Verfügbarkeit: Performance :: THWS Bibkatalog

Performance: critical concepts in literary and cultural studies

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Bibliographische Detailangaben
Weitere Verfasser:	Auslander, Philip (HerausgeberIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	London, New York Routledge
Schlagworte:	Gesellschaft Theater > Anthropological aspects Performing arts > Social aspects Rites and ceremonies Performance > Künste Theater Aufsatzsammlung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes bibliographical references and index
ISBN:	0415255112

Internformat

MARC


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Datensatz im Suchindex

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adam_text	CONTENTS VOLUME I Acknowledgements xv Chronological Table of reprinted articles and chapters xviii General Introduction 1 part ι Foundations and definitions 25 1.1 Foundational texts and concepts 1 The territorial passage 27 ARNOLD VAN GENNEP 2 Nature and significance of play as a cultural phenomenon 36 JOHAN HUIZINGA 3 Search for a great tradition in cultural performances 57 MILTON SINGER 4 Ritual drama as hub 72 KENNETH BURKE 5 Lecture I in How to Do Things with Words 91 J. L. AUSTIN 6 Introduction in The Presentation of Self in Everyday Life 97 ERVING GOFFMAN CONTENTS 1.2 Definitions, distinctions, and debates 7 Performance as metaphor 108 BERT O. STATES 8 Approaches to performance : an analysis of terms 138 GRAHAME F. THOMPSON 9 The politics of discourse: performativity meets theatricality 153 JANELLE REINELT 10 Virtual reality: performance, immersion, and the thaw 168 JON MCKENZIE 1.3 Disciplinary actions 11 Blurred genres: the refìguration of social thought 189 CLIFFORD GEERTZ 12 Life as theater: some notes on the dramaturgic approach to social reality 203 SHELDON L. MESSINGER WITH HAROLD SAMPSON AND ROBERT D. TOWNE 13 A paradigm for performance studies 215 RONALD J. PELIAS AND JAMES VANOOSTING 14 Performance studies as women s work: historical sights/sites/citations from the margin 232 ELIZABETH BELL PART 2 Elements and circumstances of performance 261 15 Performers and spectators transported and transformed 263 RICHARD SCHECHNER 16 Theatrical and transgressée energies 291 FREDDIE ROKEM 17 On acting and not-acting 309 MICHAEL KIRBY 18 Screen acting and the commutation test 324 JOHN O. THOMPSON VI CONTENTS 19 Poetry s oral stage 338 PETER MIDDLETON 20 The integrity of musical performance 371 STAN GODLOVITCH VOLUME II Acknowledgements ix PART 1 Representation 1 21 The theater of cruelty and the closure of representation 3 JACQUES DERRIDA 22 The tooth, the palm 25 JEAN-FRANÇOIS LYOTARD 23 Frame-up: feminism, psychoanalysis, theatre 32 BARBARA FREEDMAN 24 The dynamics of desire: sexuality and gender in pornography and performance 57 JILL DOLAN PART 2 Textuality 77 25 Theatrical performance: illustration, translation, fulfillment, or supplement? 79 MARVIN CARLSON 26 Drama, performativity, and performance 86 W. B. WORTHEN 27 Presence and the revenge of writing: re-thinking theatre after Derrida 109 ELINOR FUCHS 28 Performance writing 119 RIC ALLSOP VU CONTENTS 29 Making motions: the embodiment of law in gesture 124 BERNARD J. HIBBITTS PART3 Bodies 155 30 The actor s bodies 157 DAVID GRAVER 31 The body as the object of modern performance 175 JON ERICKSON 32 Strategic abilities: negotiating the disabled body in dance 188 ANN COOPER ALBRIGHT 33 Feminine free fall: a fantasy of freedom 207 PETA TAIT PART 4 Audiences/spectatorship 217 34 Dramaturgy of the spectator 219 MARCO DE MARINIS 35 The pleasure of the spectator 236 ANNE UBERSFELD 36 The audience: subjectivity, community and the ethics of listening 249 ALICE RAYNER 37 Odd, anonymous needs: the audience in a dramatized society 269 HERBERT BLAU 38 Spectatorial theory in the age of media culture 282 ELIZABETH KLAVER PART 5 Culture 301 5.1 Cultural studies 39 Drama in a dramatised society 303 RAYMOND WILLIAMS Vili CONTENTS 40 Why modern plays are not culture: disciplinary blind spots 313 SHANNON JACKSON 41 Embodying difference: issues in dance and cultural studies 334 JANE C. DESMOND 5.2 Intercultural studies 42 Twins separated at birth? West African vernacular and Western avant garde perforniativity in theory and practice 359 CYNTHIA WARD 43 Western feminist theory, Asian Indian performance, and a notion of agency 382 AVANTHI MEDURI 44 Interculturalism, postmodernism, pluralism 395 DARYL CHIN VOLUME III Acknowledgements ¡x PARTI Science and social science 1 1.1 Performing science 45 From science to theatre: dramas of speculative thought 3 GAUTAM DASGUPTA 46 Performance and production: the relation between science as inquiry and science as cultural practice 11 ROBERT P. CREASE 1.2 Social behavior as performance 47 Verbal art as performance 32 RICHARD BAUMAN 48 A performance-centered approach to gossip 61 ROGER D. ABRAHAMS IX CONTENTS 49 Becoming other-wise: conversational performance and the politics of experience 75 LEONARD С. НА WES 50 Social dramas and stories about them 108 VICTOR TURNER 1.3 Performing ethnography 51 Performing as a moral act: ethical dimensions of the ethnography of performance 134 DWIGHT CONQUERGOOD 52 Performance science 149 MICHAL M. McCALL AND HOWARD S. BECKER 53 The efficacy of performance science: comment on McCall and Becker 169 RICHARD A. HILBERT 54 SNAP! Culture: a different kind of reading 173 E. PATRICK JOHNSON PART 2 History, politics, political economy 199 2.1 Performing history 55 Disappearance as history: the stages of terror 201 ANTHONY KUBIAK 56 Historical events and the historiography of tourism 213 MICHAL KOBIAŁKA 57 Spectacles of suffering: performing presence, absence, and historical memory at U.S. Holocaust museums 234 VIVIAN M. PATRAKA 2.2 Political activism and performance 58 Spectacles and scenarios: a dramaturgy of radical activity 253 LEE BAXANDALL 59 Fighting in the streets: dramaturgies of popular protest, 1968-1989 266 BAZ KERSHAW CONTENTS 2.3 Theorizing political performance 60 There must be a lot of fish in that lake : toward an ecological theater 293 UNA CHAUDHURI 61 Brechtian theory/feminist theory: toward a gestie feminist criticism 305 ELIN DIAMOND 62 The ontology of performance: representation without reproduction 320 PEGGY PHELAN 63 Praxis and performativity 336 ANDREW PARKER 2.4 Work. Production. Political economy 64 The future that worked 344 JOSEPH ROACH 65 Rhythm and the performance of organization 353 RICHARD A. ROGERS 66 The performance of production and consumption 372 MIRANDA JOSEPH 67 Legally live 405 PHILIP AUSLANDER VOLUME IV Acknowledgements ix PART 1 Identity and the self 1 1.1 The performing self 68 The performing self 3 RICHARD POIRIER ХІ CONTENTS 69 Presenting and re-presenting the self: from not-acting to acting in African performance 22 FRANCES HARDING 1.2 Performing identity 70 Doing difference 42 CANDACE WEST AND SUSAN FENSTERMAKER 71 Prologue: performing blackness 74 KIMBERLY W. BENSTON 72 Performative acts and gender constitution: an essay in phenomenology and feminist theory 97 JUDITH BUTLER 73 Choreographies of gender 111 SUSAN LEIGH FOSTER 74 Performing lesbian in the space of technology: part I 141 SUE-ELLEN CASE PART 2 Visual art and performance art 163 2.1 Visual art 75 Art and objecthood 165 MICHAEL FRIED 76 The object of performance: aesthetics in the seventies 188 HENRY SAYRE 2.2 Performance art 77 Performance and theatricality: the subject demystified 206 JOSETTE FERAL 78 British live art 218 NICK KAYE 79 Performance art and ritual: bodies in performance 228 ERIKA FISCHER-LICHTE XU CONTENTS 80 Women s performance art: feminism and postmodernism 251 JEANIE FORTE 81 Negotiating deviance and normativity: performance art, boundary transgressions, and social change 269 BRITTA В. WHEELER PART3 Media and technology 289 3.1 Media and mediatization 82 Film and theatre 291 SUSAN SONTAG 83 The presence of mediation 306 ROGER COPELAND 84 The eye finds no fixed point on which to rest ... 323 CHANTAL PONTBRIAND 85 Listening to music: performances and recordings 332 THEODORE GRACYK 3.2 Performance and technology 86 Negotiating presence: performance and new technologies 351 ANDREW MURPHIE 87 The art of puppetry in the age of media production 365 STEVE TILLIS 88 The screen test of the double: the uncanny performer in the space of technology 381 MATTHEW CAUSEY 89 The art of interaction: interactivity, performativity, and computers 395 DAVID Z. SALTZ Index 411 X1U
adam_txt	CONTENTS VOLUME I Acknowledgements xv Chronological Table of reprinted articles and chapters xviii General Introduction 1 part ι Foundations and definitions 25 1.1 Foundational texts and concepts 1 The territorial passage 27 ARNOLD VAN GENNEP 2 Nature and significance of play as a cultural phenomenon 36 JOHAN HUIZINGA 3 Search for a great tradition in cultural performances 57 MILTON SINGER 4 Ritual drama as "hub" 72 KENNETH BURKE 5 Lecture I in How to Do Things with Words 91 J. L. AUSTIN 6 Introduction in The Presentation of Self in Everyday Life 97 ERVING GOFFMAN CONTENTS 1.2 Definitions, distinctions, and debates 7 Performance as metaphor 108 BERT O. STATES 8 Approaches to "performance": an analysis of terms 138 GRAHAME F. THOMPSON 9 The politics of discourse: performativity meets theatricality 153 JANELLE REINELT 10 Virtual reality: performance, immersion, and the thaw 168 JON MCKENZIE 1.3 Disciplinary actions 11 Blurred genres: the refìguration of social thought 189 CLIFFORD GEERTZ 12 Life as theater: some notes on the dramaturgic approach to social reality 203 SHELDON L. MESSINGER WITH HAROLD SAMPSON AND ROBERT D. TOWNE 13 A paradigm for performance studies 215 RONALD J. PELIAS AND JAMES VANOOSTING 14 Performance studies as women's work: historical sights/sites/citations from the margin 232 ELIZABETH BELL PART 2 Elements and circumstances of performance 261 15 Performers and spectators transported and transformed 263 RICHARD SCHECHNER 16 Theatrical and transgressée energies 291 FREDDIE ROKEM 17 On acting and not-acting 309 MICHAEL KIRBY 18 Screen acting and the commutation test 324 JOHN O. THOMPSON VI CONTENTS 19 Poetry's oral stage 338 PETER MIDDLETON 20 The integrity of musical performance 371 STAN GODLOVITCH VOLUME II Acknowledgements ix PART 1 Representation 1 21 The theater of cruelty and the closure of representation 3 JACQUES DERRIDA 22 The tooth, the palm 25 JEAN-FRANÇOIS LYOTARD 23 Frame-up: feminism, psychoanalysis, theatre 32 BARBARA FREEDMAN 24 The dynamics of desire: sexuality and gender in pornography and performance 57 JILL DOLAN PART 2 Textuality 77 25 Theatrical performance: illustration, translation, fulfillment, or supplement? 79 MARVIN CARLSON 26 Drama, performativity, and performance 86 W. B. WORTHEN 27 Presence and the revenge of writing: re-thinking theatre after Derrida 109 ELINOR FUCHS 28 Performance writing 119 RIC ALLSOP VU CONTENTS 29 Making motions: the embodiment of law in gesture 124 BERNARD J. HIBBITTS PART3 Bodies 155 30 The actor's bodies 157 DAVID GRAVER 31 The body as the object of modern performance 175 JON ERICKSON 32 Strategic abilities: negotiating the disabled body in dance 188 ANN COOPER ALBRIGHT 33 Feminine free fall: a fantasy of freedom 207 PETA TAIT PART 4 Audiences/spectatorship 217 34 Dramaturgy of the spectator 219 MARCO DE MARINIS 35 The pleasure of the spectator 236 ANNE UBERSFELD 36 The audience: subjectivity, community and the ethics of listening 249 ALICE RAYNER 37 Odd, anonymous needs: the audience in a dramatized society 269 HERBERT BLAU 38 Spectatorial theory in the age of media culture 282 ELIZABETH KLAVER PART 5 Culture 301 5.1 Cultural studies 39 Drama in a dramatised society 303 RAYMOND WILLIAMS Vili CONTENTS 40 Why modern plays are not culture: disciplinary blind spots 313 SHANNON JACKSON 41 Embodying difference: issues in dance and cultural studies 334 JANE C. DESMOND 5.2 Intercultural studies 42 Twins separated at birth? West African vernacular and Western avant garde perforniativity in theory and practice 359 CYNTHIA WARD 43 Western feminist theory, Asian Indian performance, and a notion of agency 382 AVANTHI MEDURI 44 Interculturalism, postmodernism, pluralism 395 DARYL CHIN VOLUME III Acknowledgements ¡x PARTI Science and social science 1 1.1 Performing science 45 From science to theatre: dramas of speculative thought 3 GAUTAM DASGUPTA 46 Performance and production: the relation between science as inquiry and science as cultural practice 11 ROBERT P. CREASE 1.2 Social behavior as performance 47 Verbal art as performance 32 RICHARD BAUMAN 48 A performance-centered approach to gossip 61 ROGER D. ABRAHAMS IX CONTENTS 49 Becoming other-wise: conversational performance and the politics of experience 75 LEONARD С. НА WES 50 Social dramas and stories about them 108 VICTOR TURNER 1.3 Performing ethnography 51 Performing as a moral act: ethical dimensions of the ethnography of performance 134 DWIGHT CONQUERGOOD 52 Performance science 149 MICHAL M. McCALL AND HOWARD S. BECKER 53 The efficacy of performance science: comment on McCall and Becker 169 RICHARD A. HILBERT 54 SNAP! Culture: a different kind of "reading" 173 E. PATRICK JOHNSON PART 2 History, politics, political economy 199 2.1 Performing history 55 Disappearance as history: the stages of terror 201 ANTHONY KUBIAK 56 Historical events and the historiography of tourism 213 MICHAL KOBIAŁKA 57 Spectacles of suffering: performing presence, absence, and historical memory at U.S. Holocaust museums 234 VIVIAN M. PATRAKA 2.2 Political activism and performance 58 Spectacles and scenarios: a dramaturgy of radical activity 253 LEE BAXANDALL 59 Fighting in the streets: dramaturgies of popular protest, 1968-1989 266 BAZ KERSHAW CONTENTS 2.3 Theorizing political performance 60 "There must be a lot of fish in that lake": toward an ecological theater 293 UNA CHAUDHURI 61 Brechtian theory/feminist theory: toward a gestie feminist criticism 305 ELIN DIAMOND 62 The ontology of performance: representation without reproduction 320 PEGGY PHELAN 63 Praxis and performativity 336 ANDREW PARKER 2.4 Work. Production. Political economy 64 The future that worked 344 JOSEPH ROACH 65 Rhythm and the performance of organization 353 RICHARD A. ROGERS 66 The performance of production and consumption 372 MIRANDA JOSEPH 67 Legally live 405 PHILIP AUSLANDER VOLUME IV Acknowledgements ix PART 1 Identity and the self 1 1.1 The performing self 68 The performing self 3 RICHARD POIRIER ХІ CONTENTS 69 Presenting and re-presenting the self: from not-acting to acting in African performance 22 FRANCES HARDING 1.2 Performing identity 70 Doing difference 42 CANDACE WEST AND SUSAN FENSTERMAKER 71 Prologue: performing blackness 74 KIMBERLY W. BENSTON 72 Performative acts and gender constitution: an essay in phenomenology and feminist theory 97 JUDITH BUTLER 73 Choreographies of gender 111 SUSAN LEIGH FOSTER 74 Performing lesbian in the space of technology: part I 141 SUE-ELLEN CASE PART 2 Visual art and performance art 163 2.1 Visual art 75 Art and objecthood 165 MICHAEL FRIED 76 The object of performance: aesthetics in the seventies 188 HENRY SAYRE 2.2 Performance art 77 Performance and theatricality: the subject demystified 206 JOSETTE FERAL 78 British live art 218 NICK KAYE 79 Performance art and ritual: bodies in performance 228 ERIKA FISCHER-LICHTE XU CONTENTS 80 Women's performance art: feminism and postmodernism 251 JEANIE FORTE 81 Negotiating deviance and normativity: performance art, boundary transgressions, and social change 269 BRITTA В. WHEELER PART3 Media and technology 289 3.1 Media and mediatization 82 Film and theatre 291 SUSAN SONTAG 83 The presence of mediation 306 ROGER COPELAND 84 "The eye finds no fixed point on which to rest ." 323 CHANTAL PONTBRIAND 85 Listening to music: performances and recordings 332 THEODORE GRACYK 3.2 Performance and technology 86 Negotiating presence: performance and new technologies 351 ANDREW MURPHIE 87 The art of puppetry in the age of media production 365 STEVE TILLIS 88 The screen test of the double: the uncanny performer in the space of technology 381 MATTHEW CAUSEY 89 The art of interaction: interactivity, performativity, and computers 395 DAVID Z. SALTZ Index 411 X1U
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