Errant modernism: the ethos of photography in Mexico and Brazil
Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Autho...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham [u.a.]
Duke Univ. Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries' literary traditions looked at modern life through the camera in a variety of ways. Mario de Andrade, known as the 'pope' of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium's aesthetic potential as 'the prodigal daughter of the fine arts'.Intellectuals acted as tourists and ethnographers, and their images and texts circulated in popular mass media, sharing the page with photographs of the New Woman. In this richly illustrated study, Gabara introduces the concept of a modernist 'ethos' to illuminate the intertwining of aesthetic innovation and ethical concerns in the work of leading Brazilian and Mexican literary figures. These writers were also photographers, art critics, and contributors to illustrated magazines during the 1920s and 1930s. |
| Beschreibung: | "A John Hope Franklin Center Book." Includes bibliographical references and index |
| Beschreibung: | XII, 357 S. Ill. |
| ISBN: | 9780822343400 9780822343233 |
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| 520 | 3 | |a Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries' literary traditions looked at modern life through the camera in a variety of ways. Mario de Andrade, known as the 'pope' of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium's aesthetic potential as 'the prodigal daughter of the fine arts'.Intellectuals acted as tourists and ethnographers, and their images and texts circulated in popular mass media, sharing the page with photographs of the New Woman. In this richly illustrated study, Gabara introduces the concept of a modernist 'ethos' to illuminate the intertwining of aesthetic innovation and ethical concerns in the work of leading Brazilian and Mexican literary figures. These writers were also photographers, art critics, and contributors to illustrated magazines during the 1920s and 1930s. | |
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Datensatz im Suchindex
| _version_ | 1804138567240253440 |
|---|---|
| adam_text | CONTENTS LIST OF ILLUSTRATIONS .. . VII ACKNOWLEDGMENTS . . . XI
INTRODUCTION . .. 1 1 LANDSCAPE ERRANT MODERNIST AESTHETICS IN BRAZIL
... 36 2 PORTRAITURE FACING BRAZILIAN PRIMITIVISM ... 75 3 MEDIATION
MASS CULTURE, POPULAR CULTURE, MODERNISM . . . 120 4 ESSAY LAS BELLAS
ARTES PUBLICAS, PHOTOGRAPHY, AND GENDER IN MEXICO . . . 143 5 FICTION
PHOTOGRAPHIC FICTIONS, FICTIONAL PHOTOGRAPHS . . . 196 EPILOGUE ... 240
NOTES .. . 261 BIBLIOGRAPHY . . . 319 INDEX ... 345
|
| any_adam_object | 1 |
| author | Gabara, Esther 1972- |
| author_GND | (DE-588)137644388 |
| author_facet | Gabara, Esther 1972- |
| author_role | aut |
| author_sort | Gabara, Esther 1972- |
| author_variant | e g eg |
| building | Verbundindex |
| bvnumber | BV035276934 |
| callnumber-first | T - Technology |
| callnumber-label | TR28 |
| callnumber-raw | TR28 |
| callnumber-search | TR28 |
| callnumber-sort | TR 228 |
| callnumber-subject | TR - Photography |
| ctrlnum | (OCoLC)209334149 (DE-599)BVBBV035276934 |
| dewey-full | 770.981 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770.981 |
| dewey-search | 770.981 |
| dewey-sort | 3770.981 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| era | Geschichte 1920-1940 gnd |
| era_facet | Geschichte 1920-1940 |
| format | Book |
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| spelling | Gabara, Esther 1972- Verfasser (DE-588)137644388 aut Errant modernism the ethos of photography in Mexico and Brazil Esther Gabara Durham [u.a.] Duke Univ. Press 2008 XII, 357 S. Ill. txt rdacontent n rdamedia nc rdacarrier "A John Hope Franklin Center Book." Includes bibliographical references and index Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries' literary traditions looked at modern life through the camera in a variety of ways. Mario de Andrade, known as the 'pope' of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium's aesthetic potential as 'the prodigal daughter of the fine arts'.Intellectuals acted as tourists and ethnographers, and their images and texts circulated in popular mass media, sharing the page with photographs of the New Woman. In this richly illustrated study, Gabara introduces the concept of a modernist 'ethos' to illuminate the intertwining of aesthetic innovation and ethical concerns in the work of leading Brazilian and Mexican literary figures. These writers were also photographers, art critics, and contributors to illustrated magazines during the 1920s and 1930s. Geschichte 1920-1940 gnd rswk-swf Fotografia (aspectos sociais) - Brasil larpcal Fotografia (aspectos sociais) - México larpcal Literatura larpcal Modernismo larpcal Gesellschaft Photography Social aspects Mexico Photography Social aspects Brazil Literature and photography Mexico Literature and photography Brazil Modernism (Aesthetics) Mexico Modernism (Aesthetics) Brazil Fotografie (DE-588)4045895-7 gnd rswk-swf Ethik (DE-588)4015602-3 gnd rswk-swf Brasilien Mexiko Mexiko (DE-588)4039058-5 gnd rswk-swf Brasilien (DE-588)4008003-1 gnd rswk-swf Mexiko (DE-588)4039058-5 g Fotografie (DE-588)4045895-7 s Ethik (DE-588)4015602-3 s Geschichte 1920-1940 z DE-604 Brasilien (DE-588)4008003-1 g SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017082214&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gabara, Esther 1972- Errant modernism the ethos of photography in Mexico and Brazil Fotografia (aspectos sociais) - Brasil larpcal Fotografia (aspectos sociais) - México larpcal Literatura larpcal Modernismo larpcal Gesellschaft Photography Social aspects Mexico Photography Social aspects Brazil Literature and photography Mexico Literature and photography Brazil Modernism (Aesthetics) Mexico Modernism (Aesthetics) Brazil Fotografie (DE-588)4045895-7 gnd Ethik (DE-588)4015602-3 gnd |
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| title | Errant modernism the ethos of photography in Mexico and Brazil |
| title_auth | Errant modernism the ethos of photography in Mexico and Brazil |
| title_exact_search | Errant modernism the ethos of photography in Mexico and Brazil |
| title_full | Errant modernism the ethos of photography in Mexico and Brazil Esther Gabara |
| title_fullStr | Errant modernism the ethos of photography in Mexico and Brazil Esther Gabara |
| title_full_unstemmed | Errant modernism the ethos of photography in Mexico and Brazil Esther Gabara |
| title_short | Errant modernism |
| title_sort | errant modernism the ethos of photography in mexico and brazil |
| title_sub | the ethos of photography in Mexico and Brazil |
| topic | Fotografia (aspectos sociais) - Brasil larpcal Fotografia (aspectos sociais) - México larpcal Literatura larpcal Modernismo larpcal Gesellschaft Photography Social aspects Mexico Photography Social aspects Brazil Literature and photography Mexico Literature and photography Brazil Modernism (Aesthetics) Mexico Modernism (Aesthetics) Brazil Fotografie (DE-588)4045895-7 gnd Ethik (DE-588)4015602-3 gnd |
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