Loadbang: programming electronic music in Pd
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hofheim
Wolke
2009
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 278 S. Ill., graph. Darst. 24 cm |
| ISBN: | 9783936000573 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV035436277 | ||
| 003 | DE-604 | ||
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| 100 | 1 | |a Kreidler, Johannes |d 1980- |e Verfasser |0 (DE-588)133924912 |4 aut | |
| 245 | 1 | 0 | |a Loadbang |b programming electronic music in Pd |c Johannes Kreidler |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a Hofheim |b Wolke |c 2009 | |
| 300 | |a 278 S. |b Ill., graph. Darst. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Elektronische Musik - Programm | |
| 650 | 0 | 7 | |a Elektronische Musik |0 (DE-588)4014355-7 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4055382-6 |a Software |2 gnd-content | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-017356598 | ||
Datensatz im Suchindex
| _version_ | 1804138880847314944 |
|---|---|
| adam_text | .3.2 HOW NUMBERS ARE REPRESENTED 39 TABLE OF CONTENTS PREFACE 13
INTRODUCTION TO THIS BOOK S METHODOLOGY 14 1. INTRODUCTION TO PD 15 1.1
GENERAL REMARKS 15 1.2 INSTALLING AND SETTING UP PD 18 2. PROGRAMMING
WITH PD FOR THE FIRST TIME 19 2.1 INTRODUCTION 19 2.1.1 A SIMPLE EXAMPLE
19 2.1.2 SURFACE ELEMENTS IN PD 24 2.1.3 SUMMARY 26 2.1.4 APPENDIX 27
2.1.4.1 LIST OF ALL OBJECTS 27 2.1.4.2 HELP FILE 27 2.1.4.3 DUPLICATION
28 2.1.4.4 SHORT CUTS 28 2.1.4.5 COMMENTS 28 2.1.5 FOR THOSE ESPECIALLY
INTERESTED: ATOMS 28 2.2 THE CONTROL LEVEL 30 2.2.1 MATHEMATICAL
OPERATIONS AND ORDER 30 2.2.1.1 THEORY 30 2.2.1.1.1 BASIC MATHEMATICAL
FUNCTIONS 30 2.2.1.1.2 ORDER 31 2.2.1.1.3 EXPRESSION 33 2.2. 2.2. 2.2.
.1.4 OTHER MATHEMATICAL OPERATIONS 33 .1.5 FLOAT AND COUNTER 35 .1.6
SUMMARY 36 2.2.1.2 APPLICATIONS 36 2.2.1.2.1 TWO FREQUENCIES*TWO VOLUME
LEVELS 36 2.2.1.2.2 AN INTERVAL 37 2.2.1.2.3 RANDOM MELODY 37 2.2.1.2.4
ROUNDING 37 2.2.1.2.5 HOWLONG IS THIS SCORE? 37 2.2.1.2.6 COUNTING IN
SERIES 38 2.2.1.2.7 RANDOM WITHOUT REPETITIONS 38 2.2.1.2.8 MORE
EXERCISES 38 2.2.1.3 APPENDIX 39 .3.1 INPUT FOR BANG 39 2.2. 2.2.
2.2.1.3.3 MORE ON TRIGGER 39 BIBLIOGRAFISCHE INFORMATIONEN
HTTP://D-NB.INFO/992519950 DIGITALISIERT DURCH 2.2.1.4 FOR THOSE
ESPECIALLY INTERESTED 40 2.2.1.4.1 ABOUT SERIES 40 2.2.1.4.2 REGARDING
FLOAT 40 2.2.2 DIFFERENT TYPES OF DATA 40 2.2.2.1 THEORY 40 2.2.2.1.1
BANG*A GUI OBJECT 40 2.2.2.1.2 MESSAGES 40 2.2.2.1.3 LISTS 41 2.2.2.1.4
MESSAGES WITH VARIABLES 42 2.2.2.1.5 MESSAGES: SET 43 2.2.2.1.6
MAKEFILENAME 43 2.2.2.1.7 OPENPANEL 44 2.2.2.1.8 SIMPLE DATA STORAGE 44
2.2.2.1.9 ROUTE 44 2.2.2.1.10 DEMULTIPLEX 45 2.2.2.1.11 SPIGOT 46
2.2.2.1.12 TOGGLE 46 2.2.2.2. APPLICATIONS 47 2.2.2.2.1 USING LISTS WITH
PITCHES AND DYNAMICS 47 2.2.2.2.2 ON/OFF SWITCH 47 2.2.2.2.3 PITCHES
WITH NAMES 47 2.2.2.2.4 A SIMPLE SEQUENCE 47 2.2.2.2.5 A LIMITED COUNTER
48 2.2.2.2.6 MORE EXERCISES 49 2.2.2.3 APPENDIX 49 2.2.2.3.1 SYMBOL
BOXES 49 2.2.2.3.2 SLIDER 49 2.2.2.3.3 RADIO 50 2.2.2.3.4 USING SLIDER
AND RADIO 50 2.2.2.4 FOR THOSE ESPECIALLY INTERESTED: OTHER TYPE
SPECIFICATIONS AND MORE ABOUT BOXES 50 2.2.3 TIME OPERATIONS 51 2.2.3.1
THEORY 51 2.2.3.1.1 METRO 51 2.2.3.1.2 DELAY 51 2.2.3.1.3 PIPE 51
2.2.3.1.4 LINE 52 2.2.3.1.5 TIMER 53 2.2.3.2 APPLICATIONS 54 2.2.3.2.1
AUTOMATIC RANDOM MELODY 54 2.2.3.2.2 GLISSANDO 54 2.2.3.2.3 GLISSANDO
MELODY 55 2.2.3.2.4 IRREGULAER RANDOM RHYTHMS 55 2.2.3.2.5 CANONS 56
2.2.3.2. 3.1.1.4.4 NOISE PERIODICITY 84 2.2.3.2.8 METRONOME 58 2.2.3.2.9
MORE EXERCISES 59 2.2.3.3 APPENDIX 60 2.2.3.3.1 DISTRIBUTING LISTS 60
2.2.3.3.2 TIME RESOLUTION FOR CONTROL DATA 60 2.2.4 MISCELLANEOUS 61
2.2.4.1 SENDING AND RECEIVING 61 2.2.4.1.1 SEND/RECEIVE 61 2.2.4.1.2
SENDING WITH LISTS 63 2.2.4.1.3 A SERIES OF LISTS 63 2.2.4.1.4 VALUE 64
2.2.4.2 LOADBANG 64 2.2.4.3 GUI OPTIONS 64 2.2.4.3.1 NUMBER AND SYMBOL
BOX 65 2.2.4.3.2 BANG 65 2.2.4.3.3 TOGGLE 66 2.2.4.3.4 SLIDER 66
2.2.4.3.5 RADIO 67 2.2.4.3.6 CANVAS 67 2.2.4.3.7 EXAMPLES OF ALTERED GUI
OBJECTS 67 2.2.4.3.8 CHANGE FOENT SIZE 68 2.2.4.3.9 TIDY UP 68 2.2.4.4
SUBPATCHES 69 2.2.4.4.1 SPACE 69 2.2.4.4.2 MODULARIZATION 71 3. AUDIO 73
3.1 BASICS 73 3.1.1 PITCH 73 3.1.1.1 THEORY 73 3.1.1.1.1 CONTROLLING
SPEAKERS DIGITALLY 73 3.1.1.1.2 WAVES 75 3.1.1.1.3 MEASUREMENT 76
3.1.1.1.4 SAMPLE RATE 79 3.1.1.1.5 SAMPLES*MILLISECONDS 80 3.1.1.2
APPLICATIONS 80 3.1.1.2.1 TEMPERED*RANDOM 80 3.1.1.2.2 MORE EXERCISES 81
3.1.1.3 APPENDIX 81 3.1.1.3.1 NYQUIST THEOREM 81 3.1.1.3.2 DSP 82
3.1.1.4 FOR ESPECIALLY INTERESTED 82 3.1.1.4.1 DA- / AD- CONVERSION 82
3.1.1.4.2 SOUND WAVES 83 3.1.1.4.3 CONVERTING MIDI NUMBERS INTO
FREQUENCIES 83 3.1.2 VOLUME 85 3.1.2.1 THEORY 85 3.1.2.1.1 MEASUREMENT
85 3.1.2.1.2 PROBLEMS 89 3.1.2.1.3 PHASE 90 3.1.2.1.4 SOUND WAVES ARE
ADDITIVE 91 3.1.2.2 APPLICATIONS 93 3.1.2.2.1 CHORD 93 3.1.2.2.2
GLISSANDI 93 3.1.2.2.3 PROCESSING ADC-INPUT 94 3.1.2.2.4 OSCILLATOR
CONCERT 94 3.1.2.2.5 MORE EXERCISES 96 3.1.2.3 APPENDIX 96 3.1.2.3.1
OTHER TILDE OBJECTS 96 3.1.2.3.2 BIT DEPTH 97 3.1.2.4 FOR THOSE
ESPECIALLY INTERESTED 97 3.1.2.4.1 SOUND PRESSURE VS. SOUND INTENSITY 97
3.1.2.4.2 CONTROL DATA VS. SIGNALS 97 3.2 ADDITIVE SYNTHESIS 99 3.2.1
THEORY 99 3.2.1.1 THE HARMONIC SERIES 99 3.2.2 APPLICATIONS 102 3.2.2.1
A RANDOM KLANGFARBE (GERMAN: SOUND COLOR) 102 3.2.2.2 CHANGING ONE
KLANGFARBE INTO ANOTHER 102 3.2.2.3 NATURAL VS. EQUAL-TEMPERED 103
3.2.2.4 MORE EXERCISES 103 3.2.3 APPENDIX 104 3.2.3.1 PD S LIMITATIONS
104 3.2.4 FOR THOSE ESPECIALLY INTERESTED 104 3.2.4.1 STUDIE II 104
3.2.4.2 COMPOSING WITH SPECTRA 104 3.3 SUBTRACTIVE SYNTHESIS 105 3.3.1
THEORY 105 3.3.1.1 WHITE NOISE 105 3.3.1.2 FILTERS 105 3.3.2
APPLICATIONS 107 3.3.2.1 FILTER COLORS 107 3.3.2.2 TELEPHONE FILTERS 108
3.3.2.3 MORE EXERCISES 108 3.3.3 APPENDIX 108 3.3.3.1 WHITE NOISE
ANDCLICKS 108 3.3.3.2 PINK NOISE 109 3.3.3.3 DC OFFSET 109 3.3. 3.4.1
THEORY 112 3.4.1.1 STORING SOUND 112 3.4.1.1.1 SOUND FILES 112 3.4.1.1.2
BUFFERS 112 3.4.1.2 PLAYBACK OF SAVED SOUND 120 3.4.1.3 AUDIO DELAY 123
3.4.2 APPLICATIONS 125 3.4.2.1 A SIMPLE SAMPLER 125 3.4.2.2 WITH
VARIABLE SPEED 125 3.4.2.3 ANY POSITION 126 3.4.2.4 SAMPLER-PLAYER 127
3.4.2.5 LOOP GENERATOR 130 3.4.2.6 REVERB 132 3.4.2.7 TEXTURE 133
3.4.2.8 COMB FILIER 133 3.4.2.9 OCTAVE DOUBLER 134 3.4.2.10
KARPLUS-STRONG ALGORITHM 136 3.4.2.11 MORE EXERCISES 138 3.4.3 APPENDIX
138 3.4.3.1 ARRAY OSCILLATOR 138 3.4.3.2 ARRAY PLAYBACK 138 3.4.3.3
PLAYING BACK AN ARRAY IN A BLOCK 139 3.4.3.4 GLISSANDI OF SAMPLES 139
3.4.3.5 ADDITIVE SYNTHESIS WITH ARRAY 142 3.4.3.6 LATENCY 143 3.4.4 FOR
ESPECIALLY INTERESTED 144 3.4.4.1 4-POINT-INTERPOLATION 144 3.4.4.2
SAMPLE-WISE DELAY 145 3.5 WAVE SHAPING 146 3.5.1 THEORY 146 3.5.1.1
WAVEFORMS 146 3.5.1.2 TRANSFER FUNCTIONS 151 3.5.1.3 (CONTROLLED) RANDOM
WAVEFORMS 152 3.5.1.4 WAVE STEALING 157 3.5.2 APPLICATIONS 158 3.5.2.1
SINGING WAVEFORMS 158 3.5.2.2 TRANSFERS 159 3.5.2.3 EVEN / ODD PARTIALS
159 3.5.2.4 MORE EXERCISES 160 3.5.3 APPENDIX 160 3.5.3.1 FOLDOVER 160
3.5.4 FOR THOSE ESPECIALLY INTERESTED 162 3.5.4.1 GENDY 162 3.6
MODULATION SYNTHESIS 163 3.6. 3.9.4.1 OTHER WINDOWS 197 3.6.1.2
FREQUENCY MODULATION 165 3.6.2 APPLICATIONS 167 3.6.2.1 MORE SONICALLY
COMPLEX RING MODULATION 167 3.6.2.2 LIVE RING MODULATION 167 3.6.2.3
LIVE FREQUENCY MODULATION 167 3.6.2.4 MORE EXERCISES 168 3.6.3 APPENDIX
168 3.6.3.1 PHASE MODULATION 168 3.7 GRANULAER SYNTHESIS 170 3.7.1 THEORY
170 3.7.1.1 THEORY OF GRANULAER SYNTHESIS 170 3.7.2 APPLICATIONS 175
3.7.2.1 LIVE GRANULAER SYNTHESIS 175 3.7.2.2 LIVE WITH FEEDBACK 177
3.7.2.3 MORE EXERCISES 177 3.7.3 APPENDIX 178 3.7.3.1 GRANULAER TECHNIQUE
AS A SYNTHESIZER 178 3.8 FOURIER ANALYSIS 179 3.8.1 THEORY 179 3.8.1.1
ANALYZING PARTIALS 179 3.8.1.2 ANALYZE WHATEVER SIGNAL YOU WANT 182
3.8.2 APPLICATIONS 184 3.8.2.1 FILTERS 184 3.8.2.2 FOLDING 185 3.8.2.3
COMPRESSOR 186 3.8.2.4 SPECTRAL DELAY 187 3.8.3 APPENDIX 188 3.8.3.1
FIDDLE- 188 3.8.3.2 TUNER 190 3.8.3.3 OCTAVE DOUBLER #2 191 3.8.3.4
PITCH FOLLOWER 191 3.8.3.5 MORE EXERCISES 191 3.9 AMPLITUDE CORRECTIONS
192 3.9.1 THEORY 192 3.9.1.1 LIMITER 192 3.9.1.2 COMPRESSOR 194 3.9.2
APPLICATIONS 194 3.9.2.1 LARSEN TONES 194 3.9.2.2 MORE EXERCISES 195
3.9.3 APPENDIX 195 3.9.3.1 MOVEMENTS IN SPACE 195 3.9.4 FOR THOSE
ESPECIALLY INTERESTED 197 5.1.1.3 EXPANDING PD 230 4. CONTROLLING SOUND
200 4.1 ALGORITHMS 200 4.1.1 THEORY 200 4.1.1.1 WHAT ARE ALGORITHMS? 200
4.1.2 APPLICATIONS 201 4.1.2.1 STOCHASTICS 201 4.1.2.2 RECURSIVE SYSTEMS
204 4.1.2.3 MORE EXERCISES 205 4.1.3 APPENDIX 205 4.1.3.1 DSP LOOP 205
4.1.4 FOR THOSE ESPECIALLY INTERESTED 206 4.1.4.1 ALGORITHMIC
COMPOSITION 206 4.2 SEQUENCER 207 4.2.1 THEORY 207 4.2.1.1 TEXT FILE 207
4.2.1.2 QLIST 209 4.2.2 APPLICATIONS 210 4.2.2.1 SCORE FOR A PATCH 210
4.2.2.2 MORE EXERCISES 212 4.2.3 APPENDIX 212 4.2.3.1 MODIFYING QLIST
212 4.2.4 FOR THOSE ESPECIALLY INTERESTED 214 4.2.4.1 CREATING LISTS
EXTERNALLY: LISP 214 4.3 HIDS 215 4.3.1 THEORY 215 4.3.1.1 KEYBOARD AND
MOUSE 215 4.3.1.2 MIDI 216 4.3.1.3 USING SIGNALS TO CONTROL SOUND 218
4.3.2 APPLICATIONS 218 4.3.2.1 PLAYING PATCHES LIVE 218 4.3.2.2 MORE
EXERCISES 219 4.3.3 APPENDIX 220 4.3.3.1 OTHER HIDS 220 4.3.3.2 VIDEO
INPUT 220 4.3.4 FOR THOSE ESPECIALLY INTERESTED 220 4.3.4.1 INSTRUMENT
DESIGN 220 4.4 NETWORK 221 4.4.1 NETSEND / NETRECEIVE 221 4.4.2 OSC 221
5. MISCELLANEOUS 223 5.1 STREAMLINING 223 5.1.1 THEORY 223 5.1.1.1
SUBPATCHES 223 5.1.1.2 ABSTRACTIONS 226 INDEX 273 5.1.2 APPLICATIONS 231
5.1.2.1 CUSTOMIZE YOUR PD 231 5.1.2.2 MORE EXERCISES 232 5.1.3 APPENDIX
232 5.1.3.1 CREATING A PATCH AUTOMATICALLY 232 5.1.4 FOR THOSE
ESPECIALLY INTERESTED 235 5.1.4.1 WRITING YOUR OWN OBJECTS 235 5.2
VISUALS 236 5.2.1 THEORY 236 5.2.1.1 PD IS VISUAL AND THIS CAN BE
PROGRAMMED 236 5.2.2 APPLICATIONS 237 5.2.2.1 MAIN PATCH WINDOW AND
SUBPATCHES 237 5.2.2.2 CANVASSES AS DISPLAY 237 5.2.2.3 CANVASSES AS
EXPANDED GUI 239 5.2.2.4 MORE EXERCISES 240 5.2.3 APPENDIX 240 5.2.3.1
DATA STRUCTURES 240 5.2.4 FOR THOSE ESPECIALLY INTERESTED 247 5.2.4.1
GEM 247 AFTERWORD 248 APPENDIX A. SOLUTIONS 249 2.2.1.2.8 249 2.2.2.2.6
250 2.2.3.2.9 251 3.1.1.2.2 253 3.1.2.2.5 254 3.3.2.3 255 3.4.2.11 256
3.5.2.4 261 3.7.2.3 262 3.8.3.5 263 3.9.2.2 264 4.1.2.3 265 4.2.2.2 267
5.1.2.2 268 5.2.2.4 269
|
| any_adam_object | 1 |
| author | Kreidler, Johannes 1980- |
| author_GND | (DE-588)133924912 |
| author_facet | Kreidler, Johannes 1980- |
| author_role | aut |
| author_sort | Kreidler, Johannes 1980- |
| author_variant | j k jk |
| building | Verbundindex |
| bvnumber | BV035436277 |
| classification_rvk | LR 57600 LR 57790 ST 690 |
| ctrlnum | (OCoLC)318215824 (DE-599)DNB992519950 |
| dewey-full | 781.3453 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.3453 |
| dewey-search | 781.3453 |
| dewey-sort | 3781.3453 |
| dewey-tens | 780 - Music |
| discipline | Informatik Musikwissenschaft |
| edition | 1. ed. |
| format | Book |
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| genre_facet | Software |
| id | DE-604.BV035436277 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:35:13Z |
| institution | BVB |
| isbn | 9783936000573 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017356598 |
| oclc_num | 318215824 |
| open_access_boolean | |
| owner | DE-Aug4 DE-703 DE-11 DE-B170 |
| owner_facet | DE-Aug4 DE-703 DE-11 DE-B170 |
| physical | 278 S. Ill., graph. Darst. 24 cm |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Wolke |
| record_format | marc |
| spelling | Kreidler, Johannes 1980- Verfasser (DE-588)133924912 aut Loadbang programming electronic music in Pd Johannes Kreidler 1. ed. Hofheim Wolke 2009 278 S. Ill., graph. Darst. 24 cm txt rdacontent n rdamedia nc rdacarrier Elektronische Musik - Programm Elektronische Musik (DE-588)4014355-7 gnd rswk-swf (DE-588)4055382-6 Software gnd-content Elektronische Musik (DE-588)4014355-7 s DE-604 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017356598&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kreidler, Johannes 1980- Loadbang programming electronic music in Pd Elektronische Musik - Programm Elektronische Musik (DE-588)4014355-7 gnd |
| subject_GND | (DE-588)4014355-7 (DE-588)4055382-6 |
| title | Loadbang programming electronic music in Pd |
| title_auth | Loadbang programming electronic music in Pd |
| title_exact_search | Loadbang programming electronic music in Pd |
| title_full | Loadbang programming electronic music in Pd Johannes Kreidler |
| title_fullStr | Loadbang programming electronic music in Pd Johannes Kreidler |
| title_full_unstemmed | Loadbang programming electronic music in Pd Johannes Kreidler |
| title_short | Loadbang |
| title_sort | loadbang programming electronic music in pd |
| title_sub | programming electronic music in Pd |
| topic | Elektronische Musik - Programm Elektronische Musik (DE-588)4014355-7 gnd |
| topic_facet | Elektronische Musik - Programm Elektronische Musik Software |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017356598&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kreidlerjohannes loadbangprogrammingelectronicmusicinpd |