Holdings: Film music :: THWS Bibkatalog

Film music: a history

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Bibliographic Details
Main Author:	Wierzbicki, James Eugene 1948- (Author)
Format:	Book
Language:	English
Published:	New York [u.a.] Routledge 2009
Edition:	1. publ.
Subjects:	Geschichte 1894-2008 Motion picture music > History and criticism Filmmusik
Online Access:	Inhaltsverzeichnis Inhaltsverzeichnis Klappentext
Physical Description:	XV, 312 S. Ill.
ISBN:	9780415991988 9780415991995

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MARC


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Record in the Search Index

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adam_text	FILM MUSIC / WIERZBICKI, JAMES EUGENE : 2008 TABLE OF CONTENTS / INHALTSVERZEICHNIS INTRODUCTION MUSIC AND THE SILENT FILM (1894-1927). ORIGINS, 1894-1905 ; THE NICKELODEON, 1905-1915 ; FEATURE FILMS, 1915-1927 MUSIC AND THE EARLY SOUND FILM (1894-1933). THE LONG ADVENT OF SOUND, 1894-1926 ; VITAPHONE AND MOVIETONE, 1926-1928 ; EARLY SOUND FILMS, 1928-1933 MUSIC IN THE CLASSICAL-STYLE HOLLYWOOD FILM (1933-1960) ; THE GOLDEN AGE OF FILM MUSIC, 1933-1949 ; POST-WAR INNOVATIONS AND THE STRUGGE FOR SURVIVAL, 1949-1958 FILM MUSIC IN THE POST-CLASSIC PERIOD (1958-2008). A NEW WAVE OF FILM MUSIC, 1958-1978 ; ECLECTICISM, 1978-2001 ; EPILOGUE, 2001-2008. DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. MUSIC R Um Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book s four large parts are given over to Music and the Silent Film (1894-1927), Music and the Early Sound Film (1894-1933), Music in the Classical-Style Hollywood Film (1933-1960), and Film Music in the Post-Classic Period (1958-2008). Whereas most treatments of the subject are simply chronicles of great film scores and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals — logically and thoroughly — with the complex machine whose smooth running allowed those occasional master¬ pieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music s path. JAMES WIERZBICKI is a musicologist who teaches at the University of Michigan and serves as executive editor of the American Musicological Society s Music of the United States of America series of scholarly editions. His current research focuses on twentieth-century music in general and film music and electronic music in particular. R Routledge Taylor S» Francis Group v routiedge.corr ς The KoDdi CoUeaic ISBN: 470-0-415-44144-5 90000 9 780415 991 an informa business
adam_txt	FILM MUSIC / WIERZBICKI, JAMES EUGENE : 2008 TABLE OF CONTENTS / INHALTSVERZEICHNIS INTRODUCTION MUSIC AND THE SILENT FILM (1894-1927). ORIGINS, 1894-1905 ; THE NICKELODEON, 1905-1915 ; FEATURE FILMS, 1915-1927 MUSIC AND THE EARLY SOUND FILM (1894-1933). THE LONG ADVENT OF SOUND, 1894-1926 ; VITAPHONE AND MOVIETONE, 1926-1928 ; EARLY SOUND FILMS, 1928-1933 MUSIC IN THE CLASSICAL-STYLE HOLLYWOOD FILM (1933-1960) ; THE GOLDEN AGE OF FILM MUSIC, 1933-1949 ; POST-WAR INNOVATIONS AND THE STRUGGE FOR SURVIVAL, 1949-1958 FILM MUSIC IN THE POST-CLASSIC PERIOD (1958-2008). A NEW WAVE OF FILM MUSIC, 1958-1978 ; ECLECTICISM, 1978-2001 ; EPILOGUE, 2001-2008. DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. MUSIC R Um Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book's four large parts are given over to Music and the "Silent" Film (1894-1927), Music and the Early Sound Film (1894-1933), Music in the "Classical-Style" Hollywood Film (1933-1960), and Film Music in the Post-Classic Period (1958-2008). Whereas most treatments of the subject are simply chronicles of "great film scores" and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals — logically and thoroughly — with the complex "machine" whose smooth running allowed those occasional master¬ pieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music s path. JAMES WIERZBICKI is a musicologist who teaches at the University of Michigan and serves as executive editor of the American Musicological Society's Music of the United States of America series of scholarly editions. His current research focuses on twentieth-century music in general and film music and electronic music in particular. R Routledge Taylor S» Francis Group v routiedge.corr ς The KoDdi CoUeaic ISBN: 470-0-415-44144-5 90000 9 780415 991 an informa business
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author	Wierzbicki, James Eugene 1948-
author_GND	(DE-588)136442757
author_facet	Wierzbicki, James Eugene 1948-
author_role	aut
author_sort	Wierzbicki, James Eugene 1948-
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building	Verbundindex
bvnumber	BV035080809
callnumber-first	M - Music
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callnumber-search	ML2075
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callnumber-subject	ML - Literature on Music
classification_rvk	LR 53509
ctrlnum	(OCoLC)602772551 (DE-599)BVBBV035080809
dewey-full	781.5/4209
dewey-hundreds	700 - The arts
dewey-ones	781 - General principles and musical forms
dewey-raw	781.5/4209
dewey-search	781.5/4209
dewey-sort	3781.5 44209
dewey-tens	780 - Music
discipline	Musikwissenschaft
discipline_str_mv	Musikwissenschaft
edition	1. publ.
era	Geschichte 1894-2008 gnd
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spellingShingle	Wierzbicki, James Eugene 1948- Film music a history Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd
subject_GND	(DE-588)4017129-2
title	Film music a history
title_auth	Film music a history
title_exact_search	Film music a history
title_exact_search_txtP	Film music a history
title_full	Film music a history James Wierzbicki
title_fullStr	Film music a history James Wierzbicki
title_full_unstemmed	Film music a history James Wierzbicki
title_short	Film music
title_sort	film music a history
title_sub	a history
topic	Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd
topic_facet	Motion picture music History and criticism Filmmusik
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