The hip hop wars: what we talk about when we talk about hip hop - and why it matters
From the Publisher: Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Basic Civitas Books
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | From the Publisher: Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race in the United States. In The Hip-Hop Wars, Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip-hop cause violence, or merely reflect a violent ghetto culture? Is hip-hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip-hop undermine black advancement? A potent exploration of a divisive and important subject, The Hip-Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip-hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XII, 308 S. |
| ISBN: | 9780465008971 |
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| 520 | 3 | |a From the Publisher: Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race in the United States. In The Hip-Hop Wars, Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip-hop cause violence, or merely reflect a violent ghetto culture? Is hip-hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip-hop undermine black advancement? A potent exploration of a divisive and important subject, The Hip-Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip-hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide. | |
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Datensatz im Suchindex
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| adam_text | Contents
Preface ix
Introduction 1
PART ONE: TOP TEN DEBATES IN HIP HOP
Hip Hop s Critics
1 Hip Hop Causes Violence 33
2 Hip Hop Reflects Black Dysfunctional Ghetto Culture 61
3 Hip Hop Hurts Black People 75
4 Hip Hop Is Destroying America s Values 95
5 Hip Hop Demeans Women 113
Hip Hop s Defenders
6 Just Keeping It Real 133
7 Hip Hop Is Not Responsible for Sexism 149
8 There are Bitches and Hoes 167
9 We re Not Role Models 187
10 Nobody Talks About the Positive in Hip Hop 201
vi Contents
PART TWO: PROGRESSIVE FUTURES
11 Mutual Denials in the Hip Hop Wars 217
12 Progressive Voices, Energies, and Visions 241
13 Six Guiding Principles for Progressive Creativity,
Consumption, and Community in Hip Hop and Beyond 261
Appendix: Radio Station Consolidation 274
Acknowledgments 277
Notes 279
Bibliography 289
Index 293
|
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| spelling | Rose, Tricia 1962- Verfasser (DE-588)141821272 aut The hip hop wars what we talk about when we talk about hip hop - and why it matters Tricia Rose New York, NY Basic Civitas Books 2008 XII, 308 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index From the Publisher: Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race in the United States. In The Hip-Hop Wars, Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip-hop cause violence, or merely reflect a violent ghetto culture? Is hip-hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip-hop undermine black advancement? A potent exploration of a divisive and important subject, The Hip-Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip-hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide. Gesellschaft Schwarze. USA Hip-hop Social aspects United States Rap (Music) Social aspects United States Social change United States Subculture United States African Americans Social conditions Subkultur (DE-588)4058326-0 gnd rswk-swf Hip-Hop (DE-588)4303517-6 gnd rswk-swf USA United States Social conditions USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Hip-Hop (DE-588)4303517-6 s Subkultur (DE-588)4058326-0 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017065178&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rose, Tricia 1962- The hip hop wars what we talk about when we talk about hip hop - and why it matters Gesellschaft Schwarze. USA Hip-hop Social aspects United States Rap (Music) Social aspects United States Social change United States Subculture United States African Americans Social conditions Subkultur (DE-588)4058326-0 gnd Hip-Hop (DE-588)4303517-6 gnd |
| subject_GND | (DE-588)4058326-0 (DE-588)4303517-6 (DE-588)4078704-7 |
| title | The hip hop wars what we talk about when we talk about hip hop - and why it matters |
| title_auth | The hip hop wars what we talk about when we talk about hip hop - and why it matters |
| title_exact_search | The hip hop wars what we talk about when we talk about hip hop - and why it matters |
| title_full | The hip hop wars what we talk about when we talk about hip hop - and why it matters Tricia Rose |
| title_fullStr | The hip hop wars what we talk about when we talk about hip hop - and why it matters Tricia Rose |
| title_full_unstemmed | The hip hop wars what we talk about when we talk about hip hop - and why it matters Tricia Rose |
| title_short | The hip hop wars |
| title_sort | the hip hop wars what we talk about when we talk about hip hop and why it matters |
| title_sub | what we talk about when we talk about hip hop - and why it matters |
| topic | Gesellschaft Schwarze. USA Hip-hop Social aspects United States Rap (Music) Social aspects United States Social change United States Subculture United States African Americans Social conditions Subkultur (DE-588)4058326-0 gnd Hip-Hop (DE-588)4303517-6 gnd |
| topic_facet | Gesellschaft Schwarze. USA Hip-hop Social aspects United States Rap (Music) Social aspects United States Social change United States Subculture United States African Americans Social conditions Subkultur Hip-Hop USA United States Social conditions |
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