Jazz:
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York [u.a.]
Norton
2009
|
Ausgabe: | 1. ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | CD-Beil. u.d.T.: The Norton jazz recordings Includes bibliographical references and index |
Beschreibung: | XX, 553, 66 S. zahlr. Ill. 4 CDs (12 cm) |
ISBN: | 9780393978803 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV035258263 | ||
003 | DE-604 | ||
005 | 20100720 | ||
007 | t | ||
008 | 090120s2009 xxua||| |||| 00||| eng d | ||
010 | |a 2008046717 | ||
020 | |a 9780393978803 |c pbk. |9 978-0-393-97880-3 | ||
035 | |a (OCoLC)227016369 | ||
035 | |a (DE-599)BVBBV035258263 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
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084 | |a 9,2 |2 ssgn | ||
100 | 1 | |a DeVeaux, Scott Knowles |d 1954- |e Verfasser |0 (DE-588)104029528 |4 aut | |
245 | 1 | 0 | |a Jazz |c Scott DeVeaux ; Gary Giddins |
246 | 1 | 3 | |a The Norton jazz recordings |
250 | |a 1. ed. | ||
264 | 1 | |a New York [u.a.] |b Norton |c 2009 | |
300 | |a XX, 553, 66 S. |b zahlr. Ill. |e 4 CDs (12 cm) | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a CD-Beil. u.d.T.: The Norton jazz recordings | ||
500 | |a Includes bibliographical references and index | ||
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 4 | |a Jazz |x History and criticism | |
650 | 0 | 7 | |a Jazz |0 (DE-588)4028532-7 |2 gnd |9 rswk-swf |
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689 | 0 | 1 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Giddins, Gary |d 1948- |e Verfasser |0 (DE-588)112912494 |4 aut | |
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999 | |a oai:aleph.bib-bvb.de:BVB01-017063821 | ||
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Datensatz im Suchindex
_version_ | 1804138540119883776 |
---|---|
adam_text | Introduction
xiii
.....
ìì
/ѓЛ
Ι π
Vn
г
w
.¡
л
u
Musical
Orientation
CHAPTER
1
Musical Elements and Instruments
..............7
Empathy, Individuality, and Timbre
7
π
The Ensemble
9
π
Rhythm,
Meter, and Swing
17
и
Melody, Scales, and Modes
21 □
Licks, Motives,
and Riffs
24
π
Harmony
25
ρ
Texture
27
■
Ghana field recording, Akuapim performance
19
2
Jazz Form and Improvisation
.....................31
Form
31
α
Blues Form
32
d
Tnirty-Two-Bar Pop Song Form: AAB A
37
α
Improvisation
41 □
In performance
44
■
Bessie Smith, Reckless Blues
32
■
Louis Armstrong, West End Blues
33
■
Pete Johnson and Big Joe Turner, It s All Right, Baby
34
■
Charlie Parker, Now s the Time
36
■
Billie
Holiday, A Sailboat in the Moonlight
38
■
Miles Davis, So What
40
EARLY JAZZ
(1900-1930) 48
53
R
3
The Roots of Jazz
...............................
Jazz and Ethnicity
54
α
Folk Traditions
55
π
Blues
58
π
Bessie
Smith
62
a Eyewitness to History (W.
C.Handy) 63
α
Popular
VI
CONTENTS
íj
vii
Music
65 ■
Minstrelsy
65
a Dance Music
66
■
The Castles and James Reese Europe
67 □
Art Music
68
α
Brass
Bands
69 ■
Ragtime
72
и
Ragtime Pieces and Scott Joplin
73
■
The Path to Jazz: Wilbur Sweatman
74 ■
Additional Listening
77
■
Georgia Sea Island Singers, The Buzzard Lope
56
■
Mississippi Fred McDoweH, Soon One Morning
59
■
Bessie Smith, Reckless Blues
63
■
John Philip
Sousa,
The Stars and Stripes Forever
70
■
Wilbur Sweatman, Down Home Rag
75
CHAPTER
4
New Orleans
..........................................79
Early New Orleans
80 ■
A Meeting of Musical Styles
82
π
Manuel
Perez
83 ■
Buddy
Bolden
and the Birth of Jazz
83 «
New Orleans
Style
86 ■
Storyville
87 ■
The Great Migration
88
π
Freddie
Keppard
89 ■
Original Dixieland Jazz Band
90
a Jelly Roll
Morton
93 ■
King Oliver
99 ■
Gennett Records
100
в
Sidney
Bechet
104 ■
Additional Listening
109
■
Original Dixieland Jazz Band, Dixie Jass Band One-Step
91
■
Jelly Roll Morton, Dead Man Blues
94
■
Jelly Roll Morton, Doctor Jazz
97
■
King Oliver, Snake Rag
102
■
Red Onion Jazz Babies
/
Sidney Bechet, Cake Walking Babies (from
Home)
106
CHAPTER
5
New York in the
1920s..........................
Ill
Arabian Nights 111
■ 1920s
Transformations
112 ■
Dance
Bands
114 ■
ArtHickman
114 ■
Paul Whiteman: A Short-Lived
Monarchy
114 ■
Fletcher Henderson
120 ■
Don Redman
121
■
The Alley and the Stage
124 ■
The Harlem Renaissance
127
■
Stride
128 ■
James P. Johnson
129 ■
The Player Piano
130
m
Duke
Ellington Begins
132 ■
Additional Listening
137
■
Paul Whiteman, Changes
117
■
Fletcher Henderson, Copenhagen
122
■
James P.Johnson, You ve Got to Be Modernistic
130
■
Duke Ellington, Black and Tan Fantasy
135
CHAPTER
6
Louis Armstrong and the
First Great Soloists
................................................139
Louis Armstrong
139 ■
Enter Earl Hines
147 »
The Armstrong Impact:
A Generation of Soloists
150 ■
Віх
Beiderbecke
150 ■
Coleman
|
any_adam_object | 1 |
author | DeVeaux, Scott Knowles 1954- Giddins, Gary 1948- |
author_GND | (DE-588)104029528 (DE-588)112912494 |
author_facet | DeVeaux, Scott Knowles 1954- Giddins, Gary 1948- |
author_role | aut aut |
author_sort | DeVeaux, Scott Knowles 1954- |
author_variant | s k d sk skd g g gg |
building | Verbundindex |
bvnumber | BV035258263 |
callnumber-first | M - Music |
callnumber-label | ML3508 |
callnumber-raw | ML3508 |
callnumber-search | ML3508 |
callnumber-sort | ML 43508 |
callnumber-subject | ML - Literature on Music |
ctrlnum | (OCoLC)227016369 (DE-599)BVBBV035258263 |
dewey-full | 781.65 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.65 |
dewey-search | 781.65 |
dewey-sort | 3781.65 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
edition | 1. ed. |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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id | DE-604.BV035258263 |
illustrated | Illustrated |
indexdate | 2024-07-09T21:29:48Z |
institution | BVB |
isbn | 9780393978803 |
language | English |
lccn | 2008046717 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017063821 |
oclc_num | 227016369 |
open_access_boolean | |
owner | DE-12 DE-19 DE-BY-UBM DE-29 DE-M29 |
owner_facet | DE-12 DE-19 DE-BY-UBM DE-29 DE-M29 |
physical | XX, 553, 66 S. zahlr. Ill. 4 CDs (12 cm) |
publishDate | 2009 |
publishDateSearch | 2009 |
publishDateSort | 2009 |
publisher | Norton |
record_format | marc |
spelling | DeVeaux, Scott Knowles 1954- Verfasser (DE-588)104029528 aut Jazz Scott DeVeaux ; Gary Giddins The Norton jazz recordings 1. ed. New York [u.a.] Norton 2009 XX, 553, 66 S. zahlr. Ill. 4 CDs (12 cm) txt rdacontent n rdamedia nc rdacarrier CD-Beil. u.d.T.: The Norton jazz recordings Includes bibliographical references and index Geschichte gnd rswk-swf Jazz History and criticism Jazz (DE-588)4028532-7 gnd rswk-swf Jazz (DE-588)4028532-7 s Geschichte z DE-604 Giddins, Gary 1948- Verfasser (DE-588)112912494 aut Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017063821&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | DeVeaux, Scott Knowles 1954- Giddins, Gary 1948- Jazz Jazz History and criticism Jazz (DE-588)4028532-7 gnd |
subject_GND | (DE-588)4028532-7 |
title | Jazz |
title_alt | The Norton jazz recordings |
title_auth | Jazz |
title_exact_search | Jazz |
title_full | Jazz Scott DeVeaux ; Gary Giddins |
title_fullStr | Jazz Scott DeVeaux ; Gary Giddins |
title_full_unstemmed | Jazz Scott DeVeaux ; Gary Giddins |
title_short | Jazz |
title_sort | jazz |
topic | Jazz History and criticism Jazz (DE-588)4028532-7 gnd |
topic_facet | Jazz History and criticism Jazz |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017063821&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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