Grammar of the shot:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam [u.a.]
Elsevier
2009
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VIII, 219 S. Ill., graph. Darst. |
| ISBN: | 9780240521213 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804138862403911680 |
|---|---|
| adam_text | GRAMMAR OF THE SHOT SECOND EDITION ROY THOMPSON CHRISTOPHER J. BOWEN
WS^ % AMSTERDAM * BOSTON * HEIDELBERG * LONDON NEW YORK * OXFORD * PARIS
* SAN DIEGO SAN FRANCISCO * SINGAPORE * SYDNEY * TOKYO SAN FRANCISCO
SINGAPORE SYDNE .FCJ-JO.L/VL.FC/I FOCAL PRESS IS AN IMPRINT OF ELSEVIER
CONTENTS ACKNOWLEDGMENTS IX INTRODUCTION XI CHAPTER ONE - THE SHOT AND
HOW TO FRAME IT 1 WHAT TO SHOW YOUR AUDIENCE? 4 ASPECT RATIO 6 THE BASIC
BUILDING BLOCKS*THE DIFFERENT SHOT TYPE FAMILIES 8 MEDIUM SHOT 8
CLOSE-UP 8 LONG SHOT 10 THE EXTENDED FAMILY OF BASIC SHOTS 12 EXTREME
LONG SHOT 12 VERY LONG SHOT 14 LONG SHOT/WIDE SHOT 14 MEDIUM LONG SHOT
15 MEDIUM SHOT 16 MEDIUM CLOSE-UP 17 CLOSE-UP 17 BIG CLOSE-UP 19 EXTREME
CLOSE-UP 19 END OF CHAPTER ONE REVIEW . 21 CHAPTER TWO -THE ART OF
COMPOSITION 23 SIMPLE RULES FOR FRAMING HUMAN SUBJECTS 24 HEADROOM 25
SUBJECTIVE VS OBJECTIVE SHOOTING STYLES 26 LOOK ROOM 28 THE RULE OF
THIRDS 30 CAMERA ANGLE 32 HORIZONTAL CAMERA ANGLES 34 VERTICAL CAMERA
ANGLES 40 HIGH ANGLE SHOT 41 LOW ANGLE SHOT 42 THE TWO-SHOT: FRAME
COMPOSITION WITH TWO PEOPLE 44 VI CONTENTS THE PROFILE TWO-SHOT THE
DIRECT TO CAMERA TWO-SHOT THE OVER-THE-SHOULDER TWO-SHOT WRAPPING UP THE
BASICS OF COMPOSITION END OF CHAPTER TWO REVIEW CHAPTER THREE -
COMPOSITION*BEYOND THE BASICS THE THIRD DIMENSION THE HORIZON LINE DUTCH
ANGLE DIAGONAL LINES THE DEPTH OF FILM SPACE*FOREGROUND/MIDDLE
GROUND/BACKGROUND FOREGROUND MIDDLE GROUND BACKGROUND DEPTH CUES THE
CAMERA LENS*THE EYE IN COMPOSITION THE ZOOM LENS LENS FOCUS*DIRECTING
THE VIEWER S EYE AROUND YOUR FRAME PULLING FOCUS VS FOLLOWING FOCUS
LIGHT IN COMPOSITION*NOW YOU SEE IT, NOW YOU DON T LIGHT AS ENERGY COLOR
TEMPERATURE NATURAL OR ARTIFICIAL LIGHT QUANTITY OF LIGHT: SENSITIVITY
AND EXPOSURE QUALITY OF LIGHT: HARD VS SOFT CONTRAST BASIC CHARACTER
LIGHTING: THREE POINT METHOD SET AND LOCATION LIGHTING END OF CHAPTER
THREE REVIEW 45 48 50 52 52 53 54 56 59 60 63 63 64 64 65 66 66 70 71 74
76 77 78 80 82 84 86 90 92 CHAPTER FOUR - PUTTING YOUR SHOTS TOGETHER:
PRETHINKING THE EDITING PROCESS 93 MATCHING YOUR SHOTS IN A SCENE 95
CONTINUITY 96 CONTINUITY OF SCREEN DIRECTION 97 THE LINE*BASIS FOR
SCREEN DIRECTION 10O THE IMAGINARY LINE*THE 180 DEGREE RULE 102 JUMPING
THE LINE 104 THE 30 DEGREE RULE RECIPROCATING IMAGERY EYE-LINE MATCH
END OF CHAPTER FOUR REVIEW CHAPTER FIVE - DYNAMIC SHOTS*TALENT AND
CAMERA IN MOTION BLOCKING TALENT CAMERA IN MOTION HANDHELD ADVANTAGES
DISADVANTAGES PAN AND TILT SHOOTING THE PAN AND THE TILT THE START FRAME
THE CAMERA MOVEMENT THE END FRAME EQUIPMENT USED TO MOVE THE CAMERA
TRIPOD DOLLY CRAB TRUCK STEADICAM CRANES AND SUCH END OF CHAPTER FIVE
REVIEW CHAPTER SIX-WORKING PRACTICES AND GENERAL GUIDELINES
COMMUNICATING WITH TALENT SHOOTING A BIG CLOSE-UP OR EXTREME CLOSE-UP
ENSURE AN EYE LIGHT SAFE ACTION LINE AND DOMESTIC CUTOFF FOLLOW ACTION
WITH LOOSE PAN AND TILT TRIPOD HEAD SHOOTING OVERLAPPING ACTION FOR THE
EDIT CONTINUITY OF ACTION MATCHING SPEED OF ACTION OVERLAPPING TOO MUCH
ACTION SHOOTING RATIO STORYBOARDS AND SHOT LISTS ALWAYS HAVE SOMETHING
IN FOCUS FRAME FOR CORRECT LOOK ROOM ON SHOTS THAT WILL EDIT TOGETHER
CONTENTS VII 106 108 111 112 113 114 115 116 116 116 117 120 120 120 120
122 123 124 126 127 128 129 130 131 132 134 136 138 139 140 140 140 141
142 143 144 146 C O O VIII CONTENTS SHOOT MATCHING CAMERA ANGLES WHEN
COVERING DIALOGUE PLACE IMPORTANT OBJECTS IN THE TOP HALF OF YOUR FRAME
BE AWARE OF THE COLOR CHOICES MADE THROUGHOUT YOUR PROJECT ALWAYS BE
AWARE OF HEADROOM KEEP DISTRACTING OBJECTS OUT OF THE SHOT USE THE DEPTH
OF YOUR FILM SPACE TO STAGE SHOTS WITH SEVERAL PEOPLE IN A THREE PERSON
DIALOGUE SCENE, MATCHING TWO SHOTS CAN BE PROBLEMATIC FOR THE EDITOR TRY
TO ALWAYS SHOW BOTH EYES OF YOUR SUBJECT BE AWARE OF EYE-LINE DIRECTIONS
IN CLOSER SHOTS UNDERSTAND WHEN AND HOW TO PERFORM A ZOOM DURING A SHOT
MOTIVATE YOUR TRUCK IN AND TRUCK OUT DOLLY MOVES WAYS TO CROSS THE 180
DEGREE LINE SAFELY ALLOW THE CAMERA MORE TIME TO RECORD EACH SHOT ALLOW
ALL ACTIONS TO COMPLETE BEFORE CUTTING CAMERA DURING DOCUMENTARY
SHOOTING BE AS DISCRETE AS POSSIBLE BEWARE OF CONTINUITY TRAPS WHILE
SHOOTING A SCENE USE SHORT FOCAL LENGTH LENSES TO HIDE CAMERA MOVEMENT
BEWARE OF WIDE LENSES WHEN SHOOTING CLOSE-UP SHOTS CONTROL YOUR DEPTH OF
FIELD SLATE THE HEAD OF YOUR SHOTS END OF CHAPTER SIX REVIEW CHAPTER
SEVEN - IN CONCLUSION KNOW THE RULES BEFORE YOU BREAK THE RULES THE
REASON FOR SHOOTING IS EDITING YOUR SHOTS SHOULD ENHANCE THE ENTIRE
STORY INVOLVE THE VIEWER AS MUCH AS POSSIBLE TRY HARD NOT TO BE
OBTRUSIVE KNOW YOUR EQUIPMENT BE FAMILIAR WITH YOUR SUBJECT UNDERSTAND
LIGHTING*BOTH NATURAL AND ARTIFICIAL STUDY WHAT HAS ALREADY BEEN DONE IN
SUMMATION GLOSSARY INDEX
|
| any_adam_object | 1 |
| author | Thompson, Roy Bowen, Christopher J. |
| author_facet | Thompson, Roy Bowen, Christopher J. |
| author_role | aut aut |
| author_sort | Thompson, Roy |
| author_variant | r t rt c j b cj cjb |
| building | Verbundindex |
| bvnumber | BV035424214 |
| callnumber-first | T - Technology |
| callnumber-label | TR850 |
| callnumber-raw | TR850 |
| callnumber-search | TR850 |
| callnumber-sort | TR 3850 |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 55000 |
| ctrlnum | (OCoLC)280389952 (DE-599)BVBBV035424214 |
| dewey-full | 778.5/3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 778 - Specific fields & kinds of photography |
| dewey-raw | 778.5/3 |
| dewey-search | 778.5/3 |
| dewey-sort | 3778.5 13 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| edition | 2. ed. |
| format | Book |
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| id | DE-604.BV035424214 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:34:56Z |
| institution | BVB |
| isbn | 9780240521213 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017344695 |
| oclc_num | 280389952 |
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| owner | DE-1050 DE-M472 DE-Po75 |
| owner_facet | DE-1050 DE-M472 DE-Po75 |
| physical | VIII, 219 S. Ill., graph. Darst. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Elsevier |
| record_format | marc |
| spelling | Thompson, Roy Verfasser aut Grammar of the shot Roy Thompson ; Christopher J. Bowen 2. ed. Amsterdam [u.a.] Elsevier 2009 VIII, 219 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Philosophie Cinematography Handbooks, manuals, etc Cinematography Philosophy Filmproduktion (DE-588)4124971-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmtechnik (DE-588)4017144-9 gnd rswk-swf Filmproduktion (DE-588)4124971-9 s DE-604 Filmtechnik (DE-588)4017144-9 s Film (DE-588)4017102-4 s 1\p DE-604 Bowen, Christopher J. Verfasser aut HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017344695&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Thompson, Roy Bowen, Christopher J. Grammar of the shot Philosophie Cinematography Handbooks, manuals, etc Cinematography Philosophy Filmproduktion (DE-588)4124971-9 gnd Film (DE-588)4017102-4 gnd Filmtechnik (DE-588)4017144-9 gnd |
| subject_GND | (DE-588)4124971-9 (DE-588)4017102-4 (DE-588)4017144-9 |
| title | Grammar of the shot |
| title_auth | Grammar of the shot |
| title_exact_search | Grammar of the shot |
| title_full | Grammar of the shot Roy Thompson ; Christopher J. Bowen |
| title_fullStr | Grammar of the shot Roy Thompson ; Christopher J. Bowen |
| title_full_unstemmed | Grammar of the shot Roy Thompson ; Christopher J. Bowen |
| title_short | Grammar of the shot |
| title_sort | grammar of the shot |
| topic | Philosophie Cinematography Handbooks, manuals, etc Cinematography Philosophy Filmproduktion (DE-588)4124971-9 gnd Film (DE-588)4017102-4 gnd Filmtechnik (DE-588)4017144-9 gnd |
| topic_facet | Philosophie Cinematography Handbooks, manuals, etc Cinematography Philosophy Filmproduktion Film Filmtechnik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017344695&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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