Postmodern American literature and its other:
"Although literary postmodernism has been defined in terms of difference, multiplicity, heterogeneity, and plurality, some of the most vaunted authors of postmodern American fiction--such as Thomas Pynchon, Paul Auster, and other white male authors--often fail to adequately represent the distin...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana [u.a.]
Univ. of Illinois Press
2009
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | "Although literary postmodernism has been defined in terms of difference, multiplicity, heterogeneity, and plurality, some of the most vaunted authors of postmodern American fiction--such as Thomas Pynchon, Paul Auster, and other white male authors--often fail to adequately represent the distinct subjectivities of African Americans, American Indians, Latinos and Latinas, women, the poor of the center, and the global periphery. In this groundbreaking study, W. Lawrence Hogue exposes the ways in which much postmodern American literature privileges a typically Eurocentric, male-oriented type of subjectivity, often at the expense of victimizing or objectifying the ethnic or gendered Other. In contrast to the dominant white male perspective on postmodernism, Hogue points to African American, American Indian, and women authors within the American postmodern canon--Rikki Ducornet, Kathy Acker, Ishmael Reed, and Gerald Vizenor--who work against these structures of stereotype and bias, resulting in a literary postmodernism that more genuinely respects and represents difference. He argues that most postmodern African American, American Indian, and women writers experience and write about postmodernity in ways that are substantially different from white men, since they are intimately concerned with the existence of racism and sexism." -- Book jacket. |
| Beschreibung: | XVI, 212 S. |
| ISBN: | 9780252033834 |
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| adam_text | Although literary postmodernism has been
defined in terms of difference, multiplicity,
heterogeneity, and plurality, some of the most
vaunted authors of postmodern American
fiction -^such as Thomas Pynchon, Paul
Auster,
and other white male authors —often
fail to adequately represent the distinct sub¬
jectivities of African Americans, American
Indians, Latinos and
Latinas,
women, the poor
of the center, and the global periphery. In this
groundbreaking study, W. Lawrence Hogue
exposes the ways in which much postmodern
American literature privileges a typically
Eurocentric, male-oriented type of subjectivity,
often at the expense of victimizing or
objectifying the ethnic
òr
gendered Other.
In contrast to the dominant white male per¬
spective on postmodernism, Hogue points
to African American, American Indian, and
women authors within the American post¬
modern canon—Rikki Ducornet, Kathy Acker,
Ishmael Reed, and Gerald Vizenor— who work
against these structures of stereotype and
bias, resulting in a literary postmodernism
that more genuinely respects and represents
difference. He argues that most postmodern
African
American,
American Indian, and
women writers experience and write about
postmodernity in ways that are substantially
different from white men, since they are
intimately concerned with the existence of
racism and sexism. These Other authors,
who are searching for new cultural forms and
paradigms to describe themselves outside
modernity s conventions, define themselves
according to their own logic, one that eschews
fixed notions of identity in favor of a network
of contextual, partial, contradictory, and shift¬
ing identifications.
Contents
Preface
ix
Acknowledgments
xv
ι.
Postmodern American Literature and Its Other:
The Euro-American Male, Woman, the African American,
the American Indian, the Poor, and the Global Periphery
ι
2.
The Privileged, Sovereign, Euro-American (Male),
Post/Modern Subject and Its Construction of the Other:
Thomas Pynchons V. and Paul Austers The New York Trilogy
42
3.
Constructing Woman as Subject: Rikki Ducornet s
The Jade Cabinet and Kathy Acker s Pussy, King of the Pirates
94
4.
Signifying Planetary Postmodernity: Ishmael Reed s
Mumbo Jumbo and Gerald Vizenor s The Heirs of Columbus
143
5.
Conclusion
189
Notes
193
Works Cited
199
Index
209
|
| adam_txt |
Although literary postmodernism has been
defined in terms of difference, multiplicity,
heterogeneity, and plurality, some of the most
vaunted authors of postmodern American
fiction -^such as Thomas Pynchon, Paul
Auster,
and other white male authors —often
fail to adequately represent the distinct sub¬
jectivities of African Americans, American
Indians, Latinos and
Latinas,
women, the poor
of the center, and the global periphery. In this
groundbreaking study, W. Lawrence Hogue
exposes the ways in which much postmodern
American literature privileges a typically
Eurocentric, male-oriented type of subjectivity,
often at the expense of victimizing or
objectifying the ethnic
òr
gendered Other.
In contrast to the dominant white male per¬
spective on postmodernism, Hogue points
to African American, American Indian, and
women authors within the American post¬
modern canon—Rikki Ducornet, Kathy Acker,
Ishmael Reed, and Gerald Vizenor— who work
against these structures of stereotype and
bias, resulting in a literary postmodernism
that more genuinely respects and represents
difference. He argues that most postmodern
African
American,
American Indian, and
women writers experience and write about
postmodernity in ways that are substantially
different from white men, since they are
intimately concerned with the existence of
racism and sexism. These "Other" authors,
who are searching for new cultural forms and
paradigms to describe themselves outside
modernity's conventions, define themselves
according to their own logic, one that eschews
fixed notions of identity in favor of a network
of contextual, partial, contradictory, and shift¬
ing identifications.
Contents
Preface
ix
Acknowledgments
xv
ι.
Postmodern American Literature and Its Other:
The Euro-American Male, Woman, the African American,
the American Indian, the Poor, and the Global Periphery
ι
2.
The Privileged, Sovereign, Euro-American (Male),
Post/Modern Subject and Its Construction of the Other:
Thomas Pynchons V. and Paul Austers The New York Trilogy
42
3.
Constructing Woman as Subject: Rikki Ducornet's
The Jade Cabinet and Kathy Acker's Pussy, King of the Pirates
94
4.
Signifying Planetary Postmodernity: Ishmael Reed's
Mumbo Jumbo and Gerald Vizenor's The Heirs of Columbus
143
5.
Conclusion
189
Notes
193
Works Cited
199
Index
209 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
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| author_sort | Hogue, W. Lawrence 1951- |
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| spelling | Hogue, W. Lawrence 1951- Verfasser (DE-588)13769184X aut Postmodern American literature and its other W. Lawrence Hogue Urbana [u.a.] Univ. of Illinois Press 2009 XVI, 212 S. txt rdacontent n rdamedia nc rdacarrier "Although literary postmodernism has been defined in terms of difference, multiplicity, heterogeneity, and plurality, some of the most vaunted authors of postmodern American fiction--such as Thomas Pynchon, Paul Auster, and other white male authors--often fail to adequately represent the distinct subjectivities of African Americans, American Indians, Latinos and Latinas, women, the poor of the center, and the global periphery. In this groundbreaking study, W. Lawrence Hogue exposes the ways in which much postmodern American literature privileges a typically Eurocentric, male-oriented type of subjectivity, often at the expense of victimizing or objectifying the ethnic or gendered Other. In contrast to the dominant white male perspective on postmodernism, Hogue points to African American, American Indian, and women authors within the American postmodern canon--Rikki Ducornet, Kathy Acker, Ishmael Reed, and Gerald Vizenor--who work against these structures of stereotype and bias, resulting in a literary postmodernism that more genuinely respects and represents difference. He argues that most postmodern African American, American Indian, and women writers experience and write about postmodernity in ways that are substantially different from white men, since they are intimately concerned with the existence of racism and sexism." -- Book jacket. Geschichte 1900-2000 American literature 20th century History and criticism Postmodernism (Literature) United States Roman (DE-588)4050479-7 gnd rswk-swf Postmoderne (DE-588)4115604-3 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Postmoderne (DE-588)4115604-3 s DE-604 Roman (DE-588)4050479-7 s Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016766948&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016766948&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hogue, W. Lawrence 1951- Postmodern American literature and its other American literature 20th century History and criticism Postmodernism (Literature) United States Roman (DE-588)4050479-7 gnd Postmoderne (DE-588)4115604-3 gnd Literatur (DE-588)4035964-5 gnd |
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| title | Postmodern American literature and its other |
| title_auth | Postmodern American literature and its other |
| title_exact_search | Postmodern American literature and its other |
| title_exact_search_txtP | Postmodern American literature and its other |
| title_full | Postmodern American literature and its other W. Lawrence Hogue |
| title_fullStr | Postmodern American literature and its other W. Lawrence Hogue |
| title_full_unstemmed | Postmodern American literature and its other W. Lawrence Hogue |
| title_short | Postmodern American literature and its other |
| title_sort | postmodern american literature and its other |
| topic | American literature 20th century History and criticism Postmodernism (Literature) United States Roman (DE-588)4050479-7 gnd Postmoderne (DE-588)4115604-3 gnd Literatur (DE-588)4035964-5 gnd |
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