Language in literature: style and foregrounding
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Harlow, England [u.a.]
Pearson Longman
2008
|
Ausgabe: | 1. ed. |
Schriftenreihe: | Longman linguistics
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XII, 222 S. graph. Darst. |
ISBN: | 9780582051096 |
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650 | 4 | |a English literature |x History and criticism |x Theory, etc | |
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Datensatz im Suchindex
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---|---|
adam_text | Contents
Preface viii
Acknowledgements
xi
1
Introduction: about this book, its content and its viewpoint
1
1.1
Stylistice
as an interdiscipline
1
1.2
The chapter-by-chapter progression of this book
4
1.3
A digression on literariness
6
1.4
A list of texts examined
8
Notes
9
2
Linguistics and the figures of rhetoric
11
2.1
Introduction
11
2.2
A linguistic perspective on literary language
12
2.3
Figures of speech as deviant or foregrounded
phenomena in language
15
2.4
Classifying figures of speech
20
2.5
Linguistic analysis and criticial appreciation
24
Notes
27
3
This bread I break
-
language and interpretation
28
3.1
Cohesion in a text
29
3.2
Foregrounding
30
3.3
Cohesion of foregrounding
31
3.4
Implications of context
33
3.5
Conclusion: interpretation
34
Notes
35
4
Literary criticism and linguistic description
37
4.1
The nature of critical statements
38
4.2
The nature of linguistic statements
39
4.3
The relation between critical and linguistic statements
41
Language in Literature
4.4
Leavis on Keats s Ode to a Nightingale
4.5
Linguistic support for Leavis s account
4.6
Conclusion
No res
5
Stylistics
5.1
Introduction
5.2
The text: Ode to the West Wind by Percy B. Shelley
5.3
5.4
5.5
5.6
5.7
Notes
Stylistic analysis: deviation and foregrounding
Secondary and tertiary deviation
Coherence of foregrounding
The poem s interpretation
Conclusion
Music in metre: sprung rhythm in Victorian poetry
6.1
Introduction
6.2
A multilevelled account of metre: four levels of
metrical form
6.3
Why we need a separate layer of musical scansion
6.4
Sprung rhythm
6.5
Conclusion
Appendix: Further illustrations of musical scansion
Notes
Pragmatics, discourse analysis, stylistics and The
Celebrated Letter
7.1
The close affinity between pragmatics, discourse
analysis and stylistics: a goal-oriented framework
7.2
Politeness and irony in a multi-goaled view of
communication
7.3
Samuel Johnson s Celebrated Letter as a
demonstration text
7.4
Conclusion: there is no dichotomy between literary
and non-literary texts
Notes
Stylistics and functionalism
8.1
Roman
Jakobson:
a formalistic functionalist
8.2
A goal-oriented multifunctionalism
8.3
Typologies of language function and kinds
of meaning
8.4
Functionalism in terms of a threefold hierarchy
8.5
Applications to literature
43
44
50
52
54
54
57
59
62
64
66
68
69
70
70
70
75
79
83
83
85
86
86
91
97
101
102
104
104
105
107
110
112
10
11
8.6
Jakobson s poetic function revisited: autotelism
8.7
Conclusion
Notes
12
Pragmatic principles in Shaw s You Never Can Tell
9.1
Introduction
The plot of Shaw s You Never Can Tell
Pragmatic principles and pragmatic deviation
(Un)cooperative and (im)polite behaviour in the play
Quality and quantity: rights and obligations
Pragmatic abnormalities of character
A system of pragmatic contrasts
You never can tell
9.2
9.3
9.4
9.5
9.6
9.7
9.8
Notes
Contents
114
116
117
118
118
119
120
120
124
127
132
133
134
Style in interior monologue: Virginia
Woolf s
The Mark on the Wall
10.1
10.2
136
Introduction
136
The formal levels of phonology, lexigrammar and semantics
139
10.3
10.4
10.5
10.6
10.7
Notes
A digression on the stream of consciousness
The textual function
The ideational function: representation of (mock) reality
The interpersonal function
Conclusion
Work in progress in corpus stylistics: a method of finding
deviant or key features of texts, and its application to
The Mark on the Wall
11.1
A method in corpus stylistics: Wmatrix
11.2
The results
11.3
Conclusion
Notes
Closing statement: text, interpretation, history and education
12.1
The book s relation to other work
What is a text?
Ambiguity and interpretation
Historical and educational viewpoints
Conclusion
12.2
12.3
12.4
12.5
Notes
References
index
143
144
151
157
159
160
162
163
168
176
177
179
179
186
190
195
202
204
208
218
|
adam_txt |
Contents
Preface viii
Acknowledgements
xi
1
Introduction: about this book, its content and its viewpoint
1
1.1
Stylistice
as an 'interdiscipline'
1
1.2
The chapter-by-chapter progression of this book
4
1.3
A digression on'literariness'
6
1.4
A list of texts examined
8
Notes
9
2
Linguistics and the figures of rhetoric
11
2.1
Introduction
11
2.2
A linguistic perspective on literary language
12
2.3
Figures of speech as deviant or foregrounded
phenomena in language
15
2.4
Classifying figures of speech
20
2.5
Linguistic analysis and criticial appreciation
24
Notes
27
3
'This bread I break'
-
language and interpretation
28
3.1
Cohesion in a text
29
3.2
Foregrounding
30
3.3
Cohesion of foregrounding
31
3.4
Implications of context
33
3.5
Conclusion: interpretation
34
Notes
35
4
Literary criticism and linguistic description
37
4.1
The nature of critical statements
38
4.2
The nature of linguistic statements
39
4.3
The relation between critical and linguistic statements
41
Language in Literature
4.4
Leavis on Keats's Ode to a Nightingale'
4.5
Linguistic support for Leavis's account
4.6
Conclusion
No res
5
Stylistics
5.1
Introduction
5.2
The text: Ode to the West Wind' by Percy B. Shelley
5.3
5.4
5.5
5.6
5.7
Notes
Stylistic analysis: deviation and foregrounding
Secondary and tertiary deviation
Coherence of foregrounding
The poem's interpretation
Conclusion
Music in metre: 'sprung rhythm' in Victorian poetry
6.1
Introduction
6.2
A multilevelled account of metre: four levels of
metrical form
6.3
Why we need a separate layer of musical scansion
6.4
Sprung rhythm
6.5
Conclusion
Appendix: Further illustrations of musical scansion
Notes
Pragmatics, discourse analysis, stylistics and 'The
Celebrated Letter'
7.1
The close affinity between pragmatics, discourse
analysis and stylistics: a goal-oriented framework
7.2
Politeness and irony in a multi-goaled view of
communication
7.3
Samuel Johnson's 'Celebrated Letter' as a
demonstration text
7.4
Conclusion: there is no dichotomy between literary
and non-literary texts
Notes
Stylistics and functionalism
8.1
Roman
Jakobson:
a formalistic functionalist
8.2
A goal-oriented multifunctionalism
8.3
Typologies of language function and kinds
of meaning
8.4
Functionalism in terms of a threefold hierarchy
8.5
Applications to literature
43
44
50
52
54
54
57
59
62
64
66
68
69
70
70
70
75
79
83
83
85
86
86
91
97
101
102
104
104
105
107
110
112
10
11
8.6
Jakobson's poetic function revisited: autotelism
8.7
Conclusion
Notes
12
Pragmatic principles in Shaw's You Never Can Tell
9.1
Introduction
The plot of Shaw's You Never Can Tell
Pragmatic principles and pragmatic deviation
(Un)cooperative and (im)polite behaviour in the play
Quality and quantity: rights and obligations
Pragmatic abnormalities of character
A system of pragmatic contrasts
'You never can tell'
9.2
9.3
9.4
9.5
9.6
9.7
9.8
Notes
Contents
114
116
117
118
118
119
120
120
124
127
132
133
134
Style in interior monologue: Virginia
Woolf 's
'The Mark on the Wall'
10.1
10.2
136
Introduction
136
The formal levels of phonology, lexigrammar and semantics
139
10.3
10.4
10.5
10.6
10.7
Notes
A digression on the stream of consciousness
The textual function
The ideational function: representation of (mock) reality
The interpersonal function
Conclusion
Work in progress in corpus stylistics: a method of finding
'deviant' or 'key' features of texts, and its application to
'The Mark on the Wall'
11.1
A method in corpus stylistics: Wmatrix
11.2
The results
11.3
Conclusion
Notes
Closing statement: text, interpretation, history and education
12.1
The book's relation to other work
What is a text?
Ambiguity and interpretation
Historical and educational viewpoints
Conclusion
12.2
12.3
12.4
12.5
Notes
References
index
143
144
151
157
159
160
162
163
168
176
177
179
179
186
190
195
202
204
208
218 |
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index_date | 2024-07-02T22:01:29Z |
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spelling | Leech, Geoffrey N. 1936-2014 Verfasser (DE-588)119411350 aut Language in literature style and foregrounding Geoffrey Leech 1. ed. Harlow, England [u.a.] Pearson Longman 2008 XII, 222 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Longman linguistics Includes bibliographical references and index Englisch English language Style English literature History and criticism Theory, etc English literature Explication Style, Literary Literatur (DE-588)4035964-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Literarischer Stil (DE-588)4074271-4 gnd rswk-swf Stilistik (DE-588)4116621-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Englisch (DE-588)4014777-0 s Literarischer Stil (DE-588)4074271-4 s DE-604 Literatur (DE-588)4035964-5 s Stilistik (DE-588)4116621-8 s Erscheint auch als Online-Ausgabe 978-1-315-84612-5 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016732063&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Leech, Geoffrey N. 1936-2014 Language in literature style and foregrounding Englisch English language Style English literature History and criticism Theory, etc English literature Explication Style, Literary Literatur (DE-588)4035964-5 gnd Englisch (DE-588)4014777-0 gnd Literarischer Stil (DE-588)4074271-4 gnd Stilistik (DE-588)4116621-8 gnd |
subject_GND | (DE-588)4035964-5 (DE-588)4014777-0 (DE-588)4074271-4 (DE-588)4116621-8 (DE-588)4143413-4 |
title | Language in literature style and foregrounding |
title_auth | Language in literature style and foregrounding |
title_exact_search | Language in literature style and foregrounding |
title_exact_search_txtP | Language in literature style and foregrounding |
title_full | Language in literature style and foregrounding Geoffrey Leech |
title_fullStr | Language in literature style and foregrounding Geoffrey Leech |
title_full_unstemmed | Language in literature style and foregrounding Geoffrey Leech |
title_short | Language in literature |
title_sort | language in literature style and foregrounding |
title_sub | style and foregrounding |
topic | Englisch English language Style English literature History and criticism Theory, etc English literature Explication Style, Literary Literatur (DE-588)4035964-5 gnd Englisch (DE-588)4014777-0 gnd Literarischer Stil (DE-588)4074271-4 gnd Stilistik (DE-588)4116621-8 gnd |
topic_facet | Englisch English language Style English literature History and criticism Theory, etc English literature Explication Style, Literary Literatur Literarischer Stil Stilistik Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016732063&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT leechgeoffreyn languageinliteraturestyleandforegrounding |