Popliteratur: zum literarischen Stellenwert eines Phänomens der 1990er Jahre
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | German |
| Published: |
Karlsruhe
Info-Verl.
2009
|
| Edition: | 2. Aufl. |
| Series: | Lindemanns Bibliothek
53 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 215 S. 21 cm |
| ISBN: | 9783881905138 |
Staff View
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Record in the Search Index
| _version_ | 1804138914095562752 |
|---|---|
| adam_text | Titel: Popliteratur
Autor: Mehrfort, Sandra
Jahr: 2009
Inhalt
Einleitung..................................................................................................9
I. Hypothesen.........................................................................................12
1. Begriffsarbeit.......................................................................................12
2. Epochengeschichtliches......................................................................14
2.1 Literarische Moderne..................................................................14
2.2 Literarische Postmoderne............................................................21
2.3 Literarische „postmoderne Moderne .........................................26
3. Pop als Begriff.....................................................................................33
3.1 Systematik des Pop......................................................................34
3.1.1 Pop Art.....................................................................................35
3.1.2 Popmusik..................................................................................38
3.1.3 Popkultur..................................................................................42
3.1.4 Popliteratur...............................................................................44
3.2 Pop am Ende des Jahrtausends....................................................48
4. Massenphänomenologisches..............................................................52
4.1 Massenkultur...............................................................................52
4-2 Mainstream..................................................................................61
5. Zur Wertung von Literatur.................................................................63
5.1 Die Ebenen der Literatur.............................................................63
5.2 Maßstäbe zur Bewertung von Literatur.......................................68
5.3 Der literarische Kanon................................................................70
II. Textanalyse.......................................................................................78
1. Christian Kracht: Faserland (1995)..............................................78
1.1 Titel.............................................................................................78
1.2 Handlung.....................................................................................80
1.3 Erzählposition..............................................................................81
1.4 Deautomatisationen....................................................................85
1.4.1 Stilistik.....................................................................................85
1.4.1.1 Abtönungspartikel.................................................................85
1.4.1.2 Demonstrativpronomen........................................................87
1.4.1.3 Parataxe/Polysyndeton.........................................................89
1.4.1.4 Sprachwahl............................................................................90
1.4.2 Inhaltliches...............................................................................92
1.4.2.1 Markenartikel........................................................................92
1.4.2.2 Angst vor Peinlichkeit..........................................................95
1.4.2.3 Nationalsozialismus...............................................................97
1.4.2.4 Kindheitserinnerungen........................................................102
1.4.2.5 Stereotypen..........................................................................103
1.4.2.6 Flaneur.................................................................................105
1.4.2.7 Sexuelle Orientierung.........................................................108
1.4.2.8 Symbolik des achten Kapitels.............................................114
1.5 Schlussbetrachtung....................................................................117
2. Alexa Hennig von Lange: Relax (1997)..........................................120
2.1 Titel...........................................................................................120
2.2 Handlung...................................................................................121
2.3 Deautomatisationen..................................................................122
2.3.1 Stilistik...................................................................................122
2.3.1.1 Aufbau des Romans.............................................................122
2.3.1.2 Sprachwahl..........................................................................123
2.3.2 Inhaltliches.............................................................................124
2.3.2.1 Die Protagonisten................................................................124
2.3.2.2 Beziehung der Protagonisten...............................................127
2.3.2.3 Realitätsflucht......................................................................130
2.3.2.4 Geschlechterkonstruktion...................................................133
2.3.2.5 Gedanken über den Tod......................................................137
2.4 Schlussbetrachtung....................................................................140
3. Benjamin von Stuckrad-Barre: Soloalbum (1998)...........................142
3.1 Titel...........................................................................................142
3.2. Handlung..................................................................................143
3.3 Deautomatisationen..................................................................144
3.3.1 Sprachwahl.............................................................................144
3.3.2 Beginn des Romans................................................................145
3.3.3 Das Neue im Archiv...............................................................146
3.3.4 Das Archiv in Soloalbum.......................................................148
3.3.4.1 Listen...................................................................................148
3.3.4.2 Assoziationsketten...............................................................152
3.4 Identitätskonstruktion des Erzählers.........................................157
3.4.1 Individualitätssuche durch Abgrenzung.................................157
3.4.2 Zwang zur Ironie.....................................................................162
3.5 Popmusik als Gliederungselement............................................164
3.6 Medienkritik.............................................................................167
3.6.1 Print Journalismus...................................................................167
3.6.2 Musik......................................................................................169
3.6.3 Telefon - Fax - Brief..............................................................174
3.6.4 Fernsehen...............................................................................177
3.6.5 Bücher.....................................................................................178
3.6.6 Fazit Medien...........................................................................180
3.7 Schlussbetrachtung....................................................................181
4. Vergleich der untersuchten Romane................................................184
III. Bilanz.............................................................................................187
1. Rebellion oder Affirmation - Gesellschaftsdiagnose.......................187
2. Selbstinszenierung der Autoren........................................................193
3. Das Ende der Popliteratur?................................................................195
4. Schlussbetrachtung...........................................................................198
Literaturverzeichnis..............................................................................203
Danksagung...........................................................................................215
|
| any_adam_object | 1 |
| author | Mehrfort, Sandra |
| author_facet | Mehrfort, Sandra |
| author_role | aut |
| author_sort | Mehrfort, Sandra |
| author_variant | s m sm |
| building | Verbundindex |
| bvnumber | BV035459668 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PT405 |
| callnumber-raw | PT405 |
| callnumber-search | PT405 |
| callnumber-sort | PT 3405 |
| callnumber-subject | PT - European, Asian and African Literature |
| classification_rvk | GN 1826 GO 18516 GO 22616 |
| ctrlnum | (OCoLC)317462390 (DE-599)DNB98962286X |
| dewey-full | 830.90092 833.9209 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 830 - Literatures of Germanic languages 833 - German fiction |
| dewey-raw | 830.90092 833.9209 |
| dewey-search | 830.90092 833.9209 |
| dewey-sort | 3830.90092 |
| dewey-tens | 830 - Literatures of Germanic languages |
| discipline | Germanistik / Niederlandistik / Skandinavistik |
| edition | 2. Aufl. |
| era | Geschichte 1900-2000 Geschichte 1990-2000 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1990-2000 |
| format | Thesis Book |
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| id | DE-604.BV035459668 |
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| indexdate | 2024-07-09T21:35:45Z |
| institution | BVB |
| isbn | 9783881905138 |
| language | German |
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| physical | 215 S. 21 cm |
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| spelling | Mehrfort, Sandra Verfasser aut Popliteratur zum literarischen Stellenwert eines Phänomens der 1990er Jahre Sandra Mehrfort 2. Aufl. Karlsruhe Info-Verl. 2009 215 S. 21 cm txt rdacontent n rdamedia nc rdacarrier Lindemanns Bibliothek 53 Zugl.: Heidelberg, Univ., Diss., 2007 Hennig von Lange, Alexa <1973-> Relax Kracht, Christian <1966-> Faserland Stuckrad-Barre, Benjamin v. <1975-> Soloalbum Kracht, Christian 1966- Faserland (DE-588)7593795-5 gnd rswk-swf Stuckrad-Barre, Benjamin von 1975- Soloalbum (DE-588)4816130-5 gnd rswk-swf Hennig von Lange, Alexa 1973- Relax (DE-588)7569327-6 gnd rswk-swf Geschichte 1900-2000 Geschichte 1990-2000 gnd rswk-swf German literature 20th century History and criticism Popular literature Germany History and criticism Popliteratur (DE-588)4448404-5 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Deutschland (DE-588)4113937-9 Hochschulschrift gnd-content Deutsch (DE-588)4113292-0 s Popliteratur (DE-588)4448404-5 s Geschichte 1990-2000 z DE-604 Kracht, Christian 1966- Faserland (DE-588)7593795-5 u Hennig von Lange, Alexa 1973- Relax (DE-588)7569327-6 u Stuckrad-Barre, Benjamin von 1975- Soloalbum (DE-588)4816130-5 u Lindemanns Bibliothek 53 (DE-604)BV019421476 53 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017379538&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mehrfort, Sandra Popliteratur zum literarischen Stellenwert eines Phänomens der 1990er Jahre Lindemanns Bibliothek Hennig von Lange, Alexa <1973-> Relax Kracht, Christian <1966-> Faserland Stuckrad-Barre, Benjamin v. <1975-> Soloalbum Kracht, Christian 1966- Faserland (DE-588)7593795-5 gnd Stuckrad-Barre, Benjamin von 1975- Soloalbum (DE-588)4816130-5 gnd Hennig von Lange, Alexa 1973- Relax (DE-588)7569327-6 gnd German literature 20th century History and criticism Popular literature Germany History and criticism Popliteratur (DE-588)4448404-5 gnd Deutsch (DE-588)4113292-0 gnd |
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| title | Popliteratur zum literarischen Stellenwert eines Phänomens der 1990er Jahre |
| title_auth | Popliteratur zum literarischen Stellenwert eines Phänomens der 1990er Jahre |
| title_exact_search | Popliteratur zum literarischen Stellenwert eines Phänomens der 1990er Jahre |
| title_full | Popliteratur zum literarischen Stellenwert eines Phänomens der 1990er Jahre Sandra Mehrfort |
| title_fullStr | Popliteratur zum literarischen Stellenwert eines Phänomens der 1990er Jahre Sandra Mehrfort |
| title_full_unstemmed | Popliteratur zum literarischen Stellenwert eines Phänomens der 1990er Jahre Sandra Mehrfort |
| title_short | Popliteratur |
| title_sort | popliteratur zum literarischen stellenwert eines phanomens der 1990er jahre |
| title_sub | zum literarischen Stellenwert eines Phänomens der 1990er Jahre |
| topic | Hennig von Lange, Alexa <1973-> Relax Kracht, Christian <1966-> Faserland Stuckrad-Barre, Benjamin v. <1975-> Soloalbum Kracht, Christian 1966- Faserland (DE-588)7593795-5 gnd Stuckrad-Barre, Benjamin von 1975- Soloalbum (DE-588)4816130-5 gnd Hennig von Lange, Alexa 1973- Relax (DE-588)7569327-6 gnd German literature 20th century History and criticism Popular literature Germany History and criticism Popliteratur (DE-588)4448404-5 gnd Deutsch (DE-588)4113292-0 gnd |
| topic_facet | Hennig von Lange, Alexa <1973-> Relax Kracht, Christian <1966-> Faserland Stuckrad-Barre, Benjamin v. <1975-> Soloalbum Kracht, Christian 1966- Faserland Stuckrad-Barre, Benjamin von 1975- Soloalbum Hennig von Lange, Alexa 1973- Relax German literature 20th century History and criticism Popular literature Germany History and criticism Popliteratur Deutsch Deutschland Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017379538&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV019421476 |
| work_keys_str_mv | AT mehrfortsandra popliteraturzumliterarischenstellenwerteinesphanomensder1990erjahre |