Cities and cinema:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London [u.a.]
Routledge
2008
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Routledge critical introductions to urbanism and the city
|
Schlagworte: | |
Online-Zugang: | Klappentext Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | X, 245 S. Ill. |
ISBN: | 0415364450 0415364469 9780415364454 9780415364461 |
Internformat
MARC
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Datensatz im Suchindex
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---|---|
adam_text |
Films
about cities abound. They provide fantasies for those who recognize their city
and those for whom the city is a faraway dream or nightmare. How does cinema
rework city planners' hopes and city dwellers' fears of modern
urbanism?
Can an
analysis of city films answer some of the questions posed in urban studies? What
kinds of vision for the future and images of the past do city films offer? What are the
changes that city films have undergone?
puts urban theory and cinema studies in dialogue. The book's first
section analyzes three important genres of city films that follow in historical sequence,
each associated with a particular city, moving from the city film of the Weimar
Republic to the film
noir
associated with Los Angeles and the image of Paris in the
cinema of the French NewWave. The second section discusses socio-historical
themes of urban studies, beginning with the relationship of film industries and indi¬
vidual cities, continuing with the portrayal of war-torn and divided cities, and ending
with the cinematic expression of
utopia
and dystopia in urban science fiction. The last
section negotiates the question of identity and place in a global world, moving from
the portrayal of ghettos and barrios to the city as a setting for gay and lesbian desire,
to end with the representation of the global city in transnational cinematic practices.
The book suggests that modernity links
urbanism
and cinema. It accounts for the
significant changes that city film has undergone through processes of globalization,
during which the city has developed from an icon in national cinema to a privileged
site for transnational cinematic practices. It is a key text for students and researchers
of Film Studies, Urban Studies and Cultural Studies.
Contents
List of figures vii
Acknowledgments ix
Introduction: the founding myth of cinema, or the "train effect" 1
Introduction to Section I 19
1 Modernity and the city film: Berlin 21
2 The dark city and film noir: Los Angeles 46
3 The city of love: Paris 61
Introduction to Section II 81
4 City film industry: Hong Kong 83
5 The city in ruins and the divided city: Berlin, Belfast, and Beirut 103
6 Utopia and dystopia: fantastic and virtual cities 130
Introduction to Section III 151
7 Ghettos and barrios 153
8 The city as queer playground 176
9 The global city and cities in globalization 195
Conclusion: from the "train effect" to the "favela effect" - how to do
further research 210
vi • Contents
Notes 218
Bibliography 220
Filmography 230
Index 236 |
adam_txt |
Films
about cities abound. They provide fantasies for those who recognize their city
and those for whom the city is a faraway dream or nightmare. How does cinema
rework city planners' hopes and city dwellers' fears of modern
urbanism?
Can an
analysis of city films answer some of the questions posed in urban studies? What
kinds of vision for the future and images of the past do city films offer? What are the
changes that city films have undergone?
puts urban theory and cinema studies in dialogue. The book's first
section analyzes three important genres of city films that follow in historical sequence,
each associated with a particular city, moving from the city film of the Weimar
Republic to the film
noir
associated with Los Angeles and the image of Paris in the
cinema of the French NewWave. The second section discusses socio-historical
themes of urban studies, beginning with the relationship of film industries and indi¬
vidual cities, continuing with the portrayal of war-torn and divided cities, and ending
with the cinematic expression of
utopia
and dystopia in urban science fiction. The last
section negotiates the question of identity and place in a global world, moving from
the portrayal of ghettos and barrios to the city as a setting for gay and lesbian desire,
to end with the representation of the global city in transnational cinematic practices.
The book suggests that modernity links
urbanism
and cinema. It accounts for the
significant changes that city film has undergone through processes of globalization,
during which the city has developed from an icon in national cinema to a privileged
site for transnational cinematic practices. It is a key text for students and researchers
of Film Studies, Urban Studies and Cultural Studies.
Contents
List of figures vii
Acknowledgments ix
Introduction: the founding myth of cinema, or the "train effect" 1
Introduction to Section I 19
1 Modernity and the city film: Berlin 21
2 The dark city and film noir: Los Angeles 46
3 The city of love: Paris 61
Introduction to Section II 81
4 City film industry: Hong Kong 83
5 The city in ruins and the divided city: Berlin, Belfast, and Beirut 103
6 Utopia and dystopia: fantastic and virtual cities 130
Introduction to Section III 151
7 Ghettos and barrios 153
8 The city as queer playground 176
9 The global city and cities in globalization 195
Conclusion: from the "train effect" to the "favela effect" - how to do
further research 210
vi • Contents
Notes 218
Bibliography 220
Filmography 230
Index 236 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Mennel, Barbara Caroline 1962- |
author_GND | (DE-588)136206522 |
author_facet | Mennel, Barbara Caroline 1962- |
author_role | aut |
author_sort | Mennel, Barbara Caroline 1962- |
author_variant | b c m bc bcm |
building | Verbundindex |
bvnumber | BV035099983 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.C513 |
callnumber-search | PN1995.9.C513 |
callnumber-sort | PN 41995.9 C513 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 50300 MS 1750 |
ctrlnum | (OCoLC)173135922 (DE-599)BVBBV035099983 |
dewey-full | 791.43/621732 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/621732 |
dewey-search | 791.43/621732 |
dewey-sort | 3791.43 6621732 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Soziologie |
discipline_str_mv | Allgemeines Soziologie |
edition | 1. publ. |
format | Book |
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index_date | 2024-07-02T22:13:53Z |
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institution | BVB |
isbn | 0415364450 0415364469 9780415364454 9780415364461 |
language | English |
lccn | 2007037747 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016767971 |
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physical | X, 245 S. Ill. |
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publisher | Routledge |
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series2 | Routledge critical introductions to urbanism and the city |
spelling | Mennel, Barbara Caroline 1962- Verfasser (DE-588)136206522 aut Cities and cinema by Barbara Mennel 1. publ. London [u.a.] Routledge 2008 X, 245 S. Ill. txt rdacontent n rdamedia nc rdacarrier Routledge critical introductions to urbanism and the city Includes bibliographical references and index Cities and towns in motion pictures City and town life in motion pictures Film (DE-588)4017102-4 gnd rswk-swf Stadt Motiv (DE-588)4126697-3 gnd rswk-swf Film (DE-588)4017102-4 s Stadt Motiv (DE-588)4126697-3 s DE-604 Erscheint auch als Online-Ausgabe 0-203-01560-6 Erscheint auch als Online-Ausgabe 978-0-203-01560-5 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016767971&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016767971&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Mennel, Barbara Caroline 1962- Cities and cinema Cities and towns in motion pictures City and town life in motion pictures Film (DE-588)4017102-4 gnd Stadt Motiv (DE-588)4126697-3 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4126697-3 |
title | Cities and cinema |
title_auth | Cities and cinema |
title_exact_search | Cities and cinema |
title_exact_search_txtP | Cities and cinema |
title_full | Cities and cinema by Barbara Mennel |
title_fullStr | Cities and cinema by Barbara Mennel |
title_full_unstemmed | Cities and cinema by Barbara Mennel |
title_short | Cities and cinema |
title_sort | cities and cinema |
topic | Cities and towns in motion pictures City and town life in motion pictures Film (DE-588)4017102-4 gnd Stadt Motiv (DE-588)4126697-3 gnd |
topic_facet | Cities and towns in motion pictures City and town life in motion pictures Film Stadt Motiv |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016767971&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016767971&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT mennelbarbaracaroline citiesandcinema |