Gao Xingjian's idea of theatre: from the word to the image
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Leiden [u.a.]
Brill
2008
|
| Series: | Sinica Leidensia
87 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | VIII, 243 S. |
| ISBN: | 9789004168282 |
Staff View
MARC
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Record in the Search Index
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| adam_text | CONTENTS
Introduction ........................................................................................ 1
Chapter One Chinese Avant-Garde: New Trends in Chinese
Exploratory and Experimental Theatre ...................................... 9
Terminology ................................................................................... 9
New Aesthetic Awareness ............................................................. 15
Dominance of the Stage Director ............................................... 20
Theatrical Space ............................................................................. 22
Word, Text and Theatre ................................................................ 26
Chapter Two Actor in the Space of Illusion and Anti-Illusion 31
Anti-realistic Turn ......................................................................... 31
Theatricality Regained .................................................................. 37
Towards the Audience .................................................................. 43
Self-observation and the Neutral Actor..................................... 60
Actor and Metadrama ................................................................... 82
Chapter Three New Narrative Strategies ..................................... 93
Early Attempts: From Didactic Drama to the Theatre of
Imagination ................................................................................ 93
Further Exploration ....................................................................... 98
Inspirations by Music, Film and Painting ................................. 103
Collage Technique ......................................................................... 112
Expanding the Boundaries of Language and Literature ......... 115
The Author-Audience Relationship ............................................ 120
Chapter Four From Realism to Sur-Realism: Poetics of the
Absurd and the Grotesque ........................................................... 125
Chapter Five Between Life and Death, Reality and Dream:
Towards an Oneiric Imagination ................................................ 143
The Other Shore of Cognition .................................................... 143
Scattered Identity ........................................................................... 155
On the Boundary between Night and Day ............................... 167
Democratization of the Tragic .................................................... 173
Vlll CONTENTS
Chapter Six In Search of the Total Theatre ................................ 179
Return to Origins .......................................................................... 179
Tracing the Wild Man .................................................................. 188
Towards the Total Theatre ............................................................ 193
Theatre of Words—Theatre of Images ....................................... 199
The Intercultural Total Theatre ................................................... 206
Bibliography ........................................................................................ 219
Index .................................................................................................... 237
|
| adam_txt |
CONTENTS
Introduction . 1
Chapter One Chinese Avant-Garde: New Trends in Chinese
Exploratory and Experimental Theatre . 9
Terminology . 9
New Aesthetic Awareness . 15
Dominance of the Stage Director . 20
Theatrical Space . 22
Word, Text and Theatre . 26
Chapter Two Actor in the Space of Illusion and Anti-Illusion 31
Anti-realistic Turn . 31
Theatricality Regained . 37
Towards the Audience . 43
Self-observation and the Neutral Actor. 60
Actor and Metadrama . 82
Chapter Three New Narrative Strategies . 93
Early Attempts: From Didactic Drama to the Theatre of
Imagination . 93
Further Exploration . 98
Inspirations by Music, Film and Painting . 103
Collage Technique . 112
Expanding the Boundaries of Language and Literature . 115
The Author-Audience Relationship . 120
Chapter Four From Realism to Sur-Realism: Poetics of the
Absurd and the Grotesque . 125
Chapter Five Between Life and Death, Reality and Dream:
Towards an Oneiric Imagination . 143
The Other Shore of Cognition . 143
Scattered Identity . 155
On the Boundary between Night and Day . 167
Democratization of the Tragic . 173
Vlll CONTENTS
Chapter Six In Search of the Total Theatre . 179
Return to Origins . 179
Tracing the Wild Man . 188
Towards the Total Theatre . 193
Theatre of Words—Theatre of Images . 199
The Intercultural Total Theatre . 206
Bibliography . 219
Index . 237 |
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| index_date | 2024-07-02T22:23:28Z |
| indexdate | 2024-07-09T21:22:57Z |
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| isbn | 9789004168282 |
| language | English |
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| spelling | Łabędzka, Izabella 1960- Verfasser (DE-588)136553907 aut Gao Xingjian's idea of theatre from the word to the image by Izabella Łabędzka Leiden [u.a.] Brill 2008 VIII, 243 S. txt rdacontent n rdamedia nc rdacarrier Sinica Leidensia 87 Includes bibliographical references and index Gao, Xingjian / Criticism and interpretation Gao, Xingjian Criticism and interpretation Gao, Xingjian 1940- (DE-588)118845497 gnd rswk-swf Theater Theatertheorie (DE-588)4185056-7 gnd rswk-swf Gao, Xingjian 1940- (DE-588)118845497 p Theatertheorie (DE-588)4185056-7 s DE-604 Sinica Leidensia 87 (DE-604)BV000015230 87 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016795111&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Łabędzka, Izabella 1960- Gao Xingjian's idea of theatre from the word to the image Sinica Leidensia Gao, Xingjian / Criticism and interpretation Gao, Xingjian Criticism and interpretation Gao, Xingjian 1940- (DE-588)118845497 gnd Theater Theatertheorie (DE-588)4185056-7 gnd |
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| title | Gao Xingjian's idea of theatre from the word to the image |
| title_auth | Gao Xingjian's idea of theatre from the word to the image |
| title_exact_search | Gao Xingjian's idea of theatre from the word to the image |
| title_exact_search_txtP | Gao Xingjian's idea of theatre from the word to the image |
| title_full | Gao Xingjian's idea of theatre from the word to the image by Izabella Łabędzka |
| title_fullStr | Gao Xingjian's idea of theatre from the word to the image by Izabella Łabędzka |
| title_full_unstemmed | Gao Xingjian's idea of theatre from the word to the image by Izabella Łabędzka |
| title_short | Gao Xingjian's idea of theatre |
| title_sort | gao xingjian s idea of theatre from the word to the image |
| title_sub | from the word to the image |
| topic | Gao, Xingjian / Criticism and interpretation Gao, Xingjian Criticism and interpretation Gao, Xingjian 1940- (DE-588)118845497 gnd Theater Theatertheorie (DE-588)4185056-7 gnd |
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