Shakespeare's Globe: a theatrical experiment
"From 1997 Shakespeare's Globe flourished once more on London's South Bank after an absence of four hundred years. The playhouse is now a major attraction for theater goers, scholars, tourists, teachers and students of all ages, who come to experShakespeare'seare's plays and...
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Zusammenfassung: | "From 1997 Shakespeare's Globe flourished once more on London's South Bank after an absence of four hundred years. The playhouse is now a major attraction for theater goers, scholars, tourists, teachers and students of all ages, who come to experShakespeare'seare's plays and those of his contemporaries performed in their original conditions. The team of artists and education specialists who made this happen come together here to reflect on their ten-year experiment. Principal actors, designers, musicians and Globe education staff engage with international scholars in a lively debate about the impact of this extraordinary building. Featuring an in-depth interview with former Artistic Director Mark Rylance and a contribution from Patrick Spottiswoode, Founder and Director of Globe Education, the book highlights the complex relationship between designer, composer, actor and audience that give energy to this thrShakespearianperian centre." - p. i. |
Beschreibung: | Literaturverz. S. [254] - 259 |
Beschreibung: | XXII, 268 S. Ill. |
ISBN: | 9780521877787 9780521701662 |
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Datensatz im Suchindex
_version_ | 1804138038612197376 |
---|---|
adam_text | CONTENTS
List of
illustrations page
viii
List of colour plates
x
Notes on the editors
xi
Notes on contributors
xii
ForeUJOrd ANDREW
GURR XVÜ
Acknoiuled.gements
xxi
Introduction
ι
CHRISTIE CARSON AND FARAH KARIM-COOPER
ι
The essence of Globeness : authenticity, and the search for
Shakespeare s stagecraft
13
FRANKLIN
J. HILDY
PARTI: THE ORIGINAL PRACTICES PROJECT
27
Introduction
29
CHRISTIE CARSON
Stage action
35
2
Practising behaviour to his own shadow
37
TIM CARROLL
3
Original practices at the Globe: a theatre historian s view
45
ALAN
С
DESSEN
Stage appearance
5
r
4
Exploring early modern stage and costume design
57
JENNYTIRAMANI
5
Cosmetics on the Globe stage
66
FARAH KARIM-COOPER
CONTENTS
Music and sound
77
6
Music and aural texture at Shakespeare s Globe
79
CLAIRE VAN
KAMPEN
7
Music, authenticity and audience
9°
DAVID LINDLEY
Actor/audience interaction I01
8
Research, materials, craft: principles of performance
at Shakespeare s Globe
103
MARK RYLANCE
g
Democratising the audience?
115
CHRISTIE CARSON
PARI
II: GLOBE EDUCATION AND RESEARCH
127
Introduction
129
FARAH KARIM-COOPER
10
Contextualising Globe Education i34
PATRICK SPOTTISWOODE
11
That scull had a tongue in it, and could sing once : staging
Shakespeare s contemporaries
Щ7
JAMES WALLACE
12
Learning with the Globe
15 5
FIONA BANKS
13
Research and the Globe
166
MARTIN WHITE
PART III: RESEARCH IN PRACTICE: PRACTICE IN RESEARCH
175
Introduction
177
CHRISTIE CARSON AND FARAH KARIM-COOPER
14
Performing early music at Shakespeare s Globe
183
CLAIRE VAN
KAMPEN,
KEITH McGOWAN AND WILLIAM LYONS
15
Discoveries from the Globe stage
194
MARK RYLANCE,
YOLANDA
VAZQUEZ AND PAUL CHAHIDI
16
Directing at the Globe and the Blackfriars: six big rules for
contemporary directors
211
RALPH ALAN COHEN
VI
CONTENTS
Conclusions
226
CHRISTIE CARSON AND FARAH KARIM-COOPER
Afterword
230
GORDON McMULLAN
Appendix
1:
Globe Theatre and Essence ofGlobeness projects since
1970
by Franklin
J. Hildy
234
Appendix
2:
A draft Artistic Policy
-1988 236
Appendix
3:
Ten Commandments/or the
пеш
Globe by Alan C.
Dessen,
ícjcjo
237
Appendix
4:
Shakespeare s Globe productions
1996-2007 239
Appendix
5 :
Read Not Dead staged readings
243
Appendix
6:
Globe Quartos
253
Bibliography
254
Index
260
Shakespeare s Globe
From
1997
Shakespeare s Globe flourished once more on London s South Bank after an absence
of four hundred years. The playhouse is now a major attraction for theatregoers, scholars,
tourists, teachers and students of all ages, who come to experience Shakespeare s plays and
those of his contemporaries performed in their original conditions.
The team of artists and education specialists who made this happen come together here to
reflecton their ten-year experiment. Principal actors, designers, musicians and Globe Education
staff engage with international scholars in a lively debate about the impact of this extraordinary
building. Featuring an in-depth interview with former Artistic Director Mark Rylance and a
contribution from Patrick Spottiswoode, Founder and Director of Globe Education, the book
highlights the complex relationship between designer, composer, actor and audience that gives
energy to this thriving Shakespearean centre.
Christie Carson is Senior Lecturer in the Department of English at Royal Holloway,
University of London.
FARAH karim-cooper is Lecturer in Globe Education, oversees all research activities at
Shakespeare s Globe and chairs the Globe Architecture Research Group.
|
adam_txt |
CONTENTS
List of
illustrations page
viii
List of colour plates
x
Notes on the editors
xi
Notes on contributors
xii
ForeUJOrd ANDREW
GURR XVÜ
Acknoiuled.gements
xxi
Introduction
ι
CHRISTIE CARSON AND FARAH KARIM-COOPER
ι
The 'essence of Globeness': authenticity, and the search for
Shakespeare's stagecraft
13
FRANKLIN
J. HILDY
PARTI: THE ORIGINAL PRACTICES'PROJECT
27
Introduction
29
CHRISTIE CARSON
Stage action
35
2
'Practising behaviour to his own shadow'
37
TIM CARROLL
3
'Original practices' at the Globe: a theatre historian's view
45
ALAN
С
DESSEN
Stage appearance
5
r
4
Exploring early modern stage and costume design
57
JENNYTIRAMANI
5
Cosmetics on the Globe stage
66
FARAH KARIM-COOPER
CONTENTS
Music and sound
77
6
Music and aural texture at Shakespeare's Globe
79
CLAIRE VAN
KAMPEN
7
Music, authenticity and audience
9°
DAVID LINDLEY
Actor/audience interaction I01
8
Research, materials, craft: principles of performance
at Shakespeare's Globe
103
MARK RYLANCE
g
Democratising the audience?
115
CHRISTIE CARSON
PARI
II: GLOBE EDUCATION AND RESEARCH
127
Introduction
129
FARAH KARIM-COOPER
10
Contextualising Globe Education i34
PATRICK SPOTTISWOODE
11
'That scull had a tongue in it, and could sing once': staging
Shakespeare's contemporaries
Щ7
JAMES WALLACE
12
Learning with the Globe
15 5
FIONA BANKS
13
Research and the Globe
166
MARTIN WHITE
PART III: RESEARCH IN PRACTICE: PRACTICE IN RESEARCH
175
Introduction
177
CHRISTIE CARSON AND FARAH KARIM-COOPER
14
Performing early music at Shakespeare's Globe
183
CLAIRE VAN
KAMPEN,
KEITH McGOWAN AND WILLIAM LYONS
15
Discoveries from the Globe stage
194
MARK RYLANCE,
YOLANDA
VAZQUEZ AND PAUL CHAHIDI
16
Directing at the Globe and the Blackfriars: six big rules for
contemporary directors
211
RALPH ALAN COHEN
VI
CONTENTS
Conclusions
226
CHRISTIE CARSON AND FARAH KARIM-COOPER
Afterword
230
GORDON McMULLAN
Appendix
1:
Globe Theatre and 'Essence ofGlobeness' projects since
1970
by Franklin
J. Hildy
234
Appendix
2:
A draft Artistic Policy
-1988 236
Appendix
3:
Ten Commandments/or the
пеш
Globe by Alan C.
Dessen,
ícjcjo
237
Appendix
4:
Shakespeare's Globe productions
1996-2007 239
Appendix
5 :
'Read Not Dead' staged readings
243
Appendix
6:
Globe Quartos
253
Bibliography
254
Index
260
Shakespeare's Globe
From
1997
Shakespeare's Globe flourished once more on London's South Bank after an absence
of four hundred years. The playhouse is now a major attraction for theatregoers, scholars,
tourists, teachers and students of all ages, who come to experience Shakespeare's plays and
those of his contemporaries performed in their original conditions.
The team of artists and education specialists who made this happen come together here to
reflecton their ten-year experiment. Principal actors, designers, musicians and Globe Education
staff engage with international scholars in a lively debate about the impact of this extraordinary
building. Featuring an in-depth interview with former Artistic Director Mark Rylance and a
contribution from Patrick Spottiswoode, Founder and Director of Globe Education, the book
highlights the complex relationship between designer, composer, actor and audience that gives
energy to this thriving Shakespearean centre.
Christie Carson is Senior Lecturer in the Department of English at Royal Holloway,
University of London.
FARAH karim-cooper is Lecturer in Globe Education, oversees all research activities at
Shakespeare's Globe and chairs the Globe Architecture Research Group. |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4188171-0 Verzeichnis gnd-content |
genre_facet | Aufsatzsammlung Verzeichnis |
id | DE-604.BV035084635 |
illustrated | Illustrated |
index_date | 2024-07-02T22:08:28Z |
indexdate | 2024-07-09T21:21:50Z |
institution | BVB |
isbn | 9780521877787 9780521701662 |
language | English |
lccn | 2008031329 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016752831 |
oclc_num | 232128141 |
open_access_boolean | |
owner | DE-703 DE-20 DE-355 DE-BY-UBR DE-12 DE-473 DE-BY-UBG DE-29 DE-11 DE-19 DE-BY-UBM DE-188 |
owner_facet | DE-703 DE-20 DE-355 DE-BY-UBR DE-12 DE-473 DE-BY-UBG DE-29 DE-11 DE-19 DE-BY-UBM DE-188 |
physical | XXII, 268 S. Ill. |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Cambridge Univ. Press |
record_format | marc |
spelling | Shakespeare's Globe a theatrical experiment ed. by Christie Carson ... 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2008 XXII, 268 S. Ill. txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. [254] - 259 "From 1997 Shakespeare's Globe flourished once more on London's South Bank after an absence of four hundred years. The playhouse is now a major attraction for theater goers, scholars, tourists, teachers and students of all ages, who come to experShakespeare'seare's plays and those of his contemporaries performed in their original conditions. The team of artists and education specialists who made this happen come together here to reflect on their ten-year experiment. Principal actors, designers, musicians and Globe education staff engage with international scholars in a lively debate about the impact of this extraordinary building. Featuring an in-depth interview with former Artistic Director Mark Rylance and a contribution from Patrick Spottiswoode, Founder and Director of Globe Education, the book highlights the complex relationship between designer, composer, actor and audience that give energy to this thrShakespearianperian centre." - p. i. Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Stage history 1950- Shakespeare, William 1564-1616 Stage history England London Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Globe Theatre (London, England : 1996- ) Globe Theatre London (DE-588)3002174-1 gnd rswk-swf Geschichte 1900-2000 Geschichte 1996-2007 gnd rswk-swf Geschichte 1997-2007 gnd rswk-swf Geschichte Theater England London History 20th century Theater Production and direction History 20th century Aufführung (DE-588)4143388-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4188171-0 Verzeichnis gnd-content Globe Theatre London (DE-588)3002174-1 b Geschichte 1997-2007 z DE-604 Shakespeare, William 1564-1616 (DE-588)118613723 p Aufführung (DE-588)4143388-9 s Geschichte 1996-2007 z b DE-604 Carson, Christie Sonstige (DE-588)1053945140 oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016752831&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016752831&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Shakespeare's Globe a theatrical experiment Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Stage history 1950- Shakespeare, William 1564-1616 Stage history England London Shakespeare, William 1564-1616 (DE-588)118613723 gnd Globe Theatre (London, England : 1996- ) Globe Theatre London (DE-588)3002174-1 gnd Geschichte Theater England London History 20th century Theater Production and direction History 20th century Aufführung (DE-588)4143388-9 gnd |
subject_GND | (DE-588)118613723 (DE-588)3002174-1 (DE-588)4143388-9 (DE-588)4143413-4 (DE-588)4188171-0 |
title | Shakespeare's Globe a theatrical experiment |
title_auth | Shakespeare's Globe a theatrical experiment |
title_exact_search | Shakespeare's Globe a theatrical experiment |
title_exact_search_txtP | Shakespeare's Globe a theatrical experiment |
title_full | Shakespeare's Globe a theatrical experiment ed. by Christie Carson ... |
title_fullStr | Shakespeare's Globe a theatrical experiment ed. by Christie Carson ... |
title_full_unstemmed | Shakespeare's Globe a theatrical experiment ed. by Christie Carson ... |
title_short | Shakespeare's Globe |
title_sort | shakespeare s globe a theatrical experiment |
title_sub | a theatrical experiment |
topic | Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Stage history 1950- Shakespeare, William 1564-1616 Stage history England London Shakespeare, William 1564-1616 (DE-588)118613723 gnd Globe Theatre (London, England : 1996- ) Globe Theatre London (DE-588)3002174-1 gnd Geschichte Theater England London History 20th century Theater Production and direction History 20th century Aufführung (DE-588)4143388-9 gnd |
topic_facet | Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Stage history 1950- Shakespeare, William 1564-1616 Stage history England London Shakespeare, William 1564-1616 Globe Theatre (London, England : 1996- ) Globe Theatre London Geschichte Theater England London History 20th century Theater Production and direction History 20th century Aufführung Aufsatzsammlung Verzeichnis |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016752831&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016752831&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT carsonchristie shakespearesglobeatheatricalexperiment |