Auditory perception: an analysis and synthesis
This revised and updated third edition describes the nature of sound, how sound is analyzed by the auditory system, and the rules and principles governing our interpretation of auditory input. It covers many topics including sound and the auditory system, locating sound sources, the basis for loudne...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
| Ausgabe: | 3. ed. |
| Schlagworte: | |
| Online-Zugang: | Contributor biographical information Publisher description Table of contents only Inhaltsverzeichnis |
| Zusammenfassung: | This revised and updated third edition describes the nature of sound, how sound is analyzed by the auditory system, and the rules and principles governing our interpretation of auditory input. It covers many topics including sound and the auditory system, locating sound sources, the basis for loudness judgments, perception of acoustic sequences, perceptual restoration of obliterated sounds, speech production and perception, and the relation of hearing to perception in general. Whilst keeping the consistent style of the previous editions, many new features have been added, including suggestions for further reading at the end of each chapter, a section on functional imaging of the brain, expanded information on pitch and infrapitch, and additional coverage of speech processing. Advanced undergraduate and graduate students interested in auditory perception, behavioral sciences, psychology, neurobiology, architectural acoustics, and the hearing sciences will find this book an excellent guide. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIII, 264 S. Ill., graph. Darst. |
| ISBN: | 9780521688895 9780521868709 |
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| 520 | 3 | |a This revised and updated third edition describes the nature of sound, how sound is analyzed by the auditory system, and the rules and principles governing our interpretation of auditory input. It covers many topics including sound and the auditory system, locating sound sources, the basis for loudness judgments, perception of acoustic sequences, perceptual restoration of obliterated sounds, speech production and perception, and the relation of hearing to perception in general. Whilst keeping the consistent style of the previous editions, many new features have been added, including suggestions for further reading at the end of each chapter, a section on functional imaging of the brain, expanded information on pitch and infrapitch, and additional coverage of speech processing. Advanced undergraduate and graduate students interested in auditory perception, behavioral sciences, psychology, neurobiology, architectural acoustics, and the hearing sciences will find this book an excellent guide. | |
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Datensatz im Suchindex
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| adam_text | Contents
Preface page xii
1 Sound and the auditory system l
The nature of auditory stimuli 1
Our auditory apparatus 5
The outer ear and the middle ear 5
Structure of the inner ear 9
Neural structures and auditory pathways 13
Mechanics for stimulation within the inner ear 16
The auditory-acoustic paradox: excellent discrimination
from a poor instrument 22
Electrophysiological response of the cochlea and peripheral
neural apparatus 23
The resting potential 23
The summating potential 23
The cochlear microphonk 24
Whole-nerve action potential 25
Single-unit receptor potentials 25
Single-unit generator potentials 26
Action potentials of auditory nerve fibers 27
Investigation of human cortical function 31
fMRI 31
PET 32
BEG and MEG 33
Suggestions for further reading 34
2 Spatial localization and binaural hearing 35
Binaural perception of azimuth 36
vii
viii Contents
Minimal audible angle 40
Binaural beats 41
Detection of interaural delays for clicks and for complex
sounds 42
Contralateral induction 45
Masking level differences 48
Two types of temporal disparity 50
Time-intensity trading 51
Some cautions concerning interpretation of studies using
headphones 52
Importance of the pinnae in sound localization 52
Room acoustics 56
Auditory reorientation 57
Estimates of distance from the source 59
Sensory input and physical correlates 63
Suggestions for further reading 63
3 Perception of acoustic repetition: pitch and
infrapitch 64
Terminology 64
Classical pitch studies 65
Masking 69
Critical bands 72
Comodulation and masking reduction 72
Place theory of pitch 74
Periodicity theory of pitch 75
Schouten s residue pitch 76
Pitch of inharmonic complexes 77
Spectral dominance 79
Complex tones and local temporal patterns on the basilar
membrane 79
Use of special versus model periodic stimuli 82
Iterated noise segments as representative or model
periodic sounds 83
Pitch and infrapitch iterance 85
Echo pitch and infrapitch echo 91
Periodic signals with alternating polarity 95
Pitches produced by dichotic interactions 101
Ear dominance for perception of pitch 102
Musical pitch and musical infrapitch (rhythm) 102
Deviations from strict periodicity in the pitch range 103
Some models for the pitch of complex tones 104
Suggestions for further reading 105
Contents ix
4 Judging auditory magnitudes: the sone scale of loudness
and the mel scale of pitch 107
Sensory input and perception 107
The history of loudness measurement 108
Loudness judgments and their relation to auditory
localization: the physical correlate theory 111
1. Equivalence of half-loudness and twice distance estimates 113
2. Loudness and the inverse square law 113
3. Effects of reverberation on foudness functions 117
4. Loudness of self-generated sound 119
5. A new physical correlate can result in a new loudness scale 121
The mel scale of pitch magnitude 122
Some conclusions and inferences 124
Suggestions for further reading 125
5 Perception of acoustic sequences 126
Rate at which component sounds occur in speech and music 126
Identification of components and their order 127
Identification of the order of components for extended sequences
of unrelated sounds and for steady-state phonemes 129
Identification of order within tonal sequences 130
Limits of stream segregation as an explanatory principle 131
Identification of order and verbal labeling 131
Need for verbal labeling for serial order retention in memory
experiments 133
Identification of patterns without discrimination of order:
global pattern recognition 134
Extent of temporal mismatch permitting global pattern
recognition 136
Should practiced or unpracticed subjects be used in
sequence experiments? 138
A comparison of global pattern recognition with identification
of the order of components 138
Perception of tonal sequences and melodies 142
Acoustic sequences as unresolved temporal compounds 146
Linguistic temporal compounds formed by repeating sequences
of brief steady-state vowels 146
Identification of components and their orders and
global pattern recognition for dichotomous patterns 147
Global pattern recognition in animals other than humans 147
Conclusions 149
Suggestions for further reading 149
x Contents
6 Perceptual restoration of missing sounds 150
Temporal induction 151
Homophonk continuity 151
Heterophonic continuity 152
The roll ejfect as tonal restoration 156
Durational limits for Musory continuity 156
Reciprocal changes in inducer and inducee 156
Alternating levels of the same sound: some anomalous effects observed
for the higher level sound in the homophonic induction of tones 159
Differences in the homophonic induction of tone and noise 160
Binaural release from temporal induction 161
Temporal induction of dynamic signals 161
Temporal induction of tonal frequency glides 161
Temporal induction of speech: phonemic restoration 162
Apparent continuity of speech produced by insertion of noise into
multiple gaps 164
Increase in intelligibility produced by insertion of noise into multiple
temporal gaps 166
Temporal induction in cats and monkeys 169
Spectral restoration 170
Masking and unmasking 172
Suggestions for further reading 172
7 Speech 174
Speech production 174
The subglottal system 175
The larynx 176
The vocal tract and articulation of speech sounds 178
Visual representation of speech sounds 183
Intelligibility of sentences heard through narrow spectral slits 186
Intelligibilities of passbands heard singly and together 189
The protean phoneme 190
Are phonemes perceptual units? 194
The alphabet and the phoneme 194
Illiterate adults cannot segment phonetically 195
Ability to segment phonetically and reading ability are related
in children 196
Cues for identifying phonemes and characterizing letters 197
Phonemes in speech are not perceived, but are inferred 198
Restored and real phonemes are perceptually equivalent 198
Identification of syllables and words precedes identification of
constituent phonemes 198
Contents xi
Obligatory transformation of brief steady-state phonemes
into syllables and words: the vowel-sequence illusion 199
Implications of the vowel-sequence illusion for theories of aphasia 202
Perceptual changes occurring during repetition of syllables
and words 203
Verbal and visual satiation 203
Verbal transformations 205
Identifying lexical neighbors using verbal transformations 208
Dichotic verbal transformations 209
The relation between production and perception of speech:
organization above the lexical level 211
Skilled storage and delayed perceptual organization of speech 211
Speech errors in everyday life 213
Syllable recognition by nonhuman species 214
Suggestions for further reading 215
8 The relation of hearing to perception in general 216
Multimodal perception 216
Interaction of vision with senses other than hearing 216
Interaction of vision and hearing in speech perception 217
Perceptual resolution of conflicting visual and auditory
information concerning speech 218
Multimodal sensory control of speech production 219
General perceptual rules and modality-specific rules 220
1. Sensory input is interpreted in terms of familiar causative agents
or events, and not in terms of the manner and nature of neural
stimulation 220
2. Perceptual changes occur during exposure to an unchanging
stimulus pattern 221
3. Prior stimulation influences perceptual criteria 222
Suggestions for further reading 224
References 225
Index 256
|
| adam_txt |
Contents
Preface page xii
1 Sound and the auditory system l
The nature of auditory stimuli 1
Our auditory apparatus 5
The outer ear and the middle ear 5
Structure of the inner ear 9
Neural structures and auditory pathways 13
Mechanics for stimulation within the inner ear 16
The auditory-acoustic paradox: excellent discrimination
from a poor instrument 22
Electrophysiological response of the cochlea and peripheral
neural apparatus 23
The resting potential 23
The summating potential 23
The cochlear microphonk 24
Whole-nerve action potential 25
Single-unit receptor potentials 25
Single-unit generator potentials 26
Action potentials of auditory nerve fibers 27
Investigation of human cortical function 31
fMRI 31
PET 32
BEG and MEG 33
Suggestions for further reading 34
2 Spatial localization and binaural hearing 35
Binaural perception of azimuth 36
vii
viii Contents
Minimal audible angle 40
Binaural beats 41
Detection of interaural delays for clicks and for complex
sounds 42
Contralateral induction 45
Masking level differences 48
Two types of temporal disparity 50
Time-intensity trading 51
Some cautions concerning interpretation of studies using
headphones 52
Importance of the pinnae in sound localization 52
Room acoustics 56
Auditory reorientation 57
Estimates of distance from the source 59
Sensory input and physical correlates 63
Suggestions for further reading 63
3 Perception of acoustic repetition: pitch and
infrapitch 64
Terminology 64
Classical pitch studies 65
Masking 69
Critical bands 72
Comodulation and masking reduction 72
Place theory of pitch 74
Periodicity theory of pitch 75
Schouten's residue pitch 76
Pitch of inharmonic complexes 77
Spectral dominance 79
Complex tones and local temporal patterns on the basilar
membrane 79
Use of special versus model periodic stimuli 82
Iterated noise segments as representative or model
periodic sounds 83
Pitch and infrapitch iterance 85
Echo pitch and infrapitch echo 91
Periodic signals with alternating polarity 95
Pitches produced by dichotic interactions 101
Ear dominance for perception of pitch 102
Musical pitch and musical infrapitch (rhythm) 102
Deviations from strict periodicity in the pitch range 103
Some models for the pitch of complex tones 104
Suggestions for further reading 105
Contents ix
4 Judging auditory magnitudes: the sone scale of loudness
and the mel scale of pitch 107
Sensory input and perception 107
The history of loudness measurement 108
Loudness judgments and their relation to auditory
localization: the physical correlate theory 111
1. Equivalence of half-loudness and twice distance estimates 113
2. Loudness and the inverse square law 113
3. Effects of reverberation on foudness functions 117
4. Loudness of self-generated sound 119
5. A new physical correlate can result in a new loudness scale 121
The mel scale of pitch magnitude 122
Some conclusions and inferences 124
Suggestions for further reading 125
5 Perception of acoustic sequences 126
Rate at which component sounds occur in speech and music 126
Identification of components and their order 127
Identification of the order of components for extended sequences
of unrelated sounds and for steady-state phonemes 129
Identification of order within tonal sequences 130
Limits of stream segregation as an explanatory principle 131
Identification of order and verbal labeling 131
Need for verbal labeling for serial order retention in memory
experiments 133
Identification of patterns without discrimination of order:
global pattern recognition 134
Extent of temporal mismatch permitting global pattern
recognition 136
Should practiced or unpracticed subjects be used in
sequence experiments? 138
A comparison of global pattern recognition with identification
of the order of components 138
Perception of tonal sequences and melodies 142
Acoustic sequences as unresolved "temporal compounds" 146
Linguistic temporal compounds formed by repeating sequences
of brief steady-state vowels 146
Identification of components and their orders and
global pattern recognition for dichotomous patterns 147
Global pattern recognition in animals other than humans 147
Conclusions 149
Suggestions for further reading 149
x Contents
6 Perceptual restoration of missing sounds 150
Temporal induction 151
Homophonk continuity 151
Heterophonic continuity 152
The roll ejfect as tonal restoration 156
Durational limits for Musory continuity 156
Reciprocal changes in inducer and inducee 156
Alternating levels of the same sound: some anomalous effects observed
for the higher level sound in the homophonic induction of tones 159
Differences in the homophonic induction of tone and noise 160
Binaural release from temporal induction 161
Temporal induction of dynamic signals 161
Temporal induction of tonal frequency glides 161
Temporal induction of speech: phonemic restoration 162
Apparent continuity of speech produced by insertion of noise into
multiple gaps 164
Increase in intelligibility produced by insertion of noise into multiple
temporal gaps 166
Temporal induction in cats and monkeys 169
Spectral restoration 170
Masking and unmasking 172
Suggestions for further reading 172
7 Speech 174
Speech production 174
The subglottal system 175
The larynx 176
The vocal tract and articulation of speech sounds 178
Visual representation of speech sounds 183
Intelligibility of sentences heard through narrow spectral slits 186
Intelligibilities of passbands heard singly and together 189
The protean phoneme 190
Are phonemes perceptual units? 194
The alphabet and the phoneme 194
Illiterate adults cannot segment phonetically 195
Ability to segment phonetically and reading ability are related
in children 196
Cues for identifying phonemes and characterizing letters 197
Phonemes in speech are not perceived, but are inferred 198
"Restored" and "real" phonemes are perceptually equivalent 198
Identification of syllables and words precedes identification of
constituent phonemes 198
Contents xi
Obligatory transformation of brief steady-state phonemes
into syllables and words: the vowel-sequence illusion 199
Implications of the vowel-sequence illusion for theories of aphasia 202
Perceptual changes occurring during repetition of syllables
and words 203
Verbal and visual satiation 203
Verbal transformations 205
Identifying lexical neighbors using verbal transformations 208
Dichotic verbal transformations 209
The relation between production and perception of speech:
organization above the lexical level 211
Skilled storage and delayed perceptual organization of speech 211
Speech errors in everyday life 213
Syllable recognition by nonhuman species 214
Suggestions for further reading 215
8 The relation of hearing to perception in general 216
Multimodal perception 216
Interaction of vision with senses other than hearing 216
Interaction of vision and hearing in speech perception 217
Perceptual resolution of conflicting visual and auditory
information concerning speech 218
Multimodal sensory control of speech production 219
General perceptual rules and modality-specific rules 220
1. Sensory input is interpreted in terms of familiar causative agents
or events, and not in terms of the manner and nature of neural
stimulation 220
2. Perceptual changes occur during exposure to an unchanging
stimulus pattern 221
3. Prior stimulation influences perceptual criteria 222
Suggestions for further reading 224
References 225
Index 256 |
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| illustrated | Illustrated |
| index_date | 2024-07-02T21:50:08Z |
| indexdate | 2024-07-09T21:20:38Z |
| institution | BVB |
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| language | English |
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| publisher | Cambridge Univ. Press |
| record_format | marc |
| spelling | Warren, Richard M. 1925- Verfasser (DE-588)131409670 aut Auditory perception an analysis and synthesis Richard M. Warren 3. ed. Cambridge [u.a.] Cambridge Univ. Press 2008 XIII, 264 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index This revised and updated third edition describes the nature of sound, how sound is analyzed by the auditory system, and the rules and principles governing our interpretation of auditory input. It covers many topics including sound and the auditory system, locating sound sources, the basis for loudness judgments, perception of acoustic sequences, perceptual restoration of obliterated sounds, speech production and perception, and the relation of hearing to perception in general. Whilst keeping the consistent style of the previous editions, many new features have been added, including suggestions for further reading at the end of each chapter, a section on functional imaging of the brain, expanded information on pitch and infrapitch, and additional coverage of speech processing. Advanced undergraduate and graduate students interested in auditory perception, behavioral sciences, psychology, neurobiology, architectural acoustics, and the hearing sciences will find this book an excellent guide. Lautwahrnehmung swd Sprachwahrnehmung swd Auditory perception Speech perception Auditory Perception Speech Perception Hören (DE-588)4025405-7 gnd rswk-swf Hören (DE-588)4025405-7 s DE-604 http://www.loc.gov/catdir/enhancements/fy0806/2007050033-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0806/2007050033-d.html Publisher description http://www.loc.gov/catdir/enhancements/fy0806/2007050033-t.html Table of contents only HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016700798&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Warren, Richard M. 1925- Auditory perception an analysis and synthesis Lautwahrnehmung swd Sprachwahrnehmung swd Auditory perception Speech perception Auditory Perception Speech Perception Hören (DE-588)4025405-7 gnd |
| subject_GND | (DE-588)4025405-7 |
| title | Auditory perception an analysis and synthesis |
| title_auth | Auditory perception an analysis and synthesis |
| title_exact_search | Auditory perception an analysis and synthesis |
| title_exact_search_txtP | Auditory perception an analysis and synthesis |
| title_full | Auditory perception an analysis and synthesis Richard M. Warren |
| title_fullStr | Auditory perception an analysis and synthesis Richard M. Warren |
| title_full_unstemmed | Auditory perception an analysis and synthesis Richard M. Warren |
| title_short | Auditory perception |
| title_sort | auditory perception an analysis and synthesis |
| title_sub | an analysis and synthesis |
| topic | Lautwahrnehmung swd Sprachwahrnehmung swd Auditory perception Speech perception Auditory Perception Speech Perception Hören (DE-588)4025405-7 gnd |
| topic_facet | Lautwahrnehmung Sprachwahrnehmung Auditory perception Speech perception Auditory Perception Speech Perception Hören |
| url | http://www.loc.gov/catdir/enhancements/fy0806/2007050033-b.html http://www.loc.gov/catdir/enhancements/fy0806/2007050033-d.html http://www.loc.gov/catdir/enhancements/fy0806/2007050033-t.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016700798&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT warrenrichardm auditoryperceptionananalysisandsynthesis |