The power of technology in the Bronze Age eastern Mediterranean: the case of the painted plaster
"This volume brings both technological and iconographic (and other) approaches closer together: by completing certain gaps in the literature on technology and, by investigating how and why technological transfer has developed and what broader impact this had on the wider social dynamics of the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Equinox
2008
|
| Schriftenreihe: | Monographs in Mediterranean archaeology
12 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This volume brings both technological and iconographic (and other) approaches closer together: by completing certain gaps in the literature on technology and, by investigating how and why technological transfer has developed and what broader impact this had on the wider social dynamics of the late Middle and Late Bronze Age in the eastern Mediterranean." "This study approaches the topic of painted plaster by a multidisciplinary methodology. Moreover, when human actors and their interactions are placed in the centre of the scene, it demonstrates the human forces through which transfer was enabled and how multiple social identities and the inter-relationships of these actors with each other and their material world were expressed through their craft production and organization. The investigated data from sixteen sites has been contextualized within a wider framework of Bronze Age interconnections both in time and space because studying painted plaster in the Aegean cannot be considered separate from similar traditions both in Egypt and in the Near East." "This study makes clear that it is not possible to deduce a one-way directional transfer of this painting tradition. The painted plaster reflects a very visible presence in the archaeological record and, because it cannot be transported without its artisans, it suggests specific interactions of royal courts in the East with the Aegean peoples. The painted plaster as an immovable feature required at least temporary presence of a small team of painters and plasterers. This factor forms an argument in support of travelling artisans, who, in turn, shed light onto broader aspects of contact, trade and exchange mechanisms during the late MBA and LBA."--BOOK JACKET. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIV, 258 S. graph. Darst., Kt. |
| ISBN: | 9781845534332 |
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| 520 | 1 | |a "This volume brings both technological and iconographic (and other) approaches closer together: by completing certain gaps in the literature on technology and, by investigating how and why technological transfer has developed and what broader impact this had on the wider social dynamics of the late Middle and Late Bronze Age in the eastern Mediterranean." "This study approaches the topic of painted plaster by a multidisciplinary methodology. Moreover, when human actors and their interactions are placed in the centre of the scene, it demonstrates the human forces through which transfer was enabled and how multiple social identities and the inter-relationships of these actors with each other and their material world were expressed through their craft production and organization. The investigated data from sixteen sites has been contextualized within a wider framework of Bronze Age interconnections both in time and space because studying painted plaster in the Aegean cannot be considered separate from similar traditions both in Egypt and in the Near East." "This study makes clear that it is not possible to deduce a one-way directional transfer of this painting tradition. The painted plaster reflects a very visible presence in the archaeological record and, because it cannot be transported without its artisans, it suggests specific interactions of royal courts in the East with the Aegean peoples. The painted plaster as an immovable feature required at least temporary presence of a small team of painters and plasterers. This factor forms an argument in support of travelling artisans, who, in turn, shed light onto broader aspects of contact, trade and exchange mechanisms during the late MBA and LBA."--BOOK JACKET. | |
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| 650 | 4 | |a Industries, Prehistoric |z Mediterranean Region | |
| 650 | 4 | |a Painting, Prehistoric |z Mediterranean Region | |
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Datensatz im Suchindex
| _version_ | 1804138641355702272 |
|---|---|
| adam_text | Contents
List of Figures
vii
List of Tables
ix
List of Abbreviations
xi
Acknowledgements
xiii
1
(Prologue): A Tale of Frescoes
1
Introduction
1
Analytical, Technological and Conservation Studies
7
Social Aspects as the Interface between Technology, Iconography and
Style
11
2
The Power of Technology, Knowledge and Social Agency
15
Introduction
15
Painted Plaster Definitions
16
Technology Definitions
17
Who were the Artisans?
23
Social Identities and Social Organization of Artisans
27
Technology within an Elite Context
34
Human Action at the Epicentre of Technology: a Labyrinth of
Relationships
41
3
Technological Style and the Power of Technology and Knowledge
45
Introduction
45
Iconography, Technology and Style
45
Technological Style
48
4
Archaeometric Approaches to Technologies and Materials
52
Introduction
52
Instrumental Analysis and Sampling Strategies
53
The Methodology of Experimentation and Replication
63
Conclusions
76
VI
CONTENTS
5
Painted Plaster in the Aegean and Eastern Mediterranean
77
Introduction
77
Cross-Cultural Contacts and Crafts in East Mediterranean Societies
77
The Role of Painted Plaster in East Mediterranean Societies
84
The Archaeological Context and the Importance of the Material
per Site
86
Discussion of Painted Plaster and its Date within its Context on Site
107
6
Analyzed to Bits: Technological and
Iconographie
Transfer 111
Introduction 111
Macroscopic Study Results
112
Microscopic Study Results
121
Mineralogical Identification of Plaster and Pigments by Means
ofXRD
128
The Blue Pigment Issue
134
Non-Destructive Approaches
1:
Instrumental Analyses
139
Non-Destructive Approaches
2:
Experimental Replication
140
7
Considering Material Culture and Social Identities
147
Introduction
147
Technology and Social Agency: Archaeological Context
148
Social Agency and Technology: Social Context
165
Conclusions
185
8
Technology and Social Agency of Painted Plaster
186
Introduction
186
Technological Transfer in Support of
Iconographie
Transfer?
187
Agency in Painted Plaster Production in the Late Bronze Age
eastern Mediterranean
188
Technology and Trade in an eastern Mediterranean Bronze Age
Context
189
Where to Go from Here?
195
Bibliography
199
Glossary 243
Index 245
|
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| spelling | Brysbaert, Ann Verfasser (DE-588)131995499 aut The power of technology in the Bronze Age eastern Mediterranean the case of the painted plaster Ann Brysbaert London [u.a.] Equinox 2008 XIV, 258 S. graph. Darst., Kt. txt rdacontent n rdamedia nc rdacarrier Monographs in Mediterranean archaeology 12 Includes bibliographical references and index "This volume brings both technological and iconographic (and other) approaches closer together: by completing certain gaps in the literature on technology and, by investigating how and why technological transfer has developed and what broader impact this had on the wider social dynamics of the late Middle and Late Bronze Age in the eastern Mediterranean." "This study approaches the topic of painted plaster by a multidisciplinary methodology. Moreover, when human actors and their interactions are placed in the centre of the scene, it demonstrates the human forces through which transfer was enabled and how multiple social identities and the inter-relationships of these actors with each other and their material world were expressed through their craft production and organization. The investigated data from sixteen sites has been contextualized within a wider framework of Bronze Age interconnections both in time and space because studying painted plaster in the Aegean cannot be considered separate from similar traditions both in Egypt and in the Near East." "This study makes clear that it is not possible to deduce a one-way directional transfer of this painting tradition. The painted plaster reflects a very visible presence in the archaeological record and, because it cannot be transported without its artisans, it suggests specific interactions of royal courts in the East with the Aegean peoples. The painted plaster as an immovable feature required at least temporary presence of a small team of painters and plasterers. This factor forms an argument in support of travelling artisans, who, in turn, shed light onto broader aspects of contact, trade and exchange mechanisms during the late MBA and LBA."--BOOK JACKET. Funde Geschichte Bronze age Mediterranean Region Industries, Prehistoric Mediterranean Region Painting, Prehistoric Mediterranean Region Plastering Mediterranean Region History Putz (DE-588)4136674-8 gnd rswk-swf Wandmalerei (DE-588)4064542-3 gnd rswk-swf Bronzezeit (DE-588)4008357-3 gnd rswk-swf Mediterranean Region Antiquities Levante (DE-588)4196563-2 gnd rswk-swf Levante (DE-588)4196563-2 g Bronzezeit (DE-588)4008357-3 s Putz (DE-588)4136674-8 s Wandmalerei (DE-588)4064542-3 s DE-604 Monographs in Mediterranean archaeology 12 (DE-604)BV006667402 12 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017134122&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Brysbaert, Ann The power of technology in the Bronze Age eastern Mediterranean the case of the painted plaster Monographs in Mediterranean archaeology Funde Geschichte Bronze age Mediterranean Region Industries, Prehistoric Mediterranean Region Painting, Prehistoric Mediterranean Region Plastering Mediterranean Region History Putz (DE-588)4136674-8 gnd Wandmalerei (DE-588)4064542-3 gnd Bronzezeit (DE-588)4008357-3 gnd |
| subject_GND | (DE-588)4136674-8 (DE-588)4064542-3 (DE-588)4008357-3 (DE-588)4196563-2 |
| title | The power of technology in the Bronze Age eastern Mediterranean the case of the painted plaster |
| title_auth | The power of technology in the Bronze Age eastern Mediterranean the case of the painted plaster |
| title_exact_search | The power of technology in the Bronze Age eastern Mediterranean the case of the painted plaster |
| title_full | The power of technology in the Bronze Age eastern Mediterranean the case of the painted plaster Ann Brysbaert |
| title_fullStr | The power of technology in the Bronze Age eastern Mediterranean the case of the painted plaster Ann Brysbaert |
| title_full_unstemmed | The power of technology in the Bronze Age eastern Mediterranean the case of the painted plaster Ann Brysbaert |
| title_short | The power of technology in the Bronze Age eastern Mediterranean |
| title_sort | the power of technology in the bronze age eastern mediterranean the case of the painted plaster |
| title_sub | the case of the painted plaster |
| topic | Funde Geschichte Bronze age Mediterranean Region Industries, Prehistoric Mediterranean Region Painting, Prehistoric Mediterranean Region Plastering Mediterranean Region History Putz (DE-588)4136674-8 gnd Wandmalerei (DE-588)4064542-3 gnd Bronzezeit (DE-588)4008357-3 gnd |
| topic_facet | Funde Geschichte Bronze age Mediterranean Region Industries, Prehistoric Mediterranean Region Painting, Prehistoric Mediterranean Region Plastering Mediterranean Region History Putz Wandmalerei Bronzezeit Mediterranean Region Antiquities Levante |
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