Cinema and technology: cultures, theories, practices
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | XI, 265 S. Ill. |
| ISBN: | 9780230524774 023052477x |
Internformat
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Datensatz im Suchindex
| _version_ | 1804138345347940352 |
|---|---|
| adam_text | Contents
Notes
on Contributors
vii
Acknowledgements
xi
Introduction
1
I Format
19
1
The Perilous Gauge: Canadian Independent Film Exhibition
and the 16mm Mobile Menace
23
Peter Lester
2
BMW Films and the Star Wars Kid: Early Web Cinema
and Technology
37
Andrew Clay
3
On Some Limits to Film Theory (Mainly
írom
Science)
53
fames Elkins
II Norms
71
4
Socially Combustible: Panicky People, Flammable Films
and the Dangerous New Technology of the Nickelodeon
75
Paul S. Moore
5
Cinema and Its Doubles: Kittler v. Deleuze
88
fan Harris
6
Genomic Science in Contemporary Film: Institutions,
Individuals and Genre
105
Kate O Riordan
Ш
Scanning
125
7
Cinema as Technology: Encounters with an Interface
129
Aylish Wood
8
Demonlover:
Interval, Affect and the Aesthetics of Digital
Dislocation
142
Maja Manojlovic
vi
Contents
9
Into the
décor :
Attention and Distraction, Foreground and
Background
157
Christopher
Rodrigues
10
Children, Robots, Cinephilia and Technophobia
168
Bruce Bennett
IV Movement
183
11
Lola and the Vampire: Technologies of Time and Movement
in German Cinema
187
Michelle Langford
12
Inbetweening: Animation, Deleuze, Film Theory
201
Bill
Schaffer
13
Affective Troubles and Cinema
214
Marie-Luise Angerer
14
Afterword
—
Digital Cinema and the Apparatus:
Archaeologies, Epistemologies, Ontologies
226
Thomas Elsaesser
Bibliography
241
Index
254
Within Film Studies and Media Studies, interest in technology has grown
in recent years in response to rapid developments in digital and computer
media. Cinema s relationship with the technological, however, remains
contested. Many contemporary writers describe these technological shifts
as alarmingly disruptive, threatening either to destroy or disfigure cinema.
This collection of essays does something different, ft seeks to situate
changes in, for instance, film stock, animation, the depiction of robots and
the aesthetics
óf
digital cinema, fire regulations in cinemas, or neurological
accounts of spectatorship within more broadly defined technocultural
processes around cinema. In order to understand the relationship between
cinema and technology, the book draws on media and cultural studies,
media anthropology, science and technology studies, philosophy and film
theory. Analysing examples that range from cutting-edge Hollywood
blockbusters to Internet viral films, and from Victorian cinema to the
present, this volume brings technology into debates around cinema s
forms, meanings and audiences.
Bruce Bennett is Lecturer in Film Studies, Institute for Cultural Research,
Lancaster University, UK. He researches in the area of film theory and has
published several articles.
Marc Furstenau is Assistant Professor in the School for Studies in Art and
Culture,
Carleton
University, Ottawa, Canada. He researches in the areas
of film and media history and theory.
Adrian Mackenzie is Reader in the Centre for Social and Economic Aspects
of Genomics, Lancaster University, UK. His publications include
Transductions: Bodies and Machines at Speed, Technologies, Studies in
Culture and Theory, and Cutting Code: Software and Sociality.
|
| adam_txt |
Contents
Notes
on Contributors
vii
Acknowledgements
xi
Introduction
1
I Format
19
1
The Perilous Gauge: Canadian Independent Film Exhibition
and the 16mm Mobile Menace
23
Peter Lester
2
BMW Films and the Star Wars Kid: 'Early Web Cinema'
and Technology
37
Andrew Clay
3
On Some Limits to Film Theory (Mainly
írom
Science)
53
fames Elkins
II Norms
71
4
Socially Combustible: Panicky People, Flammable Films
and the Dangerous New Technology of the Nickelodeon
75
Paul S. Moore
5
Cinema and Its Doubles: Kittler v. Deleuze
88
fan Harris
6
Genomic Science in Contemporary Film: Institutions,
Individuals and Genre
105
Kate O'Riordan
Ш
Scanning
125
7
Cinema as Technology: Encounters with an Interface
129
Aylish Wood
8
Demonlover:
Interval, Affect and the Aesthetics of Digital
Dislocation
142
Maja Manojlovic
vi
Contents
9
'Into the
décor':
Attention and Distraction, Foreground and
Background
157
Christopher
Rodrigues
10
Children, Robots, Cinephilia and Technophobia
168
Bruce Bennett
IV Movement
183
11
Lola and the Vampire: Technologies of Time and Movement
in German Cinema
187
Michelle Langford
12
Inbetweening: Animation, Deleuze, Film Theory
201
Bill
Schaffer
13
Affective Troubles and Cinema
214
Marie-Luise Angerer
14
Afterword
—
Digital Cinema and the Apparatus:
Archaeologies, Epistemologies, Ontologies
226
Thomas Elsaesser
Bibliography
241
Index
254
Within Film Studies and Media Studies, interest in technology has grown
in recent years in response to rapid developments in digital and computer
media. Cinema's relationship with the technological, however, remains
contested. Many contemporary writers describe these technological shifts
as alarmingly disruptive, threatening either to destroy or disfigure cinema.
This collection of essays does something different, ft seeks to situate
changes in, for instance, film stock, animation, the depiction of robots and
the aesthetics
óf
digital cinema, fire regulations in cinemas, or neurological
accounts of spectatorship within more broadly defined technocultural
processes around cinema. In order to understand the relationship between
cinema and technology, the book draws on media and cultural studies,
media anthropology, science and technology studies, philosophy and film
theory. Analysing examples that range from cutting-edge Hollywood
blockbusters to Internet viral films, and from Victorian cinema to the
present, this volume brings technology into debates around cinema's
forms, meanings and audiences.
Bruce Bennett is Lecturer in Film Studies, Institute for Cultural Research,
Lancaster University, UK. He researches in the area of film theory and has
published several articles.
Marc Furstenau is Assistant Professor in the School for Studies in Art and
Culture,
Carleton
University, Ottawa, Canada. He researches in the areas
of film and media history and theory.
Adrian Mackenzie is Reader in the Centre for Social and Economic Aspects
of Genomics, Lancaster University, UK. His publications include
Transductions: Bodies and Machines at Speed, Technologies, Studies in
Culture and Theory, and Cutting Code: Software and Sociality. |
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| spelling | Cinema and technology cultures, theories, practices ed. by Bruce Bennett ... 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2008 XI, 265 S. Ill. txt rdacontent n rdamedia nc rdacarrier Technology in motion pictures Cinematography Technological innovations Technik (DE-588)4059205-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Technologie (DE-588)4059276-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2005 Lancaster Lancashire gnd-content Film (DE-588)4017102-4 s Technologie (DE-588)4059276-5 s DE-604 Technik (DE-588)4059205-4 s Bennett, Bruce 1970- Sonstige (DE-588)13706408X oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016982088&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016982088&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cinema and technology cultures, theories, practices Technology in motion pictures Cinematography Technological innovations Technik (DE-588)4059205-4 gnd Film (DE-588)4017102-4 gnd Technologie (DE-588)4059276-5 gnd |
| subject_GND | (DE-588)4059205-4 (DE-588)4017102-4 (DE-588)4059276-5 (DE-588)1071861417 |
| title | Cinema and technology cultures, theories, practices |
| title_auth | Cinema and technology cultures, theories, practices |
| title_exact_search | Cinema and technology cultures, theories, practices |
| title_exact_search_txtP | Cinema and technology cultures, theories, practices |
| title_full | Cinema and technology cultures, theories, practices ed. by Bruce Bennett ... |
| title_fullStr | Cinema and technology cultures, theories, practices ed. by Bruce Bennett ... |
| title_full_unstemmed | Cinema and technology cultures, theories, practices ed. by Bruce Bennett ... |
| title_short | Cinema and technology |
| title_sort | cinema and technology cultures theories practices |
| title_sub | cultures, theories, practices |
| topic | Technology in motion pictures Cinematography Technological innovations Technik (DE-588)4059205-4 gnd Film (DE-588)4017102-4 gnd Technologie (DE-588)4059276-5 gnd |
| topic_facet | Technology in motion pictures Cinematography Technological innovations Technik Film Technologie Konferenzschrift 2005 Lancaster Lancashire |
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