Photography and cinema:
This account of photography and cinema shows how the two media are not separate but in fact have influenced each other since their inception. David Campany explores photographers on screen, photographic and filmic stillness, photographs in film, the influence of photography on cinema, and the photog...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Reaktion Books
2008
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Exposures
|
| Schlagworte: | |
| Online-Zugang: | Klappentext |
| Zusammenfassung: | This account of photography and cinema shows how the two media are not separate but in fact have influenced each other since their inception. David Campany explores photographers on screen, photographic and filmic stillness, photographs in film, the influence of photography on cinema, and the photographer as a filmmaker. |
| Beschreibung: | 160 S. zahlr. Ill. |
| ISBN: | 9781861893512 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804138309125931008 |
|---|---|
| adam_text | What did the arrival of cinema do for photography? How did the moving
image change our relation to the still image? Why have cinema and
photography been so drawn to each other? Close-ups, freeze frames and
the countless portrayals of photographers on screen are signs of cinema s
enduring attraction to the still image. Photo-stories, sequences and
staged tableaux speak of the deep influence of cinema on photography.
Photography and Cinema considers the importance of the still
image for filmmakers such as the
Lumière
brothers, Alfred Hitchcock,
Michelangelo Antonioni,
Jean-Luc Godard,
Chris Marker, Mark Lewis,
Agnès
Varda,
Peter Weir, Christopher Nolan and many others. In parallel
it looks at the cinematic in the work of photographers and artists that
include
Germaine
Krull, William Klein, John Baldessari, Jeff Wall, Victor
Bürgin
and Cindy Sherman.
From film stills and flipbooks to slide shows and digital imaging,
hybrid visual forms have established an ambiguous realm between motion
and stillness. David
Сатрапу
assembles a missing history in which
photography and cinema have been each other s muse and inspiration
for over a century.
|
| adam_txt |
What did the arrival of cinema do for photography? How did the moving
image change our relation to the still image? Why have cinema and
photography been so drawn to each other? Close-ups, freeze frames and
the countless portrayals of photographers on screen are signs of cinema's
enduring attraction to the still image. Photo-stories, sequences and
staged tableaux speak of the deep influence of cinema on photography.
Photography and Cinema considers the importance of the still
image for filmmakers such as the
Lumière
brothers, Alfred Hitchcock,
Michelangelo Antonioni,
Jean-Luc Godard,
Chris Marker, Mark Lewis,
Agnès
Varda,
Peter Weir, Christopher Nolan and many others. In parallel
it looks at the cinematic in the work of photographers and artists that
include
Germaine
Krull, William Klein, John Baldessari, Jeff Wall, Victor
Bürgin
and Cindy Sherman.
From film stills and flipbooks to slide shows and digital imaging,
hybrid visual forms have established an ambiguous realm between motion
and stillness. David
Сатрапу
assembles a missing history in which
photography and cinema have been each other's muse and inspiration
for over a century. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Campany, David 1967- |
| author_GND | (DE-588)124964974 |
| author_facet | Campany, David 1967- |
| author_role | aut |
| author_sort | Campany, David 1967- |
| author_variant | d c dc |
| building | Verbundindex |
| bvnumber | BV035151063 |
| callnumber-first | T - Technology |
| callnumber-label | TR15 |
| callnumber-raw | TR15 |
| callnumber-search | TR15 |
| callnumber-sort | TR 215 |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 94800 |
| ctrlnum | (OCoLC)154689982 (DE-599)BVBBV035151063 |
| dewey-full | 770.9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770.9 |
| dewey-search | 770.9 |
| dewey-sort | 3770.9 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| edition | 1. publ. |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV035151063 |
| illustrated | Illustrated |
| index_date | 2024-07-02T22:46:41Z |
| indexdate | 2024-07-09T21:26:08Z |
| institution | BVB |
| isbn | 9781861893512 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016958305 |
| oclc_num | 154689982 |
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| physical | 160 S. zahlr. Ill. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Reaktion Books |
| record_format | marc |
| series2 | Exposures |
| spelling | Campany, David 1967- Verfasser (DE-588)124964974 aut Photography and cinema David Campany 1. publ. London Reaktion Books 2008 160 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Exposures This account of photography and cinema shows how the two media are not separate but in fact have influenced each other since their inception. David Campany explores photographers on screen, photographic and filmic stillness, photographs in film, the influence of photography on cinema, and the photographer as a filmmaker. Geschichte gnd rswk-swf Film Geschichte Motion pictures History Photography History Fotografie (DE-588)4045895-7 gnd rswk-swf Beziehung (DE-588)4145198-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Fotografie (DE-588)4045895-7 s Geschichte z DE-604 Beziehung (DE-588)4145198-3 s 1\p DE-604 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016958305&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Campany, David 1967- Photography and cinema Film Geschichte Motion pictures History Photography History Fotografie (DE-588)4045895-7 gnd Beziehung (DE-588)4145198-3 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4045895-7 (DE-588)4145198-3 (DE-588)4017102-4 |
| title | Photography and cinema |
| title_auth | Photography and cinema |
| title_exact_search | Photography and cinema |
| title_exact_search_txtP | Photography and cinema |
| title_full | Photography and cinema David Campany |
| title_fullStr | Photography and cinema David Campany |
| title_full_unstemmed | Photography and cinema David Campany |
| title_short | Photography and cinema |
| title_sort | photography and cinema |
| topic | Film Geschichte Motion pictures History Photography History Fotografie (DE-588)4045895-7 gnd Beziehung (DE-588)4145198-3 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Geschichte Motion pictures History Photography History Fotografie Beziehung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016958305&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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