Conducting the wind orchestra: meaning, gesture, and expressive potential
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amherst, NY
Cambria Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVIII, 199 S. Notenbeisp. |
| ISBN: | 9781604975598 |
Internformat
MARC
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|---|---|---|---|
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| 007 | t | ||
| 008 | 090209s2008 xxugl|| |||| 00||| eng d | ||
| 020 | |a 9781604975598 |c alk. paper |9 978-1-604-97559-8 | ||
| 035 | |a (OCoLC)237199257 | ||
| 035 | |a (DE-599)BVBBV035299972 | ||
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| 100 | 1 | |a Hinton, Eric L. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Conducting the wind orchestra |b meaning, gesture, and expressive potential |c Eric L. Hinton |
| 264 | 1 | |a Amherst, NY |b Cambria Press |c 2008 | |
| 300 | |a XVIII, 199 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 650 | 4 | |a Conducting | |
| 650 | 4 | |a Band music |x History and criticism | |
| 650 | 0 | 7 | |a Dirigieren |0 (DE-588)4012435-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Blasorchester |0 (DE-588)4112784-5 |2 gnd |9 rswk-swf |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-017104855 | ||
| 942 | 1 | 1 | |c 780 |e 22/bsb |
Datensatz im Suchindex
| _version_ | 1804138599909687296 |
|---|---|
| adam_text | Table of Contents
List of Figures
x
List of Tables
xi
List of Musical Examples
xii
Foreword
xv
Preface
xvii
Acknowledgments
xix
Chapter
1:
Conducting in Theory and Practice
1
The Conductor as Interpreter
1
The Conductor/Ensemble Relationship
17
Chapter
2:
The Development of the Wind
Orchestra and Its Conductor
27
The American Wind Band
29
The Twentieth-Century Wind Orchestra
in Great Britain
44
The Wind Orchestra Conductor
48
Chapter
3:
Expressive Potential in Selected
Works for Wind Orchestra
53
Meaning in Music: Expressive Potential
and Narrative
53
viii
Conducting the Wind Orchestra
Topical Discourse in Music
61
Expressive Potential and Physical Gestures
69
Chapter
4:
Overture From Gazebo Dances
by John Corigliano
91
Overture From Gazebo Dances
92
Narrative Through Topical Discourse
and Structural Content in Overture
From Gazebo Dances
100
Theory Into Practice: Conducting
the Overture From Gazebo Dances
104
Chapter
5:
Introduction and Fanfare
From Music for Prague
1968
by
Karel Husa
113
Introduction and Fanfare
From Music for Prague
1968
113
Narrative Through Topical Discourse
and Structural Content in Introduction
and Fanfare From Music for Prague
1968
119
Theory Into Practice: Conducting
the Introduction and Fanfare
From Music for Prague
1968
124
Chapter
6:
Celebration by Edward Gregson
127
Celebration
127
Narrative Through Topical Discourse
and Structural Content in Celebration
137
Theory Into Practice: Conducting Celebration
141
Chapter?: Morning Music
by Richard Rodney Bennett
149
Morning Music
149
Table
of
Contents
ix
Narrative
Through Topical Discourse
and Structural Content in Morning Music
160
Theory Into Practice: Conducting
Morning Music
160
Chapter
8:
Summary and Conclusions
169
Appendices
175
A. Past ABA/Ostwald Winners
and Their Compositions
175
B. CBDNA Commissions
177
С
BASBWE and College
Consortium Commissions
179
Bibliography
183
Index
195
List of Figures
Figure 4.1a. Structural outline: Overture
from Gazebo Dances.
101
Figure 4.1b. Structural outline: Overture
from Gazebo Dances.
102
Figure
5.1.
Topical discourse, intensity curve,
and formal outline.
123
Figure
6.1.
Structural diagram of Celebration.
128
Figure
6.2.
Formal structure and topical
discourse in Celebration.
138
Figure
7.1.
Intensity curve, Morning Music.
161
List of Tables
Table
2.1.
Twenty-Second Regiment
of New York,
1878. 31
Table
2.2.
United States Marine Band,
1891. 32
Table
2.3.
University of Illinois Concert Band,
1938
(Albert Austin Harding, conductor)
. 3 8
Table
2.4.
Instrumentation of the Eastman
Wind Ensemble,
1952. 40
Table
2.5.
CBDNA recommended instrumentation.
41
Table
2,6.
Instrumentation of the American
Wind Symphony.
44
Table
2.7.
Original repertoire for the British
military band in the first quarter
of the twentieth century.
45
Table
2.8.
Wind orchestra works from
the
Donaueschingen
Festival of
1926. 47
Table
4.1.
Topics in the Overture
from Gazebo Dances.
93
List of Musical Examples
Example
2.1.
Goldman Band concert
programme, Carnegie Hall,
New York,
3
January
1948. 34
Example
4.1.
Incisive rhythm, bars
1-7. 94
Example
4.2.
Country dance, bars
22-27. 96
Example
4.3.
March/fanfare/Turkish effect,
bars
65-69. 97
Example
4.4.
Sigh, bars
74-78. 98
Example
4.5.
Pyramid, bar
9. 99
Example
5.1.
Hussite War Song
—
Ye Warriors
ofGodandHisLaw .
115
Example
5.2.
Birdcall, bars
1-14. 116
Example
5.3.
Chorale chords.
117
Example
5
A. Pyramid, bars
25-26. 118
Example
5.5.
Fanfare, bars
35-38. 119
List of Musical Examples
xiii
Example 6.1a. Fanfare
1,
bars
1-12. 129
Example 6.1b. Fanfare
2,
bars
15-20. 130
Example 6.1c. Fanfare
3,
bars
21-24. 131
Example
6.2.
Passepied, bars
39-59. 132
Example
6.3.
Ritual dance
1,
bars
67-72. 133
Example
6.4.
Ritual dance
2,
bars
108-121. 134
Example
6.5. Empfindsamkeit,
bars
91-107. 135
Example
6.6.
Chorale, bars
138-146. 136
Example
7.1.
Prelude, bars
1-18. 152
Example 7.2a. Ships (staccato), bars
53-60. 154
Example 7.2b. Ships (lyrical), bars
70-85. 154
Example 7.2c. Ships (fanfare), bars
116-124. 155
Example
7.3.
Towers, bars
157-166. 156
Example
7.4.
Domes, bars
224-230. 156
Example 7.5a. Theatres (fanfare), bars
366-374. 157
xiv
Conducting the Wind Orchestra
Example 7.5b. Theatres (rag), bars
403-410. 158
Example
7.6.
Temples, bars
476-480. 159
Example
7.7.
Finale , bars
584-588. 164
|
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| id | DE-604.BV035299972 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:30:45Z |
| institution | BVB |
| isbn | 9781604975598 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017104855 |
| oclc_num | 237199257 |
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| physical | XVIII, 199 S. Notenbeisp. |
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| publisher | Cambria Press |
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| spelling | Hinton, Eric L. Verfasser aut Conducting the wind orchestra meaning, gesture, and expressive potential Eric L. Hinton Amherst, NY Cambria Press 2008 XVIII, 199 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Conducting Band music History and criticism Dirigieren (DE-588)4012435-6 gnd rswk-swf Blasorchester (DE-588)4112784-5 gnd rswk-swf Dirigieren (DE-588)4012435-6 s Blasorchester (DE-588)4112784-5 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017104855&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hinton, Eric L. Conducting the wind orchestra meaning, gesture, and expressive potential Conducting Band music History and criticism Dirigieren (DE-588)4012435-6 gnd Blasorchester (DE-588)4112784-5 gnd |
| subject_GND | (DE-588)4012435-6 (DE-588)4112784-5 |
| title | Conducting the wind orchestra meaning, gesture, and expressive potential |
| title_auth | Conducting the wind orchestra meaning, gesture, and expressive potential |
| title_exact_search | Conducting the wind orchestra meaning, gesture, and expressive potential |
| title_full | Conducting the wind orchestra meaning, gesture, and expressive potential Eric L. Hinton |
| title_fullStr | Conducting the wind orchestra meaning, gesture, and expressive potential Eric L. Hinton |
| title_full_unstemmed | Conducting the wind orchestra meaning, gesture, and expressive potential Eric L. Hinton |
| title_short | Conducting the wind orchestra |
| title_sort | conducting the wind orchestra meaning gesture and expressive potential |
| title_sub | meaning, gesture, and expressive potential |
| topic | Conducting Band music History and criticism Dirigieren (DE-588)4012435-6 gnd Blasorchester (DE-588)4112784-5 gnd |
| topic_facet | Conducting Band music History and criticism Dirigieren Blasorchester |
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