A perspective theory of music perception and emotion:
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
Göteborg
Göteborgs Universitet
2008
|
| Series: | Skrifter från musikvetenskap, Göteborgs universitet
90 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 311 S. |
| ISBN: | 9789185974061 9185974064 |
Staff View
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Record in the Search Index
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| adam_text |
A Perspective Theory of Music Perception and Emotion
Table of Contents
Introduction
.
И
Problem formulation
.13
Question
.14
Background and previous research
.15
Objective
.20
Theory
.20
Material
.20
Delimitations
.20
Theories on music and emotion
.24
Thesis overview
.32
1
From Soundwave to Music
.35
Levels of consciousness
.36
Perception
.39
Application to music
.51
Form& content
.53
Imagery
.55
Music imagery
.59
Perspectives
.63
Perspective
&
imagery
.67
Perspective, form
&
content
.69
Perspective
&
perception
.71
Figure and ground in perspectives
.71
Perspective
&
time
.74
Perspective
&
movement
.76
Perspective
&
music
.77
The perspective theory of music perception
.79
2
Sound
.83
Depiction of perspective
.83
The perception of sound
.84
Egocentric emotions
.87
Major/minor
.91
Conclusion
.92
3
Listening to the Other
.94
Depiction of perspective
.94
Implicit imitation
.97
Mirror neurons
.100
Do we take dyadic perspectives listening to music?
.105
Immediate imitation
.
Ill
Emotional expression
.114
Emotional contagion
.120
Empathy
.123
Perception-action
Musicology
The emotion-movement
connection
.125
Neurological
support
for the
РАМ
model?
.129
Conclusion
.130
Discussion
.
ІЗО
Navigating in the Soimdscape
.135
Depiction of perspective
.135
The perception of music structure
.137
Gestalt.138
Perceptual learning
.139
Sequencing
.139
Rules
.144
How are musical expectancies created?
.154
Discussion
.157
Principles of navigation
.157
Navigation in music
.
I6O
The path
.
lói
Neurological level
.166
Implications
.173
Is musical perceived visually?
.176
Implications for emotion
.180
Conclusion
.190
Tribal Rites
.192
Depiction of perspective
.192
Tribal life
.193
Trance
.196
The crowd
.199
Interaction-interperception
.200
Mythology
.205
Rites
.208
Carnival
.211
Sangrando
.216
The rock concert
.220
Listening alone
.222
Discussion
.222
Contemplating Music
.227
Depiction of perspective
.227
Music and the cultural perspective
.229
Semiotics
.230
The sign is perspective dependent
.236
Is music a language?
.241
Can
semiotic
theory explain music emotion?
.244
Conclusions
.247
A Perspective Theory of Music Perception and Emotion
7
Emotion
.249
What is an emotion?
.249
The neurophysiology of emotion
.252
Musical emotions
.254
The pharmacology of music
.256
Causality between perspective and emotion
.258
Emotions and music
-
a hypothesis
.
2бО
Conclusion
.264
8
Conclusions and Discussion
.
2б5
Conclusions
.265
Discussion
.274
Final words
.281
Sources
.283 |
| adam_txt |
A Perspective Theory of Music Perception and Emotion
Table of Contents
Introduction
.
И
Problem formulation
.13
Question
.14
Background and previous research
.15
Objective
.20
Theory
.20
Material
.20
Delimitations
.20
Theories on music and emotion
.24
Thesis overview
.32
1
From Soundwave to Music
.35
Levels of consciousness
.36
Perception
.39
Application to music
.51
Form& content
.53
Imagery
.55
Music imagery
.59
Perspectives
.63
Perspective
&
imagery
.67
Perspective, form
&
content
.69
Perspective
&
perception
.71
Figure and ground in perspectives
.71
Perspective
&
time
.74
Perspective
&
movement
.76
Perspective
&
music
.77
The perspective theory of music perception
.79
2
Sound
.83
Depiction of perspective
.83
The perception of sound
.84
Egocentric emotions
.87
Major/minor
.91
Conclusion
.92
3
Listening to the Other
.94
Depiction of perspective
.94
Implicit imitation
.97
Mirror neurons
.100
Do we take dyadic perspectives listening to music?
.105
Immediate imitation
.
Ill
Emotional expression
.114
Emotional contagion
.120
Empathy
.123
Perception-action
Musicology
The emotion-movement
connection
.125
Neurological
support
for the
РАМ
model?
.129
Conclusion
.130
Discussion
.
ІЗО
Navigating in the Soimdscape
.135
Depiction of perspective
.135
The perception of music structure
.137
Gestalt.138
Perceptual learning
.139
Sequencing
.139
Rules
.144
How are musical expectancies created?
.154
Discussion
.157
Principles of navigation
.157
Navigation in music
.
I6O
The path
.
lói
Neurological level
.166
Implications
.173
Is musical perceived visually?
.176
Implications for emotion
.180
Conclusion
.190
Tribal Rites
.192
Depiction of perspective
.192
Tribal life
.193
Trance
.196
The crowd
.199
Interaction-interperception
.200
Mythology
.205
Rites
.208
Carnival
.211
Sangrando
.216
The rock concert
.220
Listening alone
.222
Discussion
.222
Contemplating Music
.227
Depiction of perspective
.227
Music and the cultural perspective
.229
Semiotics
.230
The sign is perspective dependent
.236
Is music a language?
.241
Can
semiotic
theory explain music emotion?
.244
Conclusions
.247
A Perspective Theory of Music Perception and Emotion
7
Emotion
.249
What is an emotion?
.249
The neurophysiology of emotion
.252
Musical emotions
.254
The pharmacology of music
.256
Causality between perspective and emotion
.258
Emotions and music
-
a hypothesis
.
2бО
Conclusion
.264
8
Conclusions and Discussion
.
2б5
Conclusions
.265
Discussion
.274
Final words
.281
Sources
.283 |
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| spelling | Vickhoff, Björn Verfasser aut A perspective theory of music perception and emotion Björn Vickhoff Göteborg Göteborgs Universitet 2008 311 S. txt rdacontent n rdamedia nc rdacarrier Skrifter från musikvetenskap, Göteborgs universitet 90 Zugl.: Göteborg, Univ., Diss., 2008 Musikupplevelse Musikpsykologi sao Musikestetik sao Musik Psychologie Music Physiological aspects Music Psychological aspects Musical analysis Musical perception Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Gefühl (DE-588)4019702-5 gnd rswk-swf Musikwahrnehmung (DE-588)4126097-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Musikwahrnehmung (DE-588)4126097-1 s Gefühl (DE-588)4019702-5 s DE-604 Musikpsychologie (DE-588)4127817-3 s Musikästhetik (DE-588)4040808-5 s Skrifter från musikvetenskap, Göteborgs universitet 90 (DE-604)BV023090645 90 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016671611&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Vickhoff, Björn A perspective theory of music perception and emotion Skrifter från musikvetenskap, Göteborgs universitet Musikupplevelse Musikpsykologi sao Musikestetik sao Musik Psychologie Music Physiological aspects Music Psychological aspects Musical analysis Musical perception Musikpsychologie (DE-588)4127817-3 gnd Musikästhetik (DE-588)4040808-5 gnd Gefühl (DE-588)4019702-5 gnd Musikwahrnehmung (DE-588)4126097-1 gnd |
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| title | A perspective theory of music perception and emotion |
| title_auth | A perspective theory of music perception and emotion |
| title_exact_search | A perspective theory of music perception and emotion |
| title_exact_search_txtP | A perspective theory of music perception and emotion |
| title_full | A perspective theory of music perception and emotion Björn Vickhoff |
| title_fullStr | A perspective theory of music perception and emotion Björn Vickhoff |
| title_full_unstemmed | A perspective theory of music perception and emotion Björn Vickhoff |
| title_short | A perspective theory of music perception and emotion |
| title_sort | a perspective theory of music perception and emotion |
| topic | Musikupplevelse Musikpsykologi sao Musikestetik sao Musik Psychologie Music Physiological aspects Music Psychological aspects Musical analysis Musical perception Musikpsychologie (DE-588)4127817-3 gnd Musikästhetik (DE-588)4040808-5 gnd Gefühl (DE-588)4019702-5 gnd Musikwahrnehmung (DE-588)4126097-1 gnd |
| topic_facet | Musikupplevelse Musikpsykologi Musikestetik Musik Psychologie Music Physiological aspects Music Psychological aspects Musical analysis Musical perception Musikpsychologie Musikästhetik Gefühl Musikwahrnehmung Hochschulschrift |
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