Verfügbarkeit: Thinking musically

Thinking musically: experiencing music, expressing culture

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Bibliographische Detailangaben
1. Verfasser:	Wade, Bonnie C. (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	New York [u.a.] Oxford Univ. Press 2008
Ausgabe:	2. ed.
Schriftenreihe:	Global music series
Schlagworte:	Ethnomusicology Musikethnologie Musikphilosophie
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes bibliographical references and index
Beschreibung:	208 S. Ill., Notenbeisp. 2 CDs (12 cm)
ISBN:	9780195341911

Internformat

MARC


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Datensatz im Suchindex

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adam_text	с о η tents Foreword xi Preface xiii CD Track List xvii A Note to Readers xxiv 1. Thinking about Music 1 People 1 Music Makers 1 Listeners 3 Music 6 In Terms of Sound 6 Caffing Something Music 6 Aesthetic Values in Music 7 Meaning 12 Ммѕгс лий Textual Meaning 12 Mhszc as Text 17 Use 20 Transmission 22 Oral and Aural Transmission 24 Visual Transmission 26 2. Thinking about Instruments 35 Instruments as Objects 36 Ideas about Instrument Types 36 Ideas about Particular Instruments 48 Associations of Sexuality and Gender 52 Spiritual Associations 53 Cultural Status 54 vii viii <= THINKING MUSICALLY Aesthetic Value 56 Item of Technology 56 Item of Commodity 59 Timbre and Aesthetics of Sound 60 Instruments in Music 62 Instrumental Capacity 62 Ideas about Ensemble 66 Heterogeneous and Homogeneous Sound Ideals 66 Musical Roles 69 Aesthetics of Ensembles 72 3. Thinking about Time 73 Rhythm 74 Pulse 74 Without Pulse 75 Rhythm for the Text Alone 76 Organizing Time into Units 77 Duple and Triple Meters 77 Simple and Compound Meters 79 Assymetrical Meters 80 South Indian Tala 81 Southeast Asian Colotomic Meter 83 North Indian Täa 86 Middle Eastern Rhythmic Modes 90 Korean Changdan 91 African Polyrhythm 93 Music in the African Diaspora 97 Speed 98 4. Thinking about Pitch 103 Pitch 103 Pitch Names 105 Syllables 105 Numbers 106 Letters 106 Setting the Pitch 106 Who Sets the Pitch 106 Pitch Placement 108 Thinking Musically ч> ix Thinking Horizontally 111 Intervals 111 Naming Intervals 111 Microtones 113 Scale 114 The Chromatic Scale 114 Diatonic Scales 117 The Oriental Scale 118 Number of Pitches in an Octave 119 Pitch Functions 120 Mode 121 Thinking Vertically 124 Naming Vertical Intervals 124 Dissonance and Consonance 124 Functional Harmony 126 Tone Clusters 129 Thinking Horizontally and Vertically 129 Performing One Melody 129 Solo and in Unison 129 Interlocking Parts 130 Rounds 131 Heterophony 131 Performing One Melody with Another Part 132 Melody and Drone 132 Homophony 132 Performing Multiple Melodies 133 Polyphony 133 Melody and Ostinato 133 5. Thinking about Structuring 134 Improvising and Composing 134 Composing Persons 138 Putting Something Significant First 140 North Indian Instrumental Form 141 Sonata Form 145 Telling the Story 146 Music for the Moment 146 Contrasting Instrumentation 146 THINKING MUSICALLY Through-composed Music 147 Strophic Form 148 Responding to the Context 150 Expectation for Audience-Performer Interaction 150 Audience-Performer Interaction in Storytelling 151 The Need for Intra-ensemble Interaction 152 Echoes of a Ritual Practice 153 Call and Response 154 Music and Movement 155 Coming to an End 158 Aesthetic Choice and Intellectual Play 160 Polyrhythm for Fun 160 Contrasting Rhythmic Modes 161 Social Values 162 6. Thinking about Issues 164 Encounters and Identities 167 A Focus on Influences 167 A Focus on Boundaries 168 The National Community 168 Regional Identity 174 Gender 175 Multiple Identities 178 Authenticity 180 Transcending Boundaries 186 The Mass Media 187 Globalization 189 The Local 193 7. Thinking about Fieldwork 195 Picking a Project 196 Planning the Project 199 Doing the Project 200 Finishing the Project 203 Glossary of Musical Terms 205 References 216 Resources 221 Index 223
adam_txt	с о η tents Foreword xi Preface xiii CD Track List xvii A Note to Readers xxiv 1. Thinking about Music 1 People 1 Music Makers 1 Listeners 3 Music 6 In Terms of Sound 6 Caffing Something "Music" 6 Aesthetic Values in Music 7 Meaning 12 Ммѕгс лий Textual Meaning 12 Mhszc as Text 17 Use 20 Transmission 22 Oral and Aural Transmission 24 Visual Transmission 26 2. Thinking about Instruments 35 Instruments as Objects 36 Ideas about Instrument Types 36 Ideas about Particular Instruments 48 Associations of Sexuality and Gender 52 Spiritual Associations 53 Cultural Status 54 vii viii <= THINKING MUSICALLY Aesthetic Value 56 Item of Technology 56 Item of Commodity 59 Timbre and Aesthetics of Sound 60 Instruments in Music 62 Instrumental Capacity 62 Ideas about Ensemble 66 Heterogeneous and Homogeneous Sound Ideals 66 Musical Roles 69 Aesthetics of Ensembles 72 3. Thinking about Time 73 Rhythm 74 Pulse 74 Without Pulse 75 Rhythm for the Text Alone 76 Organizing Time into Units 77 Duple and Triple Meters 77 Simple and Compound Meters 79 Assymetrical Meters 80 South Indian Tala 81 Southeast Asian Colotomic Meter 83 North Indian Täa 86 Middle Eastern Rhythmic Modes 90 Korean Changdan 91 African Polyrhythm 93 Music in the African Diaspora 97 Speed 98 4. Thinking about Pitch 103 Pitch 103 Pitch Names 105 Syllables 105 Numbers 106 Letters 106 Setting the Pitch 106 Who Sets the Pitch 106 Pitch Placement 108 Thinking Musically ч> ix Thinking Horizontally 111 Intervals 111 Naming Intervals 111 Microtones 113 Scale 114 The Chromatic Scale 114 Diatonic Scales 117 The "Oriental" Scale 118 Number of Pitches in an Octave 119 Pitch Functions 120 Mode 121 Thinking Vertically 124 Naming Vertical Intervals 124 Dissonance and Consonance 124 Functional Harmony 126 Tone Clusters 129 Thinking Horizontally and Vertically 129 Performing One Melody 129 Solo and in Unison 129 Interlocking Parts 130 Rounds 131 Heterophony 131 Performing One Melody with Another Part 132 Melody and Drone 132 Homophony 132 Performing Multiple Melodies 133 Polyphony 133 Melody and Ostinato 133 5. Thinking about Structuring 134 Improvising and Composing 134 Composing Persons 138 Putting Something Significant First 140 North Indian Instrumental Form 141 Sonata Form 145 Telling the Story 146 Music for the Moment 146 Contrasting Instrumentation 146 THINKING MUSICALLY Through-composed Music 147 Strophic Form 148 Responding to the Context 150 Expectation for Audience-Performer Interaction 150 Audience-Performer Interaction in Storytelling 151 The Need for Intra-ensemble Interaction 152 Echoes of a Ritual Practice 153 Call and Response 154 Music and Movement 155 Coming to an End 158 Aesthetic Choice and Intellectual Play 160 Polyrhythm for Fun 160 Contrasting Rhythmic Modes 161 Social Values 162 6. Thinking about Issues 164 Encounters and Identities 167 A Focus on Influences 167 A Focus on Boundaries 168 The National Community 168 Regional Identity 174 Gender 175 Multiple Identities 178 Authenticity 180 Transcending Boundaries 186 The Mass Media 187 Globalization 189 The Local 193 7. Thinking about Fieldwork 195 Picking a Project 196 Planning the Project 199 Doing the Project 200 Finishing the Project 203 Glossary of Musical Terms 205 References 216 Resources 221 Index 223
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discipline	Allgemeines Musikwissenschaft Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft
discipline_str_mv	Allgemeines Musikwissenschaft Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft
edition	2. ed.
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title	Thinking musically experiencing music, expressing culture
title_auth	Thinking musically experiencing music, expressing culture
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title_full	Thinking musically experiencing music, expressing culture Bonnie Wade
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title_full_unstemmed	Thinking musically experiencing music, expressing culture Bonnie Wade
title_short	Thinking musically
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