Verfügbarkeit: Digital guitar power!

Digital guitar power!: the comprehensive guide

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Bibliographische Detailangaben
1. Verfasser:	Schonbrun, Marc E. (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Boston, MA Thomson Course Technology 2006
Schlagworte:	Guitar > Electronic equipment Electric guitar Computer sound processing Guitar amplifiers > Computer simulation > Software Audiotechnik Elektrogitarrenbau Elektrogitarre Software
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes index.
Beschreibung:	xviii, 387 p. ill. 23 cm
ISBN:	1592009328 9781592009329

Internformat

MARC


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Datensatz im Suchindex

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adam_text	TABLE OF Contents CHAPTER 1 Introduction to Digital Guitar .............................................................1 Why Digital Guitar? .................................................................................................1 What Is Digital? .......................................................................................................2 What You ll Learn ...................................................................................................3 How We ll Get There ...............................................................................................5 Who This Book Is For ..............................................................................................5 CHAPTER 2 The History of Processing for Guitar .................................................7 Analog and Digital Sound ........................................................................................7 Sound .................................................................................................................7 Analog Processing ..............................................................................................9 Digital Sound ...................................................................................................11 Rack Processors .....................................................................................................12 Tube Amps .............................................................................................................13 Power Tubes and Preamp Tubes ......................................................................14 The Nature of Distortion ..................................................................................15 Transistor/Solid State Amps ............................................................................15 The Birth of Digital Modeling ...............................................................................16 The Long Road to Modeling Amps .................................................................16 Digital Modeling to the Rescue .......................................................................17 MIDI/Synth Guitar .................................................................................................19 The Complexity of a MIDI Guitar ...................................................................20 Building a Better Mousetrap ............................................................................20 vrn Contents CHAPTER 3 Digital Modeling Amps ...................................................................23 Digital Modeling Amplifiers ..................................................................................23 Lineó ................................................................................................................25 Other Amps ......................................................................................................34 Digital Modeling Processors ..................................................................................37 Lineo POD .......................................................................................................37 Behringer ..........................................................................................................42 DigiTechGNX4 ...............................................................................................44 M-Audio Black Box .........................................................................................56 Roland VG Series .............................................................................................63 CHAPTER 4 Digital Modeling Guitars ..................................................................69 The Variax Electric ................................................................................................69 Variax Controls ................................................................................................70 Custom Banks ..................................................................................................72 Variax Connections ..........................................................................................72 The Workbench ................................................................................................75 The Variax and Other Lineó Products .............................................................78 The Variax Acoustic ..............................................................................................78 Guitar Models and Controls .............................................................................78 The Three Slider Controls ................................................................................81 Alternate Tunings .............................................................................................82 Virtual Capo and Custom Tuning ....................................................................83 Outputs and Power ...........................................................................................84 CHAPTERS The Age of Computers and Interfaces ..............................................85 Computer Setups ....................................................................................................86 The Central Processing Unit ............................................................................86 Bus Speed .........................................................................................................88 IX Contents Computer Memory and Storage .............................................................................89 Random Access Memory (RAM) ....................................................................90 HardDrives ......................................................................................................91 Guitar to Computer Communication ......................................................................97 Audio Interfaces ...............................................................................................97 The Guitar s Signal ........................................................................................106 Monitoring .....................................................................................................109 Getting the Most from Your Computer System ................................................... Ill Mac Specific Tips .......................................................................................... Ill Windows Specific Tips ..................................................................................115 CHAPTER 6 First Tools: The History of Modeling Plug-ins ..............................121 Lineó: Amp Farm .................................................................................................121 Bomb Factory: SansAmp .....................................................................................122 Steinberg: Warp ...................................................................................................122 IK Multimedia^: Amplitube ................................................................................124 CHAPTER? Proprietary Guitar Processing Software .........................................127 GarageBand ..........................................................................................................127 Launching GarageBand ..................................................................................128 The Amps .......................................................................................................135 Logic Express .......................................................................................................137 Logic Pro ..............................................................................................................140 Amp, Speaker, and EQ Models ......................................................................142 Tremolo and Vibrato ......................................................................................145 Reverb ............................................................................................................146 Microphone Position ......................................................................................146 Microphone Selector ......................................................................................147 X Contents CHAPTER 8 Waves GTR System ........................................................................149 The GTR System ..................................................................................................149 The Guitar Interface .............................................................................................150 The Software ........................................................................................................152 Waves GTR Amp ...........................................................................................152 Waves Stomp .................................................................................................158 Control ...........................................................................................................160 CHAPTER 9 iZotope: Trash .................................................................................163 Talkin Trash ........................................................................................................163 In-depth Modules .................................................................................................167 Squash — Compression ...................................................................................168 Squash — Gating .............................................................................................170 Pre-Filter ........................................................................................................171 Trash ...............................................................................................................174 Post-Filter .......................................................................................................176 Box Model ......................................................................................................178 Buzz ...............................................................................................................180 CHAPTER 10 Native Instruments: Guitar Rig .......................................................183 The Rig Kontrol^) ...............................................................................................184 The Interface ........................................................................................................186 The Amps, Cabinets, and Mies ............................................................................190 Distortion Devices ................................................................................................193 Modulation Devices .............................................................................................195 EQ Modules .........................................................................................................197 Volume Components ............................................................................................199 Reverb ..................................................................................................................200 Special Tools ........................................................................................................201 Modifiers ..............................................................................................................204 Xl Contents Fixed Components ...............................................................................................206 Kontrol .................................................................................................................207 CHAPTER 11 DSP Systems: UAD andPowercore ...............................................209 Universal Audio UAD-1: Nigel ...........................................................................209 The Preflex Module .......................................................................................211 TheCabModules ...........................................................................................213 UAD Latency .................................................................................................213 UA Goodies ....................................................................................................215 T.C. Electronic Powercore ...................................................................................215 Powercore: Tubifex ........................................................................................216 Powercore: TC Thirty ....................................................................................220 CHAPTER 12 Special Tools: Melodyne ................................................................223 WhatlsMelodyne? ..............................................................................................223 Melodyne Basics ..................................................................................................224 Audio Editing .......................................................................................................231 Repair .............................................................................................................232 Creative Uses .................................................................................................236 Harmony Tools ....................................................................................................241 Changing the Tonality ....................................................................................241 Instant Harmony .............................................................................................243 Using the MelodyneBridge Plug-in .....................................................................246 Converting Pitch to МШІ ....................................................................................248 CHAPTER 13 Recording Your Guitar ...................................................................251 WhyGetReal? .....................................................................................................251 Microphones .........................................................................................................252 Dynamic Microphones ...................................................................................252 Condenser Microphones ................................................................................253 xu Contents Ribbon Microphones ......................................................................................254 Polar Patterns .................................................................................................255 Miking an Amplifier ............................................................................................259 Placement and Distance .................................................................................260 Reamping .......................................................................................................262 Recording Acoustic Guitar ...................................................................................263 CHAPTER 14 Mixing Strategies for Guitar ...........................................................265 Replacing Effects .................................................................................................265 Replicating Inline Effects in a DAW .............................................................265 Replicating Effect Loops in a DAW ..............................................................270 Marc s Top 5 Reasons to Use Plug-ins ................................................................272 How to EQ Guitar ................................................................................................273 The Guitar s Frequency Range ......................................................................273 EQ Practices ...................................................................................................275 Mixing Tips and Tricks ........................................................................................280 Tip 1: Real Delay ...........................................................................................280 Tip 2: Motion .................................................................................................280 Tip 3: Mono ...................................................................................................281 Tip 4: Frankenstein Amps ..............................................................................281 CHAPTER 15 МЮІ Guitar ....................................................................................283 The History of MIDI Guitar .................................................................................283 Non-MIDI Guitar Synths ...............................................................................284 The Shift to MIDI ..........................................................................................288 Anyone Else? .......................................................................................................290 Roland s Perseverance .........................................................................................292 Add MIDI to Any Guitar .....................................................................................293 The iGuitar.USB ..................................................................................................296 The Starr Labs Ztar ..............................................................................................297 Tips for More Successful MIDI Guitar ................................................................300 Xlii S& J& Ä Contents Strings ............................................................................................................302 Muting ............................................................................................................303 Ghost Notes and Double Triggers ..................................................................303 Cleaning Up Sequences .................................................................................305 Finger Style МЮІ Guitar Secrets ..................................................................307 CHAPTER 16 Music Notation ...............................................................................309 Why MIDI Guitar? ...............................................................................................309 Setting Up Sibelius ...............................................................................................311 Setting Up Finale .................................................................................................316 Learning with Notation ........................................................................................318 Versions ...............................................................................................................321 CHAPTER 17 Virtual Instruments .........................................................................325 What Virtual Instruments Do ...............................................................................325 Samplers ...............................................................................................................326 Additive Synthesizers ..........................................................................................329 Subtractive Synthesizers ......................................................................................330 FM Synthesizers ...................................................................................................332 Multi-Synths .........................................................................................................333 Individual Instrument Re-creations ......................................................................338 Acoustic Instruments ......................................................................................339 Analog Synthesizer Emulations .....................................................................341 Reaktor .................................................................................................................343 Physical Modeling ................................................................................................346 Logic Pro ..............................................................................................................349 Let s Start with the Simpler, Subtractive Synthesizers ..................................350 Advanced Subtractive Synthesizers, ES 1 and ES 2 ......................................351 Traditional FM-style EFM 1 and Totally Unique Sculpture ..........................352 Logic Virtual Keyboard Collection ................................................................354 Sampler: EXS24mkII ....................................................................................355 XIV Contents CHAPTER 18 Digital Guitar Live! ........................................................................359 Getting Started .....................................................................................................359 Our Questions ................................................................................................360 Live Audio Interfaces .....................................................................................361 Software .........................................................................................................363 Control ...........................................................................................................364 MIDI Guitar ...................................................................................................365 Amplification and Speakers ...........................................................................366 Security ..........................................................................................................368 Tips That Will Save Your Life When Performing Live ......................................368 My Rig .................................................................................................................369 GLOSSARY Important Terms for the MIDI Guitarist .........................................373 Index ...............................................................................................375 XV
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spellingShingle	Schonbrun, Marc E. Digital guitar power! the comprehensive guide Guitar Electronic equipment Electric guitar Computer sound processing Guitar amplifiers Computer simulation Software Audiotechnik (DE-588)4140445-2 gnd Elektrogitarrenbau (DE-588)4204051-6 gnd Elektrogitarre (DE-588)4151804-4 gnd Software (DE-588)4055382-6 gnd
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title	Digital guitar power! the comprehensive guide
title_auth	Digital guitar power! the comprehensive guide
title_exact_search	Digital guitar power! the comprehensive guide
title_full	Digital guitar power! the comprehensive guide Marc Schonbrun
title_fullStr	Digital guitar power! the comprehensive guide Marc Schonbrun
title_full_unstemmed	Digital guitar power! the comprehensive guide Marc Schonbrun
title_short	Digital guitar power!
title_sort	digital guitar power the comprehensive guide
title_sub	the comprehensive guide
topic	Guitar Electronic equipment Electric guitar Computer sound processing Guitar amplifiers Computer simulation Software Audiotechnik (DE-588)4140445-2 gnd Elektrogitarrenbau (DE-588)4204051-6 gnd Elektrogitarre (DE-588)4151804-4 gnd Software (DE-588)4055382-6 gnd
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