Music and monumentality: commemoration and wonderment in nineteenth-century Germany
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2009
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VII, 308 S. Ill., Notenbeisp. |
| ISBN: | 9780195385380 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Introduction:
Perspectives on Musical
Monumentality
3
chapter one The Time of Musical Monuments
19
chapter two Musical Apotheoses
47
chapter three Sounding Souvenirs
73
chapter four Classical Values
Г09
chapter five Collective
Historia
141
chapter six Faustian Descents
169
Epilogue: Beethoven s Ninth at the Wall
197
Notes
217
Bibliography
275
Index
299
A few weeks after the reunification of Ger¬
many, Leonard Bernstein raised his baton
above the ruins of the Berlin Wall and con¬
ducted a special arrangement of Beethoven s
Ninth Symphony. The central statement of
the work, that all men will be brothers,
captured the sentiment of those who saw a
brighter future for the newly reunited nation.
This now-iconic performance is a palpable
example of musical
monumentality
—
a
significant concept that underlies our cultural
and ideological understanding of Western
music since the nineteenth century. Although
the concept was first raised in the earliest
years of musicological study in the
1930s,
a
satisfying exploration of the monumental
in music has not yet been made. Alexander
Rehding, one of the brightest young stars in
the field, takes on the task in Music and
Monu¬
mentality,
an elegant, thorough treatment that
will serve as a foundation for all future dis¬
cussion in this area.
Rehding sets his focus on the main players
of the period within the Austro-German rep¬
ertoire
—
Beethoven, Liszt, Wagner, Brahms,
Bruckner, and Mahler
—
as he unpacks a two¬
fold definition of musical
monumentality.
In
the conventional sense,
monumentality
is a
stylistic property often described as grand,
uplifting, and sublime. rife with overpower¬
ing brass chorales, sparkling string tremolos,
triumphant fanfares, and glorious thematic
returns Yet Rehding sees the monumental
in music performing a cultural task as well:
it is employed in the service of establishing
national identity Through a clear theoretical
lens, Rehding examines how grand sound ef¬
fects are strategically employed with the view
to overwhelming audiences, how suppos¬
edly immutable musical halls of fame change
over time, how challenging musical works
are domesticated, how the highest cultural
achievements are presented in immediately
consumable form
—
in short, how German
music emerges as a unified cultural and mu¬
sical brand.
Music and
Monumentality
is an important
addition to the libraries of students and schol¬
ars of Western rnusicology and music theory,
as well as all readers and listeners interested
in music history, nationalism, and the nine¬
teenth century.
ABOUT THE AUTHOR
Alexander Rehding is Professor of Music
at Harvard University and co-editor of
Acta
Musicoiogica. His research specializes in nine¬
teenth- and twentieth-century music and in
the history of music theory. He is the author
of Hugo Riemann and the Birth oj Modem Musi¬
cal Thought.
|
| any_adam_object | 1 |
| author | Rehding, Alexander ca. 20. Jh |
| author_GND | (DE-588)14018516X |
| author_facet | Rehding, Alexander ca. 20. Jh |
| author_role | aut |
| author_sort | Rehding, Alexander ca. 20. Jh |
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| discipline | Musikwissenschaft |
| edition | 1. publ. |
| era | Geschichte 1800-1900 Geschichte 1800-1900 gnd |
| era_facet | Geschichte 1800-1900 |
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| spelling | Rehding, Alexander ca. 20. Jh. Verfasser (DE-588)14018516X aut Music and monumentality commemoration and wonderment in nineteenth-century Germany Alexander Rehding 1. publ. Oxford [u.a.] Oxford Univ. Press 2009 VII, 308 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Musik Sublime, The, in music Music Germany 19th century History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Monumentalität (DE-588)4619396-0 gnd rswk-swf Deutschland Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Musik (DE-588)4040802-4 s Monumentalität (DE-588)4619396-0 s Geschichte 1800-1900 z DE-604 Musikästhetik (DE-588)4040808-5 s Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017369723&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017369723&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Rehding, Alexander ca. 20. Jh Music and monumentality commemoration and wonderment in nineteenth-century Germany Musik Sublime, The, in music Music Germany 19th century History and criticism Musik (DE-588)4040802-4 gnd Musikästhetik (DE-588)4040808-5 gnd Monumentalität (DE-588)4619396-0 gnd |
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| title | Music and monumentality commemoration and wonderment in nineteenth-century Germany |
| title_auth | Music and monumentality commemoration and wonderment in nineteenth-century Germany |
| title_exact_search | Music and monumentality commemoration and wonderment in nineteenth-century Germany |
| title_full | Music and monumentality commemoration and wonderment in nineteenth-century Germany Alexander Rehding |
| title_fullStr | Music and monumentality commemoration and wonderment in nineteenth-century Germany Alexander Rehding |
| title_full_unstemmed | Music and monumentality commemoration and wonderment in nineteenth-century Germany Alexander Rehding |
| title_short | Music and monumentality |
| title_sort | music and monumentality commemoration and wonderment in nineteenth century germany |
| title_sub | commemoration and wonderment in nineteenth-century Germany |
| topic | Musik Sublime, The, in music Music Germany 19th century History and criticism Musik (DE-588)4040802-4 gnd Musikästhetik (DE-588)4040808-5 gnd Monumentalität (DE-588)4619396-0 gnd |
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