Verfügbarkeit: The complete guide to game audio

The complete guide to game audio: for composers, musicians, sound designers, and game developers

Discusses creation of music and sound effects for games, and covers technical specifications for composing music and creating sound effects on various gaming platforms and systems. Technical considerations are emphasized for the benefit of the game audio professional. Second edition includes informa...

Ausführliche Beschreibung

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Marks, Aaron (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Amsterdam [u.a.] Elsevier [u.a.] 2009
Ausgabe:	2. ed.
Schlagworte:	Jeux d'ordinateur - Programmation Jeux vidéo Musique par ordinateur Son - Enregistrement et reproduction - Techniques numériques Sound > Recording and reproducing > Digital techniques Computer games > Programming Programmierung Computerspiel Musik
Online-Zugang:	Inhaltsverzeichnis
Zusammenfassung:	Discusses creation of music and sound effects for games, and covers technical specifications for composing music and creating sound effects on various gaming platforms and systems. Technical considerations are emphasized for the benefit of the game audio professional. Second edition includes information about the newest-generation gaming consoles, including Xbox 360, PlayStation 3, Wii, Nintendo DS, and Sony PSP. Companion DVD-ROM features audio and cinematic examples, along with sample business contracts.
Beschreibung:	Includes index.
Beschreibung:	xxv, 426 p. Ill. 1 DVD-ROM (12 cm)
ISBN:	9780240810744 0240810740

Internformat

MARC


LEADER	00000nam a2200000zc 4500
001	BV035590329
003	DE-604
005	20170317
007	t
008	090630s2009 xxua\|\|\| \|\|\|\| 00\|\|\| eng d
010			\|a 2008028495
020			\|a 9780240810744 \|c pbk. : alk. paper \|9 978-0-240-81074-4
020			\|a 0240810740 \|c pbk. : alk. paper \|9 0-240-81074-0
035			\|a (OCoLC)232786742
035			\|a (DE-599)BVBBV035590329
040			\|a DE-604 \|b ger \|e aacr
041	0		\|a eng
044			\|a xxu \|c US
049			\|a DE-703 \|a DE-1102 \|a DE-859
050		0	\|a TK7881.4
082	0		\|a 794.8
084			\|a LR 57790 \|0 (DE-625)109888:13528 \|2 rvk
084			\|a ST 324 \|0 (DE-625)143660: \|2 rvk
100	1		\|a Marks, Aaron \|e Verfasser \|4 aut
245	1	0	\|a The complete guide to game audio \|b for composers, musicians, sound designers, and game developers \|c Aaron Marks
250			\|a 2. ed.
264		1	\|a Amsterdam [u.a.] \|b Elsevier [u.a.] \|c 2009
300			\|a xxv, 426 p. \|b Ill. \|e 1 DVD-ROM (12 cm)
336			\|b txt \|2 rdacontent
337			\|b n \|2 rdamedia
338			\|b nc \|2 rdacarrier
500			\|a Includes index.
520	3		\|a Discusses creation of music and sound effects for games, and covers technical specifications for composing music and creating sound effects on various gaming platforms and systems. Technical considerations are emphasized for the benefit of the game audio professional. Second edition includes information about the newest-generation gaming consoles, including Xbox 360, PlayStation 3, Wii, Nintendo DS, and Sony PSP. Companion DVD-ROM features audio and cinematic examples, along with sample business contracts.
650		4	\|a Jeux d'ordinateur - Programmation
650		7	\|a Jeux vidéo \|2 ram
650		7	\|a Musique par ordinateur \|2 ram
650		4	\|a Son - Enregistrement et reproduction - Techniques numériques
650		4	\|a Sound \|x Recording and reproducing \|x Digital techniques
650		4	\|a Computer games \|x Programming
650	0	7	\|a Programmierung \|0 (DE-588)4076370-5 \|2 gnd \|9 rswk-swf
650	0	7	\|a Computerspiel \|0 (DE-588)4010457-6 \|2 gnd \|9 rswk-swf
650	0	7	\|a Musik \|0 (DE-588)4040802-4 \|2 gnd \|9 rswk-swf
689	0	0	\|a Computerspiel \|0 (DE-588)4010457-6 \|D s
689	0	1	\|a Musik \|0 (DE-588)4040802-4 \|D s
689	0	2	\|a Programmierung \|0 (DE-588)4076370-5 \|D s
689	0		\|5 DE-604
856	4	2	\|m Digitalisierung UB Bayreuth \|q application/pdf \|u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017645562&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA \|3 Inhaltsverzeichnis
999			\|a oai:aleph.bib-bvb.de:BVB01-017645562

Datensatz im Suchindex

_version_	1804139252403929088
adam_text	Foreword ..................................................................................................................................................................xix The Industry Then .......................................................................................................................................xix The Industry Now ..........................................................................................................................................xx About the Author ...............................................................................................................................................xxiii Acknowledgments ..............................................................................................................................................xxv Chapter One An Introduction to Game Audio ι Insert Quarter Here ....................................................................................................................................................1 The Bleeps and Bloops of Yesteryear ...................................................................................................................3 Where Sound Is Now .................................................................................................................................................6 Where Sound Is Going ...........................................................................................................................................10 Chances of Finding Work ......................................................................................................................................12 The Rewards ..............................................................................................................................................................14 Fame .................................................................................................................................................................15 Fortune ............................................................................................................................................................20 Let s Go Get Em ........................................................................................................................................................21 Chapter Two Essential Skill Sets and Tools 25 Important Skills ........................................................................................................................................................25 Attitude ............................................................................................................................................................25 Business Sense ..............................................................................................................................................27 Marketing ........................................................................................................................................................27 Music Skills .....................................................................................................................................................28 Computer Knowledge ...............................................................................................................................32 Sound Design ................................................................................................................................................34 Voice-overs .....................................................................................................................................................35 Industry Knowledge ....................................................................................................................................36 IX X CONTENTS Tools for Your Business ...........................................................................................................................................38 Computer ........................................................................................................................................................39 Interfaces .........................................................................................................................................................40 Software ..........................................................................................................................................................41 Sound Modules, Keyboards, and Virtual Instruments ......................................................................47 Other Instruments ........................................................................................................................................48 Remote Recording .......................................................................................................................................48 Sound Effects Libraries ...............................................................................................................................49 Development Systems ................................................................................................................................50 Preparing Your Studio for Surround Sound 52 Equipment and Placement .......................................................................................................................52 Studio Setup ..................................................................................................................................................54 Surround Tips ................................................................................................................................................58 Dolby Support ...............................................................................................................................................58 Chapter Three Getting Organized and Ready for Business вз Understanding the Business of Game Composing ......................................................................................63 Expectations ...................................................................................................................................................63 Reasonable Costs .........................................................................................................................................66 Flavor of the Month .....................................................................................................................................67 Composing versus Sound Design ......................................................................................................................67 In-house Audio versus Independent Contractor ..........................................................................................71 In-house Composing ...................................................................................................................................71 In-house Equipment ....................................................................................................................................72 Independent Contractors 74 Audio Demo Reel 77 Putting Your Demo Together: The First Step 77 Demo Content 78 How Long Is Yours? 78 Demo ChicTypes of Demos 79 The Presentation 80 What Format Is Best? 81 Delivery ............................................................................................................................................................82 Follow-ups ......................................................................................................................................................82 CONTENTS XI Some Final Demo Reel Thoughts ............................................................................................................83 Determining Your Costs .........................................................................................................................................86 Types of Fees ..................................................................................................................................................86 Rate Calculation ............................................................................................................................................90 Organization Is Key .................................................................................................................................................92 Chapter Four Finding and Getting the Jobs 95 Marketing ...................................................................................................................................................................95 Tell Everyone ..................................................................................................................................................95 Look Professional .........................................................................................................................................98 Industry Presence .......................................................................................................................................102 Basic Marketing Tools ...............................................................................................................................105 Other Resources for Marketing Success ............................................................................................. in Whereto Look for Clients .................................................................................................................................... ill Internet ..........................................................................................................................................................111 Industry Magazines and Books ..............................................................................................................112 Telephone Books ........................................................................................................................................112 Store Shelves ................................................................................................................................................113 Game Developer Headhunters ..............................................................................................................113 Networking ...................................................................................................................................................114 Finding Your Niche ................................................................................................................................................117 Stay Educated ..............................................................................................................................................118 Start Small .....................................................................................................................................................118 Start Locally ..................................................................................................................................................119 Getting the Break .......................................................................................................................................119 Networking Basics .................................................................................................................................................123 Industry Functions .....................................................................................................................................124 Make Yourself Available, Make Yourself Known 124 Chapter Five The Bidding Process 127 How Much Do You Charge? 127 Let s Play Twenty Questions ...............................................................................................................................127 Details, Details, Details ..............................................................................................................................129 Asking the Right Questions ................................................................................................................................130 XII CONTENTS Pre-Production Made Simple .............................................................................................................................136 Contract Payment Options .................................................................................................................................136 Speculative Demos ...............................................................................................................................................139 Covering Your Expenses ...........................................................................................................................140 Words of Caution ........................................................................................................................................140 The Bid Submission ...............................................................................................................................................142 The Bid ...........................................................................................................................................................143 There Is Still More ...................................................................................................................................................145 Chapter Six Making the Deals 149 Understanding Industry Contracts and Terminology ................................................................................150 Nondisclosure Agreements ....................................................................................................................150 Work-for-Hire Agreements ......................................................................................................................152 Copyrights ....................................................................................................................................................153 Licenses .........................................................................................................................................................153 Platforms .......................................................................................................................................................154 SKUs ................................................................................................................................................................154 Ancillary Rights ...........................................................................................................................................155 Bonuses and Royalties ..............................................................................................................................155 Property Rights ...........................................................................................................................................156 Talent Releases ............................................................................................................................................156 Negotiable Contract Points ................................................................................................................................158 Money ............................................................................................................................................................159 Licensing .......................................................................................................................................................160 Platforms .......................................................................................................................................................160 SKUs ................................................................................................................................................................161 Ancillary Rights ...........................................................................................................................................162 Bonuses and Royalties ..............................................................................................................................162 Property Rights for Soundtrack Release .............................................................................................163 Name Credits, Logos, and Splash Screens ..........................................................................................163 Final Authority .............................................................................................................................................164 Navigating Negotiations 166 A Real-world Negotiation ........................................................................................................................167 Negotiation Pointers .................................................................................................................................173 CONTENTS XIII Change Orders and Reworks .............................................................................................................................176 Sample Agreements and Contracts .................................................................................................................177 Sample Nondisclosure Agreement ......................................................................................................178 Sample Talent Release ..............................................................................................................................180 Sample Contracts .......................................................................................................................................181 Conclusion ...............................................................................................................................................................196 Chapter Seven Setting the Stage 199 Company Liaisons ..................................................................................................................................................199 Executive Producers ..................................................................................................................................200 Producers ......................................................................................................................................................201 Creative Directors .......................................................................................................................................201 Meetings With the Game Development Team ............................................................................................201 Details to Discuss ........................................................................................................................................205 Pre-Compositional Considerations ..................................................................................................................209 The Big Trade-off ........................................................................................................................................210 Sound Quality versus File Size ...............................................................................................................211 Setting Up Shop ..........................................................................................................................................215 GOTCHAS and Other Things to Watch out for ...........................................................................................220 Placeholders .................................................................................................................................................220 A Developer s Listening Preference .....................................................................................................221 Endless Reworks and Change Orders ..................................................................................................221 Communication Breakdown ...................................................................................................................222 Conclusion ...............................................................................................................................................................223 Chapter Eight Creating Music for Games 227 Game Music Varieties ...........................................................................................................................................231 Intro, Closing, and Credit Sequences 231 Cinematic Sequences ................................................................................................................................232 Menu Screen Music 232 Gameplay Music 232 Plot Advancement, Cut Scenes, and Tie-ins .......................................................................................233 Wi^ and Lose Finale Cues ..................................................................................................................233 XIV CONTENTS Interactive Music ........................................................................................................................................234 Loops .............................................................................................................................................................. 235 Ambient Tracks ............................................................................................................................................235 Stingers .......................................................................................................................................................... 236 Exercises to Create Fitting Game Music .........................................................................................................237 Watch and Listen ........................................................................................................................................237 Create in Different Styles .........................................................................................................................238 Try Something New ...................................................................................................................................239 Practice Makes Perfect ..............................................................................................................................240 Some Technical Considerations ........................................................................................................................240 Which Platform Is the Game Being Developed for? .......................................................................241 What Is the Playback and Delivery Format? ......................................................................................241 Isa Preset Sound Bank Available? .........................................................................................................243 What Memory Parameters Will You Have to Work Within? ...........................................................243 Technical Wrap-up .....................................................................................................................................244 Musical Details to Reconsider ............................................................................................................................247 Compositional Methods ......................................................................................................................................251 Determine Your Best Personal Methods .............................................................................................251 Choosing the Best Palette of Sounds ..................................................................................................252 Stay Within the Theme .............................................................................................................................252 Immersion .....................................................................................................................................................253 Compose While Recording ......................................................................................................................253 Using Loops as a Tool ................................................................................................................................254 Experimentation .........................................................................................................................................254 Compose While Playing the Game 255 Recording Methods .............................................................................................................................................257 Traditional Recording 257 Progressive Recording Methods 258 Other Music Making Methods 261 Streamline to the Final Format 261 Editing Music 262 Audio Editing Software 262 Conversions ...........................................................................................266 CONTENTS XV Chapter Nine Creating Sound Effects for Games 269 The Creative Aspects of Sound Design ..........................................................................................................269 Types of Sound Design ........................................................................................................................................271 Foley ................................................................................................................................................................272 Sound Libraries ...........................................................................................................................................277 Original Development ..............................................................................................................................278 Editing Methods .....................................................................................................................................................282 Using Audio Editing Software ................................................................................................................283 Using Multi-track Software for Sound Design ..................................................................................291 Sequencing Software and Samplers ....................................................................................................294 Sound Design in the Production Cycle ...........................................................................................................297 Specific Sound Design Questions to Answer ...............................................................................................298 Determining Necessary Sounds .......................................................................................................................301 Sound Effects Lists .....................................................................................................................................304 Alpha Game Versions and Other Visuals ............................................................................................307 Beta Testing ..................................................................................................................................................309 Creating Original Sound Effects That Fit ........................................................................................................311 Getting Organized .....................................................................................................................................311 Creating a Sound Palette .........................................................................................................................311 Effective Creation .......................................................................................................................................312 Creative Forces ............................................................................................................................................313 Presenting the Final Work ...................................................................................................................................315 Conclusion ...............................................................................................................................................................316 Chapter Ten Blending the Total SoundScape 323 Maintaining Consistency in Production With Audio Elements ..............................................................328 Consistency in Music .................................................................................................................................329 Music Mastering ....................................................................................................................................331 Consistency in Sound Effects 332 Sound Effects Mastering 332 Consistency in Voice-overs and Speech 333 Quality Control ......................................................................................................................................................338 Check Mixes on Several Systems ...........................................................................................................338 XVI CONTENTS Check Your Sounds in the Actual Game ............................................................................................. 338 Teamwork With the Developer ..............................................................................................................339 Conclusion ............................................................................................................................................................... 339 Chapter Eleven Game Platforms and Their Audio Development Issues З4з Next-Generation Consoles .................................................................................................................................345 Microsoft Xbox 360....................................................................................................................................346 Sony PlayStation 3.....................................................................................................................................348 Nintendo Wii ................................................................................................................................................351 Other Gaming Platforms .....................................................................................................................................353 CD/DVD-ROM Games ................................................................................................................................354 Nintendo Dual Screen and Nintendo Dual Screen Lite .................................................................357 Sony PlayStation Portable .......................................................................................................................358 Web-and Cell-phone-based Games: Java and Flash .....................................................................359 Coin-op Games ...........................................................................................................................................360 Previous-Generation Consoles ..........................................................................................................................362 Sony PlayStation 2.....................................................................................................................................364 Nintendo GameCube ................................................................................................................................365 Microsoft Xbox ............................................................................................................................................367 Nintendo GameBoy Advanced ..............................................................................................................369 Conclusion ...............................................................................................................................................................371 Chapter Twelve For the Developer 375 Understanding Sound ..........................................................................................................................................375 The Psychology of Sound ........................................................................................................................377 Soundscapes 378 Size versus Quality ...............................................................................................................................381 Working With Contractors З8З Reconnaissance and Homework 384 Questions Composers and Sound Designers Will Ask 387 Getting to Work 390 Working With Sound Designers ............................................................................................................390 CONTENTS XVII Working With Composers ........................................................................................................................391 Music Creation Example ..........................................................................................................................392 The Next Step ..........................................................................................................................................................398 Production Nightmares .......................................................................................................................................399 Conclusion ...............................................................................................................................................................400 Postscript: Game Over? Not Hardly. 403 Appendix A: Game Audio: Getting the Help You Need to Succeed .......................................405 You re Serious About Game Audio ...................................................................................................................406 Five Keys to Success in Game Audio ...............................................................................................................407 Networking ...................................................................................................................................................407 Mastery ..........................................................................................................................................................408 Reputation ....................................................................................................................................................408 Community ...................................................................................................................................................408 Guidance .......................................................................................................................................................408 Your Peers Compete With You for Access to Experts in Your Field ........................................................409 Don t Go It Alone ...................................................................................................................................................410 Get the Help You Deserve ...................................................................................................................................411 Appendix B: The Grammy Awards and Other Game Audio Awards 413 Who s Eligible? ........................................................................................................................................................414 NARAS Details .........................................................................................................................................................415 voting Member ...........................................................................................................................................415 Associate Member .....................................................................................................................................415 Student Member ........................................................................................................................................415 Applying ...................................................................................................................................................................415 Other Game Music Awards .................................................................................................................................416 Index ..........................................................................................................................................................................417 What s on the DVD
any_adam_object	1
author	Marks, Aaron
author_facet	Marks, Aaron
author_role	aut
author_sort	Marks, Aaron
author_variant	a m am
building	Verbundindex
bvnumber	BV035590329
callnumber-first	T - Technology
callnumber-label	TK7881
callnumber-raw	TK7881.4
callnumber-search	TK7881.4
callnumber-sort	TK 47881.4
callnumber-subject	TK - Electrical and Nuclear Engineering
classification_rvk	LR 57790 ST 324
ctrlnum	(OCoLC)232786742 (DE-599)BVBBV035590329
dewey-full	794.8
dewey-hundreds	700 - The arts
dewey-ones	794 - Indoor games of skill
dewey-raw	794.8
dewey-search	794.8
dewey-sort	3794.8
dewey-tens	790 - Recreational and performing arts
discipline	Sport Informatik Musikwissenschaft
edition	2. ed.
format	Book
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02595nam a2200541zc 4500</leader><controlfield tag="001">BV035590329</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170317 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">090630s2009 xxua\|\|\| \|\|\|\| 00\|\|\| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2008028495</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780240810744</subfield><subfield code="c">pbk. : alk. paper</subfield><subfield code="9">978-0-240-81074-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0240810740</subfield><subfield code="c">pbk. : alk. paper</subfield><subfield code="9">0-240-81074-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)232786742</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV035590329</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-1102</subfield><subfield code="a">DE-859</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">TK7881.4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">794.8</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57790</subfield><subfield code="0">(DE-625)109888:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">ST 324</subfield><subfield code="0">(DE-625)143660:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Marks, Aaron</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The complete guide to game audio</subfield><subfield code="b">for composers, musicians, sound designers, and game developers</subfield><subfield code="c">Aaron Marks</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">2. ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam [u.a.]</subfield><subfield code="b">Elsevier [u.a.]</subfield><subfield code="c">2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxv, 426 p.</subfield><subfield code="b">Ill.</subfield><subfield code="e">1 DVD-ROM (12 cm)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes index.</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Discusses creation of music and sound effects for games, and covers technical specifications for composing music and creating sound effects on various gaming platforms and systems. Technical considerations are emphasized for the benefit of the game audio professional. Second edition includes information about the newest-generation gaming consoles, including Xbox 360, PlayStation 3, Wii, Nintendo DS, and Sony PSP. Companion DVD-ROM features audio and cinematic examples, along with sample business contracts.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jeux d'ordinateur - Programmation</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Jeux vidéo</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musique par ordinateur</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Son - Enregistrement et reproduction - Techniques numériques</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound</subfield><subfield code="x">Recording and reproducing</subfield><subfield code="x">Digital techniques</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Computer games</subfield><subfield code="x">Programming</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Programmierung</subfield><subfield code="0">(DE-588)4076370-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Computerspiel</subfield><subfield code="0">(DE-588)4010457-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Computerspiel</subfield><subfield code="0">(DE-588)4010457-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Programmierung</subfield><subfield code="0">(DE-588)4076370-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Bayreuth</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017645562&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-017645562</subfield></datafield></record></collection>
id	DE-604.BV035590329
illustrated	Illustrated
indexdate	2024-07-09T21:41:08Z
institution	BVB
isbn	9780240810744 0240810740
language	English
lccn	2008028495
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-017645562
oclc_num	232786742
open_access_boolean
owner	DE-703 DE-1102 DE-859
owner_facet	DE-703 DE-1102 DE-859
physical	xxv, 426 p. Ill. 1 DVD-ROM (12 cm)
publishDate	2009
publishDateSearch	2009
publishDateSort	2009
publisher	Elsevier [u.a.]
record_format	marc
spelling	Marks, Aaron Verfasser aut The complete guide to game audio for composers, musicians, sound designers, and game developers Aaron Marks 2. ed. Amsterdam [u.a.] Elsevier [u.a.] 2009 xxv, 426 p. Ill. 1 DVD-ROM (12 cm) txt rdacontent n rdamedia nc rdacarrier Includes index. Discusses creation of music and sound effects for games, and covers technical specifications for composing music and creating sound effects on various gaming platforms and systems. Technical considerations are emphasized for the benefit of the game audio professional. Second edition includes information about the newest-generation gaming consoles, including Xbox 360, PlayStation 3, Wii, Nintendo DS, and Sony PSP. Companion DVD-ROM features audio and cinematic examples, along with sample business contracts. Jeux d'ordinateur - Programmation Jeux vidéo ram Musique par ordinateur ram Son - Enregistrement et reproduction - Techniques numériques Sound Recording and reproducing Digital techniques Computer games Programming Programmierung (DE-588)4076370-5 gnd rswk-swf Computerspiel (DE-588)4010457-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Computerspiel (DE-588)4010457-6 s Musik (DE-588)4040802-4 s Programmierung (DE-588)4076370-5 s DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017645562&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Marks, Aaron The complete guide to game audio for composers, musicians, sound designers, and game developers Jeux d'ordinateur - Programmation Jeux vidéo ram Musique par ordinateur ram Son - Enregistrement et reproduction - Techniques numériques Sound Recording and reproducing Digital techniques Computer games Programming Programmierung (DE-588)4076370-5 gnd Computerspiel (DE-588)4010457-6 gnd Musik (DE-588)4040802-4 gnd
subject_GND	(DE-588)4076370-5 (DE-588)4010457-6 (DE-588)4040802-4
title	The complete guide to game audio for composers, musicians, sound designers, and game developers
title_auth	The complete guide to game audio for composers, musicians, sound designers, and game developers
title_exact_search	The complete guide to game audio for composers, musicians, sound designers, and game developers
title_full	The complete guide to game audio for composers, musicians, sound designers, and game developers Aaron Marks
title_fullStr	The complete guide to game audio for composers, musicians, sound designers, and game developers Aaron Marks
title_full_unstemmed	The complete guide to game audio for composers, musicians, sound designers, and game developers Aaron Marks
title_short	The complete guide to game audio
title_sort	the complete guide to game audio for composers musicians sound designers and game developers
title_sub	for composers, musicians, sound designers, and game developers
topic	Jeux d'ordinateur - Programmation Jeux vidéo ram Musique par ordinateur ram Son - Enregistrement et reproduction - Techniques numériques Sound Recording and reproducing Digital techniques Computer games Programming Programmierung (DE-588)4076370-5 gnd Computerspiel (DE-588)4010457-6 gnd Musik (DE-588)4040802-4 gnd
topic_facet	Jeux d'ordinateur - Programmation Jeux vidéo Musique par ordinateur Son - Enregistrement et reproduction - Techniques numériques Sound Recording and reproducing Digital techniques Computer games Programming Programmierung Computerspiel Musik
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017645562&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT marksaaron thecompleteguidetogameaudioforcomposersmusicianssounddesignersandgamedevelopers

Verfügbarkeit

Es ist kein Print-Exemplar vorhanden.

Fernleihe Bestellen Achtung: Nicht im THWS-Bestand! Inhaltsverzeichnis

MARC

Datensatz im Suchindex

Es ist kein Print-Exemplar vorhanden.

Ähnliche Einträge