Cinema in the digital age:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Wallflower Press
2009
|
| Ausgabe: | 1. published in Great Britain |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Filmografie Seite 157-160. - Literaturverzeichnis Seite 161-171 |
| Beschreibung: | IX, 171 Seiten Illustrationen 24 cm |
| ISBN: | 9781905674855 9781905674862 1905674856 1905674864 |
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| 500 | |a Filmografie Seite 157-160. - Literaturverzeichnis Seite 161-171 | ||
| 505 | 8 | |a The Adorno paradox -- Against method -- Analogue/digital splice -- Boredom and analogue nostalgia -- The digital spectacular -- Disposable aesthetics -- DV humanism -- Filmless films -- Frame dragging -- The ideology of the long take -- Image/text -- Incompleteness -- Interfaces -- iPod experiment -- Ironic mode -- Looking at yourself looking : avatar as spectator -- Media as its own theory -- Mobile viewing -- Moving space in the frame, and a note on film theory -- Natural time -- Nonlinear -- Pausing -- Punk -- Realism -- Real time -- The real you -- Remainders -- Sampling -- Secondary becomes primary -- Self-deconstructing narratives -- Shaky camera -- Shoot! (Si gira) -- Simultaneous cinema -- Small screens -- Target video -- Time, memory -- Time-shifting -- Tmesis : skimming and skipping -- Undirected films -- Viewer participation -- Virtual humanism : part 1 -- Virtual humanism : part 2 -- Visible language, spring 1977 | |
| 650 | 4 | |a Film | |
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Datensatz im Suchindex
| _version_ | 1804139196054503424 |
|---|---|
| adam_text | CINEMA IN THE DIGITAL AGE NICHOLAS ROMBES WALLFLOWER PRESS LONDON & NEW
YORK CONTENTS ACKNOWLEDGEMENTS INTRODUCTION 1 THE ADORNO PARADOX 13 .
AGAINST METHOD 14 ANALOGUE/DIGITAL SPLICE 16 BOREDOM AND ANALOGUE
NOSTALGIA 19 THE DIGITAL SPECTACULAR 21 DISPOSABLE AESTHETICS 23 DV
HUMANISM 25 FILMLESS FILMS 31 FRAME DRAGGING 34 THE IDEOLOGY OF THE LONG
TAKE 38 IMAGE/TEXT 41 INCOMPLETENESS 43 INTERFACES 45 IPOD EXPERIMENT 49
IRONIC MODE 51 LOOKING AT YOURSELF LOOKING: AVATAR AS SPECTATOR 55 MEDIA
AS ITS OWN THEORY 59 MOBILE VIEWING 65 MOVING SPACE IN THE FRAME, AND A
NOTE ON FILM THEORY 67 NATURAL TIME 69 NONLINEAR 73 PAUSING 75 PUNK 79
REALISM 81 REAL TIME 84 THE REAL YOU 88 REMAINDERS 90 SAMPLING 97
SECONDARY BECOMES PRIMARY 99 SELF-DECONSTRUCTING NARRATIVES 101 SHAKY
CAMERA 105 SHOOT! [SI GIRA] 107 SIMULTANEOUS CINEMA 109 SMALL SCREENS
120 TARGET VIDEO 122 TIME, MEMORY 124 TIME-SHIFTING 126 TMESIS: SKIMMING
AND SKIPPING 130 UNDIRECTED FILMS 132 VIEWER PARTICIPATION 140 VIRTUAL
HUMANISM: PART 1 142 VIRTUAL HUMANISM: PART 2 148 VISIBLE LANGUAGE,
SPRING 1977 154 FILMOGRAPHY * 157 BIBLIOGRAPHY 161
|
| any_adam_object | 1 |
| author | Rombes, Nicholas |
| author_facet | Rombes, Nicholas |
| author_role | aut |
| author_sort | Rombes, Nicholas |
| author_variant | n r nr |
| building | Verbundindex |
| bvnumber | BV035551164 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995 |
| callnumber-search | PN1995 |
| callnumber-sort | PN 41995 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 46500 |
| contents | The Adorno paradox -- Against method -- Analogue/digital splice -- Boredom and analogue nostalgia -- The digital spectacular -- Disposable aesthetics -- DV humanism -- Filmless films -- Frame dragging -- The ideology of the long take -- Image/text -- Incompleteness -- Interfaces -- iPod experiment -- Ironic mode -- Looking at yourself looking : avatar as spectator -- Media as its own theory -- Mobile viewing -- Moving space in the frame, and a note on film theory -- Natural time -- Nonlinear -- Pausing -- Punk -- Realism -- Real time -- The real you -- Remainders -- Sampling -- Secondary becomes primary -- Self-deconstructing narratives -- Shaky camera -- Shoot! (Si gira) -- Simultaneous cinema -- Small screens -- Target video -- Time, memory -- Time-shifting -- Tmesis : skimming and skipping -- Undirected films -- Viewer participation -- Virtual humanism : part 1 -- Virtual humanism : part 2 -- Visible language, spring 1977 |
| ctrlnum | (OCoLC)352540971 (DE-599)BVBBV035551164 |
| dewey-full | 808.823 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.823 |
| dewey-search | 808.823 |
| dewey-sort | 3808.823 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Allgemeines Literaturwissenschaft |
| edition | 1. published in Great Britain |
| format | Book |
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| id | DE-604.BV035551164 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:40:14Z |
| institution | BVB |
| isbn | 9781905674855 9781905674862 1905674856 1905674864 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017607065 |
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| physical | IX, 171 Seiten Illustrationen 24 cm |
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| publisher | Wallflower Press |
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| spelling | Rombes, Nicholas aut Cinema in the digital age Nicholas Rombes 1. published in Great Britain London ; New York Wallflower Press 2009 IX, 171 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Filmografie Seite 157-160. - Literaturverzeichnis Seite 161-171 The Adorno paradox -- Against method -- Analogue/digital splice -- Boredom and analogue nostalgia -- The digital spectacular -- Disposable aesthetics -- DV humanism -- Filmless films -- Frame dragging -- The ideology of the long take -- Image/text -- Incompleteness -- Interfaces -- iPod experiment -- Ironic mode -- Looking at yourself looking : avatar as spectator -- Media as its own theory -- Mobile viewing -- Moving space in the frame, and a note on film theory -- Natural time -- Nonlinear -- Pausing -- Punk -- Realism -- Real time -- The real you -- Remainders -- Sampling -- Secondary becomes primary -- Self-deconstructing narratives -- Shaky camera -- Shoot! (Si gira) -- Simultaneous cinema -- Small screens -- Target video -- Time, memory -- Time-shifting -- Tmesis : skimming and skipping -- Undirected films -- Viewer participation -- Virtual humanism : part 1 -- Virtual humanism : part 2 -- Visible language, spring 1977 Film Digital cinematography Digital media Influence Motion pictures Technological innovations Neue Medien (DE-588)4196910-8 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Neue Technologie (DE-588)4194462-8 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Digitalisierung (DE-588)4123065-6 gnd rswk-swf Film (DE-588)4017102-4 s Neue Medien (DE-588)4196910-8 s DE-604 Philosophie (DE-588)4045791-6 s 1\p DE-604 Digitalisierung (DE-588)4123065-6 s 2\p DE-604 Neue Technologie (DE-588)4194462-8 s 3\p DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017607065&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rombes, Nicholas Cinema in the digital age The Adorno paradox -- Against method -- Analogue/digital splice -- Boredom and analogue nostalgia -- The digital spectacular -- Disposable aesthetics -- DV humanism -- Filmless films -- Frame dragging -- The ideology of the long take -- Image/text -- Incompleteness -- Interfaces -- iPod experiment -- Ironic mode -- Looking at yourself looking : avatar as spectator -- Media as its own theory -- Mobile viewing -- Moving space in the frame, and a note on film theory -- Natural time -- Nonlinear -- Pausing -- Punk -- Realism -- Real time -- The real you -- Remainders -- Sampling -- Secondary becomes primary -- Self-deconstructing narratives -- Shaky camera -- Shoot! (Si gira) -- Simultaneous cinema -- Small screens -- Target video -- Time, memory -- Time-shifting -- Tmesis : skimming and skipping -- Undirected films -- Viewer participation -- Virtual humanism : part 1 -- Virtual humanism : part 2 -- Visible language, spring 1977 Film Digital cinematography Digital media Influence Motion pictures Technological innovations Neue Medien (DE-588)4196910-8 gnd Film (DE-588)4017102-4 gnd Neue Technologie (DE-588)4194462-8 gnd Philosophie (DE-588)4045791-6 gnd Digitalisierung (DE-588)4123065-6 gnd |
| subject_GND | (DE-588)4196910-8 (DE-588)4017102-4 (DE-588)4194462-8 (DE-588)4045791-6 (DE-588)4123065-6 |
| title | Cinema in the digital age |
| title_auth | Cinema in the digital age |
| title_exact_search | Cinema in the digital age |
| title_full | Cinema in the digital age Nicholas Rombes |
| title_fullStr | Cinema in the digital age Nicholas Rombes |
| title_full_unstemmed | Cinema in the digital age Nicholas Rombes |
| title_short | Cinema in the digital age |
| title_sort | cinema in the digital age |
| topic | Film Digital cinematography Digital media Influence Motion pictures Technological innovations Neue Medien (DE-588)4196910-8 gnd Film (DE-588)4017102-4 gnd Neue Technologie (DE-588)4194462-8 gnd Philosophie (DE-588)4045791-6 gnd Digitalisierung (DE-588)4123065-6 gnd |
| topic_facet | Film Digital cinematography Digital media Influence Motion pictures Technological innovations Neue Medien Neue Technologie Philosophie Digitalisierung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017607065&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rombesnicholas cinemainthedigitalage |