Victorian photography, painting and poetry: the enigma of visibility in Ruskin, Morris and the Pre-Raphaelites
This book explores the intersections between Victorian literature, painting and photography. Taking as a starting point mid-nineteent- h-century developments in the understanding of visual perception, Lindsay Smith examines the representation of a pervasive desire for a literal understanding of the...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
Ausgabe: | Digitally printed version |
Schriftenreihe: | Cambridge studies in nineteenth century literature and culture
6 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Zusammenfassung: | This book explores the intersections between Victorian literature, painting and photography. Taking as a starting point mid-nineteent- h-century developments in the understanding of visual perception, Lindsay Smith examines the representation of a pervasive desire for a literal understanding of the process of seeing and perceiving. This is played out in the aesthetic theory of John Ruskin, the early poetry of William Morris, paintings of the Pre-Raphaelites, and in the photographic technique of combination printing. She demonstrates how the novel presence of the camera in nineteenth-ce- ntury culture not only transforms acts of looking, but also affects major social, aesthetic and philosophical categories. By exploring the intricacies of photographic discourse she shows how Ruskin and Morris produce a critique of the earlier Cartesian perspectival model of vision Social sciences History of art / art & design styles |
Beschreibung: | xiv, 245 Seiten Illustrationen |
ISBN: | 9780521054683 9780521472883 |
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Datensatz im Suchindex
_version_ | 1804138075150876672 |
---|---|
adam_text | This book explores the intersections between Victorian litera¬
ture, painting, and photography. Taking as a starting-point
mid-nineteenth-century developments in the understanding of
visual perception, Lindsay Smith examines the representation
of a pervasive desire for a literal understanding of the process
of seeing and perceiving. This is played out in the aesthetic
theory of John
Ruskin,
the early poetry of William Morris,
paintings of the Pre-Raphaelites, and in the photographic
technique of combination printing. She demonstrates how the
novel presence of the camera in nineteenth-century culture
not only transforms acts of looking, but also affects major
social, aesthetic and philosophical categories. By exploring
the intricacies of photographic discourse she shows how
Ruskin
and Morris produce a critique of the earlier Cartesian
perspectivai
model of vision.
Contents
List of illustrations page
xii
Acknowledgements
xiii
Introduction
ι
1.
Ruskin,
Morris, and the (un)assertive eyes
18
2.
Gaps on the mind s shelves : Ruskin s theory of the
grotesque
53
3.
The seed of the flower : photography and
Pre-Raphaelitism
93
4.
Where he cannot see, he will not venture far :
the critical reception of The Defence of Guemvere
113
5.
The optical agency of
Rapunzel 135
6.
The politics of sight: The Defence of Guemvere and the
optical determinants of medieval topography
154
7.
Coda: through yellow lenses
196
Notes
205
Bibliography
229
Index
240
|
adam_txt |
This book explores the intersections between Victorian litera¬
ture, painting, and photography. Taking as a starting-point
mid-nineteenth-century developments in the understanding of
visual perception, Lindsay Smith examines the representation
of a pervasive desire for a literal understanding of the process
of seeing and perceiving. This is played out in the aesthetic
theory of John
Ruskin,
the early poetry of William Morris,
paintings of the Pre-Raphaelites, and in the photographic
technique of combination printing. She demonstrates how the
novel presence of the camera in nineteenth-century culture
not only transforms acts of looking, but also affects major
social, aesthetic and philosophical categories. By exploring
the intricacies of photographic discourse she shows how
Ruskin
and Morris produce a critique of the earlier Cartesian
perspectivai
model of vision.
Contents
List of illustrations page
xii
Acknowledgements
xiii
Introduction
ι
1.
Ruskin,
Morris, and the (un)assertive eyes
18
2.
'Gaps on the mind's shelves': Ruskin's theory of the
grotesque
53
3.
'The seed of the flower': photography and
Pre-Raphaelitism
93
4.
'Where he cannot see, he will not venture far':
the critical reception of The Defence of Guemvere
113
5.
The optical agency of
'Rapunzel' 135
6.
The politics of sight: The Defence of Guemvere and the
optical determinants of medieval topography
154
7.
Coda: through yellow lenses
196
Notes
205
Bibliography
229
Index
240 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Smith, Lindsay 1959- |
author_GND | (DE-588)1044841893 |
author_facet | Smith, Lindsay 1959- |
author_role | aut |
author_sort | Smith, Lindsay 1959- |
author_variant | l s ls |
building | Verbundindex |
bvnumber | BV035103975 |
classification_rvk | HL 1191 |
ctrlnum | (OCoLC)271682883 (DE-599)BVBBV035103975 |
dewey-full | 700/.942/09034 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700/.942/09034 |
dewey-search | 700/.942/09034 |
dewey-sort | 3700 3942 49034 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte Anglistik / Amerikanistik |
discipline_str_mv | Kunstgeschichte Anglistik / Amerikanistik |
edition | Digitally printed version |
era | Geschichte 1840-1850 gnd Geschichte 1850-1900 gnd |
era_facet | Geschichte 1840-1850 Geschichte 1850-1900 |
format | Book |
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geographic | Großbritannien Großbritannien (DE-588)4022153-2 gnd |
geographic_facet | Großbritannien |
id | DE-604.BV035103975 |
illustrated | Illustrated |
index_date | 2024-07-02T22:15:13Z |
indexdate | 2024-07-09T21:22:18Z |
institution | BVB |
isbn | 9780521054683 9780521472883 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016771907 |
oclc_num | 271682883 |
open_access_boolean | |
owner | DE-355 DE-BY-UBR DE-Y3 |
owner_facet | DE-355 DE-BY-UBR DE-Y3 |
physical | xiv, 245 Seiten Illustrationen |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Cambridge Univ. Press |
record_format | marc |
series | Cambridge studies in nineteenth century literature and culture |
series2 | Cambridge studies in nineteenth century literature and culture |
spelling | Smith, Lindsay 1959- Verfasser (DE-588)1044841893 aut Victorian photography, painting and poetry the enigma of visibility in Ruskin, Morris and the Pre-Raphaelites Lindsay Smith Digitally printed version Cambridge [u.a.] Cambridge Univ. Press 2008 xiv, 245 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cambridge studies in nineteenth century literature and culture 6 This book explores the intersections between Victorian literature, painting and photography. Taking as a starting point mid-nineteent- h-century developments in the understanding of visual perception, Lindsay Smith examines the representation of a pervasive desire for a literal understanding of the process of seeing and perceiving. This is played out in the aesthetic theory of John Ruskin, the early poetry of William Morris, paintings of the Pre-Raphaelites, and in the photographic technique of combination printing. She demonstrates how the novel presence of the camera in nineteenth-ce- ntury culture not only transforms acts of looking, but also affects major social, aesthetic and philosophical categories. By exploring the intricacies of photographic discourse she shows how Ruskin and Morris produce a critique of the earlier Cartesian perspectival model of vision Social sciences History of art / art & design styles Morris, William 1834-1896 (DE-588)118584251 gnd rswk-swf Ruskin, John 1819-1900 (DE-588)118604279 gnd rswk-swf Geschichte 1840-1850 gnd rswk-swf Geschichte 1850-1900 gnd rswk-swf Arts, British Arts, Victorian Great Britain Visual perception Poetik (DE-588)4046449-0 gnd rswk-swf Druckwerk (DE-588)4013134-8 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Präraffaeliten (DE-588)4175547-9 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Fotografie (DE-588)4045895-7 s Geschichte 1850-1900 z DE-604 Malerei (DE-588)4037220-0 s Großbritannien (DE-588)4022153-2 g Druckwerk (DE-588)4013134-8 s Präraffaeliten (DE-588)4175547-9 s Morris, William 1834-1896 (DE-588)118584251 p Lyrik (DE-588)4036774-5 s Ruskin, John 1819-1900 (DE-588)118604279 p Poetik (DE-588)4046449-0 s Geschichte 1840-1850 z Cambridge studies in nineteenth century literature and culture 6 (DE-604)BV009696612 6 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016771907&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016771907&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Smith, Lindsay 1959- Victorian photography, painting and poetry the enigma of visibility in Ruskin, Morris and the Pre-Raphaelites Cambridge studies in nineteenth century literature and culture Morris, William 1834-1896 (DE-588)118584251 gnd Ruskin, John 1819-1900 (DE-588)118604279 gnd Arts, British Arts, Victorian Great Britain Visual perception Poetik (DE-588)4046449-0 gnd Druckwerk (DE-588)4013134-8 gnd Fotografie (DE-588)4045895-7 gnd Malerei (DE-588)4037220-0 gnd Lyrik (DE-588)4036774-5 gnd Präraffaeliten (DE-588)4175547-9 gnd Englisch (DE-588)4014777-0 gnd Literatur (DE-588)4035964-5 gnd |
subject_GND | (DE-588)118584251 (DE-588)118604279 (DE-588)4046449-0 (DE-588)4013134-8 (DE-588)4045895-7 (DE-588)4037220-0 (DE-588)4036774-5 (DE-588)4175547-9 (DE-588)4014777-0 (DE-588)4035964-5 (DE-588)4022153-2 |
title | Victorian photography, painting and poetry the enigma of visibility in Ruskin, Morris and the Pre-Raphaelites |
title_auth | Victorian photography, painting and poetry the enigma of visibility in Ruskin, Morris and the Pre-Raphaelites |
title_exact_search | Victorian photography, painting and poetry the enigma of visibility in Ruskin, Morris and the Pre-Raphaelites |
title_exact_search_txtP | Victorian photography, painting and poetry the enigma of visibility in Ruskin, Morris and the Pre-Raphaelites |
title_full | Victorian photography, painting and poetry the enigma of visibility in Ruskin, Morris and the Pre-Raphaelites Lindsay Smith |
title_fullStr | Victorian photography, painting and poetry the enigma of visibility in Ruskin, Morris and the Pre-Raphaelites Lindsay Smith |
title_full_unstemmed | Victorian photography, painting and poetry the enigma of visibility in Ruskin, Morris and the Pre-Raphaelites Lindsay Smith |
title_short | Victorian photography, painting and poetry |
title_sort | victorian photography painting and poetry the enigma of visibility in ruskin morris and the pre raphaelites |
title_sub | the enigma of visibility in Ruskin, Morris and the Pre-Raphaelites |
topic | Morris, William 1834-1896 (DE-588)118584251 gnd Ruskin, John 1819-1900 (DE-588)118604279 gnd Arts, British Arts, Victorian Great Britain Visual perception Poetik (DE-588)4046449-0 gnd Druckwerk (DE-588)4013134-8 gnd Fotografie (DE-588)4045895-7 gnd Malerei (DE-588)4037220-0 gnd Lyrik (DE-588)4036774-5 gnd Präraffaeliten (DE-588)4175547-9 gnd Englisch (DE-588)4014777-0 gnd Literatur (DE-588)4035964-5 gnd |
topic_facet | Morris, William 1834-1896 Ruskin, John 1819-1900 Arts, British Arts, Victorian Great Britain Visual perception Poetik Druckwerk Fotografie Malerei Lyrik Präraffaeliten Englisch Literatur Großbritannien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016771907&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016771907&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV009696612 |
work_keys_str_mv | AT smithlindsay victorianphotographypaintingandpoetrytheenigmaofvisibilityinruskinmorrisandthepreraphaelites |