Film theory and contemporary Hollywood movies:
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
New York [u.a.]
Routledge
2009
|
| Edition: | 1. publ. |
| Series: | AFI film readers series
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | VI, 355 S. |
| ISBN: | 0415962617 0415962625 9780203030769 9780415962612 9780415962629 |
Staff View
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| 245 | 1 | 0 | |a Film theory and contemporary Hollywood movies |c ed. by Warren Buckland |
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Titel: Film theory and contemporary Hollywood movies
Autor: Buckland, Warren
Jahr: 2009
contents
illustrations vii
acknowledgments ix
introduction 1
warren buckland
part one: new practices, new aesthetics 17
1. new hollywood, new millennium 19
thomas schatz
2. the supernatural in neo-baroque hollywood 47
sean cubitt
3. man without a movie camera—movies without men:
towards a posthumanist cinema? 66
William brown
4. movie-games and game-movies: towards an aesthetics of
transmediality 86
doughs brown and tanya krzywmska
5. saw heard: musical sound design in contemporary cinema 103
k.j. donnelly
6. the shape of 1999: the stylistics of american
movies at the end of the century 124
barry salt
7. tales of epiphany and entropy: paranarrative
worlds on youtube 150
thomas elsaesser
part two: feminism, philosophy, and queer theory 173
8. reformulating the symbolic universe: kill bill and
tarantino's transcultural imaginary 175
sasa vojkovic
9. (broke) back to the mainstream: queer theory and
queer cinemas today 192
harry m. benshoff
10. demystifying deleuze: french philosophy
meets contemporary u.s. cinema 214
david martin-jones
part three: rethinking affects, narration, fantasy, and realism 235
11. trauma, pleasure, and emotion in the
viewing of titanic: a cognitive approach 237
carl planttnga
12. mementos of contemporary american cinema: identifying
and responding to the unreliable narrator in the
movie theater 257
volier ferenz
13. fantasy audiences versus fantasy audiences 286
martin barker
14. "what is there really in the world?" forms of theory,
evidence and truth in fahrenheit 9/11: a philosophical
and intuitionist realist approach 310
ian aitken
contributors 331
index 335
illustrations
figures
6.1 Historical survey of Average Shot Length (ASL) in
American commercial cinema 1940-1999 130
6.2 The proportions of shots of different scale (or closeness) 135
6.3 Average Shot Length of American films released between
1982 and 1987 147
tables
1.1 2006 net U.S. media revenue 22
6.1 Average Shot Lengths, percentage of Reverse Angle cuts,
percentage of POV shots, and percentage of Insert shots for
the twenty-film sample from 1999 132
6.2 Camera movements for the twenty-film sample from 1999 139
13.1 Relations of kind of world choices with levels of
enjoyment and importance 300
Film theory no longer gets top billing or plays a starring role in film studies
today, as critics proclaim that theory is dead and we are living in a post-
theory moment. While theory may be out of the limelight, it remains an
essential key to understanding the full complexity of cinema, one that should
not be so easily discounted or discarded.
In this volume, contributors explore recent popular movies through
the lens of film theory, beginning with industrial-economic analysis before
moving into a predominately aesthetic and interpretive framework. The
Hollywood
films discussed cover a wide range from
300
to Fifty First Dates,
from Brokeback Mountain to Lord of the Rings, from Spider-Man
3
to Fahrenheit 9jll,
from Saw to Memento and Kill Bill. Individual essays consider such topics as
the rules that govern new blockbuster franchises, the
"posthumanist
real¬
ism" of digital
cinema,
video game adaptations, increasingly restricted sty¬
listic norms, the spatial stories of social networks like YouTube, the
mainstreaming of queer culture, and the cognitive paradox behind enjoy¬
able viewing of traumatic events onscreen.
With its cast of international film scholars, Film Theory and Contemporary
Hollywood Movies demonstrates the remarkable contributions theory can
offer to film studies and moviegoers alike. |
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| spelling | Film theory and contemporary Hollywood movies ed. by Warren Buckland 1. publ. New York [u.a.] Routledge 2009 VI, 355 S. txt rdacontent n rdamedia nc rdacarrier AFI film readers series Includes bibliographical references and index Film Philosophie Motion pictures Philosophy Motion pictures United States Film (DE-588)4017102-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s DE-604 Buckland, Warren 1966- Sonstige (DE-588)1026775191 oth Erscheint auch als Online-Ausgabe 0-203-03076-1 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017158717&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017158717&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Film theory and contemporary Hollywood movies |
| title_auth | Film theory and contemporary Hollywood movies |
| title_exact_search | Film theory and contemporary Hollywood movies |
| title_full | Film theory and contemporary Hollywood movies ed. by Warren Buckland |
| title_fullStr | Film theory and contemporary Hollywood movies ed. by Warren Buckland |
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