Ora pro nobis: the virgin as intercessor in Medieval art and devotion
The cult of the Virgin is central to the thinking of the Middle Ages. Her standing as intercessor and mediator stems from her role as Dei Genetrix - Mother of God. Since the subject cannot be understood from textual evidence alone the book is fully illustrated.
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London
Miller
2008
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | The cult of the Virgin is central to the thinking of the Middle Ages. Her standing as intercessor and mediator stems from her role as Dei Genetrix - Mother of God. Since the subject cannot be understood from textual evidence alone the book is fully illustrated. |
| Item Description: | Includes bibliographical references (p. 251-261) and index |
| Physical Description: | XI, 288 S. Ill. 28 cm |
Staff View
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Record in the Search Index
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|---|---|
| adam_text | Ora Pro Nobis
The Virgin as Intercessor
in Medieval
Art and Devotion
Catherine Oakes
HARVEY MILLER PUBLISHERS
Table of Contents
LIST OF ABBREVIATIONS
........................................... 5
INTRODUCTION
................................................... 7
Notes
........................................................... 16
1.
THE VIRGIN AS INTERCESSOR, MEDIATOR AND PURVEYOR
OF MERCY: AN HISTORICAL BACKGROUND
...................... 19
I. The Virgin as intercessor: from the third to the tenth century
...... 20
II. The Virgin as mediator: from the fifth to the tenth century
........ 23
III. The Virgin as purveyor of mercy until the beginning of the eleventh
century
..................................................... 24
IV. Approaches to Marian intercession in the late eleventh and twelfth
centuries
................................................... 27
V. The eleventh and twelfth century background
................... 31
Notes
........................................................... 33
2.
IMAGES OF THE VIRGIN WITH DEVOTEES IN PRAYER
............ 37
I. The Virgin addressed in prayer in early medieval imagery
........ 40
II. Gothic images of petitions to the Virgin
........................ 46
Notes
........................................................... 61
3.
THE VIRGIN AS INTERCESSOR
................................... 65
I. The Virgin and St Peter as intercessors in Anglo-Saxon art
........ 66
II. The Virgin as intercessor in Romanesque judgement imagery
...... 71
III. The Deesis with the Virgin and St John
.......................... 76
IV. The context of the Deesis in French Gothic sculpture
.............. 78
V. The Virgin as intercessor to the Judge in English Gothic art
....... 80
VI. The Marian Ostentatio
........................................ 82
VII.
The Virgin and Christ as intercessors
........................... 88
VIII.
The courts of justice and mercy
................................ 91
IX. The lily of mercy and the sword of justice
....................... 92
Notes
........................................................... 94
ι
TABLE
OF
CONTENTS
4.
THE IMAGE
OF THE VIRGIN OF MERCY
.......................... 101
I. Biblical and Early Christian literary sources
..................... 102
II. The language of narrative: early miracle literature up to the
thirteenth century
........................................... 104
III. The language of metaphor: the sermons of
Amadeus
of Lausanne
. 106
IV. The language of the visionary: Bridget of Sweden s Liber Celestis
... 106
V. The Virgin of Mercy as part of a judgement scene in late medieval
literary sources
.............................................. 107
VI. Visual precursors
........................................... 108
VII.
The Virgin of Mercy in English medieval art
..................... 110
VIII.
De
Civitate Dei
(Bodl,
MS Bodley
691,
fol.
lv)....................
Ill
IX. The destroyed wall-paintings from Stedham church, Sussex
....... 116
X. A group of fifteenth-century English alabaster panels
............ 119
Notes
........................................................... 125
5.
THE MARIAN PSYCHOSTASIS
.................................... 129
I. Sources in ancient literature and art
............................ 130
II. The scales metaphor in Christian writing until
с
1200............. 134
III. The late medieval narrative
................................... 135
IV. The Romanesque Psychostasis
................................. 137
V. The late medieval Psychostasis
................................ 143
VI. The Marian Psychostasis
...................................... 146
VII.
The location of the Marian Psychostasis
......................... 147
VIII.
How the Virgin weighs down the scales
........................ 149
IX. The juxtaposition of the Marian Psychostasis with other images
.... 152
X. The presence of an individual donor
........................... 153
XI. The Marian Psychostasis as part of the Last Judgement
............ 155
XII.
The representation of the Virgin
............................... 157
XIII.
The contents of the scales
..................................... 159
Notes
........................................................... 161
6.
THE EMPRESS OF HELL
......................................... 167
I. Lucifer
/Lucifera
............................................. 169
II. Empress of Hell
............................................. 172
III. The Woman in Genesis
3:15................................... 173
2
TABLE
OF
CONTENTS
IV.
The Second Eve
............................................. 177
V. The Harrowing of Hell and the story of Theophilus
.............. 182
VI. The Woman in Revelation
12 ................................. 187
VII.
The Marian Apocalypse
...................................... 190
Notes
........................................................... 195
7.
MISERICORDIA
AND MARY AS
MISERICORDIA
.................... 201
I. The meaning of
misericordia
for the Middle Ages
................. 202
II.
Misericordia
as a human virtue
................................. 203
III.
Misericordia
as a divine virtue
................................. 203
IV. Virtues of divinity in twelfth and thirteenth-century iconography
.. 204
V. Marian virtues and the Four Daughters of God
................ 210
VI. The shared attributes of
Misericordia
and Mary
.................. 219
VII.
Mater Misericordiae
........................................... 223
Notes
........................................................... 225
CONCLUSION
...................................................... 231
Notes
........................................................... 234
APPENDICES
....................................................... 235
BIBLIOGRAPHY
.................................................... 251
INDEX
........................................................... 263
PLATES
........................................................... 271
|
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| callnumber-first | N - Fine Arts |
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| dewey-sort | 3704.948550902 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1000-1500 gnd Geschichte 500-1500 gnd |
| era_facet | Geschichte 1000-1500 Geschichte 500-1500 |
| format | Book |
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| id | DE-604.BV035268077 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:30:02Z |
| institution | BVB |
| language | English |
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| physical | XI, 288 S. Ill. 28 cm |
| publishDate | 2008 |
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| spelling | Oakes, Catherine Verfasser (DE-588)136521843 aut Ora pro nobis the virgin as intercessor in Medieval art and devotion Catherine Oakes London Miller 2008 XI, 288 S. Ill. 28 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 251-261) and index The cult of the Virgin is central to the thinking of the Middle Ages. Her standing as intercessor and mediator stems from her role as Dei Genetrix - Mother of God. Since the subject cannot be understood from textual evidence alone the book is fully illustrated. Mary / Blessed Virgin, Saint / Art Maria Mary <Blessed Virgin, Saint> Art Mary <Blessed Virgin, Saint> Devotion to Mary <Blessed Virgin, Saint> Mediation Miterlöserschaft (DE-588)4201569-8 gnd rswk-swf Geschichte 1000-1500 gnd rswk-swf Geschichte 500-1500 gnd rswk-swf Art, Medieval Christian art and symbolism / Medieval, 500-1500 Kunst Christian art and symbolism Medieval, 500-1500 Schutzmantelmadonna (DE-588)4139366-1 gnd rswk-swf Mariendarstellung (DE-588)4074563-6 gnd rswk-swf Marienverehrung (DE-588)4074567-3 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Jüngstes Gericht Motiv (DE-588)4278017-2 gnd rswk-swf Fürbitte (DE-588)4128667-4 gnd rswk-swf Geschichte 1000-1500 Kunst (DE-588)4114333-4 s Marienverehrung (DE-588)4074567-3 s Fürbitte (DE-588)4128667-4 s Geschichte 500-1500 z DE-604 Mariendarstellung (DE-588)4074563-6 s Schutzmantelmadonna (DE-588)4139366-1 s Geschichte 1000-1500 z Jüngstes Gericht Motiv (DE-588)4278017-2 s Miterlöserschaft (DE-588)4201569-8 u KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017073498&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Oakes, Catherine Ora pro nobis the virgin as intercessor in Medieval art and devotion Mary / Blessed Virgin, Saint / Art Maria Mary <Blessed Virgin, Saint> Art Mary <Blessed Virgin, Saint> Devotion to Mary <Blessed Virgin, Saint> Mediation Miterlöserschaft (DE-588)4201569-8 gnd Art, Medieval Christian art and symbolism / Medieval, 500-1500 Kunst Christian art and symbolism Medieval, 500-1500 Schutzmantelmadonna (DE-588)4139366-1 gnd Mariendarstellung (DE-588)4074563-6 gnd Marienverehrung (DE-588)4074567-3 gnd Kunst (DE-588)4114333-4 gnd Jüngstes Gericht Motiv (DE-588)4278017-2 gnd Fürbitte (DE-588)4128667-4 gnd |
| subject_GND | (DE-588)4201569-8 (DE-588)4139366-1 (DE-588)4074563-6 (DE-588)4074567-3 (DE-588)4114333-4 (DE-588)4278017-2 (DE-588)4128667-4 |
| title | Ora pro nobis the virgin as intercessor in Medieval art and devotion |
| title_auth | Ora pro nobis the virgin as intercessor in Medieval art and devotion |
| title_exact_search | Ora pro nobis the virgin as intercessor in Medieval art and devotion |
| title_full | Ora pro nobis the virgin as intercessor in Medieval art and devotion Catherine Oakes |
| title_fullStr | Ora pro nobis the virgin as intercessor in Medieval art and devotion Catherine Oakes |
| title_full_unstemmed | Ora pro nobis the virgin as intercessor in Medieval art and devotion Catherine Oakes |
| title_short | Ora pro nobis |
| title_sort | ora pro nobis the virgin as intercessor in medieval art and devotion |
| title_sub | the virgin as intercessor in Medieval art and devotion |
| topic | Mary / Blessed Virgin, Saint / Art Maria Mary <Blessed Virgin, Saint> Art Mary <Blessed Virgin, Saint> Devotion to Mary <Blessed Virgin, Saint> Mediation Miterlöserschaft (DE-588)4201569-8 gnd Art, Medieval Christian art and symbolism / Medieval, 500-1500 Kunst Christian art and symbolism Medieval, 500-1500 Schutzmantelmadonna (DE-588)4139366-1 gnd Mariendarstellung (DE-588)4074563-6 gnd Marienverehrung (DE-588)4074567-3 gnd Kunst (DE-588)4114333-4 gnd Jüngstes Gericht Motiv (DE-588)4278017-2 gnd Fürbitte (DE-588)4128667-4 gnd |
| topic_facet | Mary / Blessed Virgin, Saint / Art Maria Mary <Blessed Virgin, Saint> Art Mary <Blessed Virgin, Saint> Devotion to Mary <Blessed Virgin, Saint> Mediation Miterlöserschaft Art, Medieval Christian art and symbolism / Medieval, 500-1500 Kunst Christian art and symbolism Medieval, 500-1500 Schutzmantelmadonna Mariendarstellung Marienverehrung Jüngstes Gericht Motiv Fürbitte |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017073498&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT oakescatherine orapronobisthevirginasintercessorinmedievalartanddevotion |