Between positivism and T. S. Eliot: imagism and T. E. Hulme
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Odense
Univ. Press of Southern Denmark
2008
|
| Schriftenreihe: | University of Southern Denmark studies in literature
52 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturverz. S. 149 - 161 |
| Beschreibung: | 193 S. |
| ISBN: | 9788776742836 |
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Datensatz im Suchindex
| _version_ | 1804138702682718208 |
|---|---|
| adam_text | Table of Contents
PREFACE
...................................................... 9
CHAPTER ONE: IMAGISM
Name. Origin. Members
........................................ 11
A New Note
.................................................. 13
The World and the Poet
......................................... 14
Language
.................................................... 15
Form
....................................................... 16
Content
..................................................... 17
The
Imagist
Principles
.......................................... 17
Imagist
Criticism of Imagism
..................................... 19
Vorticism
.................................................... 21
CHAPTER TWO: THE LATE
19™
CENTURY SCIENTIFIC MODEL
Introduction
.................................................. 23
Lord Kelvin
.................................................. 23
Reality
...................................................... 25
CHAPTER THREE: THE PERVASIVENESS OF THE MODEL
Ernst
Mach .................................................. 27
Herbert Spencer
............................................... 28
August
Comte
................................................ 30
Hippolyte
Taine
............................................... 33
CHAPTER FOUR: POSITIVISM AND ITS LIMITATIONS
Positivism
.................................................... 37
Limitations
................................................... 39
The Scientists
................................................. 41
The Philosophers
.............................................. 42
CHAPTER FIVE: COUNTERCURRENTS
L art pour l art
................................................ 50
Theodor Lipps................................................ 51
John
Ruskin
.................................................. 52
French Influence
.............................................. 53
Mimesis
..................................................... 53
Creation. Ribot
............................................... 54
Gourmont
................................................... 55
Laforgue
..................................................... 57
CHAPTER SIX: BREAKTHROUGH OF THE ANTI-POSITIVISTS
Planck
...................................................... 61
Einstein
..................................................... 62
The Humanities
............................................... 62
Symbolism
................................................... 64
CHAPTER SEVEN: INDEBTEDNESS
Introduction
.................................................. 67
Wittgenstein
.................................................. 67
Dynamism and Categorization
.................................... 68
Bergson
..................................................... 69
Bergson
and
Hulme............................................
71
Form
....................................................... 72
Worringer
.................................................... 72
Vers libre.....................................................
74
Dance
....................................................... 78
CHAPTER EIGHT: HULME S PHILOSOPHY
Introduction
.................................................. 81
Argumentation
................................................ 82
Absolutes
.................................................... 83
Hulme
and Science
............................................ 84
Bergson
..................................................... 85
Dichotomies
.................................................. 85
Intuition versus Intellect
......................................... 85
Manifolds
.................................................... 86
Humanism and Religion
........................................ 87
Values
....................................................... 88
Conclusion
................................................... 89
CHAPTER NINE: HULME S AESTHETICS
Introduction
.................................................. 91
The Purpose of Art
............................................. 92
Dichotomies
.................................................. 93
Form
....................................................... 93
Geometric versus Vital Art
....................................... 93
Classical versus Romantic
........................................ 95
Beauty
.................................. ........... 96
Creation
..................................................... 97
Hulme
and Politics
............................................. 98
CHAPTER TEN: HULME S LITERARY THEORIES
Introduction
....................... ........... 99
Science and Poetry
........................ ........... 100
The Poet
............................. .. . . . . . . . . . . ............
I01
6
Literature and its Raw Materials
................................... 102
The Creative Process
............................................ 103
Fancy and Imagination
.......................................... 106
The Subject
.................................................. 106
Mimesis
..................................................... 107
Form
....................................................... 108
Language
....................................................
Ill
Cinders and Counters
.......................................... 113
The Function of the Image
....................................... 117
The Reader
................................................... 117
The Objective Correlative
....................................... 118
CHAPTER ELEVEN: HULME S POEMS
Introduction
................................................. 123
Themes
..................................................... 124
Composition
................................................. 127
Form
....................................................... 128
Vocabulary
.................................................. 129
Characters
................................................... 131
Images
...................................................... 132
CHAPTER TWELVE:
HULME
CRITICISM
.......................... 137
CONCLUSION
Positivism
................................................... 143
Imagism
.................................................... 144
Hulme
...................................................... 145
The Legacy
.................................................. 145
Eliot
....................................................... 146
Later Developments
............................................ 147
Final Remarks
................................................ 147
BIBLIOGRAPHY
............................................... 149
ALPHABETICAL INDEX
........................................ 163
NOTES
....................................................... 173
Several critics have been intrigued by the gap between late
Victorian poetry and the more »modern« poetry or the
1
920s.
This book attempts to get to grips with the watershed by
analysing one school of poetry and criticism written in the
first decade of the 20th century until the end of the First
World War.
To many readers and critics,
Т.Е.
Hulme
and the Imagists
represent little more than a footnote. But they are more
than mere stepping-stones in the transition. Besides being
experimenting poets, most of them are acute critics of art
and literature, and they made the poetic picture the focus of
their attention. They are opposed not only to the monopoly
of science, which claimed to be able to decide what truth and
reality »really« are, but also to the predictability and insipidity of
much
oř
the poetry of the late Tennyson and his successors.
Behind the discussions and experiments lay the great question
What Is Reality? What are its characteristics? How can we
describe it? Can we ever get to an understanding of it?
Hulme
and the Imagists deserve to be taken seriously because
of their untiring efforts, and because they contributed to
bringing about the
reorientation
that took place within the
poetical and critical traditions.
|
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| spelling | Olsen, Flemming Verfasser aut Between positivism and T. S. Eliot imagism and T. E. Hulme Flemming Olsen Odense Univ. Press of Southern Denmark 2008 193 S. txt rdacontent n rdamedia nc rdacarrier University of Southern Denmark studies in literature 52 Literaturverz. S. 149 - 161 Hulme, Thomas Ernest <1883-1917> - Critique et interprétation ram Hulme, Thomas E. 1883-1917 (DE-588)118775308 gnd rswk-swf Geschichte 1900-1920 gnd rswk-swf Imagisme ram Poésie anglaise - 1900-1945 - Histoire et critique ram Literaturkritik (DE-588)4036020-9 gnd rswk-swf Poetik (DE-588)4046449-0 gnd rswk-swf Imagismus (DE-588)4161299-1 gnd rswk-swf Hulme, Thomas E. 1883-1917 (DE-588)118775308 p DE-604 Imagismus (DE-588)4161299-1 s Poetik (DE-588)4046449-0 s Literaturkritik (DE-588)4036020-9 s Geschichte 1900-1920 z b DE-604 University of Southern Denmark studies in literature 52 (DE-604)BV017031944 52 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017178206&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017178206&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Olsen, Flemming Between positivism and T. S. Eliot imagism and T. E. Hulme University of Southern Denmark studies in literature Hulme, Thomas Ernest <1883-1917> - Critique et interprétation ram Hulme, Thomas E. 1883-1917 (DE-588)118775308 gnd Imagisme ram Poésie anglaise - 1900-1945 - Histoire et critique ram Literaturkritik (DE-588)4036020-9 gnd Poetik (DE-588)4046449-0 gnd Imagismus (DE-588)4161299-1 gnd |
| subject_GND | (DE-588)118775308 (DE-588)4036020-9 (DE-588)4046449-0 (DE-588)4161299-1 |
| title | Between positivism and T. S. Eliot imagism and T. E. Hulme |
| title_auth | Between positivism and T. S. Eliot imagism and T. E. Hulme |
| title_exact_search | Between positivism and T. S. Eliot imagism and T. E. Hulme |
| title_full | Between positivism and T. S. Eliot imagism and T. E. Hulme Flemming Olsen |
| title_fullStr | Between positivism and T. S. Eliot imagism and T. E. Hulme Flemming Olsen |
| title_full_unstemmed | Between positivism and T. S. Eliot imagism and T. E. Hulme Flemming Olsen |
| title_short | Between positivism and T. S. Eliot |
| title_sort | between positivism and t s eliot imagism and t e hulme |
| title_sub | imagism and T. E. Hulme |
| topic | Hulme, Thomas Ernest <1883-1917> - Critique et interprétation ram Hulme, Thomas E. 1883-1917 (DE-588)118775308 gnd Imagisme ram Poésie anglaise - 1900-1945 - Histoire et critique ram Literaturkritik (DE-588)4036020-9 gnd Poetik (DE-588)4046449-0 gnd Imagismus (DE-588)4161299-1 gnd |
| topic_facet | Hulme, Thomas Ernest <1883-1917> - Critique et interprétation Hulme, Thomas E. 1883-1917 Imagisme Poésie anglaise - 1900-1945 - Histoire et critique Literaturkritik Poetik Imagismus |
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