Performing class in British popular music:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Palgrave Macmillan
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references, discography, and index |
| Beschreibung: | VIII, 208 Seiten |
| ISBN: | 9780230219496 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
1
Introduction:
A Class Act
1
2
Class and Popular Music Theory
10
Class and cultural studies
11
Class and subculture
13
Thinking class
16
Re-thinking class
20
Working-class heroes
23
Hearing class
26
The implied listener
27
3
The Problem of Authenticity
32
Defining the (in)authentic
35
Authenticity and liveness
38
The liberal artist
41
Romantic and modern authenticity
43
Authenticity and class in rock discourse
47
Phenomenological authenticity
49
Rebellion, recollection and amnesia
52
The problem of authenticity
55
Rock discourse and authenticity
58
4
Performing Class
62
Towards a performative theory of class
68
Class and performativity
70
The discursive field (rock discourse)
72
Discourse in performance
77
Self and subjectivity for a common people
79
Subjectivity and the contradictions of rock
83
Iteration and ambivalence
86
5
The Folk Voice
88
The uses of folk
90
The history of the folk voice
95
vii
viii Contents
Rock
and the folk voice
99
The ambivalent voice
102
6
Folk Revival and Folk Rock
106
The transition to folk rock
109
The conflation of discursive fields
112
John
Martyn
and Nick Drake
113
Acousticity
118
Punk and
neo-folk
121
7
Punk and Hardcore
125
Defining punk
126
Gendering class
128
The sound of [getting out of] the suburbs
130
Oi! and street punk
136
Hardcore and straight edge
140
Punk performance
143
8
Dream Pop and Madchester
146
Dream pop
146
Miasmic rock
149
The Holocaust
152
Abstracting rock
153
Madchester
156
Placing Madchester
159
Inferring class
162
Imagining Madchester
165
Conclusion
-
A Different Class
168
Notes
174
Bibliography
183
Discography
191
Index
194
|
| adam_txt |
Contents
1
Introduction:
A Class Act
1
2
Class and Popular Music Theory
10
Class and cultural studies
11
Class and subculture
13
Thinking class
16
Re-thinking class
20
Working-class heroes
23
Hearing class
26
The implied listener
27
3
The Problem of Authenticity
32
Defining the (in)authentic
35
Authenticity and liveness
38
The liberal artist
41
Romantic and modern authenticity
43
Authenticity and class in rock discourse
47
Phenomenological authenticity
49
Rebellion, recollection and amnesia
52
The 'problem' of authenticity
55
Rock discourse and authenticity
58
4
Performing Class
62
Towards a performative theory of class
68
Class and performativity
70
The discursive field (rock discourse)
72
Discourse in performance
77
Self and subjectivity for a common people
79
Subjectivity and the contradictions of rock
83
Iteration and ambivalence
86
5
The Folk Voice
88
The uses of folk
90
The history of the folk voice
95
vii
viii Contents
Rock
and the folk voice
99
The ambivalent voice
102
6
Folk Revival and Folk Rock
106
The transition to folk rock
109
The conflation of discursive fields
112
John
Martyn
and Nick Drake
113
Acousticity
118
Punk and
neo-folk
121
7
Punk and Hardcore
125
Defining punk
126
Gendering class
128
The sound of [getting out of] the suburbs
130
Oi! and street punk
136
Hardcore and straight edge
140
Punk performance
143
8
Dream Pop and Madchester
146
Dream pop
146
Miasmic rock
149
The Holocaust
152
Abstracting rock
153
Madchester
156
Placing Madchester
159
Inferring class
162
Imagining Madchester
165
Conclusion
-
A Different Class
168
Notes
174
Bibliography
183
Discography
191
Index
194 |
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| indexdate | 2024-07-09T21:21:45Z |
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| physical | VIII, 208 Seiten |
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| spelling | Wiseman-Trowse, Nathan Verfasser aut Performing class in British popular music Nathan Wiseman-Trowse New York Palgrave Macmillan 2008 VIII, 208 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references, discography, and index Geschichte 1952-2006 gnd rswk-swf Popular music - Great Britain - History and criticism Popular music - Social aspects - Great Britain Gesellschaft Popular music Social aspects Great Britain Popular music Great Britain History and criticism Popmusik (DE-588)4046781-8 gnd rswk-swf Soziale Klasse Motiv (DE-588)4315466-9 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Popmusik (DE-588)4046781-8 s Soziale Klasse Motiv (DE-588)4315466-9 s Geschichte 1952-2006 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016749001&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wiseman-Trowse, Nathan Performing class in British popular music Popular music - Great Britain - History and criticism Popular music - Social aspects - Great Britain Gesellschaft Popular music Social aspects Great Britain Popular music Great Britain History and criticism Popmusik (DE-588)4046781-8 gnd Soziale Klasse Motiv (DE-588)4315466-9 gnd |
| subject_GND | (DE-588)4046781-8 (DE-588)4315466-9 (DE-588)4022153-2 |
| title | Performing class in British popular music |
| title_auth | Performing class in British popular music |
| title_exact_search | Performing class in British popular music |
| title_exact_search_txtP | Performing class in British popular music |
| title_full | Performing class in British popular music Nathan Wiseman-Trowse |
| title_fullStr | Performing class in British popular music Nathan Wiseman-Trowse |
| title_full_unstemmed | Performing class in British popular music Nathan Wiseman-Trowse |
| title_short | Performing class in British popular music |
| title_sort | performing class in british popular music |
| topic | Popular music - Great Britain - History and criticism Popular music - Social aspects - Great Britain Gesellschaft Popular music Social aspects Great Britain Popular music Great Britain History and criticism Popmusik (DE-588)4046781-8 gnd Soziale Klasse Motiv (DE-588)4315466-9 gnd |
| topic_facet | Popular music - Great Britain - History and criticism Popular music - Social aspects - Great Britain Gesellschaft Popular music Social aspects Great Britain Popular music Great Britain History and criticism Popmusik Soziale Klasse Motiv Großbritannien |
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