Elia Kazan: the cinema of an American outsider
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London [u.a.]
Tauris
2009
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | XI, 252 S. Ill. |
ISBN: | 9781845115609 |
Internformat
MARC
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Datensatz im Suchindex
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---|---|
adam_text | List of Illustrations
vii
Acknowledgements
ix
Introduction
1
1 :
Kazan at Twentieth Century-Fox
11
2:
New Directions: A Streetcar Named Desire
(1951)
and
Viva Zapata!
(1952) 33
3:
Elia
Kazan and the House Committee on Un-American Activities
59
4:
Filming On tL· Waterfront
(1954) 75
5:
Producer-Director: East of Eden
(1955)
and Baby Doll
(1956) 93
6:
Journeys in the American South
115
7:
Splendour in the Grass
(1961)
and America America
(1963) 137
8:
Into Myself: The Arrangement
(1969)
and After
163
9:
The Last Tycoon
(1976):
A Coda
181
References
197
Filmography
223
Select Bibliography
233
Index
245
IN
1999 Elia
Kazan received an honorary
Oscar for lifetime achievement; it was
a controversial award, for in 1
952
he had
cooperated with the House Committee on
Un-American Activities, for which he was
ostracised by many. Kazan s life and work
in the cinema are due a reassessment
-
one
that is presented expertly and gracefully
by Brian Neve in this book, drawing on
neglected archive sources, including Kazan s
own papers, and situating Kazan within
the culture and politics of his times.
Kazan s complete film career is examined
here, from A Tree Grows in Brooklyn
(
1
945)
and his studio apprenticeship, through to the
New York-based films of his own production
company, and to The Lost Tycoon
(
1
976),
his final film. Neve explores the process
of filmmaking, including censorship issues,
in such films as A Streetcar Named Desire
(
1
95
1
).
He examines Kazan s key artistic
collaborations, including those with Budd
Schulberg
(beginning with On the Waterfront),
Tennessee Williams and Arthur Miller, and his
work with actors, such as James Dean and
Marlon Brando, in finding the psychological
centre of his characters. Neve sees a pattern
of personally and socially resonant themes
running through the films, such as the
struggle for identity and the immigrant saga
Kazan was himself a second generation
immigrant of Greek parentage
-
ideas
realised vividly in I963 s America America.
Neve also discusses questions of style, from
the colour and wide screen of East of Eden
to the distinctive use of location in the
American South films, notably Baby Doll
and Wild River. He also explores the
reception of Kazan s work and the
controversy
-
which dogged his career
-
of his Congressional testimony.
|
adam_txt |
List of Illustrations
vii
Acknowledgements
ix
Introduction
1
1 :
Kazan at Twentieth Century-Fox
11
2:
New Directions: A Streetcar Named Desire
(1951)
and
Viva Zapata!
(1952) 33
3:
Elia
Kazan and the House Committee on Un-American Activities
59
4:
Filming On tL· Waterfront
(1954) 75
5:
Producer-Director: East of Eden
(1955)
and Baby Doll
(1956) 93
6:
Journeys in the American South
115
7:
Splendour in the Grass
(1961)
and America America
(1963) 137
8:
Into Myself: The Arrangement
(1969)
and After
163
9:
The Last Tycoon
(1976):
A Coda
181
References
197
Filmography
223
Select Bibliography
233
Index
245
IN
1999 Elia
Kazan received an honorary
Oscar for lifetime achievement; it was
a controversial award, for in 1
952
he had
cooperated with the House Committee on
Un-American Activities, for which he was
ostracised by many. Kazan's life and work
in the cinema are due a reassessment
-
one
that is presented expertly and gracefully
by Brian Neve in this book, drawing on
neglected archive sources, including Kazan's
own papers, and situating Kazan within
the culture and politics of his times.
Kazan's complete film career is examined
here, from A Tree Grows in Brooklyn
(
1
945)
and his studio apprenticeship, through to the
New York-based films of his own production
company, and to The Lost Tycoon
(
1
976),
his final film. Neve explores the process
of filmmaking, including censorship issues,
in such films as A Streetcar Named Desire
(
1
95
1
).
He examines Kazan's key artistic
collaborations, including those with Budd
Schulberg
(beginning with On the Waterfront),
Tennessee Williams and Arthur Miller, and his
work with actors, such as James Dean and
Marlon Brando, in finding the psychological
centre of his characters. Neve sees a pattern
of personally and socially resonant themes
running through the films, such as the
struggle for identity and the immigrant saga
Kazan was himself a second generation
immigrant of Greek parentage
-
ideas
realised vividly in I963's America America.
Neve also discusses questions of style, from
the colour and wide screen of East of Eden
to the distinctive use of location in the
American South films, notably Baby Doll
and Wild River. He also explores the
reception of Kazan's work and the
controversy
-
which dogged his career
-
of his Congressional testimony. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Neve, Brian |
author_facet | Neve, Brian |
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author_sort | Neve, Brian |
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building | Verbundindex |
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dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
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dewey-search | 791.430233092 |
dewey-sort | 3791.430233092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Book |
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index_date | 2024-07-02T22:21:23Z |
indexdate | 2024-07-09T21:22:48Z |
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isbn | 9781845115609 |
language | English |
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spelling | Neve, Brian Verfasser aut Elia Kazan the cinema of an American outsider Brian Neve London [u.a.] Tauris 2009 XI, 252 S. Ill. txt rdacontent n rdamedia nc rdacarrier Kazan, Elia / Criticism and interpretation Kazan, Elia Criticism and interpretation Kazan, Elia 1909-2003 (DE-588)118776975 gnd rswk-swf Filmkunst gtt Filmregisseurs gtt Film Film (DE-588)4017102-4 gnd rswk-swf Verenigde Staten gtt USA Kazan, Elia 1909-2003 (DE-588)118776975 p Film (DE-588)4017102-4 s DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016789199&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016789199&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Neve, Brian Elia Kazan the cinema of an American outsider Kazan, Elia / Criticism and interpretation Kazan, Elia Criticism and interpretation Kazan, Elia 1909-2003 (DE-588)118776975 gnd Filmkunst gtt Filmregisseurs gtt Film Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)118776975 (DE-588)4017102-4 |
title | Elia Kazan the cinema of an American outsider |
title_auth | Elia Kazan the cinema of an American outsider |
title_exact_search | Elia Kazan the cinema of an American outsider |
title_exact_search_txtP | Elia Kazan the cinema of an American outsider |
title_full | Elia Kazan the cinema of an American outsider Brian Neve |
title_fullStr | Elia Kazan the cinema of an American outsider Brian Neve |
title_full_unstemmed | Elia Kazan the cinema of an American outsider Brian Neve |
title_short | Elia Kazan |
title_sort | elia kazan the cinema of an american outsider |
title_sub | the cinema of an American outsider |
topic | Kazan, Elia / Criticism and interpretation Kazan, Elia Criticism and interpretation Kazan, Elia 1909-2003 (DE-588)118776975 gnd Filmkunst gtt Filmregisseurs gtt Film Film (DE-588)4017102-4 gnd |
topic_facet | Kazan, Elia / Criticism and interpretation Kazan, Elia Criticism and interpretation Kazan, Elia 1909-2003 Filmkunst Filmregisseurs Film Verenigde Staten USA |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016789199&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016789199&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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