists 1967 - 77 ; dealers, exhibitions and public collections Sophie Richard. Ed. by Lynda Morris |
| title_short | Unconcealed |
| title_sort | unconcealed the international network of conceptual artists 1967 77 dealers exhibitions and public collections |
| title_sub | the international network of conceptual artists 1967 - 77 ; dealers, exhibitions and public collections |
| topic | Serota, Nicholas Kunst Art galleries, Commercial Europe Art museums Europe Art Collectors and collecting Europe Art, European 20th century Conceptual art Europe Conceptual art Europe Exhibitions Soziales Netzwerk (DE-588)4055762-5 gnd Kunstgalerie (DE-588)4166030-4 gnd Künstler (DE-588)4033423-5 gnd Concept-art (DE-588)4032354-7 gnd Kunsthandel (DE-588)4033647-5 gnd Kunstbetrieb (DE-588)4208853-7 gnd Ausstellung (DE-588)4129601-1 gnd |
| topic_facet | Serota, Nicholas Kunst Art galleries, Commercial Europe Art museums Europe Art Collectors and collecting Europe Art, European 20th century Conceptual art Europe Conceptual art Europe Exhibitions Soziales Netzwerk Kunstgalerie Künstler Concept-art Kunsthandel Kunstbetrieb Ausstellung Europa Ausstellungskatalog Hochschulschrift Verzeichnis |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017685558&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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