Film histories: an introduction and reader
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
Edinburgh
Edinburgh Univ. Press
2008
|
| Edition: | repr. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | viii, 612 S. |
| ISBN: | 9780748619078 9780748619061 |
Staff View
MARC
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Record in the Search Index
| _version_ | 1804138573934362624 |
|---|---|
| adam_text | CONTENTS
Preface
viii
Part I: Film History from its Origins to
1945
1.
The Emergence of Cinema
3
Extract: Tom Gunning, The Cinema of Attractions:
Early Film, its Spectator and the
Avant-Garde 13
2.
Organising Early Film Audiences
21
Extract: Lee Grieveson, Why the Audience Mattered
in Chicago in
1907 31
3.
Nationalism, Trade and Market Domination
45
Extract: Richard Abel, The Perils of
Pathé, or
the
Americanization of Early American Cinema
54
4.
Establishing Classical Norms
67
Extract: Janet Staiger, Mass-Produced Photoplays: Economic
and Signifying Practices in the First Years of Hollywood
76
5.
The Age of the Dream Palace and the Rise of the
Star System
93
Extract: Douglas Gomery, The Rise of National
Theatre Chains
103
Afterword by Douglas Gomery
119
6.
Competing with Hollywood: National Film Industries
outside Hollywood
120
Extract: Thomas Elsaesser, Social Mobility and the
Fantastic: German Silent Cinema
130
Film Histories
7.
The Rise of the Studios and the Coming of Sound
147
Extract: Mark Jancovich and Lucy
Faire,
Translating
the Talkies: Diffusion, Reception and Live Performance
156
8.
Realism, Nationalism and Film Culture
165
Extract: Haidee Wasson, Writing the Cinema into
Daily Life: Iris Barry and the Emergence of British Film
Criticism in the
1920s 174
9.
Adjustment, Depression and Regulation
187
Extract: Cynthia
Erb,
From Novelty to Romance:
King Kong s Promotional Campaign
194
10.
Totalitarianism, Dictatorship and Propaganda
208
Extract: Richard Taylor, Ideology as Mass Entertainment:
Boris Shumyatsky and Soviet Cinema in the
1930s 214
11.
The Common People, Historical Drama and Preparations
for War
236
Extract:
Tino Balio,
Columbia Pictures: The Making
of a Motion Picture Major,
1930-1943 244
12.
Wartime, Unity and Alienation
256
Extract: Clayton R. Koppes and Gregory D. Black,
What to Show the World: The Office of War
Information and Hollywood,
1942-1945 265
Part
П:
Film History from
1946
to the Present
13.
Postwar Challenges: National Regeneration, HUAC
Investigations, Divestiture and Declining Audiences
279
Extract: Jackie Stacey, With Stars in their Eyes:
Female Spectators and the Paradoxes of Consumption
289
14.
The Politics of Polarisation: Affluence, Anxiety and
the Cold War
305
Extract: Charles Ambler, Popular Films and
Colonial Audiences: The Movies in Northern Rhodesia
314
15.
Cinematic Spectacles and the Rise of the Independents
340
Extract: Barbara Klinger, Tastemaking: Reviews,
Popular Canons, and Soap Operas
351
16.
New Waves, Specialist Audiences and Adult Films
371
Extract: Eric Schaefer, The End of Classical Exploitation
380
17.
Radicalism, Revolution and Counter-Cinema
392
Extract: Randal Johnson, Cinema
Novo
400
18.
Modernism, Nostalgia and the Hollywood Renaissance
408
Extract: Kevin Heffernan, Inner-City Exhibition and the
Genre Film: Distributing Night of the Living Dead
(1968) 418
19.
From Movie Brats to Movie Blockbusters
435
Extract: Gianluca
Sergi,
Tales of the Silent Blast:
Star Wars and Sound
445
vi
Contents
20.
The Exhibitors Strike Back: Multiplexes, Video and
the Rise of Home Cinema
457
Extract: Janet Wasko, Talkin Bout a Revolution:
Home Video
467
21.
Postmodernism, High Concept and Eighties Excess
483
Extract: Justin Wyatt, The Formation of the
Major Independent : Miramax, New Line and the
New Hollywood
493
22.
Cults, Independents and Guerrilla Filmmaking
504
Extract: Thomas Austin,
Gone with the Wind Plus
Fangs : Genre, Taste and Distinction in the Assembly,
Marketing and Reception of
Bram
Stoker s
Dracula
514
23.
From Cinemas to Theme Parks: Conglomeration,
Synergy and Multimedia
529
Extract: Josh Stenger, Return to Oz: The Hollywood
Redevelopment Project, or Film History as
Urban Renewal
539
24.
Globalisation and the New Millennium
550
Extract: Leon Hunt, Transnational Dragons and Asian
Weapons :
Kung
Fu
and the Hong Kong Diaspora
560
Bibliography
574
Copyright Acknowledgements
585
Index
588
VII
|
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| era | Geschichte 1895-2003 gnd Geschichte gnd |
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| spelling | Film histories an introduction and reader Paul Grainge, Mark Jancovich and Sharon Monteith repr. Edinburgh Edinburgh Univ. Press 2008 viii, 612 S. txt rdacontent n rdamedia nc rdacarrier Geschichte 1895-2003 gnd rswk-swf Geschichte gnd rswk-swf Film Geschichte Motion picture industry History Motion pictures History Film (DE-588)4017102-4 gnd rswk-swf Filmgeschichtsschreibung (DE-588)4225851-0 gnd rswk-swf (DE-588)4002214-6 Anthologie gnd-content Filmgeschichtsschreibung (DE-588)4225851-0 s Geschichte 1895-2003 z DE-604 Film (DE-588)4017102-4 s Geschichte z 1\p DE-604 Grainge, Paul 1972- Sonstige (DE-588)133878627 oth Jancovich, Mark Sonstige oth Monteith, Sharon 1961- Sonstige (DE-588)1053837240 oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017086613&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Film histories an introduction and reader Film Geschichte Motion picture industry History Motion pictures History Film (DE-588)4017102-4 gnd Filmgeschichtsschreibung (DE-588)4225851-0 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4225851-0 (DE-588)4002214-6 |
| title | Film histories an introduction and reader |
| title_auth | Film histories an introduction and reader |
| title_exact_search | Film histories an introduction and reader |
| title_full | Film histories an introduction and reader Paul Grainge, Mark Jancovich and Sharon Monteith |
| title_fullStr | Film histories an introduction and reader Paul Grainge, Mark Jancovich and Sharon Monteith |
| title_full_unstemmed | Film histories an introduction and reader Paul Grainge, Mark Jancovich and Sharon Monteith |
| title_short | Film histories |
| title_sort | film histories an introduction and reader |
| title_sub | an introduction and reader |
| topic | Film Geschichte Motion picture industry History Motion pictures History Film (DE-588)4017102-4 gnd Filmgeschichtsschreibung (DE-588)4225851-0 gnd |
| topic_facet | Film Geschichte Motion picture industry History Motion pictures History Filmgeschichtsschreibung Anthologie |
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