Sound and recording: an introduction
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | Undetermined |
| Veröffentlicht: |
Amsterdam [u.a.]
Elsevier [u.a.]
2006
|
| Ausgabe: | 5. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVI, 569 S. Ill., graph. Darst. |
| ISBN: | 0240519965 9780240519968 |
Internformat
MARC
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| 264 | 1 | |a Amsterdam [u.a.] |b Elsevier [u.a.] |c 2006 | |
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Datensatz im Suchindex
| _version_ | 1804138756807065600 |
|---|---|
| adam_text | SOUND AND RECORDING AN INTRODUCTION FIFTH EDITION FRANCIS RUMSEY BMUS
(TONMEISTER), PHD TIM MCCORMICK BA, LTCL ^ ^ ^ ^ ^ ^ M AMSTERDAM *
BOSTON * HEIDELBERG * LONDON * NEWYORK * OXFORD PARIS * SAN DIEGO * SAN
FRANCISCO . SINGAPORE . SYDNEY * TOKYO FOCAL PRESS IS AN IMPRINT OF
ELSEVIER ELSEVIER CONTENTS FACT FILE DIRECTORY XI PREFACE TO THE SECOND
EDITION XV PREFACE TO THE THIRD EDITION XVII PREFACE TO THE FOURTH
EDITION XIX PREFACE TO THE FIFTH EDITION XXI CHAPTER 1 WHAT IS SOUND? 1
A VIBRATING SOURCE 1 CHARACTERISTICS OF A SOUND WAVE 1 HOW SOUND TRAVELS
IN AIR 3 SIMPLE AND COMPLEX SOUNDS 4 FREQUENCY SPECTRA OF REPETITIVE
SOUNDS 5 FREQUENCY SPECTRA OF NON-REPETITIVE SOUNDS 7 PHASE 8 SOUND IN
ELECTRICAL FORM 11 DISPLAYING THE CHARACTERISTICS OF A SOUND WAVE 13 THE
DECIBEL 14 SOUND POWER AND SOUND PRESSURE 16 FREE AND REVERBERANT FIELDS
18 STANDING WAVES 21 RECOMMENDED FURTHER READING 24 CHAPTER 2 AUDITORY
PERCEPTION 25 THE HEARING MECHANISM 25 FREQUENCY PERCEPTION 26 LOUDNESS
PERCEPTION 28 PRACTICAL IMPLICATIONS OF EQUAL-LOUDNESS CONTOURS 30
SPATIAL PERCEPTION 32 RECOMMENDED FURTHER READING 40 VI CONTENTS CHAPTER
3 MICROPHONES 41 THE MOVING-COIL OR DYNAMIC MICROPHONE 41 THE RIBBON
MICROPHONE 42 THE CAPACITOR OR CONDENSER MICROPHONE 45 DIRECTIONAL
RESPONSES AND POLAR DIAGRAMS 46 SPECIALISED MICROPHONE TYPES 54
SWITCHABLE POLAR PATTERNS 56 STEREO MICROPHONES 57 MICROPHONE
PERFORMANCE 59 MICROPHONE POWERING OPTIONS 62 RADIO MICROPHONES 65
RECOMMENDED FURTHER READING 73 CHAPTER 4 LOUDSPEAKERS 74 THE MOVING-COIL
LOUDSPEAKER 74 OTHER LOUDSPEAKER TYPES 76 MOUNTING AND LOADING DRIVE
UNITS 79 COMPLETE LOUDSPEAKER SYSTEMS 82 ACTIVE LOUDSPEAKERS 85
SUBWOOFERS 86 LOUDSPEAKER PERFORMANCE 87 SETTING UP LOUDSPEAKERS 93
RECOMMENDED FURTHER READING 95 CHAPTER 5 MIXERS 96 A SIMPLE SIX-CHANNEL
MIXER 96 A MULTITRACK MIXER 102 CHANNEL GROUPING 106 AN OVERVIEW OF
TYPICAL MIXER FACILITIES 107 DIGITAL MIXERS 120 EQ EXPLAINED 121 STEREO
LINE INPUT MODULES 127 DEDICATED MONITOR MIXER 127 INTRODUCTION TO
MIXING APPROACHES 128 BASIC OPERATIONAL TECHNIQUES 129 TECHNICAL
SPECIFICATIONS 131 METERING SYSTEMS 135 AUTOMATION 140 RECOMMENDED
FURTHER READING 153 CONTENTS VII CHAPTER 6 ANALOGUE RECORDING 154 A
SHORT HISTORY OF ANALOGUE RECORDING 154 MAGNETIC TAPE 156 THE MAGNETIC
RECORDING PROCESS 159 THE TAPE RECORDER 164 TRACK FORMATS 169 MAGNETIC
RECORDING LEVELS 170 WHAT ARE TEST TAPES FOR? 171 TAPE MACHINE ALIGNMENT
172 MECHANICAL TRANSPORT FUNCTIONS 176 THE COMPACT CASSETTE 178
RECOMMENDED FURTHER READING 181 CHAPTER 7 NOISE REDUCTION 182 WHY IS
NOISE REDUCTION REQUIRED? 182 METHODS OF REDUCING NOISE 182 LINE-UP OF
NOISE REDUCTION SYSTEMS 188 OPERATIONAL CONSIDERATIONS 190 SINGLE-ENDED
NOISE REDUCTION 190 RECOMMENDED FURTHER READING 192 CHAPTER 8 DIGITAL
AUDIO PRINCIPLES 193 DIGITAL AND ANALOGUE RECORDING CONTRASTED 193
BINARY FOR BEGINNERS 195 THE DIGITAL AUDIO SIGNAL CHAIN 199 ANALOGUE TO
DIGITAL CONVERSION 200 D/A CONVERSION 221 DIRECT STREAM DIGITAL (DSD)
222 CHANGING THE RESOLUTION OF AN AUDIO SIGNAL (REQUANTISATION) 224
INTRODUCTION TO DIGITAL SIGNAL PROCESSING 227 AUDIO DATA REDUCTION 235
RECOMMENDED FURTHER READING 242 CHAPTER 9 DIGITAL RECORDING AND EDITING
SYSTEMS 243 DIGITAL TAPE RECORDING 243 DISK-BASED SYSTEMS 254 SOUND FILE
FORMATS 264 CONSUMER DIGITAL FORMATS 271 SOLID STATE RECORDING FORMATS
276 AUDIO PROCESSING FOR COMPUTER WORKSTATIONS 276 DISK-BASED EDITING
SYSTEM PRINCIPLES 278 RECOMMENDED FURTHER READING 286 VIII CONTENTS
CHAPTER 10 DIGITAL AUDIO APPLICATIONS 287 EDITING SOFTWARE 287 PLUG-IN
ARCHITECTURES 290 ADVANCED AUDIO PROCESSING SOFTWARE AND DEVELOPMENT
TOOLS 292 MASTERING AND RESTORATION 294 PREPARING FOR AND UNDERSTANDING
RELEASE MEDIA 300 INTERCONNECTING DIGITAL AUDIO DEVICES 306 RECOMMENDED
FURTHER READING 324 WEBSITES 324 CHAPTER 11 POWER AMPLIFIERS 325
DOMESTIC POWER AMPLIFIERS 325 PROFESSIONAL AMPLIFIER FACILITIES 327
SPECIFICATIONS 328 COUPLING 333 CHAPTER 12 LINES AND INTERCONNECTION 334
TRANSFORMERS 334 UNBALANCED LINES 337 CABLE EFFECTS WITH UNBALANCED
LINES 337 BALANCED LINES 341 WORKING WITH BALANCED LINES 342 STAR-QUAD
CABLE 343 ELECTRONIC BALANCING 344 100 VOLT LINES 345 600 OHMS 347 DL
BOXES 350 SPLITTER BOXES 352 JACKFIELDS (PATCHBAYS) 354 DISTRIBUTION
AMPLIFIERS 358 CHAPTER 13 OUTBOARD EQUIPMENT 359 THE GRAPHIC EQUALISER
359 THE COMPRESSOR/IIMITER 362 ECHO AND REVERB DEVICES 363 MULTI-EFFECTS
PROCESSORS 367 FREQUENCY SHIFTER 368 DIGITAL DELAY 368 MISCELLANEOUS
DEVICES 369 CONNECTION OF OUTBOARD DEVICES 370 RECOMMENDED FURTHER
READING 372 CONTENTS IX CHAPTER 14 MIDI AND SYNTHETIC AUDIO CONTROL 373
BACKGROUND 373 WHAT IS MIDI? 375 MIDI AND DIGITAL AUDIO CONTRASTED 375
BASIC PRINCIPLES 377 INTERFACING A COMPUTER TO A MIDI SYSTEM 380 HOW
MIDI CONTROL WORKS 384 MIDI CONTROL OF SOUND GENERATORS 397 GENERAL MIDI
406 SCALABLE POLYPHONIC MIDI (SPMIDI) 408 RMID AND XMF FILES 409 SAOL
AND SASL IN MPEG 4 STRUCTURED AUDIO 409 MIDI AND SYNCHRONISATION 411
MIDI OVER USB 415 MIDI OVER IEEE 1394 416 AFTER MIDI? 417 RECOMMENDED
FURTHER READING 418 WEBSITES 418 CHAPTER 15 TIMECODE AND SYNCHRONISATION
419 SMPTE/EBU TIMECODE 419 RECORDING TIMECODE 422 SYNCHRONISERS 424
RECOMMENDED FURTHER READING 428 CHAPTER 16 TWO-CHANNEL STEREO 429
PRINCIPLES OF LOUDSPEAKER STEREO 430 PRINCIPLES OF BINAURAL OR HEADPHONE
STEREO 438 LOUDSPEAKER STEREO OVER HEADPHONES AND VICE VERSA 442
TWO-CHANNEL SIGNAL FORMATS 445 TWO-CHANNEL MICROPHONE TECHNIQUES 447
BINAURAL RECORDING AND DUMMY HEAD TECHNIQUES 465 SPOT MICROPHONES AND
TWO-CHANNEL PANNING LAWS 467 RECOMMENDED FURTHER READING 468 CHAPTER 17
SURROUND SOUND 469 THREE-CHANNEL (3-0) STEREO 469 FOUR-CHANNEL SURROUND
(3-1 STEREO) 470 5.1 CHANNEL SURROUND (3-2 STEREO) 472 OTHER
MULTICHANNEL CONFIGURATIONS 478 X CONTENTS SURROUND SOUND SYSTEMS 480
MATRIXED SURROUND SOUND SYSTEMS 480 DIGITAL SURROUND SOUND FORMATS 486
AMBISONICS 492 SURROUND SOUND MONITORING 497 SURROUND SOUND RECORDING
TECHNIQUES 501 MULTICHANNEL PANNING TECHNIQUES 516 RECOMMENDED FURTHER
READING 520 GLOSSARY OF TERMS 521 APPENDIX 1 UNDERSTANDING BASIC
EQUIPMENT SPECIFICATIONS 529 FREQUENCY RESPONSE - TECHNICAL 529
FREQUENCY RESPONSE - PRACTICAL EXAMPLES 531 HARMONIC DISTORTION -
TECHNICAL 533 HARMONIC DISTORTION - PRACTICAL EXAMPLES 535 DYNAMIC RANGE
AND SIGNAL-TO-NOISE RATIO 536 WOW AND FLUTTER 537 INTERMODULATION (IM)
DISTORTION 538 CROSSTALK 539 APPENDIX 2 RECORD PLAYERS 541 PICKUP
MECHANICS 541 RIAA EQUALISATION 545 CARTRIDGE TYPES 546 CONNECTING LEADS
547 ARM CONSIDERATIONS 548 LASER PICKUPS 549 RECOMMENDED FURTHER READING
549 GENERAL FURTHER READING 551 INDEX 553
|
| any_adam_object | 1 |
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| author_facet | Rumsey, Francis McCormick, Tim |
| author_role | aut aut |
| author_sort | Rumsey, Francis |
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| building | Verbundindex |
| bvnumber | BV023648116 |
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| dewey-full | 621.3893 |
| dewey-hundreds | 600 - Technology (Applied sciences) |
| dewey-ones | 621 - Applied physics |
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| dewey-tens | 620 - Engineering and allied operations |
| discipline | Elektrotechnik / Elektronik / Nachrichtentechnik |
| edition | 5. ed. |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-07-09T21:33:15Z |
| institution | BVB |
| isbn | 0240519965 9780240519968 |
| language | Undetermined |
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| physical | XVI, 569 S. Ill., graph. Darst. |
| publishDate | 2006 |
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| publisher | Elsevier [u.a.] |
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| spelling | Rumsey, Francis Verfasser aut Sound and recording an introduction Francis Rumsey ; Tim McCormick 5. ed. Amsterdam [u.a.] Elsevier [u.a.] 2006 XVI, 569 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Audiotechnik (DE-588)4140445-2 gnd rswk-swf Audiotechnik (DE-588)4140445-2 s DE-604 Schallaufzeichnung (DE-588)4052020-1 s 1\p DE-604 McCormick, Tim Verfasser aut GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017244461&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rumsey, Francis McCormick, Tim Sound and recording an introduction Schallaufzeichnung (DE-588)4052020-1 gnd Audiotechnik (DE-588)4140445-2 gnd |
| subject_GND | (DE-588)4052020-1 (DE-588)4140445-2 |
| title | Sound and recording an introduction |
| title_auth | Sound and recording an introduction |
| title_exact_search | Sound and recording an introduction |
| title_full | Sound and recording an introduction Francis Rumsey ; Tim McCormick |
| title_fullStr | Sound and recording an introduction Francis Rumsey ; Tim McCormick |
| title_full_unstemmed | Sound and recording an introduction Francis Rumsey ; Tim McCormick |
| title_short | Sound and recording |
| title_sort | sound and recording an introduction |
| title_sub | an introduction |
| topic | Schallaufzeichnung (DE-588)4052020-1 gnd Audiotechnik (DE-588)4140445-2 gnd |
| topic_facet | Schallaufzeichnung Audiotechnik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017244461&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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