Foucault's philosophy of art: a genealogy of modernity
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London [u.a.]
Continuum
2009
|
| Series: | Philosophy, aesthetics and cultural theory
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | XVI, 222 S. Ill. 23 cm |
| ISBN: | 9781847064844 1847064841 9781847064851 184706485X |
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MARC
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Record in the Search Index
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| adam_text | Titel: Foucault s philosophy of art
Autor: Tanke, Joseph J.
Jahr: 2009
CONTENTS
Acknowledgments xi
Illustrations xii
Abbreviations xiii
Introduction 1
Chapter 1 The Stirrings of Modernity 16
Introduction 16
1.1 Setting the Stage around the Central Absence 18
1.2 The Historically of Visual and Philosophical
Experience 21
1.3 The Experience of Resemblance 24
1.4 The Man of Resemblance in the Place of the King 26
1.5 The Experience of Representation 28
1.6 The Visuality of Representation 31
1.7 Representation Assumes the Place of the King 33
1.8 The Persistence of Resemblance and the Deification
of the Artist 34
1.9 The Experience of Man 40
1.10 The Place of Man and the Position of the Viewer 44
1.11 Modern Visuality and the Breakdown of
Representation 46
Conclusion 50
Chapter 2 Rupture 52
Introduction 52
2.1 For a Dissociating Point of View: The Aims
of Archaeology 54
2.2 Tools of Archaeology 57
2.3 Archaeology and Painting 60
vii
CONTENTS
2.4 Manet: The Artist of the Archive 63
2.5 Displacing Quattrocento Pictorial Conventions 67
2.6 Marking the Material Conditions of Representation
within Representation 71
2.7 Replacing the Quattrocento s Lighting Schema 76
2.8 The Use of Ugliness: Manet s Le balcon 79
2.9 The Place of the Viewer 82
2.10 The Tableau-Object 85
2.11 Painting as a Play of Forces: The Work of
Paul Rebeyrolle 86
Conclusion 92
Chapter 3 Nonaffirmative Painting 93
Introduction 93
3.1 Two Principles of Classical Painting 96
3.2 Silencing Reference: Distinguishing Similitude from
Resemblance 99
3.3 From the Abolition of Resemblance to its Simulation 102
3.4 Incursions of Word and Image: Effacing the Separation
Principle 104
3.5 Klee and the Separation Principle: Reading or Viewing? 106
3.6 Radicalizing the Attack 109
3.7 Transfiguration of Word and Image 111
3.8 When Calligrams Come Undone 114
Conclusion 120
Chapter 4 Anti-Platonism 123
Introduction 123
4.1 Overcoming Platonism s Ethical Orientation 124
4.2 Thinking the Modern Image 126
4.3 Deleuze, Foucault, and the Reversal of Platonism 127
4.4 Andy Warhol and the Thinking of Difference 131
4.5 Stylizations of Freedom: Gerard Fromanger 135
4.6 The Anti-Platonism of Transvestite Imagery 140
4.7 Liberating the Image s Event 142
4.8 Between Thought and Emotion: Creating and
Contesting Identity 146
4.9 Strategies of the Image: Creating the
Thought-Emotion 153
Conclusion 160
CONTENTS
Chapter 5 The Cynical Legacy 162
Introduction 162
5.1 Modifications to the History of Sexuality 163
5.2 The Modem Sense of Self 165
5.3 Subjectivity and Beauty 169
5.4 Beauty and Truth: The Case of Socrates 170
5.5 The Cynical Reversal 172
5.6 Cynicism as a Transhistorical Ethical Category 177
5.7 The Cynical Truth of Modern Art 180
5.8 Parrhesia as Visual Truth 184
5.9 Cynical Strategies and the Anticipation of Modern Art 191
Conclusion 194
Notes 196
Bibliography 211
Index 215
FOUCAULT S
PHILOSOPHY OF ART
A GENEALOGY OF MODERNITY
JOSEPH J.
TANKE
continuum
CONTENTS
Acknowledgments
xi
Illustrations
xii
Abbreviations
xiii
Introduction
1
Chapter
1
The Stirrings of Modernity
16
Introduction
16
1.1
Setting the Stage around the Central Absence
18
1.2
The Historicality of Visual and Philosophical
Experience
21
1.3
The Experience of Resemblance
24
1.4
The Man of Resemblance in the Place of the King
26
1.5
The Experience of Representation
28
1.6
The
Visuali
ty
of Representation
31
1.7
Representation Assumes the Place of the King
33
1.8
The Persistence of Resemblance and the Deification
of the Artist
34
1.9
The Experience of Man
40
1.10
The Place of Man and the Position of the Viewer
44
1.11
Modern Visuality and the Breakdown of
Representation
46
Conclusion
50
Chapter
2
Rupture
52
Introduction
52
2.1
For a Dissociating Point of View: The Aims
of Archaeology
54
2.2
Tools of Archaeology
57
2.3
Archaeology and Painting
60
vii
CONTENTS
2.4
Manet: The
Artist
of the
Archive 63
2.5
Displacing Quattrocento Pictorial Conventions
67
2.6
Marking the Material Conditions of Representation
within Representation
71
2.7
Replacing the Quattrocento s Lighting Schema
76
2.8
The Use of Ugliness: Manet s
Le balcon
79
2.9
The Place of the Viewer
82
2.10
The Tableau-Object
85
2.11
Painting as a Play of Forces: The Work of
Paul Rebeyrolle
86
Conclusion
92
Chapter
3 Nonaffirmative
Painting
93
Introduction
93
3.1
Two Principles of Classical Painting
96
3.2
Silencing Reference: Distinguishing Similitude from
Resemblance
99
3.3
From the Abolition of Resemblance to its Simulation
102
3.4
Incursions of Word and Image: Effacing the Separation
Principle
104
3.5 Klee
and the Separation Principle: Reading or Viewing?
106
3.6
Radicalizing the Attack
109
3.7
Transfiguration of Word and Image 111
3.8
When Calligrams Come Undone
114
Conclusion
120
Chapter
4
Anti-Platonism
123
Introduction
123
4.1
Overcoming
Platonism
s
Ethical Orientation
124
4.2
Thinking the Modern Image
126
4.3
Deleuze,
Foucault,
and the Reversal of
Platonism
127
4.4
Andy Warhol and the Thinking of Difference
131
4.5
Stylizations of Freedom:
Gérard Fromanger
135
4.6
The Anti-Platonism of
Transvestite
Imagery
140
4.7
Liberating the Image s Event
142
4.8
Between Thought and Emotion: Creating and
Contesting Identity
146
4.9
Strategies of the Image: Creating the
Thought-Emotion
153
Conclusion
160
viii
CONTENTS
Chapters The Cynical Legacy
162
Introduction
162
5.1
Modifications to the History of Sexuality
163
5.2
The Modern Sense of Self
165
5.3
Subjectivity and Beauty
169
5.4
Beauty and Truth: The Case of Socrates
170
5.5
The Cynical Reversal
172
5.6
Cynicism as a Transhistorical Ethical Category
177
5.7
The Cynical Truth of Modern Art
180
5.8
Parrhësia as
Visual Truth
184
5.9
Cynical Strategies and the Anticipation of Modern Art
191
Conclusion
194
Notes
196
Bibliography
211
Index
215
|
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| language | English |
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| spelling | Tanke, Joseph J. 1978- Verfasser (DE-588)136698255 aut Foucault's philosophy of art a genealogy of modernity Joseph J. Tanke London [u.a.] Continuum 2009 XVI, 222 S. Ill. 23 cm txt rdacontent n rdamedia nc rdacarrier Philosophy, aesthetics and cultural theory Includes bibliographical references and index Foucault, Michel 1926-1984 Foucault, Michel 1926-1984 (DE-588)11853453X gnd rswk-swf Kunst Philosophie Art Philosophy Ästhetik (DE-588)4000626-8 gnd rswk-swf Foucault, Michel 1926-1984 (DE-588)11853453X p Ästhetik (DE-588)4000626-8 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017397433&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017397433&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tanke, Joseph J. 1978- Foucault's philosophy of art a genealogy of modernity Foucault, Michel 1926-1984 Foucault, Michel 1926-1984 (DE-588)11853453X gnd Kunst Philosophie Art Philosophy Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)11853453X (DE-588)4000626-8 |
| title | Foucault's philosophy of art a genealogy of modernity |
| title_auth | Foucault's philosophy of art a genealogy of modernity |
| title_exact_search | Foucault's philosophy of art a genealogy of modernity |
| title_full | Foucault's philosophy of art a genealogy of modernity Joseph J. Tanke |
| title_fullStr | Foucault's philosophy of art a genealogy of modernity Joseph J. Tanke |
| title_full_unstemmed | Foucault's philosophy of art a genealogy of modernity Joseph J. Tanke |
| title_short | Foucault's philosophy of art |
| title_sort | foucault s philosophy of art a genealogy of modernity |
| title_sub | a genealogy of modernity |
| topic | Foucault, Michel 1926-1984 Foucault, Michel 1926-1984 (DE-588)11853453X gnd Kunst Philosophie Art Philosophy Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Foucault, Michel 1926-1984 Kunst Philosophie Art Philosophy Ästhetik |
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